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Ary Scheffer Auction Price Results

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SCHEFFER Ary (1795-1858)

Lot 13: SCHEFFER Ary (1795-1858)

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Description: SCHEFFER Ary (1795-1858) Famille éplorée Huile sur toile, signée en bas à droite. 21 x 16 cm (petits accidents à la toile et un au cadre)

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Attribué à Ary Scheffer Dordrecht, 1795 - Argenteuil, 1858 Homme arrêtant un cavalier Huile sur panneau

Lot 30: Attribué à Ary Scheffer Dordrecht, 1795 - Argenteuil, 1858 Homme arrêtant un cavalier Huile sur panneau

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Description: Attribué à Ary Scheffer Dordrecht, 1795 - Argenteuil, 1858 Homme arrêtant un cavalier Huile sur panneau 'A MAN STOPPING A HORSEMAN', OIL ON PANEL, ATTRIBUTED TO ARY SCHEFFER h: 20 w: 25,50 cm Provenance : Collection Jacques Thuillier, Paris

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Ary SCHEFFER (1795-1858)   Madame Gallois de Naives et ses deux filles, 1839

Lot 64: Ary SCHEFFER (1795-1858) Madame Gallois de Naives et ses deux filles, 1839

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Description: Ary SCHEFFER (1795-1858) Madame Gallois de Naives et ses deux filles, 1839 Huile sur panneau à pans coupés Signée en bas à gauche et datée 65 x 37 cm

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ÉCOLE ORIENTALISTE (XIXE SIÈCLE) D’APRÈS ARY SCHEFFER (1795-1858) JEUNE GREC DÉFENDANT SON FRÈRE BLESSÉ 1827 Conservé au musée Benak...

Lot 243: ÉCOLE ORIENTALISTE (XIXE SIÈCLE) D’APRÈS ARY SCHEFFER (1795-1858) JEUNE GREC DÉFENDANT SON FRÈRE BLESSÉ 1827 Conservé au musée Benak...

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Description: ÉCOLE ORIENTALISTE (XIXE SIÈCLE) D'APRÈS ARY SCHEFFER (1795-1858) JEUNE GREC DÉFENDANT SON FRÈRE BLESSÉ 1827 Conservé au musée Benaki, Athènes. Huile sur toile portant une signature indistincte et datée 1839 au dos. 46 x 38 cm

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Ary Scheffer (Dutch 1797-1858), Portraits of a Lady and a Gentleman: A Pair, watercolor and graphite on paper, 3 3/4 x 3 in

Lot 366: Ary Scheffer (Dutch 1797-1858), Portraits of a Lady and a Gentleman: A Pair, watercolor and graphite on paper, 3 3/4 x 3 in

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Description: Ary Scheffer (Dutch 1797-1858) Portraits of a Lady and a Gentleman: A Pair of Works The first inscribed Sch in pencil l.r.; the second, apparently unsigned Each watercolor and graphite on paper; each with some toning and fading. Each framed.* Each approximately: 3-3/4 x 3 in (9.5 x 7.6 cm)Property of Various Owners

Condition Report: ALL BOOKS WILL BE SOLD AS IS. Weschler's provides written condition reports, upon request, for any lot in our auctions. Such a condition report is provided as a courtesy to our clients and should in no instance replace first hand inspection by a prospective buyer or his/her agent. All property is sold "as is" in accordance with the terms set forth in paragraph 3 of Conditions of Sale. Neither Weschler's nor the consignor makes any express or implied warranty or representation as to the condition of any lot offered for sale, and no statement made at any time, whether oral or written, shall constitute such a warranty or representation.

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Ary Scheffer (1795-1858) Attributed

Lot 1001: Ary Scheffer (1795-1858) Attributed

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Description: "Dante & Beatrice" Oil on board 43 1/2 x 24 in. Three versions of this work, at least, were known to have been painted by Scheffer.

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Ary Scheffer (after)

Lot 1424: Ary Scheffer (after)

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Description: Ary Scheffer (after) French (1795-1858) GENERAL LAFAYETTE engraved by Lerouse, 1824 engraving, framed, with blindstamp: lower left image size: H22" W14 1/2" Provenance: Estate of the late Francis D. "Skeeter" McNairy, Savannah, Georgia.

