Sotheby's: Impressionist and Modern Art, Part One: Lot 11
Camille Pissarro 1830-1903 LA RUE SAINT-LAZARE Signed and dated 93 Oil on canvas 283/4 by 23 5/8 in....
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Camille Pissarro 1830-1903 LA RUE SAINT-LAZARE Signed and dated 93 Oil on canvas 283/4 by 23 5/8 in. 73 by 60cm. Provenance Durand-Ruel, Paris (acquired from the artist on March 17, 1893) Durand-Ruel, New York (acquired from the above in December 1893) A.W. Kingman, New York (acquired from the above on January 20, 1894) Durand-Ruel, New York (acquired from the above on March 5, 1896) A. Filmore Hyde, Morristown, New Jersey (acquired from the above on May 10, 1904) Gertrude Meyer, New York (sold: William Doyle Galleries, New York, November 22, 1982, lot 41) Noortman & Brod Galleries, London (acquired at the above sale) Acquavella Galleries, Inc., New York Acquired from the above on October 24, 1984 Exhibited Paris, Galerie Durand-Ruel, Oeuvres recentes de Camille Pissarro, 1893, no. 41 London and Maastricht, Noortman & Brod Galleries, Impressionists - An Exhibition of French Impressionist Paintings, 1983, no. 23 New York, Acquavella Galleries, Inc., XIX & XX Century Master Paintings, 1984, no. 1 Dallas, Museum of Art; Philadelphia Museum of Art; London, Royal Academy of Arts, Pissarro: The Impressionist and the City, 1992-93, no. 35 Literature Ludovic-Rodo Pissarro and Lionello Venturi, Camille Pissarro, son art - son oeuvre, vol. I, Paris, 1939, no. 836, catalogued p. 198; vol. II, no. 836, illustrated pl. 171 John Rewald, Camille Pissarro: Letters to Lucien, New York, 1943, discussed p. 207 Janine Bailly-Herzberg, Correspondance de Camille Pissarro, 1886-1890, vol. II, Paris, 1988, discussed pp. 312, 315, 317, 318, 387 Richard Brettell and Joachim Pissarro, The Impressionist and the City, Pissarro's Series Paintings (exhibition catalogue), Dallas Museum of Art; Philadelphia Museum of Art; Royal Academy of Arts, London, 1992-93, no. 35, illustrated p. 54 In 1893, Pissarro turned sixty-three years old (see fig. 1). One of the most prominent avant-garde painters of his generation, Pissarro had achieved enormous success as both an Impressionist and a Neo-Impressionis
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