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Max Klinger Auction Price Results

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¤ MAX KLINGER (1857-1920) VOM TODE I. SEELEUTE, 1889

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Description: MAX KLINGER (1857-1920) VOM TODE I. SEELEUTE, 1889 Eau-forte non signée 54,2 x 44,2 cm Très bon état Etching, unsigned In very good condition

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Max Klinger, Narcissus and Echo II, Etching/Aquatint, 1879

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Description: Etching and aquatint on yellowish copper printing paper Germany, 1879 Max Klinger (1857-1920) – German sculptor, painter and illustratorTypically inscribed in the plate ‘MAX KLINGER’; also with further typographic annotations ‘OP. II / VIII.’From: Rescue of Ovid’s Victims (Opus II) (portfolio of 15 etchings) Catalogue raisonné: Singer 32 Plate dimensions: 29.9 x 20.9 cm; sheet dimensions: 58 x 42 cm Good condition  Object is regular taxed. 19% VAT is added to the purchase price for deliveries within the EU.Condition:The work is in good condition, consistent with age and wear. The lower left sheet corner is slightly creased, as well as very faintly the margins. The plate dimensions are 29.9 x 20.9 cm and the sheet measures 58 x 42 cm.Max Klinger (1857-1920)Max Klinger was born in 1857 in Leipzig. In 1874 he started studying at the Grand Ducal-Saxon Academy of Fine Art in Karlsruhe under Karl Gussow and Ludwig Des Coudres, later at the Royal Academy of Arts in Berlin. His artistic role model at the time was the painter, draughtsman and illustrator Adolph Menzel. In 1878 Klinger exhibited his first works. He translated many of his sketches into aquatint etchings. From 1881 Klinger had a studio in Berlin, were he created works like ‘Intermezzi’ (Opus IV) and ‘Amor und Psyche’ (Opus V). Later he moved to Paris and travelled through Europe, especially Italy and Greece. During this time many of his most famous works, including many etchings and sculptures, were created. These were popular and much coveted by educated middle-class. Many artist of the early 20th Century, such as Käthe Kollwitz, Max Beckmann or Max Ernst, were inspired by Klinger and his work. A large part of Klinger’s oeuvre is nowadays held at the Museum of Fine Art in Leipzig. (cbo) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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Max Klinger (1857-1920), The New Salome, Bronze Bust, c. 1903

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Description: Bronze with black patina on circular bronze baseGermany, circa 1902Max Klinger (1857-1920) – German sculptor, painter and printmaker of SymbolismMonogram incised at right side of the base ‘MK’ (ligated)Foundry mark ‘Akt-Ges-Gladenbeck-Berlin-D 6438’ incised at rear of baseDimensions: circa 68.5 x 20.5 x 23 cmLiterature: Thirty Nineteeth Century European Sculptures, Exhib. Cat. Shepard Gallery, N. Y., 15.10. – 30.11.1996Good conditionProvenance: Stuart Piver, New York; Sheperd Gallery Associates, New York The current highest auction record for a similar bronze bust of Klinger is more than €60,000Estimate by Auctionata Expert: 16,000 EuroSince 1903, the company Gladbeck in Berlin cast bronze heads of Salome on behalf of Max Klinger (1857-1920). The works were eventually sold by the Leipzig firm of Carl Lorck. The bronze referred to a polychrome marble bust that Klinger had finished in 1893 and which had a great success.Condition:The bust in in good condition, showing some minor corrosion marks and slight scratches. It is approximately 68.5 x 20.5 x 23 cm in size.Comparitive Literature: Museum der bildenden Künste Leipzig. Katalog der Bildwerke, ed. by Hartwig Guratzsch, Letter Stiftung, Köln 1999, Catalogue-Nr. 414-416, ill. p. 178-179Max Klinger (1857-1920)Max Klinger was born in 1857 in Leipzig. In 1874 he started studying at the Grand Ducal-Saxon Academy of Fine Art in Karlsruhe under Karl Gussow and Ludwig Des Coudres, later at the Royal Academy of Arts in Berlin. His artistic model at the time was the painter, draughtsman and illustrator Adolph Menzel. In 1878 Klinger exhibited his first works. He rendered many of his sketches in aquatint etchings. From 1881 Klinger had a studio in Berlin, were he created works like ‘Intermezzi’ (Opus IV) and ‘Amor und Psyche’ (Opus V). Later he moved to Paris and travelled through Europe, especially to Italy and Greece. During this time, he created many of his most famous works, including etchings and sculptures. These were popular and much sought after by the cultivated middle-class. Many artists of the early 20th century, such as Käthe Kollwitz, Max Beckmann or Max Ernst, were inspired by Klinger and his work. A large part of Klinger’s oeuvre is today on display at the Museum der Bildenden Künste in Leipzig. (cko) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance. Auctionata charges the resale rights tax pursuant to Section 26 of the German Copyright Act (UrhG) towards the buyer in case of the sale of an original work of art or photography prior to 70 years having lapsed since the death of their creator. Therefore, Auctionata charges when purchasing a good – if a protection as an original work of art or photography is given – starting from a hammer price of EUR 400 an additional amount, which is calculated according to Section 26 (2) German Copyright Act (UrhG) and which does not exceed the amount of EUR 12,500. You can find more information about resale rights tax in Auctionata´s table of fees and T&C.

