PRINTS AND MULTIPLES
Catalogue Information: 443 lots | 419 with images
Lot 1: JOHN TAYLOR ARMS (1887-1953)
A Breton Cavalry (Fletcher 249) etching, 1932, on wove paper, the third (final) state, signed in grey ink, from the edition of 49, with margins; and Plumed Serpent, Chichen Itza (F. 344)-- etching, 1940, on wove paper, the second (final) state, signe [...more]
Lot 2: MILTON AVERY (1893-1965)
Fantail Pigeon (Lunn 47 III) woodcut in colors, 1953, on Japon, signed and dated in pencil, numbered 13/25, with margins, creasing in the margins, remains of a brown paper tape hinge at the reverse of the upper right corner (showing through), otherwi [...more]
Lot 3: ROMARE BEARDEN (1912-1988)
Mecklenburg Autumn lithograph in colors, 1979, on wove paper, signed in pencil, numbered 'H.C.' 7/12 (the edition was 175), published by London Arts, Inc., with full margins, in excellent condition L. 23 1/8 x 18 1/8 in. (587 x 460 mm.) S. 27 1/8 x 2 [...more]
Lot 4: GEORGE BELLOWS (1882-1925)
Solitude (Mason 37) lithograph, 1917, on wove paper, signed 'Geo. Bellows JJB' in pencil by the artist's daughter, Jean Bellows Booth, numbered 'No. 57', from the edition of 60, with wide margins, pale light-staining, mat staining and scattered foxin [...more]
Lot 5: THOMAS HART BENTON (1889-1975)
Sunday Morning (Fath 26) lithograph, 1939, on Rives, signed in pencil, from the edition of 250, with wide margins, pale light-staining, remains of old glue at the upper margin corners and at the reverse of the margin corners, very pale mat staining o [...more]
