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Edward Wadsworth Auction Price Results

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Edward Wadsworth (1889-1949) - Sulphuric Acid, 1941

Lot 28: Edward Wadsworth (1889-1949) - Sulphuric Acid, 1941

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Description: Edward Wadsworth (1889-1949) - Sulphuric Acid, 1941 gouache on card, signed and titled on the reverse, and titled ¬hievements - Sulphuric Acid' in pencil beneath image 12 3/4 x 16 1/4 in., 32.4 x 41.3 cm This work was one of seven original works commissioned by the ICI Group in 1941, which were reproduced in lithography for advertising purposes. Black 409. IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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DDS. Edward Alexander Wadsworth (1889-1949)

Lot 52: DDS. Edward Alexander Wadsworth (1889-1949)

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Description: DDS. Edward Alexander Wadsworth (1889-1949) Bradford, View of a Town (C.105, G.W/D. 8) the rare woodcut, 1914, one of a small number of unique colour variants, on grey laid paper, with full margins, 155 x 105mm (6 1/8 x 4 1/8in)

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DDS. Edward Alexander Wadsworth (1889-1949)

Lot 54: DDS. Edward Alexander Wadsworth (1889-1949)

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Description: DDS. Edward Alexander Wadsworth (1889-1949) Riponelli: A Village in Lemnos (C.124; G.W/D.27/8) woodcut, 1917, a unique impression printed in red, purple and black, one of eight unique colour variants, this copy cited in Jeremy Greenwood. The Graphic Work of Edward Wadsworth, on wove paper, with full margins, 100 x 750mm (3 15/16 x 2 15/16in) Exhibited: A Genius of Industrial England. Edward Wadsworth 1889-1949 Arkwright Arts Trust and Bradford Art Galleries and Museums, 1990 no 29 f. [this imp]. Provenance: Anthony D'Offay Gallery, London. The present work is the most colourful of the eight unique colour variants.

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DDS. Edward Alexander Wadsworth (1889-1949) Greek

Lot 55: DDS. Edward Alexander Wadsworth (1889-1949) Greek

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Description: DDS. Edward Alexander Wadsworth (1889-1949) Greek Village With Windmills (C.122, see G.W/D.23/4) The rare woodcut printed in black and violet/grey, 1916, one of a very few colour variant impressions, on wove paper, with full margins, sheet 155 x 228mm (6 1/8 x 9in)

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DDS. Edward Alexander Wadsworth (1889-1949)

Lot 57: DDS. Edward Alexander Wadsworth (1889-1949)

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Description: DDS. Edward Alexander Wadsworth (1889-1949) Theatre (Not in C. G.W/D.52) the rare woodcut, 1919-1920, one of three known impressions, on thin laid japan paper, with full margins, sheet 255 x 140mm (10 x 5 1/2in)

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DDS. Edward Alexander Wadsworth (1889-1949)

Lot 58: DDS. Edward Alexander Wadsworth (1889-1949)

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Description: DDS. Edward Alexander Wadsworth (1889-1949) Portrait of Rupert Doone (C.142) woodcut, 1920, the edition was 30, as included in Modern Woodcutters 4, 1921, printed by the Morland Press, published by Herbert Furst, on thin japan paper, with full margins, 179 x 73mm (7 x 2 7/8in)

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DDS. Edward Alexander Wadsworth (1889-1949) Still

Lot 60: DDS. Edward Alexander Wadsworth (1889-1949) Still

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Description: DDS. Edward Alexander Wadsworth (1889-1949) Still Life (C.145) woodcut, 1921, from the edition of 30 printed in 1921, printed by Morland Press, published by Herbert Furst, on thin Japan paper, with full margins, 152 x 102mm (6 x 4in)

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Edward Wadsworth (1889-1949)(after) Wings of the

Lot 146: Edward Wadsworth (1889-1949)(after) Wings of the

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Description: Edward Wadsworth (1889-1949)(after) Wings of the Morning lithograph printed in colours, c.1927, signed in pencil, published by W.G. Stacey, London, on wove paper, with margins, laid down, sheet 480 x 535 mm (19 x 21 in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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Edward Wadsworth woodcut

