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Antonio Mancini Auction Price Results

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Antonio Mancini (1852 - 1930), 'Il Santone', circa 1900

Lot 49: Antonio Mancini (1852 - 1930), 'Il Santone', circa 1900

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Description: Oil on paper, laid down on canvas Italy, circa 1900 Antonio Mancini (1852 - 1930) - Italian painter Signed lower left, 'A. Mancini / Rome' Inscribed verso on the stretcher, 'Il Santone di Mancini Antonio' Dimensions: 55.5 x 39 cm Provenance: Swiss private collection Antonio Mancini was a master of portraiture. The auction record for a painting by Mancini lies at more than 460,000 euros The present painting entitled 'Il Santone' (= the saint) is the work of Antonio Mancini and dates around 1900. The artist mainly focused on portraiture, and was influenced by Impressionism and the Italian "Verismo" movement. Turning away from the academic doctrine of portraiture, the present portrait is characterized by an immediate and dynamic brushwork, which seems to bring to life the devotional, almost ecstatic posture of the sitter. The painting is signed lower left, 'A. Mancini Rome'. The stretcher is inscribed on the back, 'Il Santone di Mancini Antonio'. The paper, on which the portrait is painted, was laid down on canvas. The paint surface shows a few small color losses and scratches. The paint surface has lifted from the paper in part. A few little areas of retouching are visible. The stretcher frame measures 55.5 x 39 cm. The painting is unframed. Antonio Mancini (1852 - 1930) Born in the province of Rome, Antonio Mancini is considered one of the most important Italian painters of modern times. As a 12-year-old, he was admitted to the Accademia di Belle Arti in Naples. In 1870, Mancini presented two paintings at the Salon de Paris. Three years later, he opened a studio in Rome. There, he joined the 'Verismo', a movement, which focused on the representation of daily reality, in contrast from the traditional doctrines. In 1877, he traveled to France and met the Impressionists Edgar Degas, and Édouard Manet. Their works had an impact on Mancini's late output. As well, his friend, the painter John Singer Sargent strongly influenced him. In 1881, Mancini moved to Rome. After the First World War, he took on a job as an art teacher at the Accademia d'Italia. Today, Mancini's works are on display in major museum collections, including the Musée d' Orsay in Paris, the National Gallery and the Tate Gallery in London, and the Galleria Nazionale d'Arte Moderna e Contemporanea in Rome. Due to the legal obligation for the resale royalty in the art market the following applies: As a result of its membership in the AV Kunst, Auctionata charges additionally to the hammer price the contribution to the AV Kunst of currently 2.1% of the revenues from the sale of fine arts and photographs pro rata towards the buyer. More information about royalty right in our T&C.

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Antonio Mancini (1852-1930), 'Il Santone', circa 1900

