The world’s premier auctions
 
 
WELCOME TO INVALUABLE
Be the first to know about
the latest online auctions.
Please enter a valid email address (name@host.com)
Sign Up »
PS: We value your privacy
Thank you!
 
 
Want to learn more
about online auctions?
Take a Quick Tour »
WE'VE CHANGED OUR NAME
is now
 
To celebrate, we’ve enhanced our site with
larger images and browsing by category to help
you easily find what you’re passionate about.
Remember to update your bookmarks.
Get Started »
 
Invaluable cannot guarantee the accuracy of translations through Google Translate and disclaims any responsibility for inaccurate translations.
Show translation options

Matthew Barney Auction Price Results

Matthew Barney (1967)  Please Register/Login to access your Invaluable Alerts

Show Lots:
Next »
Per page:
Matthew BARNEY (né en 1967) DRAWING RESTRAINT 7, (GUILLOTINE), 1993 Série de 7 tirages chromogéniques et encadrement en résine fait...

Lot 107: Matthew BARNEY (né en 1967) DRAWING RESTRAINT 7, (GUILLOTINE), 1993 Série de 7 tirages chromogéniques et encadrement en résine fait...

Estimated Price: Log in or create account to view price data

Description: Matthew BARNEY (né en 1967) DRAWING RESTRAINT 7, (GUILLOTINE), 1993 Série de 7 tirages chromogéniques et encadrement en résine fait par l'artiste numéroté "2/10" au dos Series of 7 prints with a resin frame made by the artist Numbered "2/10" on the reverse h: 28 w: 35 d: 2,50 cm Provenance : Barbara Gladstone Gallery, New York L.A.C, Lambert Art Collection Collection particulière, Monaco Bibliographie : K.Kertess, Ostfildern, "Matthew Barney Drawing Restraint 7 with an introductory essay", ed C.Bechtler, 1995, reproduit J.Greenberg et R.Nickas, Altered States: American Art in the 90s, St Louis, 1995, reproduit p.24 E.Janus, Veronica's Revenge: Contemporary Perspectives in Photography , Zürich, 1998, reproduit pp.166 et 169

View additional info »
Realized: Log in or create account to view price data
Matthew Barney (b.1967) Untitled photogravure with

Lot 135: Matthew Barney (b.1967) Untitled photogravure with

Estimated Price: Log in or create account to view price data

Description: Matthew Barney (b.1967) Untitled photogravure with embossing, 2007, signed in pencil, numbered 32/45, on wove paper, with full margins, sheet 810 x 610 mm (31 7/8 x 24 in)

View additional info »
Realized: Log in or create account to view price data
Matthew Barney (b.1967) Untitled photogravure with

Lot 290: Matthew Barney (b.1967) Untitled photogravure with

Estimated Price: Log in or create account to view price data

Description: Matthew Barney (b.1967) Untitled photogravure with embossing, 2007, signed in pencil, numbered 32/45, on wove paper, with full margins, sheet 810 x 610mm (31 7/8 x 24in)

View additional info »
Realized: Log in or create account to view price data
Signed 2010 Barney Drawing Restraint 9: New Sun Offset Lithograph

Lot 326: Signed 2010 Barney Drawing Restraint 9: New Sun Offset Lithograph

Estimated Price: Log in or create account to view price data

Description: Artist Name: Barney, Matthew Title: Drawing Restraint 9: New Sun Medium: Offset Lithograph Edition Size: Unknown Year: 2010 Paper Size: 22 x 14 inches Image Size: 12.5 x 12.5 inches Condition: A: Mint Notes: Signed, not numbered, by Barney in felt-tip marker.

Condition Report: A: Mint

View additional info »
Realized: Log in or create account to view price data
Matthew Barney (b. 1967)

Lot 2: Matthew Barney (b. 1967)

Estimated Price: Log in or create account to view price data

Description: Cremaster 4: The Isle of Man signed and numbered 'Matthew Barney 1/3' (on the reverse of the center panel) two Cibachrome prints in Manx tartan and self-lubricating and prosthetic plastic frames and three Cibachrome prints in self-lubricating plastic frames Left to right: 161/2 x 15 x 11/2 in. (42 x 38.1 x 3.8 cm.) 271/2 x 331/4 x 11/2 in. (70 x 84.5 x 3.8 cm.) 331/4 x 271/2 x 11/2 in. (84.5 x 70 x 3.8 cm.) 271/2 x 331/4 x 11/2 in. (70 x 84.5 x 3.8 cm.) 161/2 x 15 x 11/2 in. (42 x 38.1 x 3.8 cm.) Executed in 1994. This work is number one from an edition of three with one artist's proof. (5) PROVENANCE Regen Projects, Los Angeles Barbara Gladstone Gallery, New York EXHIBITION Los Angeles, Regen Projects, Matthew Barney: Portraits from Cremaster 4, November-December 1994. Paris, Foundation Cartier, Matthew Barney: Cremaster 4, March-April 1995 (illustrated in color; another example exhibited). Munich, Sammlung Goetz, Matthew Barney- Tony Oursler- Jeff Wall, July 1996-January 1997, p. 14 (illustrated in color; another example exhibited). Cologne, Museum Ludwig; Mus‚e d'Art Moderne de la Ville de Paris; and New York, Solomon R. Guggenheim Museum, Matthew Barney The Cremaster Cycle, June 2002-May 2003, pp. 334-335 and p. 349 (three central works illustrated; another example exhibited).