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ARY SCHEFFER (Dutch 1795-1858) Battle scene, watercolor on paper, signed on verso Ary Scheffer. Contained in matted frame under glass. Condition: lower left corner torn and creased. Dimensions: 2 1/2'' X 3 3/4'', frame 13 1/2'' X 15 3/4''.

Lot 2357: ARY SCHEFFER (Dutch 1795-1858) Battle scene, watercolor on paper, signed on verso Ary Scheffer. Contained in matted frame under glass. Condition: lower left corner torn and creased. Dimensions: 2 1/2'' X 3 3/4'', frame 13 1/2'' X 15 3/4''.

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Description: ARY SCHEFFER (Dutch 1795-1858) Battle scene, watercolor on paper, signed on verso Ary Scheffer. Contained in matted frame under glass. Condition: lower left corner torn and creased. Dimensions: 2 1/2'' X 3 3/4'', frame 13 1/2'' X 15 3/4''. Provenance: Collection of Graham Shearing, Estate of Frank Trapp, Paul Proute', Paris circa 1980.

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Scheffer, Ary: Bildnis von Louis de Latte

Lot 6044: Scheffer, Ary: Bildnis von Louis de Latte

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Description: Bildnis von Louis de Latte am Schreibtisch mit Büchern und Graphik. Öl auf Leinwand. 48,5 x 38 cm. Unten rechts signiert "Ary. Scheffer", verso undeutlich auf der Leinwand von fremder Hand in französischer Sprache bez. "Louis de Latte, né a Aix-la-Chapelle, le 28 9bre 1799, decidé à Cologne le .... 1811...".

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SCHEFFER, ARY (Dordrecht 1795 - 1858 Argenteuil),

Lot 6881: SCHEFFER, ARY (Dordrecht 1795 - 1858 Argenteuil),

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Description: SCHEFFER, ARY (Dordrecht 1795 - 1858 Argenteuil), zugeschrieben. Porträt einer Frau. Kreide auf grauem Velin, 30,3 x 23 cm. Unten links mit Sammlungsstempel: Doppeltes A im Kreis, nicht bei Lugt.

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Lot 1: ARY SCHEFFER* (FRENCH, 1795-1858)

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Description: PORTRAIT OF A MAN signed "Ary Scheffer" and indistinctly inscribed center left -- oil on canvas 25 x 17 1/2 in. (63.5 x 44.4 cm.).

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Lot 1: SCHEFFER, Ary (1795-1858)

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Description: Bust portrait of a man Oil/canvas 24,8 x 17,3 inches (63.0 x 44.0cm) Signed Illustrated.

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Lot 3: *Ary Scheffer (French, 1795-1858)

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Description: ST. LOUIS, LEAVING ON CRUSADE, HANDS THE REGENCY TO QUEEN BLANCHE, JUNE 13, 1248 signed oil on canvas 14 3/4 by 19 in. 37.5 by 48.3 cm. This is a preparatory sketch for one of five paintings commissioned on April 30, 1838 to adorn the King's Pavillion at the Chateau de Versailles, a scheme which was never completed, due in part to the Revolution of 1848. Until now, the overall composition of this particular painting was known from a drawing in the Dordrecht Museum (1935 catalogue, No. 178), to which this painted sketch comes very close. The Dordrecht Museum contains other preparatory drawings (Nos. 179 and 180). Dr. Leo Ewals and the Director of the Dordrecht Museum have kindly confirmed the authenticity of this work. We are grateful to Dr. Ewals for his assistance in the cataloguing of this work. Literature: Galeries historiques du palais de Versailles, Paris, 1839, Vol. I, p. 95, No. LXXXII (for mention of the final composition) L. Ewals, "De gebroeders Scheffer en het Versailles van Louis-Philippe", De Negentiende Eeuw 3, 1979, 4, pp. 212-234 (for a discussion of the overall scheme) L. Ewals, M. J. de Groot, J.-J. Heij, Ary Scheffer, dessins, aquarelles et esquisses a l'huile, exhibition catalogue, Dordrecht and Paris, 1979-80 (for a discussion of the overall scheme) L. Ewals, Ary Scheffer, Sa vie et son oeuvre, Ph.D., Nijmegen, 1987 (for a discussion of the overall scheme) L. Ewals, Ary Scheffer, exhibition catalogue, Dordrecht, Waanders, Uitgevers, Zwolle, 1995 (for a discussion of the overall scheme) Leo Ewals, Ary Scheffer 1795-1858, exhibition catalogue, Musee de la vie romantique, Paris, 1996, (for a discussion of the overall scheme).