Lot 614: Edward Wadsworth woodcut

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Description: Edward Wadsworth (British 1889-1949)- Abstracted Nudes- woodcut, ca. 1930. 5 3/8 x 4''

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 Edward Wadsworth, A.R.A. , 1889-1949 pen pits tempera and pencil on board

Lot 1: Edward Wadsworth, A.R.A. , 1889-1949 pen pits tempera and pencil on board

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Description: signed and dated 1936 ; also signed, inscribed with title and The country seat of Arthur Bliss Esq on a label attached to the reverse tempera and pencil on board

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Lot 2: Edward Wadsworth (British, 1889-1949) Measured Tread, 1942-44

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Description: Measured Tread, 1942-44 tempera on paper28 x 30.5cm (11 x 12in).

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EDWARD  WADSWORTH  A.R.A.

Lot 2: EDWARD WADSWORTH A.R.A.

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Description: 1889-1949 MARINE  SET  (2)  AUBADE signed  and  dated  1936 pencil  and  tempera  on  board 101.5  by  71cm.;  40  by  28in.

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 Edward Wadsworth, A.R.A. , 1889-1949 parergon tempera on panel

Lot 3: Edward Wadsworth, A.R.A. , 1889-1949 parergon tempera on panel

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Description: signed and dated 1928 tempera on panel

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                                        Edward Wadsworth, A.R.A. (1889-1949)

Lot 4: Edward Wadsworth, A.R.A. (1889-1949)

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Description: Edward Wadsworth, A.R.A. (1889-1949) Ladle Slag Round Oak II signed and dated 'Edward Wadsworth/1919' (lower right) watercolour and ink 13½ x 19½ in. (34.3 x 49.5 cm.)

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Edward Wadsworth (British, 1889-1949) Riponelli: A Village in Lemnos Woodcut printed in light and dark grey and black, 1917, on wove, with margins, 100 x 75mm (4 x 3in)(B)

Lot 5: Edward Wadsworth (British, 1889-1949) Riponelli: A Village in Lemnos Woodcut printed in light and dark grey and black, 1917, on wove, with margins, 100 x 75mm (4 x 3in)(B)

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Description: Riponelli: A Village in Lemnos (Colnaghi 124) Woodcut printed in light and dark grey and black, 1917, on wove, with margins, 100 x 75mm (4 x 3in)(B)

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Edward Wadsworth (British, 1889-1949) Rupert Doone (Colnaghi 144) Woodcut printed in black, 1920, on thin tissue paper, with margins, 135 x 74mm (5 1/4 x 2 7/8in)(SH)

Lot 7: Edward Wadsworth (British, 1889-1949) Rupert Doone (Colnaghi 144) Woodcut printed in black, 1920, on thin tissue paper, with margins, 135 x 74mm (5 1/4 x 2 7/8in)(SH)

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Description: Rupert Doone (Colnaghi 144) Woodcut printed in black, 1920, on thin tissue paper, with margins, 135 x 74mm (5 1/4 x 2 7/8in)(SH)

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Edward Wadsworth (British, 1889-1949)

Lot 12: Edward Wadsworth (British, 1889-1949)

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Description: Dazzled Ship in Drydock (Greenwood W/D 34) The rare woodcut, 1918, on wove, with margins, 128 x 218mm (5 x 8 1/2in)(B)

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Edward Wadsworth (British, 1889-1949)

Lot 13: Edward Wadsworth (British, 1889-1949)

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Description: Modern Woodcutters 4 The rare book, 1921, comprising 14 woodcuts most likely from the original blocks, after the 1918-21 first editions, printed by the Morland Press Ltd., London, published by the Little Art Rooms, London, 258 x 192mm (10 x 7 3/4in)(overall) (vol)

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Edward Wadsworth (British, 1889-1949)

Lot 17: Edward Wadsworth (British, 1889-1949)

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Description: Signals (Greenwood W/C 43; Garton 531) Lithograph printed in colours, 1942, on thin wove, printed at the Baynard Press, published by the Council for the Encouragement of Music and the Arts, with full margins, 1013mm x 760mm (39 7/8 x 29 7/8in)(SH)

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Lot 26: Edward Wadsworth, A.R.A. (1889-1949)