View additional info »
Realized: Log in or create account to view price data

 Matthew Barney , b. 1967 Cremaster Suite chromogenic prints in self-lubricating plastic frames in five parts

Lot 3: Matthew Barney , b. 1967 Cremaster Suite chromogenic prints in self-lubricating plastic frames in five parts

Estimated Price: Log in or create account to view price data

Description: signed on the reverse of the center panel chromogenic prints in self-lubricating plastic frames in five parts

View additional info »
Realized: Log in or create account to view price data
No Image Available

Lot 4: Matthew Barney (b. 1967)

Estimated Price: Log in or create account to view price data

Description: CONSTIPATOR BLOCK: SHIM BOLUS - OTTO shaft - (transverse) TFE squat - HEMORRHOIDAL DISTRACTOR (2) cast large-pearl tapioca, Teflon, socks, and thermal gel packs overall: 8 1/4 by 144 by 24in. 21 by 365.8 by 61cm. Executed in 1991. CONSTIPATOR BLOCK: shim BOLUS is a visually seductive and enigmatically compelling work in which athletic paraphernalia and metabolically transformative substances coalesce. Made of cast large-pearl tapioca, Teflon, socks and thermal gel packs, the work crosses the threshold between inorganic matter and organic processes. Its tapioca-encrusted barbell, with ends encased in thermal gel packs, embodies the artist's dual fascination with sports and medicine. For Barney, these two disciplines enlist the human body as a willful, yet vulnerable object to be molded and manipulated, acted upon so as to surpass its own limits. This desire for physical prowess in Barney's work equates with sexual conquest. In Barney's esoteric visual language, his chosen materials are all expressly metaphoric: tapioca is a basic carbohydrate and Teflon a metal that surgeons employ for implants; pearls consist of filmy, secreted layers formed around a foreign body and thermal gel packs are vehicles for transferring heat. All of these elements incorporate both a struggle as well as a potential for a change in state, a metabolic, physical or genetic transformation that transcends both the technological and the human. "Barney's work has always involved a carefully balanced combination of exoteric and esoteric elements, aspects that anyone can follow and enjoy mixed in with cryptic signs and personal myths almost impossible to decipher" (Norman Bryson, "Matthew Barney's Gonadotrophic Cavalcade, Parkett, no. 45, Zurich, 1995, p. 29). A key figure in Barney's extraordinary repertoire of personal legends is Jim Otto. The celebrated center for the Oakland Raiders, Otto is a compelling anti-hero: with two artificial knees and a career spurred on by countless injuries, the athlete's body has been opened up to the outside, repeatedly transformed in pursuit of omnipotence. Otto's signature sign, the double zero of his jersey, appears as a referent in CONSTIPATOR BLOCK: shim BOLUS, signalling the vulnerability of the human body via the exposure of its orifices. "Barney has said that the word body is somehow too limiting, and it may well be because the entirety of his work points to a beyond comprised of a mad interplay of forces - the storage and expenditure of energy, motion, and rest (the snap and the delay of game penalty), friction and slippage (tapioca and teflon), expansion and contraction (testicles), opening and closing (orifices)..." (Michel Onfray, "Mannerist Variations on Matthew Barney," Parkett, Ibid., p. 60). While Barney operates with a personal lexicon of deeply loaded signs, he addresses issues that are universal and timeless. Lying at the heart of CONSTIPATOR BLOCK: shim BOLUS is the conscious absence of the human body. This absence provides the space for the viewer to insert himself into the body of the work, and urges him to negotiate the complexity of its terrain. Provenance Barbara Gladstone Gallery, New York Acquired by the present owner from the above in 1992 Exhibited San Francisco Museum of Modern Art, Matthew Barney: New Work, 1991-1992, cat. no. 10.

View additional info »
No Image Available

Lot 4: Matthew Barney (b. 1967)