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Lot 4: *Arÿ Scheffer (French, 1795-1858)

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Description: PAOLO AND FRANCESCA signed oil on panel 12 7/8 by 17 3/4 in. 32.7 by 45.1cm. Scheffer painted several versions of this picture from the 1820s to the 1850s. The painting which appeared in the Salon of 1835, described in the catalogue as belonging to the Duke of Orleans, is now in the Wallace Collection, London. Receiving high praise from the critics for the painting, Scheffer was awarded the Legion d'honneur following the close of the Salon. The largest version was commissioned by Scheffer's close friend, the Polish portrait and Romantic poet Count Sigismund Kransinski (1812-59). Another, smaller version was dedicated to Pauline Viardot, a celebrated opera singer of the period with whom the artist fell in love. The compostion is based on Canto V of Dante's Inferno in which Dante encounters the lovers Paolo and Francesca in the second circle of Hell. Dante was the first to make a literary reference to this famous tragedy. Francesca da Rimini (died 1283/84) was daughter of Guido da Polenta, Lord of Ravenna. Married to Gianciotto Malatesta (called "the Lame") for reasons of state, she was murdered by him when he discovered her adultery with his brother Paolo (called "the fair") whom he also killed. In Dante's Inferno, the adulterous lovers are damned to be caught in eternal winds, but are not physically reunited; Scheffer has obviously taken license with Dante's text. Scheffer's image enjoyed international popularity, many as a result of numerous engravings. George Eliot, upon seeing the Paolo and Francesca at Gambart's French Gallery in London in 1854, wrote: "It surpasses one's expectations from engraving. I could look at it for hours. There is nothing at the Royal Academy to affect one in the same way-or indeed at all" (in Romance and Chivalry, 1996, p. 133). According to Nadia Tscherny the image appeared on Worcester porcelain in 1867, nine years after Scheffer's death, and was the inspiration for Rodin's treatment of Dante's Inferno and the Paolo and Francesca tale. Scheffer was born and brought up in Holland, but from 1811 he lived in Paris, where he became a pupil possibly of Pierre-Paul Prud'hon, then of Pierre GuErin, and attended the Ecole des Beaux-Arts. He exhibited at the Paris Salon from 1812 to 1846. The high-point of Scheffer's career coincided with the period of the July Monarchy (1830-48). Since 1822 Scheffer had been giving drawing lessons to the children of Louis-Philippe, duc d'Orleans, whose son, Ferdinand-Philippe, was the original owner of the Salon version of Paolo and Francesca. When the Duke came to power himself in an influential position, Scheffer received important commissions for the Musee Historique at Versailles and was asked to paint portraits of the royal family. His greatest successes during this period, however, were the religious and literary subjects like this one which he sent to the Salon and which formed an increasingly important part of his output. We are grateful to Dr. Leo Ewals for confirming the authenticity of this work.

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Ary Scheffer (French, 1795-1858)

Lot 4: Ary Scheffer (French, 1795-1858)

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Description: Ary Scheffer (French, 1795-1858) >Dante and Virgil meet Francesca da Rimini and Paolo Malatesta<br>oil on canvas >28½ x 40 in. (72.4 x 101.5 cm.)<br>Painted circa 1835.

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Lot 5: SCHEFFER, ARY (1795-1858)

Description: Faust et Marguerite au jardin, 1846 Oil/canvas/panel 86x53 inches (217.8x134.6 cm) signed & dated (Lower Right).

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Lot 7: ARY SCHEFFER (FRENCH, 1795-1858)

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Description: ARIADNE signed and indistinctly dated Ary Scheffer 18... lower right - - oil on canvas 38 3/4 x 27 in. (98.4 x 68.6 cm.).

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Lot 7: SCHEFFER, ARY (1795-1858)

Description: Ariadne Oil/canvas 39x27 inches (98.4x68.6 cm) signed (Lower Right).

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Lot 10: Ary Scheffer (French, 1795-1858)

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Description: Scheffer, A. Portrait of a young woman signed and dated 'Ary Scheffer 1841' (lower right) oil on canvas 24 x 16 in. (62.4 x 40.8 cm.).