Lot 51: Antonio Mancini (1852-1930), 'Il Santone', circa 1900

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Description: Oil on paper, laid down on canvas Italy, circa 1900 Antonio Mancini (1852- 1930) - Italian painter Signed lower left, 'A. Mancini / Rome' Inscribed verso on the stretcher, 'Il Santone di Mancini Antonio' Dimensions: 55.5 x 39 cm Provenance: Swiss private collection Antonio Mancini was a master of portraiture. The auction record for a painting by Mancini lies at more than 460,000 euros The present painting entitled 'Il Santone' (= the saint) is the work of Antonio Mancini and dates around 1900. The artist mainly focused on portraiture, and was influenced by Impressionism and the Italian "Verismo" movement. Turning away from the academic doctrine of portraiture, the present portrait is characterized by an immediate and dynamic brushwork, which seems to bring to life the devotional, almost ecstatic posture of the sitter. The painting is signed lower left, 'A. Mancini Rome'. The stretcher is inscribed on the back, 'Il Santone di Mancini Antonio'. The paper, on which the portrait is painted, was laid down on canvas. The paint surface shows a few small color losses and scratches. The paint surface has lifted from the paper in part. A few little areas of retouching are visible. The stretcher frame measures 55.5 x 39 cm. The painting is unframed. Antonio Mancini (1852-1930) Born in the province of Rome, Antonio Mancini is considered one of the most important Italian painters of modern times. As a 12-year-old, he was admitted to the Accademia di Belle Arti in Naples. In 1870, Mancini presented two paintings at the Salon de Paris. Three years later, he opened a studio in Rome. There, he joined the 'Verismo', a movement, which focused on the representation of daily reality, in contrast from the traditional doctrines. In 1877, he traveled to France and met the Impressionists Edgar Degas, and Édouard Manet. Their works had an impact on Mancini's late output. As well, his friend, the painter John Singer Sargent strongly influenced him. In 1881, Mancini moved to Rome. After the First World War, he took on a job as an art teacher at the Accademia d'Italia. Today, Mancini's works are on display in major museum collections, including the Musée d' Orsay in Paris, the National Gallery and the Tate Gallery in London, and the Galleria Nazionale d'Arte Moderna e Contemporanea in Rome. Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance. Due to the legal obligation for the resale royalty in the art market the following applies: As a result of its membership in the AV Kunst, Auctionata charges additionally to the hammer price the contribution to the AV Kunst of currently 2.1% of the revenues from the sale of fine arts and photographs pro rata towards the buyer. More information about royalty right in our T&C.

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Antonio Mancini (Roma 1852 - 1930) Donna di profilo a figura intera

Lot 275: Antonio Mancini (Roma 1852 - 1930) Donna di profilo a figura intera

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Description: gessetto bianco, sanguigna e carboncino su cartoncino, cm 46,2 x 29,4 Firmato in basso a sinistra: Mancini ANTONIO MANCINI (ROME 1852 - 1930) A WOMAN, FULL LENGHT, WHITE CHALK, RED PENCIL AND CHARCOAL ON CARDBOARD, 46.2 X 29.4 CM, SIGNED

Condition Report: Opera archiviata da Cinzia Virno nell'ambito della Catalogazione Generale dell'opera di Antonio Mancini.Codice di archiviazione: 56(1)0243AV

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ANTONIO MANCINI, (Italian, 1852-1930), STUDY OF ELEANORA DUSE, oil on panel;, 16 x 11 1/2 in. (25 x 21 in.)

Lot 336: ANTONIO MANCINI, (Italian, 1852-1930), STUDY OF ELEANORA DUSE, oil on panel;, 16 x 11 1/2 in. (25 x 21 in.)

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Description: ANTONIO MANCINI (Italian, 1852-1930) STUDY OF ELEANORA DUSE oil on panel; signed A. Mancini, l.l.; 16 x 11 1/2 in. (25 x 21 in.)

Condition Report: overall good condition; no issues to note.

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Antonio Mancini - Portrait of Miss Elizabeth Williamson