Estimated Price: Log in or create account to view price data

Description: CONSTIPATOR BLOCK: SHIM BOLUS - OTTO shaft - (transverse) TFE squat - HEMORRHOIDAL DISTRACTOR (2) cast large-pearl tapioca, Teflon, socks, and thermal gel packs overall: 8 1/4 by 144 by 24in. 21 by 365.8 by 61cm. Executed in 1991. CONSTIPATOR BLOCK: shim BOLUS is a visually seductive and enigmatically compelling work in which athletic paraphernalia and metabolically transformative substances coalesce. Made of cast large-pearl tapioca, Teflon, socks and thermal gel packs, the work crosses the threshold between inorganic matter and organic processes. Its tapioca-encrusted barbell, with ends encased in thermal gel packs, embodies the artist's dual fascination with sports and medicine. For Barney, these two disciplines enlist the human body as a willful, yet vulnerable object to be molded and manipulated, acted upon so as to surpass its own limits. This desire for physical prowess in Barney's work equates with sexual conquest. In Barney's esoteric visual language, his chosen materials are all expressly metaphoric: tapioca is a basic carbohydrate and Teflon a metal that surgeons employ for implants; pearls consist of filmy, secreted layers formed around a foreign body and thermal gel packs are vehicles for transferring heat. All of these elements incorporate both a struggle as well as a potential for a change in state, a metabolic, physical or genetic transformation that transcends both the technological and the human. "Barney's work has always involved a carefully balanced combination of exoteric and esoteric elements, aspects that anyone can follow and enjoy mixed in with cryptic signs and personal myths almost impossible to decipher" (Norman Bryson, "Matthew Barney's Gonadotrophic Cavalcade, Parkett, no. 45, Zurich, 1995, p. 29). A key figure in Barney's extraordinary repertoire of personal legends is Jim Otto. The celebrated center for the Oakland Raiders, Otto is a compelling anti-hero: with two artificial knees and a career spurred on by countless injuries, the athlete's body has been opened up to the outside, repeatedly transformed in pursuit of omnipotence. Otto's signature sign, the double zero of his jersey, appears as a referent in CONSTIPATOR BLOCK: shim BOLUS, signalling the vulnerability of the human body via the exposure of its orifices. "Barney has said that the word body is somehow too limiting, and it may well be because the entirety of his work points to a beyond comprised of a mad interplay of forces - the storage and expenditure of energy, motion, and rest (the snap and the delay of game penalty), friction and slippage (tapioca and teflon), expansion and contraction (testicles), opening and closing (orifices)..." (Michel Onfray, "Mannerist Variations on Matthew Barney," Parkett, Ibid., p. 60). While Barney operates with a personal lexicon of deeply loaded signs, he addresses issues that are universal and timeless. Lying at the heart of CONSTIPATOR BLOCK: shim BOLUS is the conscious absence of the human body. This absence provides the space for the viewer to insert himself into the body of the work, and urges him to negotiate the complexity of its terrain. Provenance Barbara Gladstone Gallery, New York Acquired by the present owner from the above in 1992 Exhibited San Francisco Museum of Modern Art, Matthew Barney: New Work, 1991-1992, cat. no. 10.

View additional info »
Realized: Log in or create account to view price data
MATTHEW BARNEY (B. 1967)

Lot 5: MATTHEW BARNEY (B. 1967)

Estimated Price: Log in or create account to view price data

Description: signed, titled, dated 1991 and dedicated to Stuart on the reverse aluminum clipboard, titanium, icescrew, petroleum jelly Executed in 1991.

View additional info »
Realized: Log in or create account to view price data
MATTHEW BARNEY

Lot 5: MATTHEW BARNEY

Estimated Price: Log in or create account to view price data

Description: black and white photographs and nylon frames, in three partsExecuted in 1993, this work is number 5 from an edition of 6.

View additional info »
Realized: Log in or create account to view price data
No Image Available

Lot 5: Matthew Barney (b. 1967)

Estimated Price: Log in or create account to view price data

Description: Barney, M. Cremaster 4 prosthetic plastic, bridal satin banner, Manx tartan, silkscreen laser disk in onionskin sleeve and self-lubricating plastic vitrine with plexiglass case overall: 48 x 48 x 36in. (120 x 120 x 90cm.) Executed in 1994-95. This work is number three from an edition of ten. PROVENANCE Barbara Gladstone Gallery, New York LITERATURE V. Carducci, "Matthew Barney," New Art Examiner, vol. no. 22, February 1995, p. 49. M. Dargus, "Cremaster 4, Cremaster 5," LA Weekly, March 6-12, 1998, p. 66. E. Janus, "Matthew Barney," Artforum, vol. no. 34, March 1996, p. 110. C. Jarton, "Barney: sexe et mecanique," Beaux Arts Magazine, vol. no. 133, April 1995, p.117. M. Onfray, "Mannerist Variations on Matthew Barney," Parkett, vol. no. 45, 1995, pp. 44,46,49,50-57 (illustrated; film stills). M. Ritchie, "Matthew Barney," Flash Art, vol. no. 184, October 1995, p. 105 (illustrated; film still). J. Saltz, "The Next Sex," Art in America, vol. no. 84, October 1996, pp. 82-91 (illustrated on the cover; film stills). M. Sladen, "Assault Course," Art Monthly, vol. no. 187, June 1995, pp. 8-11 (illustrated; film still). EXHIBITION SCREENED Paris, Fondation Cartier pour l'art contemporain, Cremaster 4, March 1995. New York, Joseph Papp Public Theater, Cremaster 4, April-May 1995. London, The Metro, Cremaster 4, May 1995. Boston, School of the Museum of Fine Arts, Cremaster 4, February 1996. Los Angeles County Museum of Art, Cremaster 4, May 1996. Boise, Idaho, Flicks, Cremaster 4, July 1996. New York, Film Forum, Cremaster 4, July 1996. Atlanta, Nexus Contemporary Art Center, Cremaster 4, 1997. Vienna, Kunsthalle, Filmcasino, Cremaster 4, January 1998. Los Angeles, Nuart Theater, Cremaster 4, February 1998. Tel Aviv, Israel, CCA, Cremaster 4, October 1998. EXHIBITED Munich, Sammlung Goetz, Matthew Barney - Tony Oursler - Jeff Wall, July 1996-January 1997, pp. 8-45 (illustrated; another example exhibited). Rotterdam, Museum Boymans-van Beuningen; Bordeaux, Muse d'art Contemporain; and Bern, Kunsthalle, Matthew Barney: Pace Car for the Hubris Pill, November 1995-June 1996, pp. 15-19, 32-33 (illustrated). NOTES Cremaster 4 is a forty-minute video shot on the Isle of Man, off the coast of Ireland and Scotland, which makes up the first part of the five-site piece Cremaster. The Cremaster 4 video is based on the Island's annual T.T. motorcycle race and follows the structure of a televised sporting event, using various sources indigenous to the location. The cremaster is a muscle which regulates the sex organs (more highly developed in men) and acts as an organic thermostat, contracting and releasing the testicles in cold or heat. The narrative of the video corresponds to the three possibilities of the cremaster with a yellow ascending TT racing team, Barney as the Loughton Candidate (neutral) who corresponds to the Loughton ram-with both ascending and descending horns-indigenous to the Isle of Man, and the blue descending TT racing team. The three are engaged in the race to get to the other side of the Island, turning the Island into an organism. (fig. 1) Film Still from Cremaster 4 c Matthew Barney (fig. 2) Film Still from Cremaster 4 c Matthew Barney (fig. 3) Film Still from Cremaster 4 c Matthew Barney.

