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Chris Ofili Auction Price Results

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Signed 2006 Ofili After the Dance Serigraph

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Description: Artist Name: Ofili, Chris Title: After the Dance Medium: Serigraph Edition Size: 20 Year: 2006 Paper Size: 30 x 20 inches Image Size: 16 x 12 inches Condition: A: Mint Notes: Signed, Labeled a "B.I.C", Numbered out of 20, Titled, and Dated in pencil by Ofili. Serigraph printed on Somerset paper.

Condition Report: A: Mint

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Signed 2006 Ofili After the Dance Serigraph

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Description: Artist Name: Ofili, Chris Title: After the Dance Medium: Serigraph Edition Size: 20 Year: 2006 Paper Size: 30 x 20 inches Image Size: 16 x 12 inches Condition: A: Mint Notes: Signed, Labeled a "B.I.C", Numbered out of 20, Titled, and Dated in pencil by Ofili. Serigraph printed on Somerset paper.

Condition Report: A: Mint

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Signed 2006 Ofili After the Dance Serigraph

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Description: Artist Name: Ofili, Chris Title: After the Dance Medium: Serigraph Edition Size: 20 Year: 2006 Paper Size: 30 x 20 inches Image Size: 16 x 12 inches Condition: A: Mint Notes: Signed, Labeled a "B.I.C", Numbered out of 20, Titled, and Dated in pencil by Ofili. Serigraph printed on Somerset paper.

Condition Report: A: Mint

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CHRIS OFILI (British, b. 1968), 'After the Dance, 2006', screenprint, 51cm x 76cm, numbered 19/20, B

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Description: CHRIS OFILI (British, b. 1968), 'After the Dance, 2006', screenprint, 51cm x 76cm, numbered 19/20, B.C.I., signed lower right in pencil and framed. (Please Note Clause 6 of Buyer's Conditions)

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Chris Ofili (b. 1968) - Double Afro Head, 1999

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Description: watercolour and graphite on paper, in two parts, each signed and dated on the reverse 9 1/4 x 6 in., 23.5 x 15.3 cm (each) Provenance: Victoria Miro Gallery, London. Sale: Sotheby's London, Post-War & Contemporary Art Day Sale , February 16, 2011 [lot 229A]. IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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** Chris Ofili (b. 1968) - Silver Moon, 2005

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Description: bronze with silver and blue patina, signed within the cast height 15 in., 38.1 cm Provenance: Contemporary Fine Arts, Berlin. IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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CHRIS OFILI (British, b. 1968), 'Afro Harlem Muses, 2005', lithograph in colours, 61.5cm x 77.5cm, n

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Description: CHRIS OFILI (British, b. 1968), 'Afro Harlem Muses, 2005', lithograph in colours, 61.5cm x 77.5cm, numbered 31/60, signed, dated lower right in pencil and framed. (Please Note Clause 6 of Buyer's Conditions)

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** Chris Ofili (b. 1968) - Half Moon (Blue), 2005

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Description: bronze with blue and silver patina, signed within the cast height 15 in., 38.1 cm Provenance: Contemporary Fine Arts, Berlin. IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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CHRIS OFILI (British, b. 1968), 'Afro Harlem Muses, 2005', lithograph in colours, 61.5cm x 77.5cm, numbered 31/60, signed, dated lower right in pencil and framed.  (Please Note Clause 6 of Buyer's Conditions)

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Description: CHRIS OFILI (British, b. 1968), 'Afro Harlem Muses, 2005', lithograph in colours, 61.5cm x 77.5cm, numbered 31/60, signed, dated lower right in pencil and framed. (Please Note Clause 6 of Buyer's Conditions)

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CHRIS OFILI (British, b. 1968), 'After the Dance, 2006', screenprint, 51cm x 76cm, numbered 19/20, B.C.I., signed lower right in pencil and framed. (Please Note Clause 6 of Buyer's Conditions)

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Description: CHRIS OFILI (British, b. 1968), 'After the Dance, 2006', screenprint, 51cm x 76cm, numbered 19/20, B.C.I., signed lower right in pencil and framed. (Please Note Clause 6 of Buyer's Conditions)

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CHRIS OFILI (British, b. 1968), 'Afro Harlem Muses, 2005', lithograph in co

