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Andrew Wyeth Auction Price Results

Andrew Wyeth (1917-2009)  Please Register/Login to access your Invaluable Alerts

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Andrew Wyeth,

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Description: Andrew Wyeth, "Jacklight" collotype. Signed in pencil lower right "Andrew Wyeth"; numbered lower right "182/300"; plate signed lower right. Sight: 29.5''H x 33''W; Frame: 42.5''H x 45.5''W. Andrew Newell Wyeth (American, 1917-2009)

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CHRISTINAS WORLD BY ANDREW WYETH

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Description: LITHOGRAPH, IMAGE SIZE: 10X8" ALL ITEMS COME UNFRAMED, FRAMING AVAILABLE AT ADDITIONAL COST.

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1994 Wyeth After the Chase Poster

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Description: Artist Name: Wyeth, Andrew Title: After the Chase Medium: Offset Lithograph Edition Size: Unknown Year: 1994 Paper Size: 31.5 x 22.5 inches Image Size: 26 x 17.5 inches Condition: B: Very Good Condition, with signs of handling or age

Condition Report: B: Very Good Condition, with signs of handling or age

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OIL ON CANVAS:  SEATED DOG

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Description: Signed Wyeth, lower left. Ornate frame. Overall 20 1/2" x 18".

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1970 Wyeth Blue Mussels Collotype

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Description: Artist Name: Wyeth, Andrew Title: Blue Mussels Medium: Collotype Edition Size: Unknown Year: 1970 Paper Size: 24.75 x 32.25 inches Image Size: 21 x 29.5 inches Condition: A-: Near Mint, very light signs of handling Notes: Signed in the plate (Plate Signed), not hand-signed.

Condition Report: A-: Near Mint, very light signs of handling

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Andrew Wyeth Plate

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Description: Andrew Wyeth Collectors Plate for George Jensen 1971. Measures: 8 inches. Original box included

Condition Report: The overall condition is excellent

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1995 Wyeth Chambered Nautilus Poster

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Description: Artist Name: Wyeth, Andrew Title: Chambered Nautilus Medium: Offset Lithograph Edition Size: Unknown Year: 1995 Paper Size: 22 x 28 inches Image Size: 12 x 24 inches Condition: A-: Near Mint, very light signs of handling Notes: Signed in the plate (Plate Signed), not hand-signed.

Condition Report: A-: Near Mint, very light signs of handling

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1970 Wyeth Chester County Farm Collotype

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Description: Artist Name: Wyeth, Andrew Title: Chester County Farm Medium: Collotype Edition Size: Unknown Year: 1970 Paper Size: 25.5 x 32.25 inches Image Size: 21.5 x 29.5 inches Condition: A-: Near Mint, very light signs of handling Notes: Signed in the plate (Plate Signed), not hand-signed.

Condition Report: A-: Near Mint, very light signs of handling

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New Leaves by Andrew Wyeth

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Description: Black and white Lithograph on paper of a spring tree budding new leaves. Image From the collection of Mr. and Mrs. W. E.. Phelps Andrew Wyeth (1917-2009) was a 20th century, American painter. He is best known for his realistic drybrush technique and creating paintings that bring a unique sentimental quality to everyday objects. Wyeth's work can be found in both private collections and museums all around America, Asia, Europe.

Condition Report: Good

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Andrew Wyeth (1917-2009)

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Description: Wyeth's Mill/On The Brandywine/drawn for his friend Fairbanks/with warmest wishes/Wyeth". The drawing, in blue ink, measures approximately 3 1/2 x 5 inches; Wyeth's title, written in shaded letters, extends about an inch below the drawing. MERYMAN, RICHARD. Andrew Wyeth. Boston: 1968. First edition, first printing, a presentation copy from Andrew Wyeth to Douglas Fairbanks with a fine drawing in ink on the half title " with the bookplate of Douglas Fairbanks, Jr. Provenance: Estate of Douglas Fairbanks, Jr.

Condition Report: The dust jacket is frayed; the half title with the drawing is lightly foxed and has several slight creases.

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Andrew Wyeth Signed

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Description: Wyeth - Tenant Farmer original print Measures: 25 x 20 inches, framed Signed by Wyeth lower right

Condition Report: Condition reports are available upon request. Please email info@christianaauctiongallery.com to make a request.

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Andrew Wyeth Plate

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Description: Andrew Wyeth Collectors Plate for George Jensen 1971. Measures: 8 inches. Original box included

Condition Report: The overall condition is excellent

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1968 Wyeth Bermuda Poster

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Description: Artist Name: Wyeth, Andrew Title: Bermuda Medium: Offset Lithograph Edition Size: Unknown Year: 1968 Paper Size: 13.25 x 17.25 inches Image Size: 10.25 x 14 inches Condition: A-: Near Mint, very light signs of handling

Condition Report: A-: Near Mint, very light signs of handling

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Northern Light (Exposure) by Andrew Wyeth

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Description: This early hardboard Lithograph from 1972 features a birds eye view of a beach and seascape from the top of a roof. Andrew Wyeth (1917-2009) was a 20th century, American painter. He is best known for his realistic drybrush technique and creating paintings that bring a unique sentimental quality to everyday objects. Wyeth's work can be found in both private collections and museums all around America, Asia, Europe.

