Lot 2: Cerf élaphe (5 cors) (CH) : taxidermie ancienne. Cervus elaphus.

Chevau-Legers Enchères

February 19, 2012
Versailles, France

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Description: Cerf élaphe (5 cors) (CH) : taxidermie ancienne. Cervus elaphus.
Notes: Taxidermy (from the Greek for arrangement of skin[1]) is the act of mounting or reproducing dead animals for display (e.g. as hunting trophies) or for other sources of study. Taxidermy can be done on all vertebrate species of animals, includingmammals, birds, fish, reptiles, and amphibians. The methods taxidermistspractice have been improved over the last century, heightening taxidermic quality and lowering toxicity. The animal is first skinned in a process similar to removing the skin from a chicken prior to cooking. This can be accomplished without opening the body cavity, so the taxidermist usually does not see internal organs or blood. Depending on the type of skin, preserving chemicals are applied or the skin is tanned. It is then either mounted on a mannequin made from wood, wool and wire, or a polyurethane form. Clay is used to install glass eyes. Forms and eyes are commercially available from a number of suppliers. If not, taxidermists carve or cast their own forms.

Taxidermists may practice professionally, for museums or as businesses catering to hunters and fishermen, or as amateurs, such as hobbyists, hunters, andfishermen. To practice taxidermy, one must be very familiar with anatomy,sculpture, and painting, as well as tanning.

As the demand for quality leather and hides grew, the methods became more sophisticated. During the Victorian era, taxidermy was an object of inner design and decor. It accompanied the Western view of human superiority over animals.

By the 18th century, almost every town had a tannery business. In the 19th century, hunters began bringing their trophies to upholstery shops, where the upholsterers would actually sew up the animal skins and stuff them with rags and cotton. The term "stuffing" or a "stuffed animal" evolved from this crude form of taxidermy. Professional taxidermists prefer the term "mounting" to "stuffing". More sophisticated cotton-wrapped wire bodies supporting sewn-on cured skins soon followed. In France, Louis Dufresne, taxidermist at the Muséum national d'Histoire naturelle from 1793, popularized arsenical soap in an article in Nouveau dictionnaire d'histoire naturelle (1803-1804). This technique enabled the museum to build the greatest collection of birds in the world.

In the early 20th century, taxidermy began to evolve into its modern form under the leadership of artists such as Carl Akeley, James L. Clark, William T. Hornaday, Coleman Jonas, Fredrick and William Kaempfer, and Leon Pray. These and other taxidermists developed anatomically accurate figures which incorporated every detail in artistically interesting poses, with mounts in realistic settings and poses that were considered more appropriate for the species. This was quite a change from the caricatures popularly offered as hunting trophies.

Taxidermists seek to continually maintain their skills to ensure attractive, life-like results. Many taxidermists in the USA use bears, though some use creatures such as snakes, birds and fish. Although mounting an animal has long been considered an art form, often involving months of work, not all modern taxidermists trap or hunt for prize specimens.
Taxidermy specimens can be saved for later use by freezing. The taxidermist then removes the skin, to be tanned and treated for later use. Numerous measurements are then taken of the remaining body. A traditional method that remains popular today involves retaining the original skull and leg bones of a specimen and using these as the basis to create a mannequin made primarily from wood wool (previously tow/hemp wool was used) and galvanised wire. Another method is to mold the carcass in plaster, and then make a copy of the animal using one of several methods. A final mold is then made of polyester resin and glass cloth; from which a polyurethane form is made for final production. The carcass is then removed and the mold is used to produce a cast of the animal called a 'form'. Forms can also be made by sculpting the animal first in clay. Many companies produce stock forms in various sizes. Glass eyes are then usually added to the display, and in some cases, artificial teeth, jaws, tongue, or for some birds, artificial beaks and legs can be used. An increasingly popular trend is to freeze dry the animal. This can be done with reptiles, birds, and small mammals such as cats, large mice and some types of dogs. Freeze drying is expensive and time consuming. The equipment is expensive and requires much upkeep. Large specimens can be required to spend as long as six months in the freeze dryer, although it is the preferred technique for pets. Freeze dried animals, though, may later be susceptible to being eaten by carpet beetles.