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Description: CHRIS OFILI (British, b. 1968), 'Afro Harlem Muses, 2005', lithograph in colours, 61.5cm x 77.5cm, numbered 31/60, signed, dated lower right in pencil and framed. (Please Note Clause 6 of Buyer's Conditions)

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CHRIS OFILI (British, b. 1968), 'After the Dance, 2006', screenprint, 51cm x 76cm, numbered 19/20, B

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Description: CHRIS OFILI (British, b. 1968), 'After the Dance, 2006', screenprint, 51cm x 76cm, numbered 19/20, B.C.I., signed lower right in pencil and framed. (Please Note Clause 6 of Buyer's Conditions)

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CHRIS OFILI (British, b. 1968), 'Afro Harlem Muses, 2005', lithograph in colours, 61.5cm x 77.5cm, n

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Description: CHRIS OFILI (British, b. 1968), 'Afro Harlem Muses, 2005', lithograph in colours, 61.5cm x 77.5cm, numbered 31/60, signed, dated lower right in pencil and framed. (Please Note Clause 6 of Buyer's Conditions)

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CHRIS OFILI (British, b. 1968), 'Afro Harlem Muses, 2005', lithograph in co

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Description: CHRIS OFILI (British, b. 1968), 'Afro Harlem Muses, 2005', lithograph in colours, 61.5cm x 77.5cm, numbered 31/60, signed, dated lower right in pencil and framed. (Please Note Clause 6 of Buyer's Conditions)

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Chris Ofili, ‘Afro Harlem Muses’, Lithograph, 2005

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Description: Lithograph in colors with embossment on SomersetUnited Kingdom, 2005Chris Ofili (b. 1968) – Young British ArtistSigned, titled and dated in pencil, numbered ‘PP 2/4’Published by David Zwirner Gallery, New York Printed by Derriere L’Etoile Studios, Inc., New YorkFull marginsDimensions: 21 7/8 x 27 ½ in. (55.6 x 70 cm.)Very good conditionEstimate $1,400-$2,500 Chris Ofili (British, b. 1968)Turner Prize-winning painter Chris Ofili is best known for his vibrant works examining the contemporary black experience. Drawing upon an array of historical and cultural sources ranging from cave paintings to comic books, Ofili incorporates a myriad of materials including glitter, resin and, perhaps most famously, elephant dung. A member of the Young British Artists, Ofili studied at the Chelsea School of Art and the Royal College of Art in London. In 1998, Ofili was awarded the prestigious Turner Prize and, the following year, generated praise at the Brooklyn Museum. In 2003, he represented Britain at the Venice Biennale. Ofili’s works are held in the collections of the Museum of Modern Art in New York, the San Francisco Museum of Art, and the Tate Gallery and Victoria and Albert Museum in London. Ofili currently lives and works in Trinidad. Condition In overall good condition. Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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CHRIS OFILI (British, b.1968), 'Ritual and desire' 1009, lithograph in colours, 100cm x 68cm, signed, dated and framed.  (Please Note Clause 6 of Buyer's Conditions)

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Description: CHRIS OFILI (British, b.1968), 'Ritual and desire' 1009, lithograph in colours, 100cm x 68cm, signed, dated and framed. (Please Note Clause 6 of Buyer's Conditions)

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CHRIS OFILI (British, b. 1968), 'Afro Harlem Muses

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Description: CHRIS OFILI (British, b. 1968), 'Afro Harlem Muses, 2005', lithograph in colours, 61.5cm x 77.5cm, numbered 31/60, signed, dated lower right in pencil and framed. (Please Note Clause 6 of Buyer's Conditions)

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CHRIS OFILI (British, b. 1968), 'Afro Harlem Muses', 2005, lithograph in colours, numbered 32/60, 61.5cm x 77.5cm, signed, titled, dated lower margin and framed. (Please Note Clause 6 of Buyer's Conditions)

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Description: CHRIS OFILI (British, b. 1968), 'Afro Harlem Muses', 2005, lithograph in colours, numbered 32/60, 61.5cm x 77.5cm, signed, titled, dated lower margin and framed. (Please Note Clause 6 of Buyer's Conditions)

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CHRIS OFILI (British, b. 1968), 'Ritual and Desire', 2009, lithograph in colours, 100cm x 70cm, numbered 44/60, signed lower right in pencil and framed. (Please Note Clause 6 of Buyer's Conditions)