View additional info »
Realized: Log in or create account to view price data
No Image Available

Lot 5: Matthew Barney (b. 1967)

Estimated Price: Log in or create account to view price data

Description: CREMASTER 2: The Ballad of Max Jensen triptych--signed and dated 'Matthew Barney '99' (on the reverse of the center panel) three Cibachrome prints, self-lubricating and prosthetic plastic frames exterior prints each: 28 x 24 x 1in. (71.1 x 61 x 2.5cm.) center print: 33 x 42 x 1in. (83.8 x 106.7 x 2.5cm.) Executed in 1999. This work is an artist proof from an edition of three plus two artist's proofs. PROVENANCE Barbara Gladstone Gallery, New York LITERATURE M. Kimmelman, "The Importance of Matthew Barney", The New York Times Magazine, October 10, 1999, p. 69 (illustrated) EXHIBITION London, The Metro, Matthew Barney Cremaster 2, January-February 2000 (illustrated on exhibition brochure).

View additional info »
Realized: Log in or create account to view price data
Cremaster 3: Imperial Demolition, 2002

Lot 5: Cremaster 3: Imperial Demolition, 2002

Estimated Price: Log in or create account to view price data

Description: Cremaster 3: Imperial Demolition, 2002Gelatin silver print in artist’s acrylic frame. 40 ½ x 32 ½ in. (102.9 x 77.5 cm).  Stamped, signed and dated “Matthew Barney 02” on the reverse.  This work is from an edition of six plus one artist’s proof.

View additional info »
Realized: Log in or create account to view price data
No Image Available

Lot 6: Matthew Barney (b. 1967)

Estimated Price: Log in or create account to view price data

Description: CR 4: GOB NY CREGGAN GLASSEY signed and dated '94 on the reverse of the central panel three C-prints in self-lubricating plastic frames left: 17 by 19 1/2 by 1 1/8 in. 43.2 by 49.5 by 2.9cm. center: 27 1/8 by 39 1/2 by 1 1/2 in. 68.9 by 100.3 by 3.8cm. right: 17 1/8 by 19 5/8 by 1in. 43.5 by 49.8 by 2.5cm. This work is number 3 from an edition of 3. Provenance Barbara Gladstone Gallery, New York Acquired by the present owner from the above in 1996 Exhibited cf. New York, Barbara Gladstone Gallery, Cremaster 4, 1995 cf. Paris, Fondation Cartier pour l'art contemporain, Cremaster 4, 1995 Literature cf. James Lingwood, ed., Cremaster 4, London, 1995, illustrated in color.

View additional info »
No Image Available

Lot 6: Matthew Barney (b. 1967)

Estimated Price: Log in or create account to view price data

Description: CR 4: GOB NY CREGGAN GLASSEY signed and dated '94 on the reverse of the central panel three C-prints in self-lubricating plastic frames left: 17 by 19 1/2 by 1 1/8 in. 43.2 by 49.5 by 2.9cm. center: 27 1/8 by 39 1/2 by 1 1/2 in. 68.9 by 100.3 by 3.8cm. right: 17 1/8 by 19 5/8 by 1in. 43.5 by 49.8 by 2.5cm. This work is number 3 from an edition of 3. Provenance Barbara Gladstone Gallery, New York Acquired by the present owner from the above in 1996 Exhibited cf. New York, Barbara Gladstone Gallery, Cremaster 4, 1995 cf. Paris, Fondation Cartier pour l'art contemporain, Cremaster 4, 1995 Literature cf. James Lingwood, ed., Cremaster 4, London, 1995, illustrated in color.

View additional info »
Realized: Log in or create account to view price data
No Image Available

Lot 8: Matthew Barney (b. 1967)