Condition Report: Good

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Andrew Wyeth Plate

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Description: Andrew Wyeth Collectors Plate for George Jensen 1971. Measures: 8 inches. Original box included

Condition Report: The overall condition is excellent

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Andrew Wyeth Plate

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Description: Andrew Wyeth Collectors Plate for George Jensen 1971. Measures: 8 inches. Original box included.

Condition Report: The overall condition is excellent

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Wyeth, Andrew  ; Spring Fed from Drawings Portfolio

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Description: Limited Edition Collotype unsigned

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1965 Wyeth Bradford House Poster

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Description: Artist Name: Wyeth, Andrew Title: Bradford House Medium: Offset Lithograph Edition Size: Unknown Year: 1965 Paper Size: 13.25 x 17 inches Image Size: 8.25 x 14 inches Condition: A-: Near Mint, very light signs of handling

Condition Report: A-: Near Mint, very light signs of handling

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Andrew Wyeth (1917-2009) Original Pencil Drawing

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Description: on the half title of a barn cupola with a weathercock, signed "A. Wyeth" (lr). The drawing measures approximately 4 1/2 x 4 inches. Light wear to jacket, with the bookplate of Douglas Fairbanks, Jr. MCCORD, DAVID. Andrew Wyeth. Boston: Museum of Fine Arts, 1970. Provenance: Estate of Douglas Fairbanks, Jr.

Condition Report: good condition overall

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Andrew Wyeth

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Description: WATERCOLOR PAINTING 12.50" X 9" SIGNED LOWER RIGHT CORNER

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Andrew Wyeth, (American; 1917-2009), The Olson Farm, Collotype print, 10

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Description: Andrew Wyeth (American; 1917-2009) The Olson Farm Collotype print Pencil signed and dated (1950) LR. 10" x 14"

Condition Report: Any condition statement is given as a courtesy to the client. We are offering our professional opinion. We attempt to submit condition reports in the description. However, the absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Antique Helper, Inc., et al shall have no responsibility for any error or omission regarding an item's condition.

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1968 Wyeth Bermuda Poster

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Description: Artist Name: Wyeth, Andrew Title: Bermuda Medium: Offset Lithograph Edition Size: Unknown Year: 1968 Paper Size: 13.25 x 17.25 inches Image Size: 10.25 x 14 inches Condition: A-: Near Mint, very light signs of handling

Condition Report: A-: Near Mint, very light signs of handling

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1968 Wyeth Edge Of The Field Collotype

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Description: Artist Name: Wyeth, Andrew Title: Edge Of The Field Medium: Collotype Edition Size: Unknown Year: 1968 Paper Size: 24 x 31 inches Image Size: 19 x 27.5 inches Condition: A-: Near Mint, very light signs of handling Notes: Signed in the plate (Plate Signed), not hand-signed.

Condition Report: A-: Near Mint, very light signs of handling

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Royal Doulton Andrew Wyeth signed porcelain bowl.

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Description: Royal Doulton Andrew Wyeth signed porcelain bowl. c.1973. Fine bone china with all over apple orchard scene designed by Andrew Wyeth for Royal Doulton. With original certificates and in original box. 5 1/2"h x 13"diam

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1965 Wyeth Chester County Fair Poster

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Description: Artist Name: Wyeth, Andrew Title: Chester County Fair Medium: Offset Lithograph Edition Size: Unknown Year: 1965 Paper Size: 13.5 x 17.25 inches Image Size: 10 x 14 inches Condition: A-: Near Mint, very light signs of handling

Condition Report: A-: Near Mint, very light signs of handling

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Andrew Wyeth,

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Description: Andrew Wyeth, "Maine Door" watercolor on paper, 1970. Signed lower left, "Andrew Wyeth". Sight: 29"H x 21"W; Frame: 44.25"H x 36"W. PROVENANCE: Private collection, Tennessee. Private collection, New York. Hammer Galleries, New York (label verso). From the Collection of Sam Wyly, Dallas, Texas (acquired from the above in 1998). EXHIBITED: Brandywine River Museum, Chadds Ford, Pennsylvania, "Harvest Exhibition," September 6 - November 24, 1974 (label verso). Greenville County Museum of Art, Greenville, South Carolina, "Andrew Wyeth in Southern Collections," February 1 - March 31, 1978 (label verso). Museum of Art, Fort Lauderdale, Florida, "Andrew Wyeth from Public and Private Collections," January 12 - February 28, 1983. Jacksonville Art Museum, Jacksonville, Florida, "Andrew Wyeth: Southeastern Collections," January 19 - April 12, 1992 (label verso). David Findlay Jr., Inc., New York, New York, "Andrew Wyeth-Watercolors," November 28, 1997 - January 3, 1998. LITERATURE: Surovek, John H., Exhibition Catalogue, "Andrew Wyeth from Public and Private Collections," Fort Lauderdale, Florida, 1983 (illustrated in color). Jacksonville Museum of Art, Exhibition Catalogue, "Southeastern Collections," Jacksonville, Florida, 1992 (illustrated in color). "18th, 19th & 20th Century American Masters," Elliott Yeary Gallery, Aspen, Colorado, pp. 29 - 30 (illustrated in color, p. 30). NOTE: An alternative title for this work is, "Siri's Pumpkin". This work will be included in the forthcoming catalogue raisonné produced by Betsy James Wyeth. Andrew Wyeth (American, 1917-2009).

