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Angus Fairhurst Auction Price Results

Angus Fairhurst (1966-2008)  Please Register/Login to access your Invaluable Alerts

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Angus Fairhurst (1966-2008) - Single Page Spread, 2006

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Description: encaustic over reproduction print and mounting crad, framed in the artist's frame, signed, titled and dated on the reverse of the backing board overall 21 1/2 x 17 in., 54.6 x 43.3 cm Provenance: Grimm Gallery, Amsterdam, The Netherlands. IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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Angus Fairhurst,

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Description: Angus Fairhurst, "Underdone/Overdone painting No. 24" acrylic and silkscreen on panel, 1998. Unsigned. With label verso "The Atara Collection, Israel, Acq. No. A-6141". Panel: 35.5''H x 23.5''W. Provenance: Sadie Coles HQ, London (label on reverse); Ex-collection of the Israel Phoenix Assurance Company; Christie's South Kensington, December 5 2005, Lot 153. Angus Fairhurst (British, 1966-2008) was part of the "Young British Artists" group, other members including Damien Hirst, Gary Hume, etc.

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Angus Fairhurst,

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Description: Angus Fairhurst, "Underdone/Overdone painting No. 30" acrylic and silkscreen on panel, 1998. Unsigned. With label verso "The Atara Collection, Israel, Acq. No. A-6140". Panel: 35.5''H x 23.5''W. Provenance: Sadie Coles HQ, London (label on reverse); Ex-collection of the Israel Phoenix Assurance Company; Christie's South Kensington, December 5 2005, Lot 153. Angus Fairhurst (British, 1966-2008) was part of the "Young British Artists" group, other members including Damien Hirst, Gary Hume, etc.

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Angus Fairhurst (1966-2008) Proposal for a

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Description: Angus Fairhurst (1966-2008) Proposal for a Monument, 2001 watercolour and pencil on paper titled at lower left and signed and dated at lower right 19 1/2 x 27 1/4 in., 49.5 x 69.2 cm Provenance: Sadie Coles HQ, London. Private Collection, London (acquited from the above). IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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Angus Fairhurst (1966-2008) When I woke up in the

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Description: Angus Fairhurst (1966-2008) When I woke up in the Morning the Feeling was still there screenprint in colours, 1992, signed and numbered 16/ 65 in pencil verso, as included in the London Portfolio, published by Charles Booth-Clibborn under his imprint the Paragon Press, on wove paper, the full sheet printed to the edges, sheet 867 x 659 mm (34 1/8 x 26 in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions. IMPORTANT: This lot is subject to VAT and the buyer must pay VAT on both the hammer and the buyer's premium at a rate of 20%

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Angus Fairhurst (1966-2008): When I Woke Up

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Description: Angus Fairhurst (1966-2008): When I Woke Up Print. 34 x 26 in. (image), 35 3/4 x 27 1/2 in. (frame). Provenance: The Paragon Press.

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Angus Fairhurst (1966-2008) - Proposal for a Public Sculpture Room

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Description: giclee in colours with extensive additions in black ink, 2007, signed and dated in ink, on wove paper, margins, 300 x 210 (11 ¾ x 8 ¼ in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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ANGUS FAIRHURST | When I Woke Up in the Morning, the Feeling Was Still There

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Description: Screenprint in colours, 1992, from the London Portfolio, signed in pencil and numbered 16/65 on the verso (there was a later edition of 40, published in 1997), on wove paper, published by Paragon Press

Condition Report: The full sheet, printed to the edges, in good condition apart from a slight wave in the sheet, craquelure in the strip of beige at the bottom of the sheet (only visible in a raking light), framed."In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

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No Image Available

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Description: Angus Fairhurst Deep Brain Stimulation 2007, collage 58 × 48 in. (148 × 122 cm.) Unique, signed and dated

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Description: [ Subject to Artist Resale Rights ] Angus Fairhurst (b.1966) Chimp Bongos (all evidence of man removed) Cibachrome colour print 178 x 120.5 cm. (70 x 47.375 in.) Executed in 1993 E2000-3000 Footnote: Provenance: Karsten Schubert, London. Private Collection.

