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Jean Lecomte "du" Noüy Auction Price Results

Jean Lecomte "du" Noüy (1842-1923)  Please Register/Login to access your Invaluable Alerts

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Jean Lecomte du Nouy Paris, 1842 - 1923 Job et ses amis Huile sur panneau

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Description: Jean Lecomte du Nouy Paris, 1842 - 1923 Job et ses amis Huile sur panneau Porte une inscription au revers indiquant la date de 1865 'JOB AND HIS FRIENDS', OIL ON PANEL, BY JEAN LECOMTE DU NOUY h: 21 w: 40,50 cm Provenance : Probablement ancienne collection du peintre Charles Edouard Delort (1841-1895), élève de Gleyre et de Gérôme, selon une inscription au verso ; Collection Jacques Thuillier, Paris Bibliographie : Probablement Robert Diederen, 'From Homer to the harem : the art of Jean Lecomte du Nouÿ', catalogue d'exposition, New York, Dahesh Museum of Art, 2004, p. 147, n° 18 Commentaire : Notre esquisse est préparatoire au tableau présenté au Salon de 1867 sous le numéro 904, aujourd'hui perdu et connu par une photogravure de Goupil & Cie.

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JEAN JULES ANTOINE LECOMTE DU NOÜY, (FRENCH 1842-1923),

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Description: JEAN JULES ANTOINE LECOMTE DU NOÜY (french 1842-1923)/span "LES ALPES ET LE DAUPHINE VUES DU MONT-PILAT (RHÖNE-ALPS)" Titled on stretcher verso, oil on canvas 8 1/4 x 12 1/4 in. (21 x 31cm) provenance: /spanThe Artist. By descent in the family. Private Collection, New York, New York. exhibited:/span "From Homer to the Harem: The Art of Jean Lecomte du Noüy," Dahesh Museum of Art, New York, New York, June 22 - September 19, 2004. literature:/span "From Homer to the Harem: The Art of Jean Lecomte du Noüy," Dahesh Museum of Art, New York, New York, June 22 - September 19, 2004, Exhibition Catalogue, p. 154, cat. no. 62, fig. 35, p. 33 & 35, (illustrated).

Condition Report: The unlined canvas in generally good overall condition, with some retouch mostly along outer edges in sky, parts of water at right edge, and some very precise localized retouch in parts of sky and water. There are varnish inconsistencies in the landscape. Frame: 11 1/4 x 15 1/4 in Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid, prior to placing a bid. All transactions are governed by Freeman's Conditions of Sale.

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Attributed to LECOMTE DU NOÜY, JEAN (1842 Paris

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Description: Attributed to LECOMTE DU NOÜY, JEAN(1842 Paris 1923)The wailing wall in Jerusalem.Oil on canvas. Inscribed lower left: LECOMTE DU NOÜY.80.5 x 60 cm.LECOMTE DU NOÜY, JEAN (ZUGESCHRIEBEN)(1842 Paris 1923)Die Klagemauer in Jerusalem.Öl auf Leinwand. Unten links bezeichnet: LECOMTE DU NOÜY.80,5 x 60 cm.

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Jean-Jules-Antoine Lecomte du Noy (French, 1842-1923)