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1970 Wyeth Fortune Teller Collotype

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Description: Artist Name: Wyeth, Andrew Title: Fortune Teller Medium: Collotype Edition Size: Unknown Year: 1970 Paper Size: 25.75 x 32 inches Image Size: 22.5 x 29 inches Condition: A-: Near Mint, very light signs of handling Notes: Signed in the plate (Plate Signed), not hand-signed.

Condition Report: A-: Near Mint, very light signs of handling

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ANDREW NEWELL WYETH, American (1917-2009),

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Description: ANDREW NEWELL WYETH American (1917-2009) "Picking Apples", 1945 watercolor, signed lower right. 20 3/4 x 28 3/4 Provenance: Collection of Andrew and Betsy Wyeth, Chadds Ford, Pennsylvania; Private collection, New South Wales, Australia, 1974; WBNA, Wilmington, Delaware, 2000; Barridoff Galleries, Portland Maine, July 31, 2002, lot 229; Private collection, Washington. Exhibitions: Lefevre Gallery, London, England, "Andrew Wyeth (Exhibition N. 445) May 23-June 22, 1974. Literature: American Fine Art, "Musuem News, Moderns in Milford", March 18, 2013, 113 color. Other Notes: This watercolor will be included in Betsy James Wyeth's forthcoming catalogue raisonne of the artist's work.

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1977 Wyeth Geraniums Poster

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Description: Artist Name: Wyeth, Andrew Title: Geraniums Medium: Offset Lithograph Edition Size: Unknown Year: 1977 Paper Size: 28 x 21.75 inches Image Size: 20.5 x 15.5 inches Condition: A-: Near Mint, very light signs of handling Notes: Signed in the plate (Plate Signed), not hand-signed.

Condition Report: A-: Near Mint, very light signs of handling

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Andrew Wyeth (Am 1917-2009) Study for April Wind   litho print pencil signed by artist lower right 18 x 25

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Description: Andrew Wyeth (Am 1917-2009) Study for April Wind litho print pencil signed by artist lower right 18 x 25"

Condition Report: The absence of a condition statement does not imply the lot is in perfect condition or free from wear & tear, imperfections, or the effects of age. Condition requests can be obtained by email or telephone before the auction. Any condition statement is given as a courtesy to a client, is only an opinion, and should not be treated as a statement of fact.

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Andrew Wyeth, Independence Hall, Poster

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Description: Artist: Andrew Wyeth, American (1917 - 2009) || Title: Independence Hall || Medium: Poster || Size: 22.5 in. x 27 in. (57.15 cm x 68.58 cm) || Frame Size: 27 x 31.5 inches

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1965 Wyeth Bradford House Poster

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Description: Artist Name: Wyeth, Andrew Title: Bradford House Medium: Offset Lithograph Edition Size: Unknown Year: 1965 Paper Size: 13.25 x 17 inches Image Size: 8.25 x 14 inches Condition: A-: Near Mint, very light signs of handling

Condition Report: A-: Near Mint, very light signs of handling

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Burning Off by Andrew Wyeth

Description: This Lithograph on paper features an image of an Andrew Wyeth drybrush. Image from the Collection of Mr. and Mrs. Norman Woolwort. Lithograph from the "Four Seasons" portfolio. Andrew Wyeth (1917-2009) was a 20th century, American painter. He is best known for his realistic drybrush technique and creating paintings that bring a unique sentimental quality to everyday objects. Wyeth's work can be found in both private collections and museums all around America, Asia, Europe.

Condition Report: Excellent

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ANDREW WYETH, (AMERICAN 1917-2009), TREASURE ISLAND

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Description: ANDREW WYETH (american 1917-2009)/span TREASURE ISLAND Signed 'A Wyeth' bottom left, watercolor on paper 9 x 6 in. (22.9 x 15.2cm) provenance: /spanPrivate Collection, Media, Pennsylvania. The Collection of Bob & Kay Timberlake, Lexington, North Carolina. "The Bob Timberlake Collection," Brunk Auctions, Asheville, North Carolina, July 15, 2006, lot 260. Private Collection, Pennsylvania. exhibited:/span 'Andrew Wyeth/Bob Timberlake: Painting on Familiar Ground' Saint John's Museum, Wilmington, North Carolina, 2000. "Wyeth/Three Generations." High Point University, High Point, North Carolina. May 1 - June 15, 2006. note:/span This watercolor will be included in Betsy James Wyeth's forthcoming catalogue raisonné of the artist's work.

Condition Report: Professionally matted and framed with cloth-covered overmat measuring 26 1/4 x 23 inches (far larger than the watercolor). This work is in very good overall condition, with two tape hinges at top edge verso affixed to undermat, and with upper left/right corners verso affixed to undermat. There is an approx. 1/2 inch crease at outer bottom left corner, and an apparent crease, approx. 1/2 inch, emanating from top edge of sheet at center right. Sheet has some minor cockling due to medium used. Frame Measurements: 27 X 30 in. Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid, prior to placing a bid. All transactions are governed by Freeman's Conditions of Sale.