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Description: [ Subject to Artist Resale Rights ] Angus Fairhurst (b.1966) Man Abandoned unique Cibachrome prints 3 panels each 101.5 x 81.5 cm.(40 x 32 in.) Executed in 1994 E2000-3000 Footnote: Provenance: Karsten Schubert, London. Private Collection. Exhibited: London, Karsten Schubert, Not Self-Portrait, 5-28th May 1994.

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Angus Fairhurst , b. 1966 Untitled enamel paint and bronze

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Description: inscribed with the signature and numbered 1/6 on the underside enamel paint and bronze

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Description: Fairhurst Angus 1966 - 2008 GB Trouble with Comedy No. 4, 1999 Triptych. Polaroid and pencil on paper. H 345 mm W 685 mm. (All framed). All sheets on the reverse on cover of the frame signed, dated and titled.

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Description: b. 1965 and b. 1966 untitled signed by both artists on the reverse acrylic on paper 29.5 by 21cm., 11K by 8Din. Executed in 1993. Provenance Acquired directly from the artists by the present owner in 1993 Exhibited London, Hoxton Square, Fete Worse than Death, 1993.

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Description: man abandoned by space signed, titled and dated 1992 on a label on the reverse of the mount black and white photograph with colour tint 40 by 44.2cm., 15N by 17Iin. This work is unique. Provenance Karsten Schubert Ltd., London Peter Chater, London Duncan Cargill Gallery, London.

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Angus Fairhurst (British, born 1966) 'Orca Drawing', 1994

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Description: 'Orca Drawing', 1994 monogrammed 'AF' and '94', collage and pencil on paper mounted on card sheet, 42 x 29.5cm (16 9/16 x 11 5/8in).

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Angus Fairhurst

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Description: Man Abandoned by Colour signed, titled and numbered 'Man Abandoned by Colour, 2 of 2, A. Fairhurst' (on a label on the backing board) black and white photograph 16 x 20 in. (40.6 x 50.8cm.) Executed in 1992, this work is number two from an edition of two. PROVENANCE Karsten Schubert Ltd., London. EXHIBITION London, Karsten Schubert Ltd., 'Angus Fairhurst, Damien Hirst', 1991.

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Angus Fairhurst (b.1966)

Description: Chimp Bongos (all evidence of man removed) Cibachrome colour print178 x 120.5 cm. (70 x 47 3/8 in.)Executed in 1993

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Angus Fairhurst (b.1966)

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Description: Black Attachment Cibachrome print, plastic tags on hardboard 48 x 74in. (122 x 187cm.) Executed in 1989. EXHIBITION London, Karsten Schubert Ltd., 'Angus Fairhurst', 1989. London, Richard Salmon Gallery, 'Aspects of Contemporary Photography'-Bond & Gillick, Fairhurst, Hamilton, Paolozzi and Weber, Oct.-Dec. 1995.

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Angus Fairhurst (British, 1966-2008), Untitled, a diptych, circa 1988

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Description: photographic print laid on a pierced board with applied plastic tags, each panel 59 x 152cm (23 1/4 x 59 13/16in).

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Angus Fairhurst (b.1966) man abandoned by space,