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Description: CHRIS OFILI (British, b. 1968), 'Ritual and Desire', 2009, lithograph in colours, 100cm x 70cm, numbered 44/60, signed lower right in pencil and framed. (Please Note Clause 6 of Buyer's Conditions)

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CHRIS OFILI (born 1968, British) - Afro Lunar Lovers 2003 lithograph and hand-applied embossed gold foil, edition: 325/ 350

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Description: CHRIS OFILI (born 1968, British) Afro Lunar Lovers 2003 lithograph and hand-applied embossed gold foil, edition: 325/ 350 49.0 x 31.5 cm numbered, signed and dated within image Provenance: Victoria Miro Gallery, London, 2003. Private collection, Melbourne

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CHRIS OFILI (1968 -   ) Afro Harlem Museo.

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Description: CHRIS OFILI (1968 - ) Afro Harlem Museo. Color lithograph, 2005. 324x508 mm; 12 3/4x20 inches, full margins. Printer's proof, aside from the edition of 60. Signed, titled, dated, inscribed "PP" and numbered 3/4 in pencil, lower margin. A very good, vibrant impression.

Condition Report: All items are offered for sale subject to Swann Galleries' standard terms and conditions of sale, which are published in our catalogues.

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Chris OFILI (né en 1968)

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Description: Chris OFILI (né en 1968) Sans titre, 2001 Watercolor and pencil on paper; signed and dated on the reverse 9 1/2 x 6 1/8 in. Chris OFILI (né en 1968) Sans titre, 2001 Aquarelle et crayon sur papier Signé et daté au dos 24 x 15,5 cm

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Chris Ofili (b.1968) - Rincon Falls Black Leaf

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Description: Spit bite and sugar lift aquatint with drypoint printed in colours, 2008, signed, titled and dated in pencil, numbered 19/20, published by Crown Point Press, San Francisco, on wove paper, with full margins, 596 x 375 mm (23 1/2 x 14 3/4 in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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Ofili No Woman, No Cry Poster

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Description: Artist Name: Ofili, Chris Title: No Woman, No Cry Medium: Offset Lithograph Edition Size: Unknown Year: Unknown Paper Size: 31.5 x 23.5 inches Image Size: 24.25 x 16.5 inches Condition: A-: Near Mint, very light signs of handling

Condition Report: A-: Near Mint, very light signs of handling

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Chris Ofili (b.1968) - After the Dance

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Description: Chris Ofili (b.1968) - After the Dance screenprint in colours, 2006, signed, titled and dated in pencil, inscribed B.C.I, 5/20, aside from the edition of 50, printed and published by Brodsky Center, New Jersey, USA, on wove paper, with full margins, 405 x 304 mm (16 x 12 in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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CHRIS OFILI - Afro Lunar Lovers I, 2003

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Description: CHRIS OFILI - Afro Lunar Lovers I, 2003

Condition Report: Request to receive a Condition Report for this item or any items in this auction by contacting the seller.

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CHRIS OFILI Two color screenprints.

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Description: CHRIS OFILI Two color screenprints. Afro Lunar Lovers, color screenprint and Giclee with embossing and gold leaf, 2003. 483x312 mm; 19x12 1/4 inches (sheet), full margins. Artist's proof, aside from the edition of 350. Signed, dated and numbered "AP 46/70" in ink, lower margin * Afro Lunar Lovers II, color screenprint and Giclee with embossing and gold leaf, 2005. 475x310 mm; 18 3/4x12 1/4 inches (sheet), full margins. Signed, titled, dated and numbered 80/250 in ink, lower margin. Published by Afroco and Victoria Miro Gallery, London. Both very good impressions.

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Chris OFILI (né en 1968) TETE D'HOMME DE PROFIL, 1999 Aquarelle sur papier

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Description: Chris OFILI (né en 1968) TETE D'HOMME DE PROFIL, 1999 Aquarelle sur papier signé et daté au dos "Chris Ofili, 1999" h: 24 w: 16 cm Provenance : Art Market, Tokyo Collection L.L.

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Chris OFILI (né en 1968) TETE D'HOMME DE PROFIL, 1999 Aquarelle sur papier

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Description: Chris OFILI (né en 1968) TETE D'HOMME DE PROFIL, 1999 Aquarelle sur papier signé et daté au dos "Chris Ofili, 1999" h: 24 w: 16 cm Provenance : Art Market, Tokyo Collection L.L.