Some taxidermy specimens do not involve a carcass at all, particularly in the case of sporting fish, such as trout and bass, for which the practice of catch and release is becoming increasingly prevalent. Instead, detailed photos and measurements are taken of the animal, and then a taxidermist creates a resin or fiberglass sculpture of the animal that can be mounted and displayed as a specimen. The actual animal is released.

Rogue taxidermy is the creation of stuffed animals which do not have real, live counterparts. Many taxidermists do not consider this true taxidermy. They may represent unrealistic hybrids such as the jackalope and the skvader, extinct species, mythical creatures such as dragons, chimeras, griffins, unicorns or mermaids, or may be entirely of the maker's imagination. Some are made from parts of more than one kind of animal, or they may be artificially created. Rogue taxidermy is often seen in sideshows and dime museums among genuine freak animals.

When the platypus was first discovered by Europeans in 1798, and a pelt and sketch were sent to the United Kingdom, some thought the animal to be a hoax. It was thought that a taxidermist had sewn a duck's beak onto the body of a beaver-like animal. George Shaw, who produced the first description of the animal in the Naturalist's Miscellany in 1799, even took a pair of scissors to the dried skin to check for stitches.

The term "rogue taxidermy" was introduced by the Minneapolis, MN based group, The Minnesota Association of Rogue Taxidermists (or MART) in October 2004. It was first coined by MART founders Sarina Brewer, Scott Bibus, and Robert Marbury. The term first appeared in print in a New York Times article about the group's debut exhibition on January 3, 2005.

Trophy hunting is the selective hunting of wild game animals. Although parts of the slain animal may be kept as a hunting trophy or memorial (usually the skin, antlers and/or head), the carcass itself is sometimes used as food.

Trophy hunting has firm supporters and opponents. Public debate about trophy hunting often centres on the question of the morality of sport hunting and the question of the extent to which the money paid by trophy hunters benefits the population of game animals and the local economy.

Trophy hunting should not be confused with poaching, the practice of taking game illegally.

A hunting trophy is an item prepared from the body of a game animal killed by a hunter and kept as a souvenir of the successful hunting or fishing expedition.

Often, the heads or entire bodies are processed by a taxidermist, although sometimes other body parts such as teeth, tusks or horns are used as the trophies.

Such trophies are often displayed in the hunter's home or office, and often in specially designed "trophy rooms," sometimes called "game rooms" or "gun rooms," in which the hunter's weaponry is displayed as well.

A big-game hunter is a person engaged in the sport of trophy hunting for large animals or game. The pursuit of the major objective might place the hunter at risk of personal harm. Potential big game sought include, but are not limited to: bears, big cats, hippos, elephants, rhinos, buffalos, moose and so forth.

Along with Indian blackbuck, nilgai, axis deer and many other exotic deer and antelope -- many from Africa -- there are also barasingha now found living in the wild in Texas, U.S. on lands managed as hunting ranches. Barasingha were brought to the U.S. approximately 100 years ago to be introduced onto land that is managed for sport hunting. Hunters pay as much as $4,000 as trophy fees for hunting a Barasingha.

Deer hunting is survival hunting or sport hunting for deer, which dates back to tens of thousands of years. There are numerous types of deer throughout the world that are hunted.
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The specimens listed in Appendix I / A are called pre-Convention specimens was earlier and more precisely since 1947 and worked extensively modified.

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Shipping: No lot will be released to the buyer before full payment of the purchase price, fees and VAT has been made. When paying by check or wire
transfer, the release of the lot will be postponed until the receipt of the amount on Chevau-Legers enCheres's account. The lot will be the sole
responsibility of the buyer as soon as the bidding is closed. It is the responsibility of the successful bidder to insure the lot from the auction.
Chevau-Legers enCheres disclaims all liability for damages that the lot might incur.


The ivory lots are made of ivory of Elephantidae spp.

They are therefore subject to regulation (CITES) and in view of their oldness they could benefit of exception rule of EC Regulation 338/97, in Article 2.

The specimens listed in Appendix I / A are called pre-Convention specimens was earlier and more precisely since 1947 and worked extensively modified.

The parameters outlined above allow the commercial use of these specimens within the EU.

However to an exit from the EU CITES export a pre-convention is needed to comply with the Act.

These administrative procedures will be made by the purchaser to the DREAL organization.
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