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Description: Andrew Wyeth, 1988 Print, 18 1/2" by 24", 29" by 35" (with frame)

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Canvasbacks by Andrew Wyeth

Description: This black and white Lithograph on paper features two recently hunted ducks hanging over a door. Image from the collection of Mr. and Mrs. C. B. McCoy Andrew Wyeth (1917-2009) was a 20th century, American painter. He is best known for his realistic drybrush technique and creating paintings that bring a unique sentimental quality to everyday objects. Wyeth's work can be found in both private collections and museums all around America, Asia, Europe.

Condition Report: Excellent

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Wash House by Andrew Wyeth lithograph

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Description: Wash House by Andrew Wyeth lithograph

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ANDREW WYETH, (AMERICAN 1917-2009), OLSON HOUSE WITH BASKET

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Description: ANDREW WYETH (american 1917-2009) OLSON HOUSE WITH BASKET Signed and inscribed 'Painted for Larry Webster with warmest thanks for the great design he did on this book/ Andrew Wyeth' bottom left, watercolor on paper 10 x 12 3/4 in. (25.4 x 32.4cm) provenance: The Artist. Acquired from the above as a gift to Larry Webster. Clars Auction Gallery, sale of May 15-16, 2010, lot 6228 (full book). Private Collection, Delaware. note: The present lot is framed together with p. 273 of Betsy Wyeth's Christina's World: Paintings and Prestudies of Andrew Wyeth, Houghton Mifflin: 1982, for which Larry Webster did the graphic design. It will be included in the forthcoming Catalogue Raisonné of the artist's work.

Condition Report: Excellent original condition apart from some cockling associated with the medium. Frame: 18 1/2 x 34 1/2 in. Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid, prior to placing a bid. All transactions are governed by Freeman's Conditions of Sale.

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ANDREW WYETH, (AMERICAN 1917-2009),

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Description: ANDREW WYETH (american 1917-2009)/span "WINTER CORN FIELDS" Signed 'Andrew Wyeth' bottom right; also with title and date '1942' on label verso, tempera on board 32 x 40 in. (81.3 x 101.6cm) ©Andrew Wyeth provenance: /spanThe Macbeth Gallery, New York, New York. The Estate of Nancy duPont Reynolds Cooch, Delaware. exhibited:/span "Exhibition of Paintings by an Invited Group of Philadelphia Artists", Woodmere Art Museum, Philadelphia, Pennsylvania, March 23 - April 13, 1947. "Art in Contemporary Society", University of Delaware, Institute of Delaware History and Culture, Newark, Delaware, March 24 - 31, 1954. "Pennsylvania Military College Commencement Exhibition", Pennsylvania Military College, West Chester, Pennsylvania, June 5 - 9, 1964. "A Winter Gallery", Brandywine River Museum, Chadds Ford, Pennsylvania, November 28, 1975 - January 11, 1976. "The Land of the Brandywine", Brandywine River Museum/Brandywine Conservancy, Chadds Ford, Pennsylvania, September 7, 1992. Andrew Wyeth's "Winter Corn Fields" (1942) is reproduced here for the first time. Rarely exhibited since its purchase in the early 1940s, this tempera depicts a neighbor's house on Bullock Road in Chadds Ford, Pennsylvania. John Andress's property captured the imagination of both Andrew and N.C. Wyeth, and is featured in numerous works including Andrew's "Winter Fields" (1942) (see illustration) and "Soaring" (1942-50). A transitional painting, "Winter Corn Fields" looks both forwards and backwards. It is an excellent early example of Wyeth experimenting with motifs that would reappear in important future temperas. Furthermore, it reveals a young artist under the influence of prevailing styles in American art. Wyeth and his art are products of a particular historical moment in the 1940s as he absorbed the works of mid-century American painters. The tilled fields in the background with their regularly patterned furrows evoke the stylized landscapes of artists such as Grant Wood. But these artistic influences recede into the distance as Wyeth focuses on the foreground. Here, he moves away from his purely descriptive paintings of natural things to more artful arrangements that suggest a strong human presence, foreshadowing later compositions. Wyeth's intense focus on the dried corn shock looming over the bare blackberry bramble in the foreground is an early example of his highly composed "still life in nature" compositions-a major theme in his oeuvre identified in the 2005 exhibition, Andrew Wyeth: Memory and Magic. [1] Both "Winter Corn Fields" and the closely related "Winter Fields" (see illustration) embody this hybrid of still life and landscape painting that features close-ups of rocks, flowers, seashells, cornstalks and other things in a natural setting. Wyeth's paintings are filled with hidden symbolism, and it is in works like "Winter Corn Fields" that we can track the genesis of his private iconography. The dormant blackberry bramble, a motif created to explore themes of loss and regeneration, returns to play a leading role in the artist's first response to human death: "Christmas Morning" (1944). The melting snow patch on the barren field becomes the resting place for his neighbor and surrogate father, Karl Kuerner, in the much-reproduced "Spring" (1978). The house, with the single small window in the middle ground punctuating the horizon, reappears as a motif for loneliness and inscrutability in many temperas, including "Christina's World" (1948). Wyeth's painted objects are almost always associated with people, although the relationship is often obscure. The corn shock presiding over the bramble has an animate quality, and Wyeth described it as a "picture of a friend". [2] The anthropomorphic stack anticipates the creation of later paintings of sensate objects in the landscape, such as the rock in "Far From Needham" (1966) and the pumpkins in "Jack Be Nimble" (1976). The red blackberry briar and dried corncob in the foreground partner with the green ground cover to initiate a lively zigzag of pigment that takes the viewer's eye deep into the painting. While many of the artist's early works are saturated with color, here we see him moving away from color and experimenting with the muted palette that would come to dominate his mature temperas. By 1940, Wyeth began to favor egg tempera painting over oil. He manipulated the tempera in "Winter Corn Fields" to create a uniformly sharp focus, an apparently airless environment, and an unnatural light suggesting the qualities of a dreamscape. Wyeth would spend the rest of his life tinkering with and sharpening these otherworldly environments, oscillating between realism and magic realism. -Anne Classen Knutson, Curator of "Andrew Wyeth: Memory and Magic", 2005-2006 [1] "Andrew Wyeth: Memory and Magic", High Museum of Art, Atlanta (November 12-February 26, 2006); Philadelphia Museum of Art (March 29-July 16, 2006). [2] Andrew Wyeth, Andrew Wyeth: Autobiography, ed. Thomas Hoving, (Boston: Little, Brown; Kansas City, Mo.: Nelson Atkins Museum of Art, 1995), p. 19. note:/span The present painting is to be included in the forthcoming Catalogue Raisonné of the artists' work. Andrew Wyeth, "Winter Fields", tempera on board, 17 5/16 x 41 in. (44 x 104.1cm), The Collection of the Whitney Museum of American Art ©Whitney Museum of American Art

