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Andrea Mantegna Auction Price Results

Andrea Mantegna (1431-1506)  Please Register/Login to access your Invaluable Alerts

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ANDREA MANTEGNA Bacchanal with a Wine Press.

Lot 4: ANDREA MANTEGNA Bacchanal with a Wine Press.

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Description: ANDREA MANTEGNA Bacchanal with a Wine Press. Engraving, 1498. 279x410 mm; 11x16 1/4 inches. A very good, early and well-inked impression with most of the subject preserved; though fragmentary and reassembled with restored losses upper quadrants and with additions in pen and ink, the quality of this impression, very likely lifetime, is closer to the impression sold at Christie's, London, December 5, 1985, Chatsworth Collection (now in the Metropolitan Museum of Art, New York), than any of the other 5 impressions of this subject that we have found at auction in the past 25 years. Bartsch 9; Hind 4.

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ANDREA MANTEGNA Virgin and Child.

Lot 4: ANDREA MANTEGNA Virgin and Child.

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Description: ANDREA MANTEGNA Virgin and Child. Engraving and drypoint, circa 1485. 227x236 mm; 9x9 1/4 inches. Second state (of 2). Ex-collection Marseille Holloway (Lugt 1875, verso). A superb, richly-inked impression of this extremely scarce, early and important print. Impressions of the first state are virtually unobtainable; there are only 5 first state impressions known. We locate only 15 impressions in North American public collections and have found only 4 other impressions at auction in the past 20 years. Bartsch 8, Hind 1.

Condition Report: All items are offered for sale subject to Swann Galleries' standard terms and conditions of sale, which are published in our catalogues.

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ANDREA MANTEGNA Bacchanal with Silenus.

Lot 5: ANDREA MANTEGNA Bacchanal with Silenus.

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Description: ANDREA MANTEGNA Bacchanal with Silenus. Engraving, circa 1475-80. 290x421 mm; 11 1/2x16 5/8 inches. Trimmed inside the plate mark with most of the composition and all of the figures preserved, scattered well-repaired tears. A good impression of this extremely scarce, early engraving. We have found only 5 other impressions at auction in the past 25 years. Hind 3.

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ANDREA MANTEGNA (school of) Four Women Dancing

Lot 6: ANDREA MANTEGNA (school of) Four Women Dancing

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Description: ANDREA MANTEGNA (school of) Four Women Dancing. Engraving, circa 1497. 223x338 mm; 8 3/4x13 1/4 inches. Small 4-leaf clover watermark. Trimmed inside the plate mark with nearly the enitre subject preserved. A very good impression of this extremely scarce, early engraving. The engraving is based in reverse on 4 of the 9 figures of women dancing, probably the Muses, in Mantegna's painting of Parnassus completed in 1497 and now in the Louvre, Paris. Hind 21.

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Andrea Mantegna Madonna and Child Etching

Lot 73: Andrea Mantegna Madonna and Child Etching

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Description: Mantegna, Andrea. "Madonna and Child" Etching on laid paper after the original by master engraver Amand Durand. Original etching was created in 1490, 2nd state. This impression is well more than 130 years old. Published circa 1880. This is not a modern print. The strike is crisp and the lines are sharp. (Image size 4 7/8 x 6 7/8 inches) Comes with a Certificate of Authenticity.

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Andrea Mantegna Madonna and Child Etching

Lot 659: Andrea Mantegna Madonna and Child Etching

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Description: Mantegna, Andrea. "Madonna and Child" Etching on laid paper after the original by master engraver Amand Durand. Original etching was created in 1490, 2nd state. This impression is well more than 130 years old. Published circa 1880. This is not a modern print. The strike is crisp and the lines are sharp. (Image size 4 7/8 x 6 7/8 inches) Comes with a Certificate of Authenticity.

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Andrea Mantegna (1431-1506),

Lot 687: Andrea Mantegna (1431-1506), "Hercules and Antaeus," 20th c., etching, after the 1490 original, framed, H.- 13 1/2 in., W.- 9 1/2 in.

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Description: Andrea Mantegna (1431-1506), "Hercules and Antaeus," 20th c., etching, after the 1490 original, framed, H.- 13 1/2 in., W.- 9 1/2 in.