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Description: Cork floats signed and dated 'Edward Wadsworth 1927' (lower right) tempera on gesso-prepared panel 16 x 13 in. (40.6 x 33 cm.) PROVENANCE with Arthur Tooth & Sons, London. Anon. sale; Christie's London, 24 April 1964, lot 151 (70 gns. to the present owner). LITERATURE B. Wadsworth, Edward Wadsworth A Painter's Life, Salisbury, 1989, W/A 176, where dated to 1936-37. NOTES Barbara Wadsworth ( op. cit, p. 325) records how the long friendship between David Enders and Edward and Fanny Wadsworth began in 1944: 'Barbara's husband had been lucky enough to be offered a job on the Chatsworth Estate which had been passed by the Ministry of Labour, and he spent his weekends in the forests there, living with the estate's wall-keeper and his wife at Edensor, and coming up to Buxton at weekends. A new friend was added to the Talland set, David Enders, an attractive young man who had been invalided out of the Welsh Guards and sent to Buxton for treatment against rheumatism. He was an Oxford graduate (under Maurice Bowra at Wadham), determined to become an actor, and with his intelligence, initiative and good looks it was not long before he was engaged to the Buxton Repertory Company as juvenile lead. One of his first appearances was in J.M. Barrie's Mary Rose, to which Fanny and Edward were invited by the Hills. The production creaked, the name part was poorly played and it was by no means an exciting theatrical evening; but Enders made a deep impression on Fanny, and she came home full of how excellent he was - and how charming. Next day, as she was browsing around Buxton's largest antiques shop, there was Enders doing just the same thing, and they got into conversation. She asked him to tea the same week, and he passed muster with Edward within the first half hour, by correctly identifying Picasso's fishes'. Commenting on the artist's series of still-life paintings from the 1927-31 period, Barbara Wadsworth ( op. cit., p. 153) explains: 'In 1927, however, and in the following three years, he concentrated on still-life dramatically employing the Triton, the bear's paw clam and other shells that had made their debut at the Leicester Galleries the previous year. In these paintings Edward depicted many of the 'props' he had collected and stored in his studio: cork floats, binoculars, navigational measuring instruments such as the ship's log or sextant, lanterns and fishermen's tackle. These were often supplemented by objects altogether unrelated to seagoing, such as scarves or paper table-napkins (to provide suppleness in an otherwise hard and linear work), the plaster mask found in his garden, a wedding-cake flower decoration, books, a long branch from a monkey-puzzle tree, a cigarette lighter, perfume sprayer or a plover's egg. These things were to him all vital to the tautness and visual interest of his pictures. It was his appreciation of their form which made him pay homage to them in his work'. We are very grateful to Mrs. Barbara von Bethmann-Hollweg for her assistance in preparing this catalogue entry.

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Edward Wadsworth, A.R.A. , 1889-1949 Industrial Landscape: Tarmac Production pen and ink and watercolour

Lot 31: Edward Wadsworth, A.R.A. , 1889-1949 Industrial Landscape: Tarmac Production pen and ink and watercolour

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Description: signed, inscribed Tarmac and dated 1919 pen and ink and watercolour

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Lot 38: WADSWORTH, EDWARD (1889-1949)

Description: Slag, 1919 Ink 14x14 inches (35x35.5 cm) signed & dated (Lower Left).

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The Rogue's Yarn II

Lot 38: The Rogue's Yarn II

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Description: Edward Wadsworth, A.R.A. (1889-1949) The Rogue's Yarn II signed and dated 'E. WADSWORTH 1937' (lower left) tempera on linen laid on panel 24 x 20 in. (61 x 50.8 cm.)

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Lot 39: Wadsworth (Edward) The Black Country, introduction

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Description: Wadsworth (Edward) The Black Country, introduction by Arnold Bennett, 20 black & white plates, end papers with insect damage, original cloth backed green boards with light rubbing and marking, The Ovid Press, 1920 § Keith (Elizabeth) Grin and Bear It: Caricatures Exhibited at the Peers' Club Tokyo November 22, 23, 24, 1917, colour plates, original limp cloth with picture onlay, "The New East" Press, Tokyo, 1917 § Thomson (David Croal) The Barbizon School of Painters Corot, Rousseau, Diaz, Millet, Daubigny, Etc., number 6 of 280 copies, signed by the author, original cloth, chipped, 1890, folio & 4to (3)

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Edward Wadsworth-(British, 1889-1949)-St Tropez III 53.3 x 38.1 cm. (21 x 15 in.)