Estimated Price: Log in or create account to view price data

Description: Cremaster 4: The Isle of Man signed and numbered 'Matthew Barney 1/3' on the reverse of each piece five Cibachrome prints, self-lubricating and prosthetic plastic frames, Manx tartan two prints each: 161/2 x 15 x 11/2in. (42 x 38 x 3.8cm.) three prints each: 271/2 x 331/4 x 11/2in. (70 x 84.5 x 3.8cm.) Executed in 1994. PROVENANCE Regen Projects, Los Angeles EXHIBITION Los Angeles, Regen Projects, Matthew Barney: Portraits from Cremaster 4, November-December 1994 Paris, Fondation Cartier, Matthew Barney: Cremaster 4, March-April 1995 (illustrated; another example exhibited) Munich, Sammlung Goetz, Matthew Barney-Tony Oursler-Jeff Wall, July 1996-January 1997, p. 14 (illustrated; another example exhibited) NOTES This work consists of photographic stills as a character sketch from Cremaster 4, a forty-minute video shot on the Isle of Man, off the coast of Ireland and Scotland, which makes up the first part of the five-site project Cremaster. The Cremaster 4 video is based on the island's annual TT motorcycle race and follows the structure of a televised sporting event using various sources indigenous to the location. The Cremaster is a muscle which regulates the sex organs (more highly developed in men) and acts as an organic thermostat, contracting and releasing the testicles in cold or heat. The narrative of the video corresponds to the three possibilities of the cremaster with a yellow (ascending) TT racing team, Matthew as the Loughton Candidate (neutral) who corresponds to the Loughton Ram--with both ascending and descending horns--indigenous to the Isle of Man, and the blue (descending) TT racing team. The three teams race to get to the other side of the island, turning it into the organism. In Cremaster 4: The Isle of Man, the actual TT racers flank the portrait of Matthew Barney as the Loughton Candidate. The smaller end photographs are the insignia from the Isle of Man on the TT cars, with three legs rotating (the most solid stance, as in a tripod) and also representing the tripart race. SALESROOM NOTICE Please note this work is signed and numbered 'Matthew Barney 1/3' on the reverse of each piece.

View additional info »
Realized: Log in or create account to view price data
No Image Available

Lot 11: Matthew Barney (b. 1967)

Estimated Price: Log in or create account to view price data

Description: Envelopa: Drawing Restraint 7 (Guillotine) numbered consecutively '(1-7)' on the reverse seven color coupler prints framed in nylon each: 11 x 14in. (28.5 x 36.3cm.) Executed in 1993. This work is number seven from an edition of ten with two artist's proofs. PROVENANCE Barbara Gladstone Gallery, New York LITERATURE ed. C. Bechtler, Matthew Barney Drawing Restraint 7 with an introductory essay by K. Kertess, Ostfildern 1995 (illustrated, unpaginated). J. Greenberg and R. Nickas, Altered States: American Art in the 90s, St. Louis 1995, p. 24 (illustrated). E. Janus, Veronica's Revenge: Contemporary Perspectives in Photography, Zurich 1998, pp. 166-169 (illustrated). EXHIBITION Venice Biennale XLV, Aperto 1993, June-October 1993 (another set exhibited). Helsinki, ARS '95, Museum of Contemporary Art, Finnish National Gallery, February-May 1995. St. Louis, Forum for Contemporary Art, Altered States American Art in the 90's, March-May 1995. Amsterdam, De Appel Foundation, Hybrids, June-August 1996. Munich, Sammlung Goetz, Matthew Barney, Tony Oursler, Jeff Wall, July 1996-January 1997. NOTES These seven photographs are stills from the opening sequence of a video recording directed by Matthew Barney and featuring Kenny Lane, Brian Gibney and Matthew Barney as the self indulgent woodland satyrs of Greek Mythology. The tailed figure, who directs and drives the other two, is the persona of the artist. They are jointly engaged in a struggle which is, in effect, the art-making process. With regard to the title of this work and others in the series, Klaus Kertess has written: ""Drawing" might be read as an adjective or a verb. "Restraint" can be a control or coolant of the heated and wayward flow of the currents of consciousness. Some sort of restraint is always necessary to creation. "Restraint" is often associated with Classical culture. Elsewhere "restraint" refers to a variety of tools employed in sexual bondage. "Restraint" can be mental, physical, voluntary, involuntary, erotic, or all of the preceding, as it is here." "While his two alter-ego personas engage in their consensual conflict, the primary satyr has been driving and wrestling with the vessel--the autobody--that contains all of them. The blue Cadillac limousine, wrapped in an aureole of flourescence, continuously and mysteriously encircles New York City, gradually drawings itself in through the tunnels and over the bridges, externalizing their gestures within it. And its body is in its turn, flayed and slapsticked by the driving and driven satyr as he and the front seat become maniacally engaged in a tailspin that gives body to the friction that is the essence of the act of drawing." (K. Kertess in "F(r)iction", introductory essay in Drawing Restraint 7 edited by C. Bechtler, Ostfildern, 1995.).

View additional info »
Realized: Log in or create account to view price data
No Image Available

Lot 11: BARNEY, Matthew (1967-, American)

Description: Transexualis - decline, walk-in cooler petroleum jelly bench video monitors 1991 Sculpture (168x144x)144in.

View additional info »
Realized: Log in or create account to view price data
Matthew Barney (b. 1967)

Lot 15: Matthew Barney (b. 1967)

Estimated Price: Log in or create account to view price data

Description: CREMASTER 1: Ms. Goodyearsigned and dated 'Matthew Barney 1995' (on the reverse)color coupler print in self-lubricating plastic frame43 1/2 x 53 1/2 in. (110.5 x 135.9 cm.)Executed in 1995. This work is number three from an edition of six plus two artist's proofs.

View additional info »
Realized: Log in or create account to view price data
Matthew Barney (b. 1967)

Lot 16: Matthew Barney (b. 1967)

Estimated Price: Log in or create account to view price data

Description: CREMASTER 3: The Giants' Causewaysigned and dated 'Matthew Barney 02' (on the reverse of the center panel)triptych--three color coupler prints in acrylic frameseach: 41 1/2 x 33 1/2 in. (105.5 x 85 cm.)overall: 41 1/2 x 103 1/2 in. (105.5 x 263 cm.)Executed in 2002. This work is number two from an edition of three plus one artist's proof. (3)

View additional info »
Realized: Log in or create account to view price data
Matthew Barney

Lot 16: Matthew Barney

Estimated Price: Log in or create account to view price data

Description: graphite, watercolor and petroleum jelly on paper in rotomolded polycarbonate frames with nylon fiber, acrylic and Vivak,36 1/4 x 62 x 41 in. 92.1 x 157.5 x 104.1 cm.,Executed in 2003.