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Description: Angus Fairhurst (b.1966) man abandoned by space, 1992 acrylic on panel, collection of 150 works, varying sizes (150) Provenance: Galerie Analix Forever, Geneva. Exhibited: 'Angus Fairhurst', 18 December 1992 - 30 January 1993, Galerie Analix Forever, Geneva. Following successful one-person exhibitions at Karsten Schubert Ltd., London, in 1990 and 1991, Man Abandoned by Space was the artist's first international solo exhibition, held at Galerie Analix in Geneva. Fairhurst chose an image of a jumping figure as the central motif for the show, representing it in moving images on a pair of monitor screens and in a huge series of some 800 paintings, showing this male figure in various stages (or milliseconds) of this jump. It is rumoured that half were eventually destroyed by UK customs as they were delivered back to London, whilst the rest have since been dispersed. This current lot comprises the single largest collection of this now infamous work. As the artist himself explains in the exhibition catalogue: " Man Abandoned by Space is based on an element of illusion whilst being part of the same illusion, like when a Cinquecento artist painted himself in the crowd, looking out of a surface surrounded by fake perspective. The material itself joins in. It's a complete story in its appearance, it doesn't continue beyond what can be seen in the image and its installation. Anyway, everybody knows that about art objects: however much time they cram into the proposed offer, they are static, which means they exist never and forever, for as long as they are not destroyed." [ Angus Fairhurst, Exhibition Catalogue, Galerie Analix, 1992, p. 29]. The jumping figure is a central theme recurring in much of the artist's output during the early 1990's, a period in which he shared a studio with Damien Hirst. Indeed, this theme is famously reused in a black and white photograph he exhibited at Karsten Schubert in 1993 entitled Man Abandoned by Colour , in which the jumping figure is placed in front of one of Hirst's spot paintings in the studio. The work reads in an entirely different way to Man Abandoned by Space as the contextualization of the jumping figure reveals it as either an ironic display of self-parodying exasperation at his own work or an ecstatic leap of joy for the obvious brilliance for that of his friend. Belittling the impending success of those close to us, whilst publicly displaying one's own state of anguish and despair, is a typical example of British slapstick humour. Public displays of excitement for someone else's success are most certainly not, and it is this ambiguity in the work that allows a more introspective exploration of Fairhurst's somewhat skewed but certainly idiosyncratic style of conceptualism. In fact, it is something that seems to sum up very neatly the attitudes this group of iconoclastic young British artists had towards the art establishment at that time and (bizarrely) their role within it; one that quite literally tore up the artist's manual and which still reverberates around the world today.

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* Angus Fairhurst, (Scottish, 1966-2008), Drawing I, 1995

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Description: Angus Fairhurst (Scottish, 1966-2008) Drawing I, 1995 ink on paper initialed AF (lower right) 8 x 6 inches.

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Angus Fairhurst (1966-2008) underdone/overdone

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Description: Angus Fairhurst (1966-2008) underdone/overdone painting no.18, 1998 unique silkscreen in acrylic paint on primed panel, 35¼ x 23½ in., 90 x 60 cm.

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Agnus Fairhurst (B. 1966)

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Description: Man with Dream Colours four Cibachrome prints mounted on board with plastic garment attachments each: 40 x 40in. (101 x 101cm.) Executed in 1992, this work is unique. 4 PROVENANCE Galerie Analix, Geneva. LITERATURE 'Angus Fairhurst', Geneva 1992 (illustrated in colour, pp. 12-13). 'Hirst Fairhurst Hume Coventry Quinn', London 1999 (illustrated in colour, p. 11). NOTES In 'Man with Dream Colours', Angus Fairhurst addresses the way that the meaning of a picture may be interrupted by the method of its presentation. By presenting fields of small plastic tags, he punctures the picture plane for the viewer in a self-parodying seduction. Four photographs of the artist in his studio depict him brashly holding up primary coloured panels to our attention. The tags come to represent the price tags attached to objects, thus giving them value. In this way Fairhurst depicts the irony of art as an expression of language and its being perceived as a commodity, displayed in market price. According to the artist: "The plastic tags...stand in for that whole consumer/producer angle, like an apostrophe does for a letter. Thousands of them together look like a mass of little marks that have created a new word...It is a strange thing to put holes in flesh even if it is only a picture. But the tags act in two ways, they may push you away, but first they draw you in, or the other way round...interrupting the progress of the image." (Angus Fairhurst, 'Angus Fairhurst', Galerie Analix, Geneva 1992). Fairhurst, like Hume, Hirst and other British artists in the nineties looked to self-parodying seductions of British advertising. Echoing his Pop-Art predecessors, Fairhurst draws on the brash, seductive, media-conscious and market-wise characteristics of much of British culture.

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Angus Fairhurst (b.1966)

Description: Man Abandoned unique Cibachrome prints3 panels each 101.5 x 81.5 cm.(40 x 32 in.)Executed in 1994

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Description: Piet C-print with UV laminate 96 x 72in. (243.8 x 192.8cm.) Executed in 1996, this work is no.3 from an edition of 6 + 1 AP PROVENANCE Sadie Coles HQ, London, where acquired by the present owner. EXHIBITION Amsterdam, Galerie Paul Andriesse, 'Angus Fairhurst - A Cheap and Ill-fitting Relationship', 1996. London, Sadie Coles HQ, 'Sarah Lucas Angus Fairhurst: Odd-Bod Photography', 1998. Cologne, Klnischer Kunstverein, 'Angus Fairhurst', 1998. NOTES The gorilla has played a central role in the iconography of Angus Fairhurst, being depicted in various media from photography and video to countless drawings. "The gorilla's appeal is that it can stand in for the human figure in a Darwinian sense, possessing near human form, but does away with the need for characterisation." (A. Gallagher, in: 'Dimensions Variable. New Works for the British Council Collection', London 1997, p. 77.) After exploring the symbol of the gorilla in his drawings, Fairhurst soon began making videos of himself in a gorilla costume. "The gorilla image was brought to life and adopted by the artist as a form of alter ego." (ibid.).