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Description: The Marabout Prophet Sidna-Asissa, Morocco signed and dated 'Lecomte du Nouy 1883' (lower right) oil on canvas 30 1/8 x 501/4 in. (76.5 x 127.7 cm.) Painted in 1883 PROVENANCE Mr. Psicha, Athens. Anon. sale, Sotheby's, London, 13 June 1973, lot 40. Gallery Kourd, Athens (acquired at the above sale). The Fine Art Society, Ltd., London. Acquired from the above by the present owner, 1979. LITERATURE G. de Montgailhard, Lecomte du Noy, Paris, 1906, p. 81 (illustrated). EXHIBITION Paris, Salon, 1884, no. 1465. NOTES Jean-Jules-Antoine Lecomte du Noy hailed from a prestigious family descended from a line of Piedmontese nobles, documented in France as early as the fourteenth century. In addition, both his parents were collectors and his uncle, Andre du Noy was official court painter to King Murat of Naples. Lecomte du Noy began his artistic training in the Parisian atelier of Charles Glerye in 1861 and quickly gained the praise of mentors who included Emile Signol and Jean-L‚on G‚r“me. Hailed as one of G‚r“me's brightest pupils, it was under the influence of the great French master that Lecomte du Noy took an interest in Orientalist subjects, although his oeuvre encompasses scenes from classical antiquity to portraiture. Moreover, because his artistic output was modest, his works are exceptionally rare. Indeed, due to his careful studied technique combined with his attention to architectural detail he has been referred to as "the epitome of academic Orientalism" (L. Thornton, The Orientalists, Painter-Travellers, Paris, 1983, p. 188). It was at G‚r“me's urging that Lecomte du Noy set out with fellow painters on an artistic pilgrimage to the far lands of the East visiting Turkey, North Africa and Asia Minor. His last journey was with fellow painter Charles Toch‚ to Morocco where the scenes of Tangiers and Tetuan served as the inspiration his later canvases. For the present work, exhibited at the Salon of 1884, du Noy drew his inspiration from the rich religious history of Morocco choosing as his protagonist the marabout prophet Sidna-Aissa, a mystic leader and healer living in Morocco in the late fifteenth and early sixteenth centuries. Also known as Si-Mahmed Ben-Aissa or Sidi Muhammed (born Isa al-Fihri), this Qu'uranic prophet founded the religious brotherhood of Aissoua based on the rule of the Shadhiliya Sufis. He traveled extensively around the country preaching, and one of his many talents was his ability to grant his Marabout disciples immunity from wounds and disease. Not surprisingly, their ritual presence was often requested during epidemics where it was thought they could drive away disease through their ritual dances. These dances were frenzied group affairs characterized by animated jerking movements. They often included the formation of human chains around a ritual fire which may have also involved self-inflicted pain. Although the Marabouts depended on alms, they could wield great political as well as religious power. Sidna-Aissa amassed a strong following among the more fanatical populations and used his status to stir his people to wage holy war against the Portuguese and Spanish Christians who had been gaining power in the Mediterranean region since the beginning of the fifteenth century. Here, surrounded by a small band of eager followers, Sidna-Asissa, with his head tilted upwards, narrates one of his prophetic visions. In response, his disciples display a number of startled reactions communicated with near photographic realism. According to an anecdote recounted by Montgailhard, Lecomte du Noy modeled his 16th Century prophet on a modern Moroccan healer he met during his stay. The healer, however, distracted by Lecomte du Noy's presence, verbally directed negative premonitions towards the painter. Unperturbed by these threatening statements and determined to watch the scene unfold, the artist continued his careful observance of the men, rendering with his characteristic exactitude, every detail of the men's physical appearance, dress and accessories down to the calligraphy in Arabic on the wall which reads, "May God grant you health. May God give you strength".

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Description: Tete de femme agee aux tresses: etude pour l'Invocation a Neptune, 1866 charcoal 13x10 inches (32.2x25.4 cm) Monog. D.

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Description: Homme barbu coiffe de tresses (Ami de Job), 1866 charcoal 13x9 inches (33.5x23.5 cm) Monog. D.

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Description: Jean Jules Antoine Lecomtedu Nouy(French, 1842-1923)CHRETIENNES AU TOMBEAU DE LA VIERGE, JERUSALEMsigned and dated Lecomte-Du-Nouy-1871 (lower left)oil on panel15 by 11 3/4 in. 38.1 by 29.9 cm.Provenance:Frederic Reitlinger, ParisSchweitzer Gallery, New York

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Description: du Nouy (French, 1842-1923) CHRETIENNES AU TOMBEAU DE LA VIERGE, JERUSALEM signed and dated Lecomte-Du-Nouy-1871 (lower left) oil on panel 15 by 11 3/4 in. 38.1 by 29.9 cm. Provenance: Frederic Reitlinger, Paris Schweitzer Gallery, New York.

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 Jean Lecomte du Nouy , French 1842-1929 
 La priere du soir a Tanger oil on canvas laid down on panel

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Description: signed LECOMTE.DU.NOUY / 79 centre left oil on canvas laid down on panel

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Description: (FRENCH, 1842-1923) "DEMOSTHENE S'EXERCE A LA PAROLE" signed and dated 1870 oil on panel 18 5/8 by 14 3/4 in. 47.3 by 37.5 cm. Exhibited: Possibly Paris, Salon de 1872, No. 967.

