Antonio Canova (1757-1822)
Aliases: Antonio (1757) Canova
Professions: Sculptor; Painter
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- Workshop of Antonio Canova (1757-1822) Italian, Rome, circa 1820 , Venus and Adonis white marble on a white marble base
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Hugh Douglas Hamilton , 1736 - 1808 Portrait of Antonio Canova (1757-1822) pastel over traces of pencil
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ECOLE FRANCAISE DE LA PREMIERE MOITIE DU XIXEME SIECLE
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CANOVA, Antonio (1757-1822). [Works]. [?Rome: 1820].
Antonio Canova Biography
(b Possagno, nr Treviso, 1 Nov 1757; d Venice, 13 Oct 1822). Italian sculptor, painter, draughtsman and architect. He was the most innovative and widely acclaimed sculptor of NEO-CLASSICISM. His development during the 1780s of a new style of revolutionary severity and idealistic purity led many of his contemporaries to prefer his ideal sculptures to such previously universally admired Antique statues as the Medici Venus and the Farnese Hercules , thus greatly increasing the prestige of modern sculpture. He was also much in demand as a portrait sculptor, often combining a classicizing format with a naturalistic presentation of features.
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Antonio Canova
After Antonio Canova (Italian, 1757-1822), three graces, Bisque porcelain, modeled to show the nude goddesses admiring one another, rai
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Antonio Canova
"CANOVA, ANTONIO (1757-1822), after" 'Eros and
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Antonio Canova
HÉBÉ ITALIE, PROBABLEMENT FIN DU XIXE - DÉBUT DU XXE SIÈCLE D'APRÈS ANTONIO CANOVA 1757-1822
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Antonio Canova
Italian, second half 19th century After Antonio Canova (1757-1822) , Paulina Bonaparte
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Antonio Canova
ANTONIO CANOVA (1757-1822) Recto: STUDY FOR THE FUNERARY MONUMENT OF ADMIRAL LORD NELSON; verso: STUDY OF A HEAD.
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Antonio Canova
A PAIR OF PATINATED-BRONZE MODELS OF THE LIONS OF CANOVA, 19TH CENTURY
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Antonio Canova
VÉNUS ITALICA ITALIE, FIN XIXE SIÈCLE D'APRÈS ANTONIO CANOVA 1757-1822
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Antonio Canova
After Antonio Canova (Italian, 1757-1822),