Condition Report: Condition consistent with age. Observed within the frame. The paper has shifted upwards slightly obscuring the tips of the treetops, and there are some minor crease-like grooves at the edges of the paper surrounding the image. In the top right corner an acid burn area measuring approximately 3/4 in. is detected. A monumental scene. ALL PROPERTY IS SOLD 'AS IS.' NO STATEMENT REGARDING CONDITION OF ANY ITEM, WHETHER IT IS MADE ORALLY AT THE AUCTION OR ANY OTHER TIME, OR IN WRITING IN THE CATALOGUE OR ELSEWHERE, SHALL BE DEEMED TO BE A WARRANTY, REPRESENTATION, OR ASSUMPTION OF LIABILITY.

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MANTEGNA, ANDREA (Padua 1431 - 1506 Mantua),

Lot 6866: MANTEGNA, ANDREA (Padua 1431 - 1506 Mantua),

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Description: MANTEGNA, ANDREA (Padua 1431 - 1506 Mantua), Schule. Die Elephanten im Triumph die grossen Leuchter tragend. Aus: Der Triumphzug des Julius Caesar. Kupferstich, 26,3 x 28,5 cm. - Aus der Sammlung Conrad Baumann v. Tischendorf (2.H.19. Jh.). - Erhaltungsmängel. - Sehr selten.

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                                          Andrea Mantegna (1431--1503)

Lot 1: Andrea Mantegna (1431--1503)

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Description: Andrea Mantegna (1431--1503) Bacchanal with Silenus (Bartsch 20; Hind 3; Martineaux 75) engraving with drypoint, early 1470s, watermark Small Circle (Martineau 1; similar to Briquet 2925-7), a later impression of this rare and important engraving, probably printed in France around 1540, an unusually large sheet for this print, showing the irregular, curved platemark at the sides and partially below, trimmed into the platemark but well outside the subject above, some pale foxing, a tiny paper loss at the upper sheet edge, otherwise in very good conditionS. 328 x 458 mm.

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Lot 2: MANTEGNA, Andrea (circle) (1431-1506, Italian)

Description: The Battle of the Sea Gods, i. col ink htd.white Works on paper (16x11in).

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Lot 2: Circle of Andrea Mantegna (1431-1506)

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Description: The Battle of the Sea Gods inscribed 'INVID/....' pen and brown ink heightened with white 271 x 405 mm. PROVENANCE A.-J. Dezallier d'Argenville (L. 2951), his associated number '152'. Dr. C.D. Ginsburg (L. 1145). NOTES The present sheet is a vigorous early copy after the left half of Mantegna's engraving of the Battle of the Sea Gods, exhibited at the Royal Academy, London and elsewhere, Andrea Mantegna, 1992, no. 79, illustrated. The differences between the drawing and the print are minimal: the background hatching in the former is more extensive in some areas, and the oval mirror among the bullrushes is unadorned. These differences are not sufficient to suggest that the draughtsman was working from a lost preparatory drawing, rather than the print.

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After Andrea Mantegna ( circa  1431-1506) by Andrea Andreani (1558/59-1629)

Lot 3: After Andrea Mantegna ( circa 1431-1506) by Andrea Andreani (1558/59-1629)

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Description: After Andrea Mantegna (circa 1431-1506) by Andrea Andreani (1558/59-1629)The Triumph of Julius Caesar (B. 11. 1-9) the complete set of nine chiaroscuro woodcuts and the rare frontispiece, circa 1598, on heavy laid paper without watermarks, fine to good impressions, printed from four blocks, seven plates and the frontispiece printed in black or dark brown, two shades of grey and mushroom, and two plates (B. 2 & 6) printed in black, grey and two shades of ochre, B. 3 with half of the separately printed pilaster at left, most plates printing sharply and with considerable gaufrage, generally trimmed to or just outside the borderlines, some plates with backed tears or smaller defects, B. 2 & 6 laid down, generally in good condition, framedB., S. 370 x 370 mm. (and similar) (10)

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Andrea Mantegna (1431--1503)

Lot 3: Andrea Mantegna (1431--1503)

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Description: Andrea Mantegna (1431--1503) A Bacchanal with a Wine-Press (B. 19; H. 4; Martineau 74) engraving, circa 1475, on laid paper, without watermark, a later impression of this rare and important print, probably printed in France around 1540, trimmed into the image on all sides, a flattened vertical central fold with associated minor repairs at the upper and lower sheet edges S. 280 x 417 mm.