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JEAN JULES ANTOINE LECOMTE DU NOUY

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Description: JEAN JULES ANTOINE LECOMTE DU NOUY FRENCH, 1842-1923 THE SMOKER signed and dated Lecomte de Nouy 1876 (lower right) oil on canvas 18 by 12 3/4 in. 45.7 by 32.4cm. PROVENANCE Mathaf Gallery Ltd., London

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Jean-Jules-Antoine Lecomte Du Nouÿ (French, 1842-1923)

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Description: La prière du soir à Tangersigned and dated 'LECOMTE.DU.NOUY 79' (center right)oil on canvas laid down on panel36 x 20 1/4 in. (91.4 x 51.4 cm.)Painted in 1879

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Description: La Republique saisit la Prosperite, 1888 Huile/panneau 104,3 x 80,7 inches (265.0 x 205.0cm) Signed & Dated "a l'ami Lucas -88" left Illustrated.

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Description: Jean Jules Antoine LECOMTE DU NOÜY (Paris 1842 - 1923) - La Dune Pilat... Jean Jules Antoine LECOMTE DU NOÜY (Paris 1842 - 1923) La Dune Pilat vue au lever du soleil Toile 21 x 31 cm Sans cadre Provenance: Vente de l'atelier de Lecomte Du Nouy.

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Description: (French, 1842-1923) MADEMOISELLE DE MAUPIN signed Lecomte du Nouy (lower right) oil on canvas 42 1/8 by 33 7/8 in. 107 by 86cm. Lecomte du Nouy was inspired by Theophile Gautier's novel Mademoiselle de Maupin of 1835-36. The action takes place at the end of the 17th century. The heroine of the novel decides to disguise herself as a man in order to know how men live and treat women, the discovery of which fills her with a sense of horror and eliminates any sentimental illusions. This painting illustrates a passage from chapter 16 at which point our heroine reveals her true gender to Count Albert de Baviere, who consequently falls in love with her. Mademoiselle de Maupin exclaims, "I am renouncing my men's attire for you, tomorrow I will resume my guise for all, think that I am Rosalinde only for the night." Lecomte du Nouy spent thirty years refining this painting. The young woman represents supreme and eternal beauty, the poet's muse. Lecomte du Nouy incorporated Theophile Gautier's traits in depicting Albert de Baviere, and Theophile Gautier's daughter, Judith, immediately recognized her father when she saw the painting. A preparatory sketch for this work was included in an exhibition entitled Lecomte du Nouy, Galerie Hahn, Paris, Sepetmber-October, 1995, No. 67 Exhibited: Paris, Salon de 1902, No. 1007, illustrated in the catalogue illustre, p. 2 Literature: Guy de Montgailhard, Lecomte du Nouy, Paris, 1906, p. 140, illustrated, p. 40.

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Description: Demosthenes testing his Voice against the Waves signed and dated 'Lecomte.du.Noy/70' (lower right) oil on panel 183/4 x 15 in. (47.5 x 38 cm.) NOTES Demosthenes, the Greek orator and statesman, was born in Athens in 384 B.C. Cicero, one of his most fervent admirers, related Demosthenes' tireless practice to make himself a great speaker: in order to correct a speech impediment which had afflicted him as a boy, he filled his mouth with pebbles, and tested his voice through exhausting excerises. Lecomte du Noy produces a powerful representation of the orator, while he tried to make his voice carry over the sound of the waves and the wind.

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Description: Demosthenes, s.d.70 panel Oil Painting (15x19in).

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Jules-Jean-Antoine LECOMTE DU NOUY (1842-1923) Les

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Description: Jules-Jean-Antoine LECOMTE DU NOUY (1842-1923) Les orientales, dans le quartier juif au Maroc, 1885 Huile sur toile, signée et datée en bas à gauche 146,5 x 114,5 cm Provenance : Salon de 1885 Resté dans la famille depuis le Salon de 1885 Collection privée, France 573/4 x 451/4 in. Oil on canvas, signed and dated lower left

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Description: Portrait d'enfant en buste red chalk () signed.