Lot 678: Antonio Mancini - Portrait of Miss Elizabeth Williamson

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Description: Antonio Mancini (Italian, 1852-1930) Portrait of Miss Elizabeth Williamson, aged 12 signed upper right "A Mancini 1908" oil on canvas h:124 w:66 cm Provenance: A gift from the sitter, Miss Elizabeth Williamson, to Sir Richard Stone, and by descent Other Notes: Elizabeth Williamson was the grand-daughter of Mrs Charles Hunter, a society hostess who owned the Villa Barbaro in Venice, and was friends with Henry James and Edith Wharton. Mrs Hunter was a collector and philanthropist of the arts, and a close friend of Sargent who painted her. It was Sargent who introduced Mancini to Mrs Hunter, and she commissioned the portrait of her grandaughter Elizabeth. Elizabeth's mother, Phyllis, was one of the three beautiful Misses Hunter painted by Sargent in 1902 and now in the Tate Gallery. 'Once you have stood in front of a Mancini painting you never forget it' - this daring claim was made by Ulrich W. Hiesinger, author of 'Antonio Mancini', in the sought-after catalogue for the Philadelphia Museum of Art's Antonio Mancini exhibition in 2009. The present cherubic portrait of twelve year old Elizabeth Williamson is evidence of this. Antonio Mancini was a tortured and impoverished artist who was born in Rome but brought up in Naples. In his day his neighbours called him "Il pittore pazzo" - the crazy painter, because of his passion for art and his disregard for social convention. In 1893 one of his contemporaries wrote: 'Mancini is … nuts, but he's a nice nut … the fact is he has a fly buzzing around in his skull'. Despite this he was considered John Singer Sargent's favourite artist and it was on Sargent's recommendation that Mancini ventured to England where his social inadequacies were spotlighted. Mrs Hunter, sister of the noted composer Dame Ethel Amyth and wife of coal magnate Charles Hunter acted as his sponsor and protector. Mrs Hunter was a prolific supporter of artists, writers and musicians and joked that her lifetime's goal was to spend her husband's vast fortune. American writer Edith Wharton, a close friend of Mary Hunter's, describes the weekends that Mary would gather society around her as life 'on a large scale'. Mancini, with his poor command of English and unconquerable shyness, would become impenetrably silent in this grand environment and would retreat to his room to paint self portraits, many of which he later destroyed. Mary Hunter introduced Mancini to Hugh Lane who became a great patron of Mancini's and several works are now in the Hugh Lane Gallery, Ireland. The portraits there share the marks of Mancini's graticola - or perspective grid - as shown in the present portrait of Elizabeth Williamson. The grid-like marks that show themselves across the surface of the lower parts of the painting are tributes to Mancini's obsession with perspective and the elements of tone. Mancini would construct a grid in front of the sitter and then another over his work and painted between the blocks. Perhaps due to his unconfident nature, Mancini never relinquished his grids and his thick impasto strokes are a modern, almost proto-Cubist, innovation. Mancini takes great care over Elizabeth's rosy-cheeked face which is highlighted by white. The paint on her clothes is laid on with much more aggressive lumps of paint, the result of which suggests the conversion of light into a solid form. The painting of Elizabeth's hands and legs shows how far Mancini has moved away from his early meticulous figurative paintings in favour of work that shows his passion and anguish in every stroke. Elizabeth was said to be a good sitter and in fact Mancini has painted her three times and her brother Charles. Oral tradition says Mancini became so aggravated by the children's governess fussing over them that he threw a tube of paint at the poor lady. Elizabeth responded in her best beginner's Italian: ' Piano … Piano, Signore !' before resuming her pose with an air of gentle scorn. The artist was so touched by her maturity that he fell on his knees to beg her forgiveness.

Condition Report: Mancini's graticola (string) technique is visible on the painting. The painting is in its original state and has not been cleaned.

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ANTONIO MANCINI 1852-1930 OIL ON PANEL. Attributed: 4 women in a landscape,unsigned.Set in pierce carved gilt gessoed Louis XV style frame. Size: panel: 11''h, 9''W. frame: 14 1/4''H, 12 1/2''W. Condition: age appropriate wear. Note: This piece could

Lot 2106: ANTONIO MANCINI 1852-1930 OIL ON PANEL. Attributed: 4 women in a landscape,unsigned.Set in pierce carved gilt gessoed Louis XV style frame. Size: panel: 11''h, 9''W. frame: 14 1/4''H, 12 1/2''W. Condition: age appropriate wear. Note: This piece could

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Description: ANTONIO MANCINI 1852-1930 OIL ON PANEL. Attributed: 4 women in a landscape,unsigned.Set in pierce carved gilt gessoed Louis XV style frame. Size: panel: 11''h, 9''W. frame: 14 1/4''H, 12 1/2''W. Condition: age appropriate wear. Note: This piece could possibly be by Adolph Monticelli (1824-1886).