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After Andrea Mantegna (1431-1503)

Lot 5: After Andrea Mantegna (1431-1503)

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Description: After Andrea Mantegna (1431-1503) Hercules and Antaeus (Bartsch 16) engraving, circa 1490s, on laid paper without watermark, a later impression, unevenly trimmed to or just outside the image, a worm hole at lower right, a horizontal printer's crease running across the image, a 8 mm. tear at upper right corner, thin spots, other minor defects S. 332 x 210 mm.

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Lot 7: MANTEGNA, ANDREA (1431-1506)

Description: The risen Christ with Saints Andrew and Longinus, 1472c. Engraving 17x12 inches (43.1x31.1 cm).

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Descent into Limbo (Martineau 68; not in Bartsch)

Lot 9: Descent into Limbo (Martineau 68; not in Bartsch)

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Description: Giovanni Antonio da Brescia (circa 1460 - circa 1520) after Andrea Mantegna (circa 1431-1506)Descent into Limbo (Martineau 68; not in Bartsch) engraving, circa 1490, a good impression of this extremely rare print, trimmed into the subject on all sides, several tears mainly at the sheet edges, a made-up area at the upper left corner, other, minor defects, backedS. 366 x 292 mm.

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Andrea Mantegna ( circa  1431-1503)

Lot 12: Andrea Mantegna ( circa 1431-1503)

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Description: Andrea Mantegna (circa 1431-1503) The Battle of the Sea Gods (B. 17 & 18; Hind 5 & 6; Martineau 79) the pair of engravings with drypoint, circa 1470s, both watermark Crown in a Circle, later impressions, trimmed inside the platemark but well outside the subject, just touching the subject at the right edge of the right sheet, the left sheet with a small backed hole in the drapery of the man at left, a stain at lower right, another, smaller stain at the top of the staff at right, some other minor stains and vertical central folds to both sheets, the right sheet inscribed .MAR.AN. at lower leftS. 318 x 447 mm. (left sheet)S. 306 x 410 mm. (right sheet) (2)

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Andrea Mantegna (Italian, 1431-1506); Bacchanal with Silenus;

Lot 12: Andrea Mantegna (Italian, 1431-1506); Bacchanal with Silenus;

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Description: Bacchanal with Silenus (B. 20; H. 3; M. 75), c. 1470Engraving with drypoint, without watermark, a good impression of this rare engraving, trimmed to or within platemark, in good condition. Ex. Coll.: P. Gellatly (Lugt 1185); E.J.? (not in Lugt)sheet 10 7/8 x 17in

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Lot 16: MANTEGNA, ANDREA (1431-1506)

Description: Battle of the Sea Gods: left half, 1475c. Engraving 12x17 inches (29.3x42.3 cm) Hint no.5.

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Leonard Baskin (American, 1922-2000) Andrea Mantegna, Italian, 1431-1506, from ETCHINGS OF TEN FAVORITE ARTISTS, 1962, published by ...

Lot 16: Leonard Baskin (American, 1922-2000) Andrea Mantegna, Italian, 1431-1506, from ETCHINGS OF TEN FAVORITE ARTISTS, 1962, published by ...

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Description: Leonard Baskin (American, 1922-2000) Andrea Mantegna, Italian, 1431-1506, from ETCHINGS OF TEN FAVORITE ARTISTS, 1962, published by Delphic Arts, New York, 1963, edition of 50 (Fern & O'Sullivan, 431). Signed "Baskin" in pencil l.r., titled in pencil l.l., numbered "47/50" in pencil l.c. Etching with aquatint in red and black on paper, plate size 17 3/4 x 14 3/4 in. (45.0 x 37.4 cm), unmatted, unframed. Condition: Margins 3 inches or more with deckled edges, minor handling creases.

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Lot 17: MANTEGNA, ANDREA (1431-1506)

Description: Risen Christ between St Andrew and St Longinus, 1470c. Engraving 12x11 inches (30.8x28.3 cm) Hint no.7.

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                                        Daniel Hopfer after Andrea Mantegna (1431-1503)

Lot 17: Daniel Hopfer after Andrea Mantegna (1431-1503)

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Description: Daniel Hopfer after Andrea Mantegna (1431-1503) The Bacchanal (B. 49; Holl. 57) etching, watermark Coat of Arms with Mitre and Letters D (similar to Briquet 2199), a very good impression of the rare first state (of two), with narrow to thread margins, in very good conditionP. 212 x 285 mm., S. 213 x 287 mm.