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Lot 10: Ary Scheffer

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Description:

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Lot 12: Michael Stohl (1813-1881) after Ary Scheffer

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Description: Augustinus and Monica stamped with a crowned 'A' on the reverse of the backing pencil and watercolour heightened with white on paper laid down on board 43.8 x 36 cm NOTES Scheffer painted four versions of this composition. The first, painted in 1845, oil on canvas 168 x 141 cm, is in a private collection. A second, dated 1849, is in the Dordrechts Museum; another from 1854 is in the National Gallery in London; and one from 1855 is in the Louvre (L.Ewals, Ary Scheffer 1795-1858: Gevierd Romanticus, exhibition catalogue Dordrechts Museum, 1995/1996, pp.257-259, n o67). The first version was shown at the Salon in 1846 and elicited sarcastic comments from Charles Baudelaire, who included a chapter 'De M. Ary Scheffer et de singes du Sentiment' in his review of that year's Salon. The subject is taken from St.Augustine, Confessiones IX, X, in which a conversation on Christianity between Augustinus and his recently converted mother Monica is described, shortly before her death in 387.

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Lot 13: SCHEFFER, ARY (1795-1858)

Description: Saint Jean-Baptiste prechant dans le desert Pierre noire 11x9 inches (27x24 cm) signed (Lower Right).

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Lot 15: SCHEFFER, Ary (studio) (1795-1858, French)

Description: Portrait de la duchesse de Joinville, nee Bragance Oil Painting (22x38in).

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Lot 20: SCHEFFER, Ary (1795-1858, French)

Description: Woman with a fan, s.d.1838 Oil Painting (28x36in).

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Lot 20: ARY SCHEFFER (DUTCH/FRENCH, 1795-1858)

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Description: WOMAN WITH A FAN Signed and dated "Ary Scheffer 1838" l.r. Oil on canvas, 36 x 28 in. (91.4 x 71.2 cm.), framed. CONDITION Lined, retouched, scattered losses, prevalent craquelure.

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Lot 29: SCHEFFER, Ary (circle) (1795-1858, French)

Description: Travellers returning home, bears sig. Oil Painting (13x15in).

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Attributed to Ary Scheffer Dante & Virgil with

Lot 33: Attributed to Ary Scheffer Dante & Virgil with

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Description: Attributed to Ary Scheffer Dante & Virgil with Paola & Francesca - scene from Dante's Inferno Oil on canvas 28¼" x 29¾".

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A Victorian embroidery of a Greek Child defending his Father

Lot 36: A Victorian embroidery of a Greek Child defending his Father

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Description: A Victorian embroidery of a Greek Child defending his Father (mid 19th century), tent stitch embroidery in woolen thread, 57,7 x 48,5 cm. (slight wear in the lower left corner). Based on a painting by Ary Scheffer (1795-1858).

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Lot 37a: SCHEFFER, Ary (1795-1858)

Description: Le Croise Huile/toile Signed lower right Illustrated.

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Faust in his study

Lot 38: Faust in his study

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Description: Ary Scheffer (Dutch, 1795-1858) Faust in his study signed 'Ary Scheffer' (lower left) oil on canvas 9½ x 7 3/8 in. (24.2 x 18.8 cm.)

Condition Report: Oil on canvas, not relined. Some fine craquelure. Some surface dirt. Colours are similar to catalogue illustration. The UV light shows one or two small retouches in the background. Frame is gilt composite in reasonable condition.

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Lot 40: SCHEFFER, Ary (circle) (1795-1858, French)

Description: Portrait de la Reine Marie Amelie en deuil Oil Painting (37x50in).

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Ary SCHEFFER (1795-1858). - La Grèce sur les

Lot 40: Ary SCHEFFER (1795-1858). - La Grèce sur les

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Description: Ary SCHEFFER (1795-1858). - La Grèce sur les ruines de Missolonghi.

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Lot 53: ARY SCHEFFER (FRENCH 1795-1858)

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Description: THE THREE MARIES signed l.l., oil on panel, arched top 46 by 30.5 cm.; 18 by 12 in.