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ANTONIO MANCINI 1852-1930 OIL ON PANEL. Attributed: 4 women in a landscape,unsigned.Set in pierce carved gilt gessoed Louis XV style frame. Size: panel: 11''h, 9''W. frame: 14 1/4''H, 12 1/2''W. Condition: age appropriate wear.

Lot 2268: ANTONIO MANCINI 1852-1930 OIL ON PANEL. Attributed: 4 women in a landscape,unsigned.Set in pierce carved gilt gessoed Louis XV style frame. Size: panel: 11''h, 9''W. frame: 14 1/4''H, 12 1/2''W. Condition: age appropriate wear.

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Description: ANTONIO MANCINI 1852-1930 OIL ON PANEL. Attributed: 4 women in a landscape,unsigned.Set in pierce carved gilt gessoed Louis XV style frame. Size: panel: 11''h, 9''W. frame: 14 1/4''H, 12 1/2''W. Condition: age appropriate wear.

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Antonio Mancini (Italian, 1852-1930)

Lot 9: Antonio Mancini (Italian, 1852-1930)

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Description: Head of a laughing girlsigned and inscribed 'Mancini Firenze' (lower right)charcoal and red crayon heightened with white on paper16 x 11 1/2 (40.6 x 29.2 cm.)

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Lot 11: MANCINI, ANTONIO (1852-1930)

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Description: Sotto i limoni oil/canvas 51x73 inches (130x186 cm) signed (Lower Right).

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Lot 16: MANCINI, ANTONIO (1852-1930)

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Description: Autoritratto, recto-verso, recto-verso Pastelli/carta (2) 18.1x11.4 in (46x29 cm) signed (Lower Right).

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Lot 16: MANCINI, ANTONIO (1852-1930)

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Description: La modella charcoal,sanguigna,biacca/carta 18.3x13.6 in (46.5x34.5 cm) signed (Lower Left).

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Lot 18: MANCINI, ANTONIO (1852-1930)

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Description: Nudo di schiena oil/canvas 55x39 inches (140.5x100 cm) signed (Lower Right).

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Antonio Mancini (Italian, 1852-1930)

Lot 19: Antonio Mancini (Italian, 1852-1930)

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Description: Antonio Mancini (Italian, 1852-1930) >Dolce Melodia<br>signed and dated 'A Mancini/Roma/1900' (lower right) >oil on canvas<br>19 3/4 x 78 1/2 in. (50 x 199 cm.)

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Lot 20: MANCINI, ANTONIO (1852-1930)

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Description: Ritratto di donna oil/canvas 31x27 inches (79.5x69.5 cm) signed (Lower Right).

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Lot 20: Antonio Mancini

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Description: Albano Laziale 1852-Rome 1930 signora con mandolino signed l.l. oil on canvas 65 by 39cm., 25I by 15Iin.

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Lot 21: Antonio Mancini

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Description: Albano Laziale 1852 - Rome 1930 il violinsta - recto profilo di violinsta - verso signed l.r. recto & verso oil on canvas 98 by 59cm., 38I by 23in. Mancini entered the Istituto di Belle Arti, Naples at the precocious age of twelve. By the time of his graduation in 1873, he was at the forefront of verismo in Neapolitan art together with Francesco Paolo Michetti and Vincenzo Gemito. Sharing a studio with Gemito, he painted the street boys, musicians and dancers of Naples, creating an anti-academic, popular art. His patron, Albert, Count Cahen of Antwerp (1846-1903), encouraged him to visit Paris in 1875, where he met Manet and Degas. After a second visit in 1877, he lightened his previously sombre palette and his style moved away from sensual modelling to become more decorative. During the 1880s and 1890s Mancini's work became increasingly flamboyant in the use of both colour and impasto. His output was dominated by society portraits, although he often returned to the genre subjects of his youth. The grandiose Marchese Capraniaca del Grillo (1889; London, National Gallery) is a striking example of his mature work. In his late paintings Mancini was preoccupied with surface texture, using thick impasto and adding materials such as coloured glass and foil to enhance the luminous colours of his canvases. Though considered by John Singer Sargent to be the best contemporary Italian painter, Mancini only became a member of the Accademia Nazionale di St. Luca in 1929.