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Max Klinger etching and aquatint

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Description: Max Klinger (German 1857-1920)- ''Pursued Centaur'' (Singer 54 ii/II)- etching and aquatint on chine colle, 1881, minor handling creases on sheet edges, otherwise good condition. 6 1/2 x 14 3/4''

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Max Klinger etching

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Description: Max Klinger (German 1857-1920)- ''Simplici Schreibstube'' (Singer 58)- etching, 1818, from Intermezzi, Opus IV, III, very good condition. 9 x 11 3/8''

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Fine Gladenbeck bronze bust of Nietzsche by Max Klinger, 1909

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Description: Dark patinated bronze Germany, 1909 Expressive bust of the German philosopher Friedrich Nietzsche (1844 - 1900) Max Klinger (1857 - 1920) - German artist Bronze busts by Max Klinger fetch up to 62,000 Euros at international auctions Signed on the shoulder, "M. Klinger" With the foundry stamp on the back, "Aktien-Gesellschaft Gladenbeck, Berlin-Friedrichshagen" Mounted on a Serpentine base Total height is 23 cm Very good condition This dark-brown patinated bronze bust of the German philosopher Friedrich Nietzsche was made by the Berlin bronze foundry Gladenbeck in 1909. The bust is cast in bronze after a design by the German artist Max Klinger. Nietzsche's expressive face is a naturalistic artwork; it shows his typical facial features with the serious expression and the characteristic frown, as well as the thick moustache. A beautiful example of Max Klinger's bronzes from the renowned Gladenbeck foundry!This bronze bust of Friedrich Nietzsche is in very good condition with only slight traces of wear. The bust is signed on the shoulder, "M. Klinger", and on the back, "Aktien-Gesellschaft Gladenbeck, Berlin-Friedrichshagen". The dimensions are (without base): 21 cm high, 15.5 cm wide and 9.5 cm deep. The total height including the base is 23 cm. Max Klinger (1857 - 1920) The German sculptor, painter and printmaker Max Klinger studied at the Art School in Karlsruhe and later at the Art Academy in Berlin. 1891 he became a member of the Art Academy in Munich and later a member of the Academy in Berlin. Hermann Gladenbeck (1827 - 1918) The German picture caster Hermann Gladenbeck is known for his internationally renowned bronze sculptures, for example the Victoria on the Berlin victory column. He completed his training at the foundry Egells, before working with the most renowned caster at the time, Christoph Heinrich Fischer. Gladenbeck's talent was known in Berlin artist circles; he quickly gained his first commissions, among others from Christian Rauch.

