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Norman Garstin Auction Price Results

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Norman Garstin Fallen Angel

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Description: Norman Garstin Fallen Angel Oil on Board 10" x 8"

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Norman Garstin (1847-1926) Figures in a Breton Streetscape Oil on panel, 34

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Description: Norman Garstin (1847-1926) Figures in a Breton Streetscape Oil on panel, 34 x 24.5cm (13½ x 9¾'') Signed

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Norman Garstin (1847-1926)

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Description: A CORNER BY THE CHURCH, c.1900

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Norman Garstin (1847-1926) La Marchande des

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Description: Norman Garstin (1847-1926) La Marchande des Choufleur Watercolour, 27.5 x 21.5cm (10.8 x 8.5") Signed

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Norman Garstin (1847 - 1926)Summer in Winter/ Alienis Mensibus AestasOil on

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Description: Norman Garstin (1847 - 1926)Summer in Winter/ Alienis Mensibus AestasOil on canvas, 59 x 78.5cm (23 x 31)Signed and inscribed 'Tangier' and dated 1886Exhibited: Aberdeen 1886Literature: Norman Garstin Irishman and Newlyn Artist, by Richard Pryke 2005. Illustrated plate 10, page 50Provenance: De Veres, November 2001, Lot No.165, where purchased by present owner. Our thanks to them for their permission to reproduce this catalogue note.This beautiful work was painted by Garstin while he was in Morocco from mid 1885 to mid 1886. Garstin did not embark on his career as a painter until 1880, having previously had a somewhat desultory life, including diamond mining at Kimberley (where he shared a mess tent with Cecil Rhodes). From 1881 to 1884 he trained in the studio of Carolus-Duran, the fashionable Parisian portrait painter, who also trained Singer Sargent. In Paris he became friendly with Ion Perdicaris: a wealthy and colourful Greek-American, who knew Karl Marx. After leaving Paris, Garstin took the opportunity to travel in Italy, Spain, and Morocco, where he stayed with Perdicaris.While he was in Morocco Garstin painted 25 or more pictures. Many of these were small and some were only sketches. The present work is therefore of particular interest as being one of the few large Moroccan pictures. It is likely to be Alienis Mensibus AEstas (summer in unseasonable months). This was exhibited at the Summer Exhibition of the Aberdeen Artists Society, at a price of å£45, and appears to have been sold.The picture is a characteristic work being realist (and not impressionist) with a careful and economical use of paint, and, like some of his other works, has great atmosphere. The simple subject matter is also typical of Garstin, who was not, like many other artists of the time, attracted by hareems and the exotic. Dr. Richard Pryke

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Norman Garstin RA (1847-1926) Old Woman by a

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Description: Norman Garstin RA (1847-1926) Old Woman by a Cottage Watercolour, 30 x 25cm (11.8 x 9.8'') Signed

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Norman Garstin (1847-1926) Figures in a Breton

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Description: Norman Garstin (1847-1926) Figures in a Breton Streetscape Oil on panel, 34 x 24.5cm (13½ x 9¾'') Signed

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Garstin (Norman, 1847-1926). - Corner of a large garden with herbaceous border and greenhouse,

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Description: oil on wood panel, showing part of a large Victorian greenhouse with a border of lilies, delphiniums, and poppies, and an evergreen in a terracotta pot, signed lower right, 27 x 20.5cm (10.5 x 8ins), period gilt moulded frame Norman Garstin was born in Ireland and studied in Paris and Antwerp. He arrived in Newlyn in 1886, moving to Penzance in 1889 where he settled permanently. Garstin's work is characterised by soft, muted colours and Impressionistic brushwork. His most famous work is 'The Rain it Raineth Every Day' (1889, Penlee House Gallery & Museum, Penzance).

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Norman Garstin (1847-1926) British Brittany

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Description: Norman Garstin (1847-1926) British Brittany Village watercolour signed lower right (16.5 x 24.25 cm) (6.5 x 9.5 in)

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Norman Garstin (1847-1926) British Five Scenes of

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Description: Norman Garstin (1847-1926) British Five Scenes of Brittany pencil sketches and watercolours

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Norman Garstin (Irish 1847-1926): oil on canvas

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Description: Norman Garstin (Irish 1847-1926): oil on canvas laid onto board titled Fallen Angel, signed and dated 1922 lower right, label on the verso, 25 by 20cm.