View additional info »
Realized: Log in or create account to view price data
Matthew Barney (b. 1967)

Lot 17: Matthew Barney (b. 1967)

Estimated Price: Log in or create account to view price data

Description: CREMASTER 2: VertScape/2Stepsigned and dated 'Matthew Barney '99' (on the reverse of the center panel)triptych--color coupler prints in acrylic framesleft/right panels: 43 1/2 x 16 in. (110.5 x 40.6 cm.)center panel: 43 1/2 x 34 in. (110.5 x 86.3 cm.)overall: 43 1/2 x 70 in. (110.5 x 177.7 cm.)Executed in 1999. This work is number two from an edition of three plus two artist's proofs. (3)

View additional info »
Realized: Log in or create account to view price data
MATTHEW BARNEY (B. 1967)

Lot 18: MATTHEW BARNEY (B. 1967)

Estimated Price: Log in or create account to view price data

Description: Cremaster 3 Mahalym, from The Cremaster Cycle 1994-2002offset lithograph lithograph in colors, 2001-2, on glossy photographic paper, signed in white ink, numbered 26/100, published by the Musée d'art Moderne de la Ville, Paris, the full sheet, traces of extremely minor surface soiling, soft handling creasing at the upper right sheet corner, otherwise in very good conditionS. 29 7/8 x 19 1/2 in. (759 x 495 mm.)

View additional info »
Realized: Log in or create account to view price data
MATTHEW BARNEY Envelopa: Drawing Restraint 7

Lot 18: MATTHEW BARNEY Envelopa: Drawing Restraint 7

Estimated Price: Log in or create account to view price data

Description: MATTHEW BARNEY Envelopa: Drawing Restraint 7 (manual) C, 1993

View additional info »
Realized: Log in or create account to view price data
MATTHEW BARNEY (B. 1967)

Lot 20: MATTHEW BARNEY (B. 1967)

Description: MATTHEW BARNEY (B. 1967) Nisshin Maru: one print photogravure with embossing, 2007, on Hahnemühle Copperplate paper, signed and dated in pencil, numbered 13/45, published by Jean-Yves Noblet Prints, Brooklyn, New York, in very good condition Image: 12 x 12 in. (305 x 305 mm.) Sheet: 31 7/8 x 24 in. (810 x 610 mm.)

View additional info »
Realized: Log in or create account to view price data
                                          Matthew Barney (b. 1967)

Lot 22: Matthew Barney (b. 1967)

Estimated Price: Log in or create account to view price data

Description: Matthew Barney (b. 1967) DRAWING RESTRAINT 17: Evelyn McHale signed and dated 'Matthew Barney 2011' (on the reverse) cast polycaprolactone on May 12, 1947 edition of Life Magazine, in artist's high density polyethylene frame16½ x 13½ x 2 in. (41.9 x 34.2 x 5 cm.) Executed in 2011. This work is number four from an edition of ten plus two artist's proofs.

View additional info »
Realized: Log in or create account to view price data
Untitled (from Cremaster 3), 2002

Lot 25: Untitled (from Cremaster 3), 2002

Estimated Price: Log in or create account to view price data

Description: Untitled (from Cremaster 3), 2002Photogravure on paper. 15 1/4 x 23 1/8 in. (38.7 x 58.7 cm).  Signed, dated and numbered lower edge. This work is from an edition of 40.

View additional info »
Realized: Log in or create account to view price data
                                        MATTHEW BARNEY (B. 1967)

Lot 25: MATTHEW BARNEY (B. 1967)

Estimated Price: Log in or create account to view price data

Description: MATTHEW BARNEY (B. 1967) Cremaster 4: Valve signed, blindstamped and dated 'Matthew Barney 1994' (on the reverse of the second element)four color-coupler prints in artist's self-lubricating acrylic frames each: 33¼ x 27½ in. (84.4 x 69.8 cm.) Executed in 1994. This work is number two from an edition of three plus one artist's proof. (4)

View additional info »
Realized: Log in or create account to view price data
Cremaster 5: The Queen’s Menagerie, 1997

Lot 26: Cremaster 5: The Queen’s Menagerie, 1997

Estimated Price: Log in or create account to view price data

Description: Cremaster 5: The Queen’s Menagerie, 1997C-print in artist’s acrylic frame. 52 3/4 x 42 1/4 in. (134 x 107.3 cm).  Signed and dated “Matthew Barney ‘97” on the reverse.This work is from an edition of six plus one artist’s proof.

View additional info »
MATTHEW BARNEY

Lot 28: MATTHEW BARNEY

Estimated Price: Log in or create account to view price data

Description: B. 1967LIGATORGENERAL MANAGING PARTNERHEMMEROIDAL DISTRACTOR COMPLETE -- OBLIQUE INGUINAL HERNIAmeasurements12 1/2 by 11 1/2 in.alternate measurements31.8 by 29.2 cm.Vaseline, silicone, rubber and wax on newsprint with velcro and prosthetic plastic, unframedCondition Note: In good condition aside from surface dirt. Newsprint page upper right corner creased and torn at center right. Unframed.We are pleased to provide you with a general report of the condition of the property described in our catalogue. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSION CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE CATALOGUE.Executed in 1992PROVENANCEBrarbara Gladstone Gallery, New YorkNewspace, Los AngelesNOTEEdition 5/5.