Condition Report: Support and ground: The support of the painting is a Masonite panel, textured side turned to the back, typical of Andrew Wyeth's tempera paintings of the late 1930s and early 1940s. He told me that he and Peter Hurd prepared these panels themselves, adding support battens and painting the entire verso to prevent warping. The panel is in plane and appears to be in very good condition. His panels were usually prepared on the front with Weber Permalba white pigment and rabbit skin glue. The ground appears smooth and stable. Paint layer: The painting was precisely and smoothly painted with very little impasto. The artist apparently used an egg yolk glaze on areas that remain somewhat glossy, especially in the snow and the sky, and the glazes are evident under ultra violet light examination. (We examined similar areas together under ultra violet light when he first told me about using this glazing technique, ca. 1998). There are at least two areas of interesting pentimenti where the artist changed his mind. He painted out a corn shock on the far left, and there is a visible underdrawing pencil line delineating possibly a previous placement of the dormer window on the central house. Examination under ultraviolet light reveals a few areas of tiny dot retouchings in areas of former pinpoint flaking in the upper left and right sky and lower left and right foreground. These areas appear to be stable and the retouching is not distracting. There is only one area, in the middle of the large corn shock in the upper center left that appears to have some slight crackle and lifting that should be consolidated at some point. There are earlier retouches surrounding that area and two pinpoint losses. Other than that the paint layer appears to be in stable condition. The egg glaze coating on the snow possibly appears to have yellowed slightly but is not distracting. -Prepared by Dr. Joyce Hill Stoner Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid, prior to placing a bid. All transactions are governed by Freeman's Conditions of Sale.

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1965 Wyeth Chester County Fair Poster

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Description: Artist Name: Wyeth, Andrew Title: Chester County Fair Medium: Offset Lithograph Edition Size: Unknown Year: 1965 Paper Size: 13.5 x 17.25 inches Image Size: 10 x 14 inches Condition: A-: Near Mint, very light signs of handling

Condition Report: A-: Near Mint, very light signs of handling

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ANDREW WYETH, (AMERICAN 1917-2009), CHRISTMAS CARD WITH ELF

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Description: ANDREW WYETH (american 1917-2009) CHRISTMAS CARD WITH ELF Signed 'Betsy and Andy Wyeth' verso, pen and ink on paper 5 x 8 1/4 in. (12.7 x 21cm) provenance: The Cobb Auctioneers, sale of July 1, 2006, lot 96. Art Works Gallery, Kennett Square, Pennsylvania. Acquired from the above. Private Collection, Montana. note: The present drawing is to be included in the forthcoming Catalogue Raisonné of the artist's work.

Condition Report: Framed and matted, in fine overall condition apart from a vertical crease through the sheet, just left of center and some pale mount staining. The sheet has two tape hinges at top and at bottom, which in turn are taped down to undermat. There is a slight smudge, covered by the overmat, at far right. Frame: 15 3/4 x 17 1/4 in. Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid, prior to placing a bid. All transactions are governed by Freeman's Conditions of Sale.