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Chris Ofili (b.1968) Mermaid, 72.5 x 48in. unframed.

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Description: Chris Ofili (b.1968) oil on canvas, Mermaid, signed verso, 72.5 x 48in. unframed.

Condition Report: Original canvas in untouched but slightly neglected condition. Canvas still tight. Some fine craquelure running through the work most notably stars cracks where the paint is just starting to lift. A few small dents and holes scattered across the work which is also dirty and needs a clean. Not signed but inscribed on the stretcher. Not framed. Given by the artist to Marcella Trowell when they were both at Chelsea Art College. Please submit your absentee bids on www.gorringes.co.uk or e-mail clientservices@gorringes.co.uk FURTHER IMAGES ALREADY AVAILABLE AT WWW.GORRINGES.CO.UK Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid, prior to placing a bid. All transactions are governed by Gorringes Conditions of Sale.

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CHRIS OFILI, B. 1968

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Description: signed and dated 2001 on the reversewatercolour and pencil on paper

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f,m,s - CHRIS OFILI

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Description: B. 1968STRANGE EYESmeasurements194.9 by 121.9 by 26cm.alternate measurements76 3/4 by 48 by 10 1/4 in.signed, titled and dated 2001 twice on the strecheroil paint, polyester resin, elephant dung, map pins and glitter on canvasPROVENANCEContemporary Fine Arts, BerlinAcquired directly from the above by the previous owner in 2001NOTEChris Ofili's extraordinary Strange Eyes explodes from the canvas in all of its glorious regal splendour. Buzzing with material and compositional invention, this is one of a small group of paintings which Ofili has made using the cultural and historical portrayal of black womanhood as the backdrop to a joyful cacophony of layers of oil paint, glitter, resin, map pins and, most notoriously, elephant dung. Other works in this series include arguably two of his most important paintings, The Holy Virgin Mary (Fig. 2) and Blossom (Fig. 3). Similarly to these portraits, here the woman is raised to a pseudo Madonna figure, compositionally reminiscent of icons of the Italian Old Master tradition, Ofili's reinvented black Madonna is bejewelled not with a crucifix but with a dung ball around her neck, a talisman of black experience. Studiously constructed, the surface of this painting ripples and glimmers with pools of resin and dots of paint, painstakingly applied over a period of months. The intricacy and delicacy of his technique is palpable in these tiny dots and serpentine lines that ebb and flow across the starkly symmetrical composition. It is virtually a mirror image which pulses with pattern and harmony, and by extension the search for perfection. The bulbous Afro hairstyle and indeterminate 'ethnic' dress raise simple but important questions about clichéd and hackneyed stereotypes that have been applied continually since the very origins of the colonial age. Following on from one of his main influences and heroes, Jean-Michel Basquiat, Ofili deliberately allies himself with the most facile view of black culture, choosing the most obvious signifiers of black nationhood to demonstrate the very absurdity of making work about identity. Suggestive rather than dogmatic in its delivery, Ofili's work centrally situates Black culture while avoiding making a direct statement of uncompromising intent. In Strange Eyes, notions of ethnicity are delivered through a form of pictorial invention that eschews political sloganism. The multiple eyes which give the work its title - three on each side - are reminiscent of the third, all-seeing eye, a symbol found in many different eras, cults and cultures from Ancient Egypt to the American Dollar Bill. Recalling the 1999 painting, Third Eye Vision, in the Walker Art Center, here the multiple eyes call to mind the far-reaching, spiritually inflected iconography of the African Diaspora, Buddhist and Hindu Asia. The most immediately apparent - although arguably the most complex - cultural referents are the elephant dung balls which raise the canvas off the floor. Ofili began using dung after his trip to Zimbabwe. Highlighting the exoticism of the African continent and his ancestry, the dung works as a potent, uniquely African, unifying element, providing a material link to a world of cultural implications that hint at the cycles of life and nature. Like all of Ofili's work, Strange Eyes epitomizes Ofili's layered absorption of cultural and historical influences, fearlessly takes on questions of the sacred juxtaposed with the profane, the humorous with the sublime, and the bold with the mysterious. The female's psychedelic back-drop and mesmerizing multi-layered gaze come together to form a stunning re-mix of the artist's inspiration that carries a beat of its own. She is a diva who should be seen, but also heard. As with many of Ofili's portraits, Strange Eyes has a unique sound-track of her own, "I'm trying to make paintings that make you hear them, rather than see them. So actually, you're looking at music. So it will teach your eyes to hear, and your ears to see." (Interview with the artist and Paul Miller, 'Deep Shit' in: Parkett, no. 58, 2000, pp. 171-176 ).