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Andrea Mantegna 1431-1506 , The Entombment (Bartsch 3; Hind 2, Washington cat. 70)

Lot 30: Andrea Mantegna 1431-1506 , The Entombment (Bartsch 3; Hind 2, Washington cat. 70)

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Description: Engraving, circa 1460 (?), second (final) state, a very good, early impression, trimmed within subject all around, upper corners made up, a vertical 5cm repaired tear touched-in with pen and ink at centre of upper edge, a central vertical fold and minor horizontal creases at upper part of image (mainly visible verso ), a few other lesser defects and restorations

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Lot 33: MANTEGNA, Andrea (after) (1431-1506, Italian)

Description: Le triomphe de Cesar, pen wash htd gouache three sheets Works on paper (43x14in).

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Lot 37: Andrea Mantegna (1431-1506)

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Description: THE RISEN CHRIST BETWEEN SAINTS ANDREW AND LONGINUS (HIND V, 7; NATIONAL GALLERY OF ART 72; ROYAL ACADEMY/METROPOLITAN MUSEUM OF ART 45) Engraving and drypoint, a strong, clear impression, on paper with a small jug watermark (RA/MMA 16, c.1533), trimmed (as is usually the case) to or just into the work on three sides, c.20mm. above Christ's staff, small restorations in the blank area above Christ's head and in the upper right corner, a repaired tear from the right edge into St. Longinus's thigh, two other repaired tears in the right edge, some small thin spots and repairs in the upper edge, some minor folds and foxing 322 by 304mm. 12Â by 12in.

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Lot 38: Andrea Mantegna (1431-1506)

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Description: THE ENTOMBMENT (H. V, 2; NGA 70; RA/MMA 39) Engraving and drypoint, late 1470s, a very good but damaged impression, on paper with a small flower watermark (RA/MMA 12, c. 1503), cut into the subject and restored 10-15 mm. at left and upper edges, just to the top of St. John's head upper right, with smaller restorations and repaired tears in the other edges and some within the central image sheet 312 by 436mm. 12a by 17"in.

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Andrea Mantegna (1431-1503)

Lot 40: Andrea Mantegna (1431-1503)

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Description: Andrea Mantegna (1431-1503) Bacchanal with Silenus (B. 20; Hind 3; Martineaux 75) engraving with drypoint, early 1470s, a good though slightly later impression of this rare engraving, printing with burr on the scratch above the grapevine at right and the scratches below, on fine laid paper, probably late 15th century, without watermark, an unusually large sheet for this print, showing the entire subject and parts of the irregular, curved platemark at the corners, with thread margins in places along the left sheet edge, some thin spots, otherwise in good conditionS. 322 x 454 mm.

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Lot 41: Andrea Mantegna (1431-1506)

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Description: bacchanal with a wine vat (b. xiii, 19; boorsch/landau 74) Engraving, a good but damaged impression, paper losses, tears, the sheet partially re-assembled, other defects, trimmed into the subject, backed 280 by 405mm; 11 by 16in.

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Cerchia di Andrea Mantegna (Padova 1431 - Mantova

Lot 41: Cerchia di Andrea Mantegna (Padova 1431 - Mantova

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Description: Cerchia di Andrea Mantegna (Padova 1431 - Mantova 1506) Ercole e Anteo olio su tavola, senza cornice cm 30,4 x 20,8

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Andrea Mantegna Padua 1431 - 1506 Mantua , The Madonna and Child egg tempera on canvas, unframed
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After Andrea Mantegna (1431-1503) by the 'Premier Engraver'

Lot 65: After Andrea Mantegna (1431-1503) by the 'Premier Engraver'

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Description: After Andrea Mantegna (1431-1503) by the 'Premier Engraver' The Senators, from the Triumph of Julius Caesar (Bartsch 11) engraving, circa 1495, on laid paper, a good but slightly later impression of this extremely rare print, trimmed to or just outside the borderline, a 80 mm. vertical tear at the left sheet edge, a central horizontal fold and three central vertical folds with associate repaired tears at the top and bottom of the sheet, two diagonal creases at the left and right sheet edges, a 10 mm. paper loss at the upper sheet edge at centre, other minor defectsP., S. 286 x 267 mm.