Lot 46: Edward Wadsworth-(British, 1889-1949)-St Tropez III 53.3 x 38.1 cm. (21 x 15 in.)

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Description: St Tropez III signed and dated 'Edward Wadsworth 1925' (lower left) and inscribed 'For WWW 1933' (lower centre) tempera on gesso prepared panel 53.3 x 38.1 cm. (21 x 15 in.)

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Edward Alexander Wadsworth (1889-1949)

Lot 47: Edward Alexander Wadsworth (1889-1949)

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Description: Edward Alexander Wadsworth (1889-1949) >ENGLISCHE GRAPHIK <br>lithograph in colours, 1923, printed by Wolfsberg, Zürich, condition A-; backed on linen, framed >50 x 35 in. (127 x 89 cm.) <br>

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Various Properties

Lot 55: Various Properties

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Description: Church at Newnham-on-Severn signed 'E.Wadsworth' (lower right)tempera on canvas47 x 53 cm. (18 1/2 x 21 in.)Painted 1921-22

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Lot 57: WADSWORTH, EDWARD (1889-1949)

Description: Study for the bexhill mural, 1935 Watercolour, gouache 21x29 inches (54.5x73.5 cm) signed & dated B. Wadsworth, no.W/B 121, 1989.

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Lot 58: WADSWORTH, EDWARD (1889-1949)

Description: The Cattewater, Plymouth Sound, 1920c. Tempera/board 25x35 inches (63.5x89 cm) signed.

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Lot 58: EDWARD WADSWORTH, R.A. (1889-1949)

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Description: SKETCH FOR 'DRESSED OVERALL' WITH INSCRIPTION ON THE REVERSE DRAWING IN PENCIL BY E.W. AND SQUARED BY ME HENRY TOWNER PREPARATORY TO TRANSFER TO LARGE PANEL FOR THE QUEEN MARY 1932 PENCIL ON TRACING PAPER SQUARED FOR TRANSFER, UNFRAMED 19 X 13IN. (48.2 X 33CM.).

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Lot 64: Edward Wadsworth (British, 1889-1949) Plymouth, Cattewater 35 x 51 cm. (13 3/4 x 20 in.)

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Description: Plymouth, Cattewater signed and dated 'Edward Wadsworth 1923' (lower left)watercolour, gouache, pencil, pen and ink35 x 51 cm. (13 3/4 x 20 in.)

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Lot 65: EDWARD WADSWORTH 1889-1949 Reknown For His

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Description: EDWARD WADSWORTH 1889-1949 Reknown For His Association With Vorticism. A Pen And Ink Drawing Believed To Have Been Commissioned By British Petroleum c1946

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Lot 68: Edward Wadsworth (British, 1889-1949)

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Description: Woodcuts - to include: In Dry Dock, Wapping, Tarmac, The Black Country, and three others, from 'Modern Woodcutters' published by the Little Art Rooms, 12 x 22cm and smaller. (7)

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Edward Wadsworth (1889-1949)

Lot 68: Edward Wadsworth (1889-1949)

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Description: On est bien au bord de la mer signed and dated 'Edward Wadsworth 1928-1929' (lower right) tempera 18 x 37 in. (45.5 x 94 cm.) Executed in 1928-29. PROVENANCE Purchased directly from the artist by the family of the present owners, circa 1938-39. LITERATURE B. Wadsworth, Edward Wadsworth, A Painter's Life, Salisbury, 1989, no.W/A 100. R. Cork, Blast and Dazzle, Independent Magazine, 10 March 1990, p.38 (illustrated). EXHIBITION Heckmondwike, Arts Council of Great Britain, Picture of the Month : this exhibition travelled to Rawdon, Morley, Pontefract, Cleckheaton and Ossett (catalogue not traced). London, Arthur Tooth & Sons. Bradford, Cartwright Hall, Edward Wadsworth Centenary, October 1989-January 1990, no.99: this exhibition travelled to London, Camden Arts Centre, March-April 1990.

