Sotheby's: Impressionist & Modern Art, Part One: Lot 52
HENRI EDMOND CROSS 1856-1910 UN PIN
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Painted circa 1905.
Signed henri Edmond Cross (lower left)
Oil on canvas
This work will be included in the forthcoming Cross Catalogue raisonné being prepared by Patrick Offenstadt.
PROVENANCE
(possibly) Sale: Hôtel Drouot, Paris, December 23, 1946, lot 7
O'Hana Gallery, London
Private Collection (by 1964 and sold: Sotheby's, London, June 23, 2003, lot 7)
Acquired at the above sale by the present owner
LITERATURE AND REFERENCES
H. E. Bates, "French Painters IV - Signac and Cross," Apollo, London and New York, May 1952, fig. III, illustrated p. 136 (titled Pine Trees at St. Tropez)
Isabelle Compin, Henri Edmond Cross, Paris, 1964, no. 149, illustrated p. 249
CATALOGUE NOTE
Executed in a build-up of short, uniform brushstrokes of pastel hues, Un Pin resembles a carefully composed mosaic of shimmering colors. The tonal variations and juxtapositions in the present work recreate the vibrant, dazzling atmosphere of the Côte d'Azur that became a major source of inspiration for the artist. Moreover, the present work has a freedom which recalls the expressive colors of the Fauves, working at the same time on coastal subjects elsewhere in France.
While remaining very close to Seurat and Signac, with whom he had founded the Neo-Impressionist group, Cross abandoned their scientific approach to painting, and adapted the pointillist style to his own bolder and more rhythmic method. Cross replaced their rigid use of dots based on color theories with a more liberated and intuitive style, creating a body of work that celebrates the majestic light of the Mediterranean coast.
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