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Althea Garstin RUA 1894-1973 BREAKFAST TRAY Oil on

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Description: Althea Garstin RUA 1894-1973 BREAKFAST TRAY Oil on board, 11" x 14½" (28 x 30cm). Provenance: Molesworth Gallery, March 2001 (No. 9) Label Verso. Althea Garstin was the daughter of the renowned painter Norman Garstin (1847-1926). The family were originally from Cahirconlish in Co. Limerick, though they were to spend the main part of their life in Newlyn in Cornwall where Norman Garstin became the spokesperson for the famous "Newlyn School". Althea accompanied her father on many of his painting trips to France. She was an extremely good painter in her own right as can be seen from this charming work.

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Norman Garstin (1847-1926) Madonna Lilies Oil on

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Description: Norman Garstin (1847-1926) Madonna Lilies Oil on panel, 27.3 x 21cm (10¾ x 8¼'') Signed, inscribed verso. Provenance: Previously in the Collection of the late John Chambers. Exhibited: ''The Irish Impressionists'', National Gallery of Ireland, Oct/Nov. 1984, and the Ulster Musuem, Belfast, Feb/March, 1985, cat. no. 55; ''Painting in Newlyn'', The Barbican Arts Centre, London, cat. no. 57; The Frederick Gallery, Dublin, Christmas 1997, cat. no. 1.( illustrated front cover) where purchased by current owner ''The French Connection'' The AVA Gallery, Clandyboye, Aug/Sept 2010. The Hunt Museum Limerick Sept/Oct 2010, Cat. No. 3 Literature: The Irish Impressionists Irish artists in France and Belgium 1850-1914, by Dr Julian A Campbell (1984); The National Gallery of Ireland, Dublin p 55, illustrated; ''Norman Garstin: Irishman and Newlyn Artist'' by Richard Pryke 2005. Full page illustration p117 ''The French Connection'' 2010 Exhibition Catalogue, full page illustration p8 Norman Garstin was born at Cahirconlish, Co. Limerick. In 1880 Garstin travelled to Antwerp where he studied under Charles Verlat for two years before moving to Paris where he met Degas and studied under Carolus-Duran for three years at the same academy as Roderic O'Conor. He painted in both Brittany and Normandy and later went on to become one of the leading lights of the Newlyn School of painters along with Stanhope Forbes. This garden scene with lilies, and the red rooftops, is reminiscent of Osborne's English scenes, for example 'A Cottage Garden', 1888, but the presence of two nuns who emerge through the archway suggests that this may be a Breton scene.

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NORMAN GARSTIN, R.A. (1847-1926) AN INTERIOR, BRITANNY

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Description: signed, oil on canvas 91.5 by 76 cm.; 36 by 30 in. Probably painted circa 1880-83. Garstin is known to have been studying in Paris at this time and during the summers of 1881 and 1882 a number of British artists, notably Stanhope Forbes and La Thangue were painting along the Brittany coast (see lot 10). It is possible that Garstin joined them.

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Description: AT THE QUAYSIDE SIGNED LOWER RIGHT NORMAN GARSTIN WATERCOLOUR 91/2 X 11IN. (24 X 27.8CM.).

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Description: Norman Garstin (1847-1926) A young lady descending steps from a doorway Oil on canvas, 54.5 x 35cm (21.5 x 13.75") Signed and inscribed Paris 1883

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Description: FIGURES IN A VILLAGE STREET SIGNED LOWER RIGHT NORMAN GARSTIN WATERCOLOUR 9 X 11IN. (22.8 X 27.8CM.).

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Norman Garstin (1847-1926)

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Description: Cley, sunny afternooninscribed and dated 'Cley - sunny aft. - Sun to right. Sept. 18 09' (on a label attached to the backboard)oil on paper6 3/4 x 11 1/2 in. (17.1 x 29.2 cm.)and another by the same hand. (2)

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Norman Garstin (1847-1926) House on The Hill Oil

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Description: Norman Garstin (1847-1926) House on The Hill Oil on panel 8' x 10' Signed

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