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CHRIS OFILI

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Description: CHRIS OFILI B.1968 UNTITLED (TWO WORKS) each signed and dated 2000 on the reverse watercolor and pencil on paper each: 9 5/8 by 6 1/4 in. 24.5 by 15.9 cm.

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Untitled

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Description: Chris Ofili (b. 1968) Untitled each: signed twice and dated 'CHRIS OFILI '99' (on the reverse) two sheets--watercolor and graphite on paper each: 9½ x 6 in. (24.1 x 15.2 cm.)Executed in 1999.

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Chris Ofili

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Description: Chris Ofili

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CHRIS  OFILI

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Description: B.1968 UNTITLED  [TWENTY-TWO  WORKS] each  signed  and  dated  '98  or  '99  respectively  on  the  reverse watercolor  and  graphite  on  paper Dimensions  Variable Smallest:  9  1/4    by  6  in.      23.5  by  15.2  cm.      Largest:  9  1/2    by  6  1/2    in.      24.1  by  16.5  cm.

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                                        Chris Ofili (b. 1968)

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Description: Chris Ofili (b. 1968) Blue Smoke (Pipe Dreams) signed, titled and dated '"Blue Smoke (Pipe dreams)" Chris Ofili 2011' (on the reverse)oil on canvas 110¼ x 77¼ in. (280 x 196 cm.) Painted in 2011.

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Head of an Afronaught

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Description: Chris Ofili (b. 1968) Head of an Afronaught signed, titled and dated twice '"Head of an Afronaught" 1999-2000 CHRIS OFILI' (on the overlap and on the stretcher) phosphorescent acrylic, oil, glitter, polyester, resin, map pins and elephant dung on canvas with two elephant dung supports 75 x 48½in. (190.5 x 122.5cm.) Executed in 1999-2000

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l - CHRIS OFILI

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Description: B. 1968STRANGE EYES76 3/4 x 48 x 10 1/4 in. 194.9 x 121.9 x 26 cm.signed, titled and dated 2001 twice on the stretcheroil paint, polyester resin, elephant dung, map pins and glitter on canvasPROVENANCEContemporary Fine Arts, Berlin Acquired by the present owner from the above in 2001NOTEWinning the Turner Prize in 1998 established Chris Ofili's position within the contemporary art world as an individual of undeniable talent and innovation. Ofili's original manipulation and use of media, coupled with his multi-layered and open-ended references to contemporary urban culture and awareness of the history of art continues to astound his audiences and elicit a broad range of responses from the controversial to the delighted.Strange Eyes, 2001 offers the viewer an exuberant and glorious rendering of an African woman whose individual beauty resonates beyond the humorous caricature that lies within most of Ofili's large-scale painted portraits. Beauty, humor, confusion: these are all aspects of Ofili's work that he wants us to experience. As the artist has stated, "~there are so many layers of meaning~So many contradictions~It's about beauty. It's about caricature. And it's about just being confused. But at the same time, it's about not being uncomfortable with that (confused) state of mind." (interview with the artist and Paul D. Miller, "Deep Shit", Parkett, no. 58, 2000, pp. 171-176 ). Like the artist, his paintings welcome questions and offer multiple answers. Ofili has explained that the origins of his work are complex and varied and are intended to be interpreted by the individual as a compilation of a variety of influences. The artist likens his work, in this sense, to Hip-Hop, a musical art-form born of complex and varied influences that draws not only from its more traditional and ethnic roots but also from its contemporary urban surroundings, "an approach to making things and looking at things with no hierarchy." (Ibid.). Ofili offers several explanations and sources of inspiration for his use of elephant dung in his work. Ofili began using dung after a trip to Zimbabwe in 1992. This trip has often been referred to as a turning point in Ofili's career, sensitizing him not only to the visual traditions of Africa which he now uses in his paintings, but also to the material relationship between animals and the earth. That said, Ofili has also explained, "Somehow it makes the paintings feel more relaxed, instead of being pinned upon the wall like it's being crucified~(The painting can) stand in it's own shit and watch the other paintings being crucified on the wall." (Ibid.) Instead of one story canceling another, Ofili's inspirations co-exist and communicate both within each painting, and with each individual viewer, to form complex and unique works that refuse to be categorized.Ofili's technique is another aspect of his work that can be assigned a number of influences. His vibrant palette and meticulously dotted surfaces can be assigned such ethnic roots as those found in Nigerian, Australian Aboriginal, even Haitian artistic tradition, and while the artist doesn't reject these sources he also speaks about the psychedelic impact of such Op artists as Bridget Riley and finally the rhythmic beat in music, "because when dots are made, there is this constant tapping noise~That comes out of just being in the studio and listening to music." (Ibid.)Strange Eyes epitomizes Ofili's layered absorption of cultural and historical influences. The female's psychedelic back-drop, unassigned "ethnic" clothing, and mesmerizing multi-layered gaze come together to form a stunning re-mix of the artist's inspiration that carries a beat of its own. She is a diva who should be seen, but also heard. As with many of Ofili's portraits, Strange Eyes has a unique sound-track of her own, "I'm trying to make paintings that make you hear them, rather than see them. So actually, you're looking at music. So it will teach your eyes to hear, and your ears to see." (Ibid.)

