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Provenance: Andrea Rosen Gallery, New York.
Galerie Xavier Hufkens, Brussels.
Acquired from the above by the present owner in 1991.

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Exhibited: Brussels, Galerie Xavier Hufkens, Felix Gonzalez-Torres, Michael Jenkins, 1991.
Genova, Teatro Carlo Felice, Utopia del Possibile fra America ed Europa (Utopia of the Possible: Between America and Europe), 1993 (another from the edition exhibited).
Milan, Studio Oggetto, Possibilismo Americano (American Possibilism), 1994 (another from the edition exhibited).
Miami, Museum of Contemporary Art, Defining the Nineties: Consensus-Making in New York, Miami and Los Angeles, 1996 (another from the edition exhibited).
Brussels, Wiels Centre for Contemporary Art, Felix Gonzalez-Torres: Specific Objects without Specific Forms, 2010.
Miami, Museum of Contemporary Art, Permanent Collection (another from the edition exhibited).

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Literature: D. Elger, Felix Gonzalez-Torres Catalogue raisonné, Ostfildern-Ruit 1997, no. 119 (illustrated, p. 69).

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Notes: Felix Gonzalez-Torres (1957-1996)
"Untitled" (Ross in L.A.)
print on paper, endless copies
original size: 25.5cm. at ideal height x 78.4 x 62cm. (original paper size)
ideal size: 10in. at ideal height x 29 x 23in. (ideal paper size)
Executed in 1991, this work is number one from an edition of three