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Max Klinger (1857-1920), 'Intermezzi' with 12 Etchings, 1881

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Description: Aquatint etchings on Chinese paper Germany, Nuremberg, 1881 Published by Theo Ströfer Kunstverlag Max Klinger (1857-1920) - German sculptor, painter and illustrator Complete with 12 compositions In original portfolio with title cover Plates I. and XII. signed and dated All plates print signed Max Klinger and numbered Dimensions of the plates: 59.5 x 44.8 cm Provenance: German private collection Etchings by Max Klinger fetch up to more than 40,000 Euros at international auctions The portfolio comprises 12 aquatint etchings by the German artist Max Klinger, which were published in 1881 under the title 'Intermezzi'. The illustrations are not conceived as a coherent sequence but rather as individual scenes partially populated with animals and mythical creatures, characteristic of the Symbolist movement. With stark chiaroscuro and a fine elaboration of the lines the artist has created impressive scenarios where dream and reality merge. On the portfolio cover the compositions are titled as follows: '1. Bär und Elfe [Bear and Elf], 2. Am Meer [By the Sea], 3. Verfolgter Centaur [Haunted Centaur], 4. Mondnacht [Moon Night], 5. Kämpfende Centauren [Fighting Centaurs], 6. Bergsturz [Landslide], 7. Simplici Schreibstunde [Simplici Writing Lesson], 8. Simplicius am Grabe des Einsiedlers [Simplicius at the Hermit's Grave], 9. Simplicius unter den Soldaten [Simplicius amongst Soldiers], 10. Simplicius in der Wald-Einöde [Simplicius in the Forest Wasteland], 11. Gefallener Reiter [Fallen Horseman], 12. Amor, Tod und Jenseits [Cupid, Death and the Afterlife]'. The sheets are browned along the margins and partially foxed, especially outside the plates. There are minor marginal blemishes and damp stains here and there. Sheet number 'X.' shows a laceration on the lower border outside of the plate. All sheets are print signed 'Max Klinger' and numbered from 'I.' to 'XII.'. The plates I. and XII. are signed 'Max Klinger' and dated '1880' and '1819/1880' respectively in the plate. The portfolio is in fair condition according to its age. The cover is loose. On the front and back the corners show material loss, there are visible stains and discolourations. The sheets measure 59.5 x 44.8 cm each. Max Klinger (1857-1920) Max Klinger was born in 1857 in Leipzig. In 1874 he started studying at the Grand Ducal-Saxon Academy of Fine Art in Karlsruhe under Karl Gussow and Ludwig Des Coudres, later at the Royal Academy of Arts in Berlin. His artistic role model at the time was the painter, draughtsman and illustrator Adolph Menzel. In 1878 Klinger exhibited his first works. He translated many of his sketches into aquatint etchings. From 1881 Klinger had a studio in Berlin, were he created works like 'Intermezzi' (Opus IV) and 'Amor und Psyche' (Opus V). Later he moved to Paris and travelled through Europe, especially Italy and Greece. During this time many of his most famous works, including many etchings and sculptures, were created. These were popular and much coveted by educated middle-class. Many artist of the early 20th Century, such as Käthe Kollwitz, Max Beckmann or Max Ernst, were inspired by Klinger and his work. A large part of Klinger's oeuvre is nowadays held at the Museum of Fine Art in Leipzig.

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MAX KLINGER (1857-1920, German) - Intermezzi - Opus IV (1879-1881)

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Description: MAX KLINGER (1857-1920, German) Intermezzi - Opus IV (1879-1881) a suite of 12 etchings (in portfolio) 63.0 x 45.0 cm (sheet)

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MAX KLINGER (1857-1920, German) - Amor und Psyche - Opus V , 1880

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Description: MAX KLINGER (1857-1920, German) Amor und Psyche - Opus V , 1880 suite of 46 etchings, comprising 15 hors-texte and 31 vignettes, each leaf framed with a floral woodcut and presented in a gilt-edged book accompanied by a hard-covered book by Hans Wolfgang Singer in which the works are referenced. 36.0 x 27.0 cm (sheet)

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Max Klinger, 'Friedrich Nietzsche', um 1909

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Description: Büste des bedeutenden Philosophen und Dichters (Röcken 1844 - 1900 Weimar); Sockelplatte aus Marmorimitat. Bronze, gegossen, verschraubt, schwarzbraun patiniert. Am rechten Schulterabschnitt sign.: M. KLINGER Fec.; rückseitig bez.: Akt.Ges. vorm. H. Gladenbeck u. Sohn. / BerlinFriedrichshagen (Versalien). H. 20,9 bzw. 23,4 cm (gesamt).