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After Andrea Mantegna ( circa  1431-1503) by Andrea Andreani (1558/59-1629)

Lot 66: After Andrea Mantegna ( circa 1431-1503) by Andrea Andreani (1558/59-1629)

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Description: After Andrea Mantegna (circa 1431-1503) by Andrea Andreani (1558/59-1629)Eight plates, from: The Triumph of Julius Caesar (Bartsch 11. 1-8) chiaroscuro woodcuts printed from four blocks in black and three shades of mushroom, circa 1598, from the set of ten, lacking the frontispiece and the final plate, on heavy laid paper, printing with considerable gaufrage, trimmed to or fractionally into the subjects, on the borderline in places, on or into the borderline, all with some tears, paper losses, worm holes, stains, creases and other minor defectsB., S. 360 x 385 mm. (and similar) (8)

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Andrea Mantegna (1431-1503)

Lot 68: Andrea Mantegna (1431-1503)

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Description: Bacchanalian Group with Silenus (B. 20; Holl. 3)engraving, circa 1470-5, watermark Arms of Troyes with Letters (IP?) below (Briquet 1048, Bruges 1526-7), a good but later impression, the sheet reduced at the top and bottom, a little trimmed at the right, the upper right corner made-up, with a central vertical fold, occasional minor patched repairs on the reverse, lesser defectsS. 270 x 430 mm.

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Lot 73: Andrea Mantegna (circa 1431-1506)

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Description: Bacchanal with Silenus (B. XIII, 20; H. V, pp. 17-18, 3; R.A./M.M. cat, pp. 280-1, no. 75) engraving with drypoint, early 1470s, a strong impression, watermark Initial P (?), trimmed about 15mm. into the subject at the left and right, thereby losing some of the hatched background, trimmed very slightly into the subject at the top and bottom, the usual central vertical crease split, touched-in in places with pen and black ink, several further tears and losses, backed, S. 284 x 428mm.; The Descent into Limbo (B. 5; H. 9, R.A. cat no. 67) attributed to A. Mantegna, engraving, late 1460s, watermark small Circle, lacking the upper half of subject; and Roman Senators, from the Triumph of Caesar (B. 11; H. 16, R.A. cat. no. 126) by the Premier Engraver after A. Mantegna, engraving, late 1460s (3).

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Lot 74: ANDREA MANTEGNA (1431-1506)

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Description: Battle of the Sea Gods: Left Half (B. XIII, 239, 17; H. V, 5; R.A. cat. 79) engraving and drypoint in deep gray, circa 1470's, on laid paper, a very good early impression of the first state (of three), trimmed to or just inside the borderline at right, just into the fin at bottom left, the staff at left and just above the trident at top, an old vertical central fold, partially broken through and backed, other skillful repairs, pale staining S. 11 1/2 x 16 5/8 in. (293 x 423 mm.) PROVENANCE Philip Hofer, cited by Hind in his list of impressions.

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Lot 86: ANDREA MANTEGNA

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Description: A BACCHANAL WITH A WINE PRESS (B. XIII, 249, 19; HIND V, 4) Engraving, c. 1475, a later impression, trimmed within the platemark (lacking c. 35 mm at top and bottom, c. 20 mm at sides), some unobtrusive staining, otherwise in good condition; with HERCULES AND ANTAEUS (B. III, 237, 16; H. V, 17), engraving, by the Premier Engraver, formerly School of Mantegna, a later impression; and an 18th engraved copy of THE DESCENT INTO LIMBO (See HIND V, 9) (3).

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Lot 89: MANTEGNA, ANDREA (1431-1506)

Description: Battle of the Sea Gods, 1475 Engraving 14x33 inches (34.5x84 cm).

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Lot 90: MANTEGNA, ANDREA (1431-1506)

Description: Bacchanal with a wine-press, 1470-1475c. Etching 11x17 inches (29x42.3 cm).

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Lot 91: MANTEGNA, ANDREA (1431-1506)

Description: Bacchanal with Silenius, 1470-1475c. Engraving 13x17 inches (31.8x44 cm).