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2000 Wyeth Ides Of March Poster

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Description: Artist Name: Wyeth, Andrew Title: Ides Of March Medium: Offset Lithograph Edition Size: Unknown Year: 2000 Paper Size: 26 x 38 inches Image Size: 19.75 x 32 inches Condition: A-: Near Mint, very light signs of handling

Condition Report: A-: Near Mint, very light signs of handling

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ANDREW WYETH, (AMERICAN 1917-2009),

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Description: ANDREW WYETH (american 1917-2009)/span "YOUNG BUCK" Signed 'Andrew Wyeth' bottom right; also with title and date '1945' on label verso, watercolor on wove paper laid to board 29 x 23 in. (73.7 x 58.4cm) ©Andrew Wyeth provenance: /spanThe Macbeth Gallery, New York, New York. Estate of Nancy duPont Reynolds Cooch, Delaware. exhibited:/span "Contemporary Oils and Watercolors", The Macbeth Gallery, New York, New York, January 1, 1945. "International Water Color Exhibition - 13th Biennial - Water Color in the United States", Brooklyn Museum of Art, Brooklyn, New York, March 8 - April 29, 1945. "Forty-third Annual Watercolor Exhibition and Forty-fourth Annual Exhibition of Miniatures", Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania, October 20 - November 25, 1945. "Fifty-sixth Annual Exhibition of Contemporary Art", Nebraska Art Association, Lincoln, Nebraska, March 3 - 31, 1946. "The Wyeth Family", Portraits, Inc., New York, New York, October 22 - November 9, 1946. "Sports and Adventure in American Art", Milwaukee Art Museum, Milwaukee, Wisconsin, February 14 - March 30, 1947. "Works by Newly Elected Members and by Recipients of Academy and Institute Honors", American Academy of Arts and Letters and The National Institute of Arts and Letters, New York, New York, May 22 - June 30, 1947. "Paintings and Drawings by Andrew Wyeth", Currier Gallery of Art, Manchester, New Hampshire, July 7 - August 4, 1951. "Paintings and Drawings by Andrew Wyeth", William A. Farnsworth Library and Art Museum, Rockland, Maine, August 10 - September 8, 1951. "Andrew Wyeth", M. Knoedler & Co., Inc., New York, New York, October 26 - November 14, 1953. "Art in Contemporary Society", University of Delaware, Institute of Delaware History and Culture, Newark, Delaware, March 24 - 31, 1954. "Andrew Wyeth", Delaware Art Center, Wilmington, Delaware, January 7 - February 3, 1957. "Andrew Wyeth - Temperas, Watercolors, Dry Brush, Drawings, 1938 - 1966", Pennsylvania Academy of Fine Arts, Philadelphia, Pennsylvania, October 5 - November 27, 1966. "Andrew Wyeth - Temperas, Watercolors, Dry Brush, Drawings, 1938 - 1966", Baltimore Museum of Art, Baltimore, Maryland, December 11, 1966 - January 22, 1967. "Andrew Wyeth - Temperas, Watercolors, Dry Brush, Drawings, 1938 - 1966", Whitney Museum of American Art, New York, New York, February 6 - April 12, 1967. "Andrew Wyeth - Temperas, Watercolors, Dry Brush, Drawings, 1938 - 1966", Art Institute of Chicago, Chicago, Illinois, April 21 - June 4, 1967. "The Brandywine Heritage", Brandywine River Museum, Chadds Ford, Pennsylvania, June 18 - October 17, 1971. "The Art of Andrew Wyeth", M.H. de Young Memorial Museum, San Francisco, California, June 16 - September 3, 1973, cat. no. 5. literature:/span "Young Buck--#1113", Art Digest magazine, June, 1945. "Professional", Techniques magazine, January, 1940, pp. 30, 47, (illustrated). Richard Meryman, "Andrew Wyeth: An Interview as One Craftsman to Another", Life magazine, May, 1965, pp. 92-116, 121-122. Betsy James Wyeth, Wyeth at Kuerners, Boston, 1976. Richard Meryman, Andrew Wyeth - A Secret Life, New York, 1996. note:/span The present watercolor is to be included in the forthcoming Catalogue Raisonné of the artist's work.

Condition Report: In very good overall condition apart from some pale toning just within left edge, and just within part of bottom edge. Specifically, in these areas, there is a slight distinction between pale tan color and the lighter colored very outer edge of the wove paper. We see no evidence of restoration or losses. (Parenthetically, when examined out of its frame, the undermat itself - NOT the artwork - has old glue residue from being affixed to the overmat). A small number of very slight, pale specks in the background at upper center right may be tiny foxing spots. As viewed in a raking light, the sheet has some areas with surface abrasion, including in background at center left, lower center left, in an area touching - but not extending into - part of right leg, in an areas between right ear and antler, in an area at center right and in several unpainted areas in approx. lower third of sheet. We presume this abrasion is a form of 'scratching out' intended by Wyeth, rather than mechanical damage. A tiny area appears whitish against the darker background at upper left, likely an intended compositional effect. Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid, prior to placing a bid. All transactions are governed by Freeman's Conditions of Sale.