Condition Report: Patina stellenweise berieben.

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MAX KLINGER Ferngeliebte.

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Description: MAX KLINGER Ferngeliebte. Etching on cream wove paper, 1894. Fifth state (of 5). A very good, well-inked impression. With--Two etchings with aquatint on Chine appliqué from the Intermezzi. Various sizes and conditions.

Condition Report: All items are offered for sale subject to Swann Galleries' standard terms and conditions of sale, which are published in our catalogues.

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Max Klinger

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Description: Artist: Max KlingerTitle: KauerndeSuite: Die Graphik der NeuzeitYear: 1913Medium: Original etching on japon paperEdition: From the limited edition of 200Publisher: E.A. SeemanSize: 12" x 9 1/2"COA provided. Guaranteed authentic

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Max Klinger

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Description: Artist: Max KlingerTitle: KauerndeSuite: Die Graphik der NeuzeitYear: 1913Medium: Original etching on japon paperEdition: From the limited edition of 200Publisher: E.A. SeemanSize: 12" x 9 1/2"COA provided. Guaranteed authentic

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KLINGER (M.) - EULENBERG (H.). Zelt. Berlin, Amsler & Ruthardt, 1923, in-4°, chagrin bleu roi, encadrements de filets dorés sur les plats, dos à nerfs, roulette dorée intérieure, non rogné (Buchb[inderei] Meink, Berlin).

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Description: KLINGER (M.) - EULENBERG (H.). Zelt. Berlin, Amsler & Ruthardt, 1923, in-4°, chagrin bleu roi, encadrements de filets dorés sur les plats, dos à nerfs, roulette dorée intérieure, non rogné (Buchb[inderei] Meink, Berlin). 46 eaux-fortes originales de Max Klinger (1857-1920). La plus importante suite de gravures de la dernière période de Max Klinger. Exemplaire conservé dans sa reliure d'origine. Édition limitée à 120 exemplaires, tous sur papier vergé de Hollande van Gelder. Dimensions : 356 x 252 mm. Beyer, 323-377.

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MAX KLINGER Intermezzi.

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Description: MAX KLINGER Intermezzi. Portfolio with 12 etchings, 1881. 630x450 mm; 24 7/8x17 3/4 inches (sheets), full margins, loose as issued. Printed by Hermann Sagert, Nuremberg. Published by Stroefer, Nuremberg. Original printed paste board folder. Very good impressions. Singer 52-63.

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MAX KLINGER Der Philosoph.

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Description: MAX KLINGER Der Philosoph. Etching and aquatint, 1895. 265x150 mm; 10 1/2x6 inches, full margins. Edition of 1500. Printed by Otto Felsing, Berlin. Published by Genossenschaft Pan GmbH, Berlin. From Pan, vol. 1, no. 2. With--RICHARD PARKES BONINGTON. Bologna, etching. 215x315 mm; 8 1/2x12 1/2 inches, full margins. Very good impressions. Property sold by order of the Trustees of the Philadelphia Museum of Art to benefit acquisition funds.

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Max Klinger

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Description: 1857 - 1920, German. Includes sketch book, cover only, with sketches to interior front and framed pencil sketch measuring 17" x 14" framed, 10" x 6.75" viewable SDLL '79. Sketch does have minor foxing.

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Max Klinger

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Description: 1857 - 1920, German. Includes sketch book, cover only, with sketches to interior front and framed pencil sketch measuring 17" x 14" framed, 10" x 6.75" viewable SDLL '79. Sketch does have minor foxing.

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Max Klinger Grouping

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Description: 1857 - 1920, German. Includes (2) pencil sketches, (1) SDLL '81. Both have foxing. 7" x 10"

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Max Klinger Grouping

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Description: 1857 - 1920, German. Includes (2) pencil sketches, (1) SDLL '81. Both have foxing. 7" x 10"

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Max Klinger

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Description: Aquatint etching auf aufgewalztem französischen China. In der Platte außerhalb der Darstellung signiert "Max Klinger" u.li. und nummeriert "III" u.re. Blatt 3 aus dem Zyklus "Intermezzi"Minimal angeschmutzt. Verso Reste einer alten Montierung.WVZ Singer 54/II.