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Lot 55: ARY SCHEFFER (1795-1858)

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Description: PORTRAIT OF FERDINAND-PHILIPPE-LOUIS-CHARLES-HENRI, DUC D'ORLEANS (1810-1842), HALF LENGTH, WEARING A BLACK JACKET AND THE INSIGNIA OF THE ORDER OF THE LEGION D'HONNEUR signed and dated "A. Scheffer/1838" 32 x 23 in. (81.5 x 58 cm.) PROVENANCE Given to Lord Lansdowne by S.A.R. the Duc d'Orleans and by descent LITERATURE E. Morris, Ary Scheffer and his English Circle, Oud Holland, 1985, vol. 99, no. 4, p. 315 under no. P15 The Duc d'Orleans was known for his philanthropy and liberal ideas. The eldest son of King Louis-Philippe, he attended the egalitarian college, Henri IV, before pursuing a military career. His humanitarian and social acts included the financial help he gave to the victims of the cholera epidemic in March, 1832. On the 30 May 1837, he married Helene of Mecklenburg, with whom he had two sons, Louis-Philippe-Albert, Comte de Paris (b. 1838) and Robert-Philippe-Louis-Eugene-Ferdinand, Duc de Chartres (b. 1840). The Duc d'Orleans died as the result of a riding accident in 1842, on the way to join his family in Neuilly.

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Lot 55: SCHEFFER, ARY (1795-1858)

Description: Study for La defense de Missolonghi Watercolour, gouache 10x7 inches (26.5x19 cm).

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Lot 58: SCHEFFER, ARY (1795-1858)

Description: La declaration, 1844 oil/canvas 18x15 inches (45.5x38.5 cm) signed & dated (Lower Right).

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Lot 58: *Ary Scheffer (French, 1795-1858)

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Description: "LE DANTE ET VIRGILE RENCONTRANT L'OMBRE DE FRANCISCA DI RIMINI ET PAULO AUX ENFERS'' signed oil on canvas 93/4 by 13 in. 24.8 by 33 cm. Scheffer painted numerous versions of this picture from the 1820s to the 1850s (at least ten, according to the Scheffer scholar Dr. Leo Ewals). The painting which appeared in the Salon of 1835, described in the catalogue as belonging to the Duke of Orleans, is now in the Wallace Collection. Receiving high praise from the critics for the painting, Scheffer was awarded the Legion d'honneur following the close of the Salon. The largest version was commissioned by Scheffer's close friend, the Polish patriot and Romantic poet Count Sigismund Kransinski (1812-59). Another, smaller, version was dedicated to Pauline Viardot, a celebrated opera singer of the period with whom the artist fell in love. The composition is based on Canto V of Dante's Inferno, in which Dante encounters the lovers Paolo and Francesca in the second circle of Hell. Dante was the first to make a literary reference to this famous tragedy. Francesca da Rimini (died 1283/84) was the daughter of Guido da Polenta, Lord of Ravenna. Married to Gianciotto Malatesta (called "the Lame'') for reasons of state, she was murdered by him when he discovered her adultery with his brother Paolo (called "the Fair'') whom he also killed. In Dante's Inferno, the adulterous lovers are damned to be caught in eternal winds, but are not physically reunited; Scheffer has obviously taken license with Dante's text. Scheffer's image enjoyed international popularity, mainly as a result of numerous engravings. George Eliot, upon seeing the Paolo and Francesa at Gambart's French Gallery in London in 1854, wrote: "It surpasses one's expectations from the engraving. I could look at it for hours. There is nothing at the Royal Academy to affect one in the same way - or indeed at all'' (in Romance and Chivalry, 1996, p. 133). According to Nadia Tscherny the image appeared on Worcester porcelain in 1867, nine years after Scheffer's death, and was the inspiration for Rodin's treatment of Dante's Inferno and the Paolo and Francesca tale. Scheffer was born and brought up in Holland, but from 1811 he lived in Paris, where he became a pupil possibly of Pierre-Paul Prud'hon, then of Pierre Guerin, and attended the Ecole des Beaux-Arts. He exhibited at the Paris Salon from 1812 to 1846. The high-point of Scheffer's career coincided with the period of the July Monarchy (1830-48). Since 1822 Scheffer had been giving drawing lessons to the children of Louis-Philippe, duc d'Orleans, whose son, Ferdinand-Philippe, was the original owner of the Salon version of Paolo and Francesca. When the Duke came to power during the Revolution of 1830, Scheffer found himself in an influential position. He received important commissions for the Musee Historique at Versailles and was asked to paint portraits of the royal family (see Lot 164). His greatest successes during this period, however, were the religious and literary subjects like this one which he sent to the Salon and which formed an increasingly important part of his output. Provenance: Mme Marjolin (nee Scheffer) M. Fouret (gift from the above) Literature: Nadia Tscherny and Guy Stair Sainty, Romance and Chivalry: History and Literature reflected in Early Nineteenth-Century French Painting, New York, 1996, pp. 129-133, 264-5 (for discussion and illustration of related versions).