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Lot 23: Antonio Mancini

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Description: Albano Laziale 1852 - Rome 1930 la primavera signed and inscribed Roma l.l. oil on canvas 96 by 72cm., 37N by 28Iin.

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Antonio Mancini (Roma 1852 - 1930) , volto di fanciulla carboncino e biacca su carta applicata su tela, incorniciato

Lot 24: Antonio Mancini (Roma 1852 - 1930) , volto di fanciulla carboncino e biacca su carta applicata su tela, incorniciato

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Description: firmato in basso al centro destra (firma sbiadita) carboncino e biacca su carta applicata su tela, incorniciato

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Antonio Mancini (Roma 1852 - 1930) , figura di donna

Lot 30: Antonio Mancini (Roma 1852 - 1930) , figura di donna

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Description: firmato in basso a destra Mancini carboncino su carta, incorniciato

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Antonio Mancini (Roma 1852 - 1930) , amelia allo specchio

Lot 31: Antonio Mancini (Roma 1852 - 1930) , amelia allo specchio

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Description: firmato in basso a destra AMancini ; firmato, intitolato e datato sul retro Antonio Mancini / Amelia 2 Luglio 1925 pastello su cartone pressato, incorniciato

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Antonio Mancini (Roma 1852 - 1930) , delia olio su tela

Lot 33: Antonio Mancini (Roma 1852 - 1930) , delia olio su tela

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Description: firmato in alto a sinistra AMancini olio su tela

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Lot 38: MANCINI, ANTONIO (1852-1930)

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Description: Studio di testa di donna charcoal 10x12 inches (24.5x31 cm) signed (Lower Right).

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Lot 41: MANCINI, ANTONIO (1852-1930)

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Description: Studio di donna charcoal 12x17 inches (31x42 cm) signed.

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ANTONIO MANCINI (ITALIAN 1852-1930) LE PITTRICI

Lot 45: ANTONIO MANCINI (ITALIAN 1852-1930) LE PITTRICI

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Description: signed u.r. and l.r., oil on canvas 169 by 113 cm.; 66 1/2 by 44 1/2 in. PROVENANCE Prince Ferdinando Pignatelli, Rome. EXHIBITED Milan, Galleria d' arte Moderna, Mostra delle opere di Antonio Mancini, October-November 1962, no.60, plate LX Antonio Mancini was born in Naples and spent much of his early and later life there. However it was while he was in Paris, where he worked for Goupil, and in Holland, where he executed many paintings for the painter and dealer Mesdag, that his art really developed. He understood how to enliven his compositions with thick paint and vibrant colours which few of his contemporaries attempted. Unusually for Mancini this composition depicts two mature women rather than the younger sitters who typify his oils. The influence of the French Impressionists and post-Impressionists is evident in this painting and would tend to point to a commissioned portrait of the period in Rome circa 1915.

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ANTONIO MANCINI (ITALIAN 1852-1930) LE PITTRICI

Lot 45: ANTONIO MANCINI (ITALIAN 1852-1930) LE PITTRICI

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Description: signed u.r. and l.r., oil on canvas 169 by 113 cm.; 66 1/2 by 44 1/2 in. PROVENANCE Prince Ferdinando Pignatelli, Rome. EXHIBITED Milan, Galleria d' arte Moderna, Mostra delle opere di Antonio Mancini, October-November 1962, no.60, plate LX Antonio Mancini was born in Naples and spent much of his early and later life there. However it was while he was in Paris, where he worked for Goupil, and in Holland, where he executed many paintings for the painter and dealer Mesdag, that his art really developed. He understood how to enliven his compositions with thick paint and vibrant colours which few of his contemporaries attempted. Unusually for Mancini this composition depicts two mature women rather than the younger sitters who typify his oils. The influence of the French Impressionists and post-Impressionists is evident in this painting and would tend to point to a commissioned portrait of the period in Rome circa 1915.