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Max Klinger

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Description: 1857 - 1920, German. Pencil sketch, " SDLL '79.See und Schlofs in Laxenburg" (Lake and Castle in Laxenburg) 7" x 10". minor foxing to border

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Max Klinger

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Description: 1857 - 1920, German. Pencil sketch, " SDLL '79.See und Schlofs in Laxenburg" (Lake and Castle in Laxenburg) 7" x 10". minor foxing to border

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Max Klinger

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Description: Aquatint etching auf Japan. In rotem Farbstift nummeriert "Nr. 68" u.re. Aus der Folge "Zum Tode Zweiter Teil". Exemplar der Luxusausgabe des "Pan". Mit dem "Pan"-Trockenstempel. Verso von fremder Hand (?) bezeichnet.Das Blatt minimal fingerspurig und knickspurig o.li. Minimal lichtrandig.WVZ Singer 144 II (von III).

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Max Klinger

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Description: 1857 - 1920, German. Pencil sketch, " SDLR '79. With irrigation system, billiards players, etc. 7" x 10" Minor foxing.

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Max Klinger

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Description: 1857 - 1920, German. Pencil sketch, " SDLR '79. With irrigation system, billiards players, etc. 7" x 10" Minor foxing.

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Max Klinger

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Description: "[...] durch Sinsel & Co GmbH Leipzig Selbstverlag 1914".Mappe mit sieben von zwanzig Lichtdrucken nach Zeichnungen des Künstlers: No. 5 "Gewandstudie zu einer Kauernden, Universitäts-Aulabild, Leipzig.", No. 11 "Weiblicher Akt, liegend, Studie zu einem Meerfries.", No. 12 "Weiblicher Akt, stehend, Studie zur proj. Ausmalung eines Treppenhauses.", No. 13 "Weiblicher Akt, sitzend, Beleuchtungsstudie.", No. 15 "Weiblicher Akt, liegend, Studie zu einem Meerfries.", No. 16 "Zwei männliche Rücken-Akte, Studie zum Stiche "Tanz", Brahmsfantasie.", ein unnummeriertes Blatt, Deckblatt mit dem Titel und der Heliogravure einer Radierung sowie Inhaltsverzeichnis. Ohne Exemplar- und Auflagennummer. In der originalen Einlegemappe.Blätter etwas gebräunt und knickspurig, zum Teil mit starken Randmängeln. Mappe stark beschädigt, u.a. mit großen Einrissen in den Falzbereichen und fleckig.

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Max Klinger

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Description: 1857 - 1920, German. Pencil sketch, " SDL '83. With fisherman, and fishing boats. 7" x 10"

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Max Klinger

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Description: 1857 - 1920, German. Pencil sketch, " SDL '83. With fisherman, and fishing boats. 7" x 10"

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Max Klinger

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Description: Etching auf aufgewalztem französischen China. In der Platte außerhalb der Darstellung signiert "Max Klinger" u.li. und nummeriert "XI" u.re. Blatt 11 aus dem Zyklus "Intermezzi".Größerer Einriß an der unteren Blattkante des aufgewalzten Papiers direkt in der Plattenkante (ca. 11 cm). Verso Reste einer alten Montierung und ausführlich in Blei von fremder Hand bezeichnet. Minimal lichtrandig und minimal bestoßene Blattkanten.WVZ Singer 62 III.

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Max Klinger

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Description: 1857 - 1920, German. Pencil sketch, " SDC '77. With opium den and wheelchair sketch. 7" x 10"

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Max Klinger

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Description: 1857 - 1920, German. Pencil sketch, " SDC '77. With opium den and wheelchair sketch. 7" x 10"

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Max Klinger

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Description: Etching auf aufgewalztem französischen China. In der Platte außerhalb der Darstellung signiert "Max Klinger" u.li. und nummeriert "X" u.re. Blatt 10 aus dem Zyklus "Intermezzi".Ein kleinerer Einriß am unteren Blattrand außerhalb der Darstellung. Verso Reste einer alten Montierung.WVZ Singer 61 III.