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Lot 58: SCHEFFER, Ary (1795-1858, French)

Description: Le Dante et Virgile et l'ombre de Francesca di Rimini, s. Oil Painting (13x10in).

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Lot 59: SCHEFFER, ARY (1795-1858)

Description: Jeune femme lisant Pierre noire 13.8x9.5 in (35x24 cm) signed (Upper Right).

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ARY SCHEFFER DUTCH, 1795-1858

Lot 69: ARY SCHEFFER DUTCH, 1795-1858

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Description: LE PARTAGE DU PAIN61 by 49,5 cm.signed and dated 1857 u.l.oil on panel

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ARY SCHEFFER DUTCH, 1795-1858

Lot 70: ARY SCHEFFER DUTCH, 1795-1858

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Description: LE BAISER DE JUDAS61 by 49,5 cm.signed and dated 1857 u.l.oil on panel

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Lot 70: SCHEFFER, ARY (1795-1858)

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Description: The faithful believers, 1841 Oil/canvas 39x24 inches (100x60 cm) signed & dated Marthe Kolb, 1937, pp. 369-70.

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ARY SCHEFFER (1795 - 1858) A French street scene

Lot 75: ARY SCHEFFER (1795 - 1858) A French street scene

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Description: ARY SCHEFFER (1795 - 1858) A French street scene with figures, signed lower left, watercolour, 19" x 15.5"

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Lot 79: SCHEFFER, Ary (1795-1858, French)

Description: Saint, s.i.d.1847 Oil Painting (32x63in).

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ARY SCHEFFER (Dordrecht 1795-1858 Argenteuil)

Lot 83: ARY SCHEFFER (Dordrecht 1795-1858 Argenteuil)

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Description: Portrait of General Lafayette (1757-1834), full-length, in a great coat over a stripped waistcoat, holding a hat and a stick oil on canvas 921/2 x 51 1/8 in. (235 x 130 cm.) PROVENANCE Otis A. Mygatt, by 1934, and by inheritance to his nephew Kenneth Mygatt, from whom purchased in 1951 by Tony Bouilhet. Bouilhet-Christofle collection, Paris (on deposit at the Mus‚e Bouilhet-Christofle, Saint-Denis, inv. no. 898. LITERATURE L. Ewals, Catalogue de l'oeuvre de Ary Scheffer, Nimeg—e, 1986, pp. 399-400. EXHIBITION Paris, Salon, 1819. Paris, Mus‚e de l'Orangerie, Exposition du centenaire de La Fayette 1757-1834, 1934, p. 145 (catalogue by Andr‚ Girodie) NOTES This grand, full-length portrait of Lafayette is one of nearly a dozen paintings of the celebrated general and hero of the American and French revolutions by his friend Ary Scheffer. While several of these paintings exist in variants and replicas, the present canvas appears to be a unique composition. According to L‚on Ewals, it was at one time signed and dated: 'Ary Scheffer, … La Grange, 1819'; however, the inscription is no longer evident.

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Lot 85: Ary scheffer (dordrecht 1795-Argenteuil 1858)

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Description: Ary scheffer (dordrecht 1795-Argenteuil 1858) Femme veillant à son fils Toile signée en bas à gauche: A. Scheffer. Au dos, ancienne étiquette de vente du XIXe. H_17,5 cm L_23 cm

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Lot 88: ARY SCHEFFER (DORDRECHT 1795 - ARGENTEUIL 1858)

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Description: Monogrammé et daté en bas à gauche AS 1823 ?

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Ary Scheffer Dordrecht 1795 - Argenteuil 1858 De

Lot 93: Ary Scheffer Dordrecht 1795 - Argenteuil 1858 De

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Description: Ary Scheffer Dordrecht 1795 - Argenteuil 1858 De tenhemelopneming van Maria Gesigneerd l.o. Marouflé, 30 x 40 cm.

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Attribué à Ary SCHEFFER (1795 - 1858) Faust et

Lot 102: Attribué à Ary SCHEFFER (1795 - 1858) Faust et

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Description: Attribué à Ary SCHEFFER (1795 - 1858) Faust et Méphistophélès Panneau. 46,5 x 31,5 cm RM

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