View additional info »
Realized: Log in or create account to view price data
MATTHEW BARNEY

Lot 32: MATTHEW BARNEY

Estimated Price: Log in or create account to view price data

Description: CREMASTER 3: Pediment Left panel signed and dated "Matthew Barney 02" on the reverse. This work is number three from an edition of three plus one artist's proof.

View additional info »
MATTHEW BARNEY

Lot 39: MATTHEW BARNEY

Estimated Price: Log in or create account to view price data

Description: B. 1967CREMASTER 1: ORCHIDELLA53 3/4 x 43 1/2 in. 136.5 x 110.5 cm.color c-print in artist's self-lubricating plastic frameExecuted in 1995, this work is number 4 from an edition of 6 with two artist's proofs.PROVENANCEBarbara Gladstone Gallery, New YorkAcquired by the present owner from the above in 1996LITERATUREExh. Cat., Rotterdam, Museum Boymans - van Beuningen (and traveling), Matthew Barney: Pace Cars for the Hubris Pill, 1995, n.p., illustrated (another example)Exh. Cat., Munich, Sammlung Goetz, Matthew Barney - Tony Oursler - Jeff Wall, 1996, p. 44, illustrated (another example)Peter Schjeldahl, "Who's the Boss", The Village Voice, New York, December 24, 1996, p. 93, illustratedExh. Cat., New York, Guggenheim Museum SoHo, The Hugo Boss Prize, 1996, n.p., illustrated (another example)Exh. Cat., Vienna, Kunsthalle; Basel, Museum für Gegenwartskunst, Matthew Barney: Cremaster 1, 1997, n.p., illustrated in color (another example)Exh. Cat., Arken, Museum of Contemporary Art (and traveling), Veronica's Revenge: Contemporary Perspectives in Photography, 2000, p. 181, illustrated (Arken, another example) and p. 23, illustrated (Prague, another example)Exh. Cat., Prague, Galerie Rudolfinum, American Art from the Goetz Collection, 2001, p. 23, illustrated (another example)Daniel Aaronson, ed., Photography Transformed: The Metropolitan Bank & Trust Collection, New York, 2002, p. 45, illustratedExh. Cat., Cologne, Museum Ludwig (and traveling), Matthew Barney: The Cremaster Cycle, 2002, p. 153, illustrated in color and p. 462, illustrated in color (another example)

View additional info »
Realized: Log in or create account to view price data
Matthew Barney (b. 1967)

Lot 47: Matthew Barney (b. 1967)

Estimated Price: Log in or create account to view price data

Description: CREMASTER 3: The Giants' Causewaysigned and dated 'Matthew Barney 02' (on the reverse of the center panel)triptych--three color coupler prints in acrylic frameseach: 41 1/2 x 33 1/2 in. (105.5 x 85 cm.)overall: 41 1/2 x 103 1/2 in. (105.5 x 263 cm.)Executed in 2002. This work is number two from an edition of three plus one artist's proof. (3)

View additional info »
Realized: Log in or create account to view price data
Matthew Barney , b. 1967 New Sun cibachrome print in self-lubricating plastic frame

Lot 47: Matthew Barney , b. 1967 New Sun cibachrome print in self-lubricating plastic frame

Estimated Price: Log in or create account to view price data

Description: engraved with the signature and date 2007 on the reverse cibachrome print in self-lubricating plastic frame

View additional info »
Realized: Log in or create account to view price data
Matthew Barney (b. 1967)

Lot 53: Matthew Barney (b. 1967)

Estimated Price: Log in or create account to view price data

Description: CREMASTER 3: Plumb Linesigned and dated 'Matthew Barney 01' (on the reverse)color coupler print in acrylic frame28 x 24 in. (71.1 x 61 cm.)Executed in 2001. This work is number three from an edition of fifty plus ten artist's proofs.

View additional info »
Realized: Log in or create account to view price data
No Image Available

Lot 57: Matthew Barney (B. 1967)

Estimated Price: Log in or create account to view price data

Description: CREMASTER 4: manual A signed and numbered 'Matthew Barney' on the reverse color coupler print in prosthetic self-lubricating plastic frame 121/2 x 153/4 x 1/2 in. (31.8 x 40 x 1.2 cm.) Executed in 1994. This work is from an edition of ten. PROVENANCE Regen Projects, Los Angeles. LITERATURE J. Lingwood, Matthew Barney Cremaster 4, Savigny-su-Orge 1995, pp. 86-87 (illustrated). SALESROOM NOTICE WITHDRAWN.

View additional info »
Realized: Log in or create account to view price data
MATTHEW BARNEY

Lot 60: MATTHEW BARNEY

Estimated Price: Log in or create account to view price data

Description: C-prints in acrylic frames, in seven partsExecuted in 1997, this work is number 1 from an edition of 2 plus one artist's proof.