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ANTONIO MANCINI (ITALIAN 1852-1930) A LADY IN AN INTERIOR

Lot 46: ANTONIO MANCINI (ITALIAN 1852-1930) A LADY IN AN INTERIOR

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Description: signed u.l., oil on canvas 98 by 58 cm.; 39 by 23 in. PROVENANCE Mevr. E.C.A. van Houten-Lisman. Utrecht. EXHIBITED The Hague. Panorama Mesdag, April 1917. illustrated no.125.

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ANTONIO MANCINI (ITALIAN 1852-1930) A LADY IN AN INTERIOR

Lot 46: ANTONIO MANCINI (ITALIAN 1852-1930) A LADY IN AN INTERIOR

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Description: signed u.l., oil on canvas 98 by 58 cm.; 39 by 23 in. PROVENANCE Mevr. E.C.A. van Houten-Lisman. Utrecht. EXHIBITED The Hague. Panorama Mesdag, April 1917. illustrated no.125.

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Lot 48: Attribuito a Antonio Mancini (Italia 1852-1930)

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Description: Paesaggio con palo del telegrafoolio su tavola22 x 13 cm.sul retro reca scritte varie

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Lot 49: MANCINI, ANTONIO (1852-1930)

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Description: Studi di figura pencil/carta (3) () 1 S.

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Antonio MANCINI (Rome 1852 - 1930) - Orientale à

Lot 50: Antonio MANCINI (Rome 1852 - 1930) - Orientale à

Description: Antonio MANCINI (Rome 1852 - 1930) - Orientale à l'encens 2 / 3 000

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Lot 51: MANCINI, ANTONIO (1852-1930)

Description: Tempo di Carnevale Oil/canvas 61x23 inches (153.6x59.4 cm) signed ***.

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Lot 53: Antonio Mancini (Italian, 1852-1930)

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Description: Portrait of a young gentleman, wearing a white shirt, cravatte and brown waistcoat and jacket signed and dated 'a mancini 1881' (upper left) oil on canvas, unframed 153/4 x 12 in. (40 x 30 in.) SALESROOM NOTICE Please note this lot is framed.

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ANTONIO MANCINI

Lot 53: ANTONIO MANCINI

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Description: A ROMAN BEAUTY signed and inscribed 910 l.r.

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Lot 53: Antonio Mancini

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Description: Italian 1852-1930 l'anello d'oro (the golden ring) signed l.l. oil on canvas 62 by 50,5 cm., 24 1/2 by 20 in. Although Mancini was born in Rome and lived most of his life there, he is regarded as a typical Neapolitan artist. He moved there in 1865 to train under initially Lista, a sculptor, and it is here that he met the sculptor Gemito with whom he shared a liftime friendship. Later that year he moved on to the Istituto di Belle Arti to train under Domenico Morelli and Filippo Palizzi. His early studies included 17th and 18th Century Neopolitan painters and in particular Caravaggism. These influences explain his later concentration upon naturalism in subject matter and his reliance on chiaroscuro in colouring and technique. However in 1872 he moved on to Venice and in 1875 to Paris, where he was associated with the group of Italian artists closest to the Impressionists, namely Gemito, De Nittis and Boldini, all of whom were especially influenced by Degas. He often worked under contract for Goupil in the late 1870s before settling down to live and work in his native Rome in 1883. His success is reflected in the range of work he produced here, not only typically popular 'Neopolitan' street scenes but portraits of the rich and famous too, and in his ability to travel. Amongst those artists he met were John Singer Sargent in Venice and H.W. Mesdag in Paris and later in The Hague. He consequently had many patrons in Holland and through Sargent in London also. His technique became increasingly eccentric as his confidence increased and his paint generally became much more thickly applied as his work matured, often set with pieces of glass or mirrors to heighten light effects. He won numerous exhibition prizes, notably in New York, Paris and London and Milan. His work is represented in many Italian museums and at the Mesdag Museum in The Hague and in Amsterdam.