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JEAN-JULES-ANTOINE LECOMTE DU NOÜY | Ramses dans son harem

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Description: Huile sur toile, triptyque

Condition Report: Under UV lamp: Left wing : two large repaints on the thigh, in the upper right background, in the upper left décor and few repaints scattered on the composition. Central wing : Repaints on the chest and the face of the woman on the left, on the face and the right arm of the seated woman on the Ramses right, on the thigh, the bottom and hear of the red-headed woman (seated on the right), on the arm and the mirror of the up middle woman ; few repaints scattered on the composition. Right wing : large repaint on the left thigh, arms, body and headscarf of the dancing girl, on the faces of the seated women ; few repaints scattered on the composition. Please note : Few old repaints not clearly visible or invisible with the UV lamp, especially in faces, arms and hands of the women on the left wing, but some also on some parts of the left and middle one. A examination by a restorer would give more information. "In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

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Description: Elegante a la toque de fourrure, 1872 oil/canvas 14x11 inches (35x27 cm) signed & dated -72 (Upper Left).

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Jules-Jean Antoine LECOMTE DU NOÛY (Paris 1842 -

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Description: Jules-Jean Antoine LECOMTE DU NOÛY (Paris 1842 - 1923) Route de Choubra au Caire Sur sa toile d'origine. Localisé et daté au revers Route de Choubra au Caire, Egypte 1865. Porte une inscription au revers Lecomte. 15,5...

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Description: Study for > Oil 13x12 inches (32x30.5 cm) signed & dated.

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Description: Femme assise dans un sofa, avec reprise du bras Crayon 13,4 x 9,1 inches (34.0 x 23.0cm) Signed.

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LECOMTE DE NOUY JEAN JULES (1842-1923)

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Description: LECOMTE DE NOUY JEAN JULES (1842-1923) Jeune femme. Sanguine et craie, signée en bas à droite. 27,5x43cm Reproduit en tête du chapitre VI du livre de Montgaillard « Le comte de Nouy », Paris 1906. Dédicace...

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Jean-Antoine-Jules LECOMTE DU NOÜY (1842-1920)

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Description: Jean-Antoine-Jules LECOMTE DU NOÜY (1842-1920) Portrait de Caroline du Noüy, 1881 Huile sur toile. Signée et datée en bas à gauche. Salon de 1883, dictionnaire Véron ainsi décrit: "Mme Caroline du Noüy est assise,...

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Jean-Jules-Antoine LECOMTE du NOUŸ (Paris 1842 - 1923) Portrait de Victoria de Giafféri Toile 46,5 x 38,5 cm  Signée et datée en hau...

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Description: Jean-Jules-Antoine LECOMTE du NOUŸ (Paris 1842 - 1923) Portrait de Victoria de Giafféri Toile 46,5 x 38,5 cm Signée et datée en haut à gauche : J. Du Noüy / 99 Accident et restauration

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JEAN JULES ANTOINE LECOMTE DU NOUY (PARIS 1842-1923)

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Description: JEAN JULES ANTOINE LECOMTE DU NOUY (PARIS 1842-1923) L'Impériale Destinée signé 'Lecomte.de.Noüy' (en bas à droite) huile sur toile 82 x 108,2 cm.

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Description: JUPITER ET ANTIOPE signed, dated 1889 and dedicated ses amis G des Fossez, pastel on beige paper. 20 by 16 in.50.8 by 40.6 cm. Jean-Lon Grme's pupil, Lecomte du Noy started to exhibit at the Salons in 1863, mostly historical, mythological subjects and portraits. In 1872 he was awarded the 2nd Grand Prix de Rome and afterwards received mainy orders from the French Republic.

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Description: Jupiter et Antiope, s.i.d.1889 pastel Works on paper (16x20in).

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Jean-Jules-Antoine Lecomte du Noy (French, 1842-1923)

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Description: Antiope and Jupiter signed, inscribed and dated 'A ses amis G. Des Fossez/Lecomte du Noy. 1889' (lower right); and inscribed 'ANTIOPE' (upper left) and 'JUPITER' (upper right) pastel and charcoal on brown paper 22 x 18 1/8 in. (55.8 x 46.3 cm.) PROVENANCE Anon. sale, Sotheby's, New York, 2 April 1996, lot 254.

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Jean Jules Antoine Lecomte Du Noüy (French, 1842-1923) A portrait of Lady Bateman, full-length, standing by a balustrade 85 1/2 x 51 3/4in

Description: Jean Jules Antoine Lecomte Du Noüy (French, 1842-1923) A portrait of Lady Bateman, full-length, standing by a balustrade 85 1/2 x 51 3/4in

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