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Ghost

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Description: Angus Fairhurst (1966-2008) Ghost signed 'Ghost' (on the backing board) printed paper collage in artist's frame 74 ¾ x 51 ¼in. (189.9 x 130.2cm) Executed in 2006

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Description: Primary Forest 1 signed 'A. Fairhurst' (lower right) printing ink and acrylic on paper mounted on canvas 90 x 60.5in. (228.5 x 153.5cm.) Executed in 1997 PROVENANCE Contemporary Fine Arts, Berlin, where acquired by the present owner. EXHIBITION Berlin, Contemporary Fine Arts, 'Stand Still and Rot', 1997.

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Angus Fairhurst

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Description: Five Billboards, body and text removed

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Description: b. 1966 when i woke up in the morning, the feeling was still there... (Silver) titled; sined, dated 1992, and inscribed When I Woke Up (Silver) on a label on the reverse black and white photograph and silver ink 50.5 by 40cm., 19P by 15Nin. This work is unique. Provenance Karsten Schubert, London Duncan Cargill, London.

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Angus Fairhurst (b. 1966) Underdone/overdone Painting No. 7 acrylic and silkscreen on panel 35.5 x 23.625in. (90.2 x 60cm) executed in 1998 E4500-5500 Provenance Sadie Coles Hq, London Exhibited London, Sadie Coles Hq, The Missing Link, October

Description: Angus Fairhurst (b. 1966) Underdone/overdone Painting No. 7 acrylic and silkscreen on panel 35.5 x 23.625in. (90.2 x 60cm) executed in 1998 E4500-5500 Provenance Sadie Coles Hq, London Exhibited London, Sadie Coles Hq, The Missing Link, October 28-November 28, 1998, Kraichtal, Ursula Blickle Stiftung and St. Gallen Kunsthalle, Angus Fairhurst: The Foundation, February 21-july 4, 1999, p. 43 ( illustrated)

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Angus Fairhurst (1966-2008)

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Description: Angus Fairhurst (1966-2008) A Cheap and Ill Fitting Gorilla Suit synthetic fur, newspaper and cardboard 72 x 96 1/8 x 23 3/8in. (183 x 244 x 59cm.) Executed in 1996

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Angus Fairhurst (1966-2008)

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Description: Angus Fairhurst (1966-2008) Pieta colour coupler print 97 5/8 x 32 5/8in. (248 x 83cm.) Executed in 1996, this work is number five from an edition of six plus two artist proofs

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Angus Fairhurst (b. 1966)

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Description: Underdone/Overdone Painting No. 24acrylic silkscreen on panel, unframed35 5/8 x 23 5/8in. (90.5 x 60cm.)Executed in 1998

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Angus Fairhurst (b. 1966)

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Description: Underdone/Overdone Painting No. 30acrylic silkscreen on panel, unframed35 1/2 x 23 3/4 in. (90.2 x 60.4cm.)Executed in 1998

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Angus Fairhurst (b. 1966)

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Description: Underdone/Overdone Painting No. 24acrylic silkscreen on panel, unframed35 5/8 x 23 5/8in. (90.5 x 60cm.)Executed in 1998

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Angus Fairhurst (b. 1966)

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Description: Underdone/Overdone Painting No. 30acrylic silkscreen on panel, unframed35 1/2 x 23 3/4 in. (90.2 x 60.4cm.)Executed in 1998

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Angus Fairhurst (British, 1966-2008) Animation Proposal 4 2001 unique ink-jet print 82 by 50 cm. 32 5/16 by 19 11/16 in. This work was executed in 2001.

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Description: Animation Proposal 42001 unique ink-jet print 82 by 50 cm. 32 5/16 by 19 11/16 in. This work was executed in 2001.