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Lot 74: WADSWORTH, Edward (1889-1949, British)

Description: Rue de l'Araignee, Marseilles, s.d.1924 pencil Works on paper (8x19in).

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Lot 74: Edward Wadsworth, A.R.A.

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Description: 1899-1949 rue de l'araignee, marseilles signed and dated 1924 pencil 48 by 21.5 cm., 18 3/4 by 8 1/2 in. Literature: Barbara Wadsworth, A Painter's Life, Michael Russell, Salisbury, 1989, Appendix 2, no. W/B 97.

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Edward Wadsworth, A.R.A. (1889-1949)

Lot 75: Edward Wadsworth, A.R.A. (1889-1949)

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Description: Edward Wadsworth, A.R.A. (1889-1949) Flowerpiece, Rose signed and dated 'E. WADSWORTH 1945' (lower left), signed again and inscribed 'Edward Wadsworth/FLOWERPIECE' (on a label attached to the reverse)tempera on panel 25 x 30 in. (63.5 x 76.2 cm.)

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Lot 76: EDWARD WADSWORTH (1889-1949)

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Description: IMAGINARY HARBOUR signed and dated 1934, tempera 42.5 by 88 cm.; 16 1/2 by 34 3/4 in. 1933 marked Wadsworth's return to marine subjects from a biomorphic phase of the late 1920s and the following years produced a short series of harbour subjects of which the present picture is one of two of the same title painted in 1934. These were to be followed by Slump (coll. Leeds City Art Gallery) in 1935. The shift away from abstraction saw the continuation of the clear precise style which characterised his use of tempera and had begun a decade earlier with the key picture of 1923 The Cattewater, Plymouth Sound (sold in these rooms May 1992).

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Lot 80: Edward Wadsworth (British, 1889-1949) Sailing-ships and Barges of the Western Mediterranean and Adriatic seas Book, 1926, with title, justification, text by Bernard Windeler and engravings with hand colouring, on J W Zanders watermarked laid paper,

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Description: Sailing-ships and Barges of the Western Mediterranean and Adriatic seas Book, 1926, with title, justification, text by Bernard Windeler and engravings with hand colouring, on J W Zanders watermarked laid paper, numbered 159 in blackink, printed by Alexander & Sons Ltd., published by Frederick Etchells and Hugh Macdonald, with the original orange linen boards; missing the slipcase, otherwise in good condition, 308 x 205mm (12 1/8 x 8 1/8in)(vol) together with 'Eve's Legend' by Holland and Sainsbury, 'Adam and Evelyn at Kew' by Herring and Bawden' and 'Popular Song' by Sitwell and Bawden signed and numbered 233 by Sitwell (4 vols)

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Lot 82: Edward Alexander Wadsworth (1889-1949) Yorkshire

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Description: Edward Alexander Wadsworth (1889-1949) Yorkshire (c.140) the rare woodcut, 1921, as included in Modern Woodcutters, 4, signed and dated in black ink, a richly inked impression, on Japan paper, with full margins, 106 x 146 mm (4 1/8 x 5 3/4 in)

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Lot 84: Edward Alexander Wadsworth (1889-1949) Riponelli:

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Description: Edward Alexander Wadsworth (1889-1949) Riponelli: A Village in Lemnos (C.124) woodcut, 1917, a unique impression printed in black, grey and blue-grey, this copy one of eight unique colour variants, on wove paper, with full margins, 100 x 750 mm (3 15/16 x 2 15/16 in) Exhibited: A Genius of Industrial England. Edward Wadsworth 1889-1949 Arkwright Arts Trust and Bradford Art Galleries and Museums, 1990, no 29 d. [this imp]. Provenance: Anthony D'Offay Gallery, London

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Lot 85: Edward Alexander Wadsworth (1889-1949) Wapping

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Description: Edward Alexander Wadsworth (1889-1949) Wapping (c.143) woodcut, 1920, the edition was 30, as included in Modern Woodcutters, 4, printed by the Morland Press, published by Herbert Fruston, on tissue thin Japan paper, with full margins, sheet 130 x 150 mm (5 1/8 x 5 7/8 in)

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Lot 87: Edward Alexander Wadsworth (1889-1949) Black