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Max Klinger

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Description: 1857 - 1920, German. Pencil sketch, " SDLL '81. With horse drawn carriage, dog, formal lady and gentleman, and priest. 7" x 10"

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Max Klinger

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Description: 1857 - 1920, German. Pencil sketch, " SDLL '81. With horse drawn carriage, dog, formal lady and gentleman, and priest. 7" x 10"

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Max Klinger

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Description: 1857 - 1920, German. Pencil sketch, " SDC '80. With Semmering Railway sketches of tunnel, cars and monument to Karl Ritter von Ghegas, who constructed the railway.

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Max Klinger

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Description: 1857 - 1920, German. Pencil sketch, " SDC '80. With Semmering Railway sketches of tunnel, cars and monument to Karl Ritter von Ghegas, who constructed the railway.

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Max Klinger

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Description: 1857 - 1920, German. Pencil sketch, " SDC '80. With a Polish Jew, a gentlemans profile, a cathedral, and others relaxing.

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Max Klinger

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Description: 1857 - 1920, German. Pencil sketch, " SDC '80. With a Polish Jew, a gentleman's profile, a cathedral, and others relaxing.

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Max Klinger

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Description: 1857 - 1920, German. Pencil sketch, " SDML '81. Of a seated lady, a standing gentleman, and a study of the inside of a cathedral. Measures 10" x 7"

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Max Klinger (1857-1920)

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Description: Max Klinger (1857-1920): Prefacio II (1884). Etching on paper. Singer 128 VII. Typographical inscription "MAX KLINGER" and "OP. VIII". Sheet 2 of the series "Ein Leben" Opus VIII, 4. edition, 1998, self published. Sheet: 44,8 x 62,9 cm. Measures: 16,8 × 28,7 cm.Max Klinger (1857-1920): Prefacio II (1884). Singer 128 VII. Typographische Bezeichnung "MAX KLINGER" unten rechts und "OP. VIII". Blatt 2 der Folge "Ein Leben" Opus VIII, 4. Ausgabe, erschienen 1998, Selbstverlag des Künstlers. Blattgröße: 44,8 x 62,9 cm. Radierung auf Kupferdruckkarton. Measures: 16,8 × 28,7 cm.

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Max Klinger

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Description: 1857 - 1920, German. Pencil sketches, Grouping of (3) various angles of a windmill. (1) has small pole, please see photos. 6.25" x 8.25". All SLR.

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Max Klinger

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Description: 1857 - 1920, German. Pencil sketches, Grouping of (3) various angles of a windmill. (1) has small pole, please see photos. 6.25" x 8.25". All SLR.

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Max Klinger

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Description: 1857 - 1920, German. Pencil sketch, SDLL '80. With horse drawn wagon, laborer and a small drawn wagon. 7" x 10"

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Max Klinger

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Description: 1857 - 1920, German. Pencil sketch, SDLL '80. With horse drawn wagon, laborer and a small drawn wagon. 7" x 10"

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Max Klinger

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Description: 1857 - 1920, German. Pencil sketch, SDLL '81. With a laborer, a lady and a Moor. 7" x 10"

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Max Klinger

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Description: 1857 - 1920, German. Pencil sketch, SDLL '81. With a laborer, a lady and a Moor. 7" x 10"

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Max Klinger

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Description: 1857 - 1920, German. Pencil sketch, SDLL '80. With the " Acrobatens spectakel" in Grinzring, and a sketch of Mr. Minot, Laxenburg. 7"x 10"

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Max Klinger

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Description: 1857 - 1920, German. Pencil sketch, SDLL '81. With Stadt-Park 15 Sept., and an actor from Theater ander Wien, 20 Sept. 7" x 10"

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Max Klinger

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Description: 1857 - 1920, German. Pencil sketch, SDLL '81. With Stadt-Park 15 Sept., and an actor from Theater ander Wien, 20 Sept. 7" x 10"

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