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ANDREW WYETH, (AMERICAN 1917-2009),

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Description: ANDREW WYETH (american 1917-2009)/span "THE LOBSTER MAN" Signed 'Andrew Wyeth' bottom right, watercolor on paper 19 1/2 x 26 1/2 in. (49.5 x 67.3cm) provenance: /spanThe artist. Acquired from the above by the present owner, thence by descent in the family Private Collection, Delaware. note:/span This watercolor was commissioned through American Artists in New York as a potential Maxwell House Coffee advert. Although the correspondence dates to 1948, the related drawings are dated 1945 so it is difficult to determine the actual date of execution. This watercolor is to be included in the forthcoming catalogue raisonné being prepared by Betsy James Wyeth.

Condition Report: Professionally matted and framed, the full sheet with four (mulberry?) paper tape hinges top edge verso affixed to undermat. There is no evidence of any restoration or loss. The full sheet size as measured out of frame: 21 3/ 16 x 28 3/16 inches. The work is executed on a heavy stock paper. In generally overall fine condition apart from some visible pale mount staining and some generally minor, scattered (largely unobtrusive) foxing spots/slight pale surface discoloration. The pale 'bands' of toning measure approximately 1 1/2 inches in width along outer top edge of sheet, approximately 7/8 inch in width along outer right edge of sheet, and approximately 7/8 inch in width along outer left edge of sheet. There is a smaller, less defined amount of pale toning at bottom edge of sheet. Verso of sheet has some extraneous watercolor and some scuff marks - these are confined to the verso of the sheet and thus not visible through to the front of the sheet with image. Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid, prior to placing a bid. All transactions are governed by Freeman's Conditions of Sale.

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ANDREW WYETH, (AMERICAN 1917-2009), DORMER WINDOW

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Description: ANDREW WYETH (american 1917-2009) DORMER WINDOW Signed 'A. Wyeth' at center, pencil on paper 8 3/8 x 10 7/8 in. (21.3 x 27.6cm) provenance: Private Collection, Palm Beach, Florida. The Estate of Douglas Fairbanks, Jr. Doyle, New York, sale of September 13, 2011, lot 229. Acquired from the above. Private Collection, Wilmington, Delaware. literature: "Andrew Wyeth: Dry Brush and Pencil Drawings, A Loan Exhibition Organized by the Fogg Art Museum, 1963", (Exhibition Catalogue) Greenwich: 1963. note: The present drawing is to be included in the forthcoming Catalogue Raisonné of the artist's work.

Condition Report: Framed and matted; in fine overall condition; with one cloth tape piece along top edge verso affixed to mat; with pale mount staining and a handful of discolored specks; a few unobtrusive handling creases. Drawing itself in very good condition and lot has no evidence of restoration or loss. Frame: 13 x 15 in. Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid, prior to placing a bid. All transactions are governed by Freeman's Conditions of Sale.

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ANDREW WYETH, (AMERICAN 1917-2009),

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Description: ANDREW WYETH (american 1917-2009)/span "GRAY BARN" Signed 'Andrew Wyeth' bottom left, watercolor on wove paper 21 x 27 in. (53.3 x 68.6cm) ©Andrew Wyeth provenance: /spanThe Artist. Acquired from the above. Estate of Nancy duPont Reynolds Cooch, Delaware. exhibited:/span "Water Colors by Andrew Wyeth", Doll and Richards, Boston, Massachusetts, November 29 - December 14, 1940. Carson, Pirie & Scott Gallery, Chicago, Illinois, April 5 - 30, 1941. "Hazlett Memorial Awards Exhibition for the Visual Arts", Southern Alleghenies Museum of Art, Loretto, Pennsylvania, May 9 - June 7, 1981, catalogue no. I9. "Hazlett Memorial Awards Exhibition for the Visual Arts", The Pittsburgh Plan for Art, Pittsburgh, Pennsylvania, June 20 - July 19, 1981. "Hazlett Memorial Awards Exhibition for the Visual Arts", Allentown Art Museum, Allentown, Pennsylvania, August 1 - September 6, 1981. literature:/span Edith Weigle, "Spring Brings Art Shows to Many Galleries", Chicago Daily Tribune, April 20, 1941, p. F7. note:/span The present watercolor is to be included in the forthcoming Catalogue Raisonné of the artist's work. It was executed in 1940 and depicts the Keurner barn on Ring Road in Chadds Ford, Pennsylvania.

Condition Report: Matted and framed, the (apparently) full sheet painted to the outer edges with generally rich, fresh colors on wove paper five with tape hinges top edge verso affixed to undermat. Within the outer edges of the sheet (close to outer top/bottom edges, further from left/right outer edges) there is a thin pale mat burn line. There is some yellowish discoloration along outer right edge of sheet, and to a small area along bottom left outer edge of sheet. The outer edges of sheet have additional areas of pale discoloration. At several places along bottom outer edge of sheet, including at outer lower right corner, there is some missing wove paper that has been restored with a secondary sheet of paper (not as thick as wove paper). The latter area of missing sheet that has been restored is approx. 1/4 x 3/4 inches. Visible primarily on the verso of the sheet (and only slightly visible in the corresponding area in part of sky, there is a very thin vertical line running from bottom to top of sheet. This line appears to be painted, and does NOT appear to be damage or a fold. This thin brown line is located approx. 11 3/4 inches from outer right edge of sheet. As seen in the catalogue photo, parts of the landscape have an almost scumbled surface appearance, including a vertical area in the pale greenish painted section at lower center right, parts of the background at right and mostly at the brownish area of landscape at left/center left. Presumably these sections with slightly 'broken' pigment are by intent of the artist. Seen in natural light from verso, the sheet has areas that appear puckered/dimpled at the surface. There is an approx. 1 7/8 inch repaired roughly diagonal-shape tear just beneath top edge of sheet at far right. (This watercolor has been recently restored). Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid, prior to placing a bid. All transactions are governed by Freeman's Conditions of Sale.