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Description: Edward Alexander Wadsworth (1889-1949) Black Country (c.135) woodcut, 1919, the edition was 30, as included in Modern Woodcutters, 4, printed by the Morland Press, published by Herbert Fruston in 1921, on tissue thin Japan paper, with full margins, sheet 157 x 155 mm (6 1/8 x 6 1/8 in) Illustrated: The Black Country, Ovid Press, 1920,

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Lot 89: Edward Alexander Wadsworth (1889-1949) Tarmac

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Description: Edward Alexander Wadsworth (1889-1949) Tarmac (c.137) woodcut, 1919, the edition was 30, as included in Modern Woodcutters, 4, printed by the Morland Press, published by Herbert Fruston in 1921, on tissue thin Japan paper, with full margins, sheet 108 x 152 mm (4 1/4 x 6 in)

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Lot 90: Edward Alexander Wadsworth (1889-1949) Still Life

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Description: Edward Alexander Wadsworth (1889-1949) Still Life (C.145) woodcut, 1921, from the edition of 30 printed in 1921, printed by Morland Press, published by Herbert Furst, on thin Japan paper, with full margins, 152 x 102 mm (6 x 4 in)

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Lot 96: WADSWORTH, Edward (1889-1949, British)

Description: Black Country drawing: steel works, s.d.1919 pen brush wash Works on paper (9x12in).

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Edward Wadsworth (British, 1889-1949) Riponelli, a village in Lemnos Woodcut, 1917, printed in light and dark grey and black, on cream wove, 100 x 75mm (3 7/8 x 2 78in)(B)(unframed)

Lot 96: Edward Wadsworth (British, 1889-1949) Riponelli, a village in Lemnos Woodcut, 1917, printed in light and dark grey and black, on cream wove, 100 x 75mm (3 7/8 x 2 78in)(B)(unframed)

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Description: Riponelli, a village in Lemnos (Colnaghi 124) Woodcut, 1917, printed in light and dark grey and black, on cream wove, 100 x 75mm (3 7/8 x 2 78in)(B)(unframed)

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Lot 104: Edward Wadsworth (1889-1949)

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Description: Ships chandlers, Marseilles, France signed 'Edward Wadsworth' (lower right) pencil and watercolour 181/2 x 13 in. (47 x 33 cm.) Executed in 1924 PROVENANCE A wedding gift from the artist to the present owner in 1936. LITERATURE B. Wadsworth, Edward Wadsworth, A Painter's Life, Salisbury, 1989, no. WB 107. NOTES After 1921 Wadsworth travelled widely on the continent. He painted a number of views around Marseilles, including a series of street drawings executed in 1924. A view of Rue de la Reynarde, Marseilles, dated 1926 is in Leeds City Art Gallery and a pencil drawing of Hospice de la Charit‚, Marseilles, dated 1924 is in the Cecil Higgins Art Gallery, Bedford. SALESROOM NOTICE Please note that the estimate on this lot should read œ5,000-7,000, and not as is stated in the catalogue.

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Lot 105: Edward Wadsworth (1889-1949)

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Description: View near Dudley signed and dated 'Edward Wadsworth 1919.' (lower left), inscribed 'View from Dudley' (on the reverse) pen and black ink 91/4 x 13 in. (23.5 x 33 cm.) LITERATURE B. Wadsworth, Edward Wadsworth A Painter's Life, Salisbury, 1989, no. W/B 64. EXHIBITION Probably London, Tate Gallery, Edward Wadsworth Memorial Exhibition, 1951, no. 68. NOTES In January 1920 Wadsworth held a highly acclaimed one-man show at the Leicester Galleries entitled, The Black Country. He had first recognised the artistic potential of the bleak but powerful industrial landscape between Birmingham and Wolverhampton on train journeys during his wartime naval service. When demobilisation came in 1919 he returned to sketch the smoking steel furnaces, factories and slag heaps. A similar pen and ink drawing, View near Bilston (1919) is in the collection of Manchester City Art Galleries (see J. Lewison (ed.), A Genius of Industrial England Edward Wadsworth 1889-1949, Bradford Art Galleries and Museums exhibition catalogue, 1990, no. 64, p. 35, illustrated).

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