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 Angus Fairhurst , 1966 - 2008 Man Abandoned by Colour 
 black and white photograph

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Description: signed, titled and numbered 2/2 on a label affixed to the backing board black and white photograph

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Angus Fairhurst (b. 1966)

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Description: Underdone/Overdone Painting No. 2acrylic silkscreen on newspaper laid down on panel, unframed35 1/2 x 23 1/2 in. (90.2 x 59.7cm.)Executed in 1998

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Alternating/Coloured, 2001

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Description: WORKS FROM THE THYSSEN-BORNEMISZA CONTEMPORARY ART COLLECTIONS TO BENEFIT ICELAND'S LIVING ART MUSEUMAlternating/Coloured, 2001Eight channel animated video installation.  Duration: green: 31 min 52 sec, blue: 29 min 59 sec, purple: 31 min 43 sec, red: 31 min 41 sec, orange: 31 min 35 sec, yellow: 31 min 39 sec, grey 31 min 38 sec, turquoise: 32 min 31 sec.  This work is from an edition of three plus one artist's proof. This work is accompanied by a certificate of authenticity signed by the artist.

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Angus Fairhurst (b. 1966)

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Description: Standing Stock Still three chromagenic prints each: 451/2 x 30 7/8in. (115.5 x 78.5cm.) Executed in 1998, this work is number one from an edition of six 3 PROVENANCE Barbara Gladstone Gallery, New York.

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                                        Angus Fairhurst (1966-2008)

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Description: Angus Fairhurst (1966-2008) When I woke up this morning the feeling was still there, from the London Portfoliolithograph and screenprint in colours, 1993, on wove paper, signed in pencil and numbered 49/65 on the reverse (there was a later edition of 40, published in 1997) creasing to the sheet corners, time staining, otherwise in good condition, framedS. 860 x 660 mm.

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                                        Angus Fairhurst (1966-2008)

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Description: Angus Fairhurst (1966-2008) When I woke up this morning the feeling was still there, from the London Portfoliolithograph and screenprint in colours, 1993, on wove paper, signed in pencil and numbered 49/65 on the reverse (there was a later edition of 40, published in 1997) creasing to the sheet corners, time staining, otherwise in good condition, framedS. 860 x 660 mm.

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Angus Fairhurst (B. 1966)

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Description: Choir (i) signed, titled, numbered and dated 'Angus Fairhurst Choir No. 6 1990' (ii) signed, titled, numbered and dated 'Angus Fairhurst Choir No. 7 1990' mixed media each: 131/8 x 101/2 x 23/4in. (33.5 x 26 x 7cm.) Executed in 1990.

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Angus Fairhurst (B. 1966)

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Description: Scream c-print mounted on board Executed in... This piece is unique.

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ANGUS FAIRHURST (BRITISH, 1966-2008) WHEN I WOKE UP IN THE MORNING THE FEELING WAS STILL THERE 88cm x 66cm (34.6in x 26 in)

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Description: ANGUS FAIRHURST (BRITISH, 1966-2008) WHEN I WOKE UP IN THE MORNING THE FEELING WAS STILL THERE Lithograph and screen-print, signed and numbered AP IV/XV 1-4 on verso, portfolio of four prints, published by Paragon Press. One framed. 88cm x 66cm (34.6in x 26 in)

Condition Report: Condition requests sent via email will be responded to at least one day prior to the auction start date. Please note that we may be unable to respond immediately to requests sent in advance.

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Description: You in mind, s.i.d.1990verso photograh grease metal glass Works on paper (43x39in).

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ANGUS FAIRHURST

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Description: ANGUS FAIRHURST 1966 - 2008 MAN ABANDONED (i) titled on the reverse (ii) signed, titled and dated 96 on the reverse (iii) titled on the reverse lightbox sculpture, in 3 parts each: 56.5 by 38.7 by 10.5cm.; 22 1/4 by 15 1/4 by 4 1/2 in. Executed in 1996, this work is number 2 from an edition of 3.

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A Couple of Similarities Between Either Or

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Description: Angus Fairhurst (1966-2008) A Couple of Similarities Between Either Or sterling silver 11 x 10 x 5 7/8in. (28 x 25.5 x 15cm.) Executed in 2006, this work is number one from an edition of six

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