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Quaker Ladies by Andrew Wyeth

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Description: Reproduction paper of dry brush drawing from Four Seasons Collection Plate Signed Limited Edtion

Condition Report: Good

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ANDREW WYETH, (AMERICAN 1917-2009), GROVER (HIS MARK)

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Description: ANDREW WYETH (american 1917-2009)/span GROVER (HIS MARK) Inscribed 'His Mark' on overmat bottom right, watercolor and pencil on paper Sheet size: 7 3/4 x 5 1/2 in. (19.7 x 14cm) Overmat size: 12 3/4 x 8 1/2 in. (32.4 x 21.6cm) ©Andrew Wyeth provenance: /spanThe Artist. Given by the above as a Christmas gift. The estate of Jack. J. Dreyfus, Jr., New York, New York. Christie's, New York, sale of March 4, 2010, lot 17. Acquired from the above. Private Collection, Maine. note:/span Grover was one of Andrew Wyeth and family's dogs who was found as a stray at a bus stop in Chadds Ford, Pennsylvania. According to a story relayed to the current owner by Andrew Wyeth's son, Nicholas, Grover consistently wished to present his paw to all those he met for a handshake. Hence, Andrew Wyeth decided to name the dog Grover, after president Grover Cleveland, who was known to shake hands with whomever he met. Nicholas further noted that Grover is depicted in several of his father's paintings, including a watercolor entitled "Light Wash" (1961). Regarding "His Mark" on the original frontal mat, Nicholas confirmed that his father's fingerprints are combined with the actual paw print of Grover to make the full paw print in ink. The present watercolor is to be included in the forthcoming Catalogue Raisonné of the artist's work.

Condition Report: Framed and matted, the overmat itself with some browning, primarily along outer right, and to a lesser degree outer top edge. There are a few losses to the outer surface of the overmat itself along two of the edges. The drawing itself has pale brown toning conforming to the circular opening of the overmat. The top edge of the sheet with two (mulberry paper?) hinges on verso, affixed to undermat. The outer edges of the sheet on the verso have old tape staining, but no tape left there now. There is some very faint toning to sheet, apart from outer edges. Sheet has uneven dimensions in places. The drawing itself is in fine original condition. Frame: 16 1/4 x 12 in. Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid, prior to placing a bid. All transactions are governed by Freeman's Conditions of Sale.

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1993 Wyeth Cider Barrel Poster

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Description: Artist Name: Wyeth, Andrew Title: Cider Barrel Medium: Offset Lithograph Edition Size: Unknown Year: 1993 Paper Size: 26 x 31.5 inches Image Size: 21.25 x 29 inches Condition: A-: Near Mint, very light signs of handling

Condition Report: A-: Near Mint, very light signs of handling

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Andrew Newell Wyeth American, 1917-2009 Study of the Olson House   Signed Andrew Wyeth (ll); inscribed Ol...

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Description: Andrew Newell Wyeth American, 1917-2009 Study of the Olson House Signed Andrew Wyeth (ll); inscribed Olson House/To Siri/Andrew (lr) Graphite pencil on paper 15 3/8 x 21 3/16 inches Provenance: The Artist Siri Erickson, Cushing, ME Nicholas Wyeth, Cushing, ME (acquired from the above, 1986) Deborah Strom Gibbons, Stonington, ME Estate of Deborah Strom Gibbons, Stonington, ME This quiet drawing, a study for the farmhouse featured in Andrew Wyeth's iconic painting, Christina's World, 1948 (The Museum of Modern Art), is laden with sentiment. The inscription on the drawing refers to Siri Erickson, who was thirteen years old when Wyeth met her at her family's home in Cushing, Maine in late 1967. At the time, he drew a quick likeness of her before going home to Pennsylvania for the winter. When Christina Olson, a friend and model for the painter for many years, passed away just a few months later in January 1968, Wyeth was deeply affected by the loss. Returning to Maine that spring, he asked Siri to pose again. For the ensuing decade, his fascination with Siri and her family lead him to explore the local Finnish community, resulting in paintings of other Finnish neighbors and the Finnish Church in South Thomaston. In a sense, this drawing represents the confluence of two relationships, as the passing of one model led to a new artistic relationship with another. This work is a study for the watercolor titled Olsons, executed by Andrew Wyeth in 1968. We extend our thanks to Nicholas Wyeth for placing this work in its correct context, and for providing a more comprehensive provenance. C 

Condition Report: Attached to the mount with white tape along the upper margin. Some creasing; pale mat staining along the edges. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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