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Biography

(b New York, 15 May 1923). American photographer. He studied philosophy at Columbia University, New York (1941–2), and from 1942 to 1944 served in the photography department of the US Merchant Marine, taking identity photographs of servicemen. He then studied photography under Alexey Brodovitch at the New School for Social Research, New York, from 1944 to 1950; from 1945 to 1965 he worked under Brodovitch and Carmel Snow for Harper’s Bazaar , contributing fashion photographs. ... (view more)

Grove Art excerpts - Electronic ©2003, Oxford Art Online

(b New York, 15 May 1923). American photographer. He studied philosophy at Columbia University, New York (1941–2), and from 1942 to 1944 served in the photography department of the US Merchant Marine, taking identity photographs of servicemen. He then studied photography under Alexey Brodovitch at the New School for Social Research, New York, from 1944 to 1950; from 1945 to 1965 he worked under Brodovitch and Carmel Snow for Harper’s Bazaar , contributing fashion photographs. As a young boy he had seen various fashion magazines and had been particularly impressed by the photographs of Martin Munkacsi. This influence remained in evidence in his own fashion work for Harper’s Bazaar , since he, too, photographed the models outside and in motion in order to arrive at dramatic, sometimes blurred, images. From 1950 he also contributed photographs to Life , Look and Graphis and in 1952 became Staff Editor and photographer for Theatre Arts . Towards the end of the 1950s he became dissatisfied with daylight photography and open air locations and so turned to studio photography, using strobe lighting. In 1965 he left Harper’s Bazaar to work for Vogue under Diana Vreeland and Alexander Liberman. Avedon presented fashion photography as theatre, and his innovative style greatly influenced other photographers; his work of the 1960s hinted at the energy and sexual explicitness of the period.  (hide)

Grove Art excerpts - Electronic ©2003, Oxford Art Online

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