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Leon Spilliaert (1881-1946)

Aliases: Léon Spilliaert; Léontius-Petrus-Ludovicus Spilliaert

Professions: Painter; Water color painter; Pastel Artist; Lithographer; Still life painter; Naval painter; Landscape painter

  • Léon Spilliaert (1881-1946)

  • LÉON SPILLIAERT

  • Léon Spilliaert , 1881 - 1946 GRAND FLACON ET PETITE BOUTEILLE encre de chine, aquarelle, crayons de couleur et pastel sur papier

  • PROPERTY FROM A PRIVATE COLLECTION, BELGIUM LÉON SPILLIAERT 1881-1946 FEMME NUE TENANT UNE COUPE

Leon Spilliaert Biography

(b ostend, 28 july 1881; d brussels, 23 nov 1946). belgian painter and designer. his initial sources of inspiration were the bottles and flasks he saw in his father’s perfumery shop in ostend. however, in 1889 he studied briefly at the terenacademie in bruges. his early work, already impregnated with symbolism, was fed by his readings of friedrich nietzsche and maurice maeterlinck, for example. from february 1903 to january 1904 he worked for edmond deman, the brussels publisher associated particularly with emile verhaeren, who encouraged him. in 1904 spilliaert stayed in paris, where he was on the fringe of picasso’s circle and discovered the work of munch and toulouse-lautrec, whose influences he acknowledged. he continued to spend most winters in paris to keep in touch with the city’s cultural life. a stomach ulcer that gave him insomnia turned him into a nocturnal stroller, which gave rise to innumerable works in a mixture of watercolour, pastel, coloured pencil and chinese ink. they revealed the beauties of ostend by night: deserted dykes and quays, arcades, street-lamps shining through fog and mist. ditch and casino at ostend (1908; brussels, priv. col.) prefigures de chirico. between 1907 and 1913 he developed an original form of symbolism, tinged with expressionism and governed by a strict sense of synthesis. he painted numerous self-portraits (e.g. ostend, mus. s. kst., and antwerp, kon. mus. s. kst.), works steeped in mystery and melancholy (e.g. woman in the train , 1908; brussels, mus. a. mod.) and those inspired by the contrast between a solitary figure and the vastness of the sea or sky (e.g. woman bather , 1910; brussels, mus. a. mod.). he also created geometric landscapes that verged on abstraction and were unique for the period (e.g. woman on the dyke , 1908; brussels, mus. a. mod.). at the same time he was developing art nouveau motifs as in pietà (1910; brussels, mus. ixelles), where whiplash arabesques animate the waves. from 1912 he executed large-scale pastels (900*700 mm) of various harbour scenes, with large schematized figures that influenced constant permeke (e.g. fisherman’s wife , 1912; ostend, mus. s. kst.). he moved in literary and cultural circles and was a friend of the belgian playwright fernand crommelynck, as well as of stefan zweig who had followed his career from its beginnings.

Grove Art excerpts - Electronic ©2003, Oxford Art Online

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  • Léon SPILLIAERT (1881-1946) CARNAVAL, 1926 Lavis d'encre et encre sur papier brun, Leon Spilliaert, €20,000 Register to bid

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Leon Spilliaert Sold at AuctionView all Leon Spilliaert Sold at Auction

  • Léon Spilliaert (1881-1946) , Leon Spilliaert, Click for value View Details
  • LÉON SPILLIAERT (1881-1946), Leon Spilliaert, Click for value View Details
  • LÉON SPILLIAERT, Leon Spilliaert, Click for value View Details
  • Léon Spilliaert (1881-1946) , seascape with white sails, Leon Spilliaert, Click for value View Details
  • PROPERTY FROM A PRIVATE FRENCH COLLECTION LÉON SPILLIAERT 1881-1946 JEUNE FILLE ACCOUDÉE AU, Leon Spilliaert, Click for value View Details
  • LÉON SPILLIAERT, Leon Spilliaert, Click for value View Details

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