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CHRIS OFILI

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Description: CHRIS OFILI B.1968 THE NAKED SPIRIT OF CAPTAIN SHIT AND THE LEGEND OF THE BLACK STARS signed, titled and dated 2000/2001 on the stretcher and the overlap acrylic, oil, paper collage, glitter, polyester resin, map pins and elephant dung on canvas 256.5 by 182.8cm. 101 by 72in.

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Saint Lucian Blue

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Description: Chris Ofili (b. 1968) Saint Lucian Blue signed, signed again with the artist's initials, titled and dated 'CHRIS OFILI CO 2006 "Saint Lucian Blue" (on the reverse) oil, acrylic and charcoal on canvas 109½ x 78¾ in. (278.1 x 200 cm.) Executed in 2006.

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Chris Ofili (b. 1968)

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Description: Untitledeach: signed and dated 'Chris Ofili 2000' (on the reverse)2 sheets--watercolor and graphite on papereach: 9 1/2 x 6 1/8 in. (24.1 x 15.6 cm.)Painted in 2000.

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CHRIS OFILI, B. 1968

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Description: signed and dated 2001 on the reversewatercolour and pencil on paper

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CHRIS OFILI | Untitled

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Description: gouache and gold leaf on paper

Condition Report: Colour: The colours in the catalogue illustration are fairly accurate, although they fail to fully convey the reflective nature of the gold leaf and the bright green colours apparent in the original. Condition: This work is in very good condition. The sheet is attached verso to foamcore in several places. There are artist's pinholes on all four corners. The sheet undulates slightly."In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

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CHRIS OFILI, B. 1968

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Description: signed and dated 2001 on the reversewatercolour and pencil on paper

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Chris Ofili (b. 1968)

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Description: Untitledsigned and dated 'CHRIS OFILI 2003' (on the reverse)graphite and watercolor on paper12 1/2 x 8 in. (31.7 x 20.3 cm.)Painted in 2003.

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Chris Ofili

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Description: signed, titled and dated 1996 on the stretcher,acrylic, oil, polyester resin, paper collage, glitter, map pins and elephant dung on linen,canvas: 95 15/16 x 71 15/16 in. 243.8 x 182.8 cm.,overall: 99 1/4 x 71 15/16 in. 252.1 x 182.9 cm.

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CHRIS OFILI Regal

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Description: CHRIS OFILI Regal

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                                        Chris Ofili (b. 1968)

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Description: Chris Ofili (b. 1968) Innervisions... Too High signed, titled and dated '"Innervisions-too high" CHRIS OFILI 1998' (on the reverse)acrylic, oil, polyester resin, glitter, collage, map pins and elephant dung on canvas99¼ x 71in. (252 x 181.5cm.) Executed in 1998

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 Chris Ofili , b. 1968 Untitled; 2 Works watercolor and pencil on paper

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Description: watercolor and pencil on paper

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