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Antonio Mancini (Italian, 1852-1930) Veduta dalla finestra dello studio

Lot 54: Antonio Mancini (Italian, 1852-1930) Veduta dalla finestra dello studio

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Description: Veduta dalla finestra dello studio di Antonio Mancini in Viale Liegi, Roma, circa 1923 signed 'A Mancini' (lower right)oil on card24.5 x 18.5cm (9 5/8 x 7 5/16in).

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Lot 54: Antonio Mancini

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Description: Italian 1852-1930 a lady with a mandolin signed l.l. oil on canvas 65 by 39 cm., 25 1/2 by 15 1/2 in.

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Lot 56: MANCINI, ANTONIO (1852-1930)

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Description: Ritratto maschile Sanguigna/carta 11.8x8.9 in (30x22.5 cm) signed (Lower Right).

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Lot 56: MANCINI, ANTONIO (1852-1930)

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Description: Il pittorello, 1878, 1878 oil/board 15.6x10.2 in (39.5x26 cm) signed & dated Inscr. verso. Cf. Guzzi, tav.8, Roma 1943.

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Lot 66: MANCINI, ANTONIO (1852-1930)

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Description: Ritratto di bambina oil/canvas 23.2x17.5 in (59x44.5 cm) signed (Lower Right) Esposizioni: Venezia 1920, no. 7.

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Lot 66: MANCINI, ANTONIO (1852-1930)

Description: Portrait d'un peintre au travail oil/canvas 34.7x24.4 in (88x62 cm) signed.

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Lot 67: MANCINI, ANTONIO (1852-1930)

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Description: Pepiniello oil/canvas 39.4x23.6 in (100x60 cm) signed (Lower Left).

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Lot 75: Antonio Mancini (Napoli 1852-1930)

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Description: Antonio Mancini (Napoli 1852-1930) Profilo di ragazza Firmato "A. Mancini" in basso al centro carboncino e biacca su cartoncino 31,5x22,5 cm.

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Lot 77: MANCINI, ANTONIO (1852-1930)

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Description: Mio padre, 1877 oil/board 15x18 inches (37x45.5 cm) signed & dated (Lower Right).

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Antonio Mancini (Italia 1852-1930)

Lot 77: Antonio Mancini (Italia 1852-1930)

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Description: Veduta della Marinella, 1877firmato, datato e dedicato 'A Mancini 1877 al Prof. Lepre'acquerello su carta140 x 240 mm.sul retro reca: cartellino della Società Permanente di Milano; cartellino a stampa di mostra sulla pittura napoletana tenuta a Napoli nel 1953 e altri riferimenti.

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Lot 79: MANCINI, ANTONIO (1852-1930)

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Description: Nudi infantili oil/canvas 81x32 inches (205x81 cm).

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Antonio Mancini (1852-1930)

Lot 81: Antonio Mancini (1852-1930)

Description: Antonio Mancini (1852-1930) An Italian boy in a vineyard (recto); Study of a boy (verso) signed 'A. Mancini' (lower right) oil and glass on canvas 100 x 60 cm. Painted in the 1890s.

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Antonio Mancini (Napoli 1852-1930 Roma)

Lot 89: Antonio Mancini (Napoli 1852-1930 Roma)

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Description: Antonio Mancini (Napoli 1852-1930 Roma) Autoritratto Firmato "A. Mancini" in basso a destra olio su cartone 70x50 cm.

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Lot 90: MANCINI, ANTONIO (1852-1930)

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Description: Menestrello oil/canvas 56x32 inches (141x81 cm) signed (Lower Left).

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Lot 92: MANCINI, Antonio (1852-1930, Italian)

Description: Prevetariello in preghiera, s.i.verso Oil Painting (24x29in).

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Lot 93: MANCINI, Antonio (1852-1930, Italian)

Description: Woman smiling, s. Oil Painting (22x30in).

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