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ANDREA MANTEGNA Isola di Cartura 1431 - 1506

Lot 136: ANDREA MANTEGNA Isola di Cartura 1431 - 1506

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Description: ANDREA MANTEGNA Isola di Cartura 1431 - 1506 Mantua Bacchanal mit Silen. Kupferstich um 1475. B. 20. Zucker (TIB) 2506.007. Auf leicht faserigem Bütten. 31,5-32,2 x 45,2 cm. Meist unter geringem Verlust des Plattenrandes leicht unregelmäßig beschnitten. In der linken unteren Ecke von fremder Hand in brauner Feder bezeichnet " . Mit dünnen Papierstellen, schwach stockfleckig und mit kurzer leichter Papierquetschfalte im Kniebereich der beiden Flötenspieler. Späterer, kräftiger und kontrastreicher Abdruck mit kleinen Druckschwächen am Unterrand. Sammlung Prof. R. Jung, Freiburg. [ms]

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Mantegna, Andrea

Lot 155: Mantegna, Andrea

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Description: una stampa incisa a bulino e puntasecca composta da due fogli giuntati (280x414mm e 290x397mm), la parte sinistra con filigrana N nel cerchio, rifilata lungo l?impronta del rame o all?interno, entrambe le parti con la rilavorazione operata durante il secolo XVI. La parte sinistra con strappi, restauri e angolo inferiore destro comprendente le zampe del cavallo rifatto, la parte destra con strappi e riparazioni. Bartsch XIII 17-18; Hind V 5-6

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Ivo Barbaresi (Italian, 20th century), after

Lot 163: Ivo Barbaresi (Italian, 20th century), after

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Description: Ivo Barbaresi (Italian, 20th century), after Andrea Mantegna (1431-1506) The Circumcision of Christ oil on panel, signed and inscribed 'Firenze 1953' verso 121 x 62 cm (47 1/2 x 24 1/2 in)

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Lot 169: MANTEGNA, Andrea (1431-1506, Italian)

Description: Madonna and Child, PR engraving Print (9x9in).

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Andrea Mantegna (1431--1503)

Lot 191: Andrea Mantegna (1431--1503)

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Description: Andrea Mantegna (1431--1503) The Battle of the Sea Gods (Bartsch 17 & 18; Hind 5 & 6; Martineau 79) the pair of engravings with drypoint, circa 1470s, both watermark Crown in a Circle, later impressions, trimmed inside the platemark but well outside the subject, just touching the subject at the right edge of the right sheet, the left sheet with a small backed hole in the drapery of the man at left, a stain at lower right, another, smaller stain at the top of the staff at right, some other minor stains and vertical central folds to both sheets, the right sheet inscribed .MAR.AN. at lower leftS. 318 x 447 mm. (left sheet)S. 306 x 410 mm. (right sheet)

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                                        Workshop of Andrea Mantegna (Isola di Carturo, near Padua, 1430/31-1506 Mantua)

Lot 196: Workshop of Andrea Mantegna (Isola di Carturo, near Padua, 1430/31-1506 Mantua)

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Description: Workshop of Andrea Mantegna (Isola di Carturo, near Padua, 1430/31-1506 Mantua)The Annunciation to the Shepherds - a fragment oil on panel 9¾ x 6 3/8 in. (25 x 16.1 cm.)

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Marcantonio Raimondi, (Italian, 1470-1534), Woman with Dragon

Lot 200: Marcantonio Raimondi, (Italian, 1470-1534), Woman with Dragon

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Description: Marcantonio Raimondi (Italian, 1470-1534) Woman with Dragon engraving 3 3/4 x 2 1/2 inches.

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Marcantonio Raimondi, (Italian, 1470-1534), Battle Scene

Lot 201: Marcantonio Raimondi, (Italian, 1470-1534), Battle Scene

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Description: Marcantonio Raimondi (Italian, 1470-1534) Battle Scene engraving 11 1/2 x 17 1/4 inches.

Condition Report: surface dirt, fallen from hinge mount, foxing, creasing to paper, tape remnants visible on verso, repairs visible on verso, circular watermark yet indistinguishable.

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Lot 246: ANDREA MANTEGNA

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Description: (Italian, 1431-1506) THE RISEN CHRIST BETWEEN ST. ANDREW AND ST. LONGINUS Engraving. 14 3/4 by 12 inches.

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Lot 253:

Description: MANTEGNA, Andrea. (circa 1431-1503)Bacchanal with Silenus (Bartsch 20; Martineau 75)engraving, early 1470s, watermark Small Jug with Cross (Briquet 12502, dated Troyes 1533), a good but somewhat laterimpression, probably printed in Fontainebleau, lower left and right corners with narrow margins, otherwise trimmed justinside the platemark, the subject remarkably complete, in comparatively good condition, framedS. 12½ x 18 in. (320 x 455 mm.)

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