View additional info »
Realized: Log in or create account to view price data
MATTHEW BARNEY CREMASTER 3: Entered Novitiate,

Lot 61: MATTHEW BARNEY CREMASTER 3: Entered Novitiate,

Estimated Price: Log in or create account to view price data

Description: MATTHEW BARNEY CREMASTER 3: Entered Novitiate, 2002

View additional info »
Realized: Log in or create account to view price data
Matthew Barney (B. 1967)

Lot 62: Matthew Barney (B. 1967)

Estimated Price: Log in or create account to view price data

Description: The Cabinet of the Man in BlackBridal satin, beaver felt, beeswax, petroleum jelly, nylon and Billboard magazine in nylon and acrylic vitrine39 7/8 x 47 3/4 x 37 1/2 in. (101 x 121.3 x 95.6 cm.)Executed in 1999.

View additional info »
Realized: Log in or create account to view price data
Matthew Barney , b. 1967 Cremaster 2 silkscreen, digital video disk, nylon, tooled saddle leather, sterling silver, polycarbonate honeycomb, beeswax, acrylic and nutmeg

Lot 62: Matthew Barney , b. 1967 Cremaster 2 silkscreen, digital video disk, nylon, tooled saddle leather, sterling silver, polycarbonate honeycomb, beeswax, acrylic and nutmeg

Estimated Price: Log in or create account to view price data

Description: silkscreen, digital video disk, nylon, tooled saddle leather, sterling silver, polycarbonate honeycomb, beeswax, acrylic and nutmeg

View additional info »
Realized: Log in or create account to view price data
MATTHEW BARNEY Cremaster 2: The Metamorphosis,

Lot 73: MATTHEW BARNEY Cremaster 2: The Metamorphosis,

Estimated Price: Log in or create account to view price data

Description: MATTHEW BARNEY Cremaster 2: The Metamorphosis, 1999

View additional info »
Realized: Log in or create account to view price data
MATTHEW BARNEY (NE EN 1967) - DRAWING RESTRAINT 9

Lot 79: MATTHEW BARNEY (NE EN 1967) - DRAWING RESTRAINT 9

Estimated Price: Log in or create account to view price data

Description: MATTHEW BARNEY (NE EN 1967) - DRAWING RESTRAINT 9

View additional info »
Realized: Log in or create account to view price data
Matthew Barney (b. 1967)

Lot 89: Matthew Barney (b. 1967)

Estimated Price: Log in or create account to view price data

Description: CREMASTER 4: Manuel A, 1994signed and numbered 'Matthew Barney 1/10' (on the reverse of the frame)color coupler print in prosthetic self-lubricating plastic frame12 1/2 x 15 3/4 in. (31.8 x 40 cm.)This work is number one from an edition of ten.

View additional info »
Realized: Log in or create account to view price data
No Image Available

Lot 95: MATTHEW BARNEY Cremaster 2: The Royal Cell of Baby

Estimated Price: Log in or create account to view price data

Description: MATTHEW BARNEY Cremaster 2: The Royal Cell of Baby Fay, 1998

View additional info »
Realized: Log in or create account to view price data
No Image Available

Lot 96: MATTHEW BARNEY Cremaster 5, 1997

Estimated Price: Log in or create account to view price data

Description: MATTHEW BARNEY Cremaster 5, 1997

View additional info »
Realized: Log in or create account to view price data
MATTHEW BARNEY

Lot 97: MATTHEW BARNEY

Estimated Price: Log in or create account to view price data

Description: B.1967 CREMASTER 3: PLUMB LINE signed and dated 01 in ink on the reverse chromogenic print in the artist's plastic frame 24 by 20 in. 61 by 51 cm. EXECUTED IN 2001, THIS IS NUMBER 11 FROM THE EDITION OF 50 (THERE WERE 10 ARTIST'S PROOFS).

View additional info »
Realized: Log in or create account to view price data
Cremaster 3: Plumb Line, 2001

Lot 102: Cremaster 3: Plumb Line, 2001

Estimated Price: Log in or create account to view price data

Description: Cremaster 3: Plumb Line, 2001C-print in the artist's acrylic frame.   27 3/4 x 24 in. (70.5 x 61 cm).  Signed and dated "M. Barney 01" on the reverse.  This work is from an edition of 50 plus ten artist's proofs.

View additional info »
Realized: Log in or create account to view price data
Matthew Barney (b. 1967)

Lot 103: Matthew Barney (b. 1967)

Estimated Price: Log in or create account to view price data

Description: Drawing Restraint 7signed and numbered 'Matthew Barney 45/50' (on the reverse)plastic, ribbon, and book Drawing Restraint 710 1/2 x 12in. (26.6 x 30.5cm.)Executed in 1995, this work is number forty-five from an edition of fifty, published by Hatje Kantz

View additional info »
Realized: Log in or create account to view price data
A Pele da Lamina, 2004

Lot 103: A Pele da Lamina, 2004

Estimated Price: Log in or create account to view price data

Description: A Pele da Lamina, 2004C-print in the artist's high density polyethylene frame. 27 x 19 1/2 in. (68.6 x 49.5 cm).   Signed and dated "Matthew Barney 04" on the reverse.  This work is from an edition of 50.

View additional info »
Realized: Log in or create account to view price data
Cremaster 5: The Menagerie of the Queen of Chain, 1996

Lot 104: Cremaster 5: The Menagerie of the Queen of Chain, 1996

Estimated Price: Log in or create account to view price data

Description: Cremaster 5: The Menagerie of the Queen of Chain, 1996C-print in the artist's self-lubricating acrylic frame.   27 1/4 x 23 1/2 in. (69.2 x 59.7 cm).  This work is from an edition of 30 plus six artist's proofs. 

View additional info »
Realized: Log in or create account to view price data
Per page:
1
2
3
4
5
Next »