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Lot 61 | Claude Gell‚e, called Claude Lorrain (Chamagne 1600-1682 Rome)

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Mercury returning the cattle of Admetus to Apollo signed, inscribed and dated 'Claudio inv. fecit. Roma 1671' black chalk, pen and brown ink, grey and brown wash heightened with white (partly oxidized) 63/4 x 91/2 in. (170 x 243 mm.) PROVENANCE Dr. H. Wellesley; Sotheby's London, 25 June 1866, lot 305. with Paul Cassirer, Amsterdam, 1957. Curtis O. Baer. LITERATURE M. Roethlisberger, Claude Lorrain: The Paintings, New Haven, 1961, I, pp. 450-1. M. Roethlisberger, Claude Lorrain: The Drawings, Berkeley and Los Angeles, 1968, I, no. 1029. A. Zwollo, 'An additional study for Claude's picture "The Arrival of Aeneas at Pallantium"', Master Drawings, 1970, VIII, p. 274. EXHIBITION Cambridge, Fogg Art Museum, The Curtis O. Baer Collection, 1958, no. 39. Atlanta, High Museum of Art, and elsewhere, Master Drawings from Titian to Picasso: The Curtis O. Baer Collection, 1985, no. 57. NOTES A less finished treatment of this composition, in reverse to the present drawing and dated by Professor Roethlisberger to 1671, is in the British Museum (M. Roethlisberger, op. cit., 1968, no. 1028). These drawings do not seem to have been related to a specific commission at the time. However, Claude returned to the composition in a drawing dated 1677 now in the Kupferstichkabinett, Berlin (M. Roethlisberger, op. cit., 1968, no. 1111) which appears to be a study for the Landscape with Apollo and Mercury painted for Monseigneur de Bourlement in 1679, now lost but known through Claude's drawn copy of the composition in his Liber Veritatis (M. Roethlisberger, op. cit., 1968, no. 1112). Professor Roethlisberger notes that such a long gap between the invention of a motive and its appearance in a composition is not uncommon in Claude's work. The subject of the composition is unusual. Apollo was ordered by Jupiter to guard the cattle of Admetus, but failed to prevent Mercury stealing them. Mercury was subsequently forced by Jupiter to return the herd, and is here shown making peace with his brother. The reconciliation is sealed by Mercury presenting Apollo with a lyre, and receiving in return a caduceus, gifts that were to become their respective attributes. Although the moment of the theft is more commonly depicted, the reconciliation gives Claude the opportunity to embue the landscape with calm and serenity.

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Catalogue Information

Auction House

Christie's

Auction Title

OLD MASTER & 19TH CENTURY DRAWINGS

Auction Date

2003

Location

USA

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View realised price and lot details for Lot 61: Claude Gell‚e, called Claude Lorrain (Chamagne 1600-1682 Rome) from Christie's's OLD MASTER & 19TH CENTURY DRAWINGS. See additional auction price results for lots from this auction on the Christie's profile page.

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