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Description: PROPERTY FROM THE VANTHOURNOUT COLLECTION

1886-1966
FIGURE MYTHIQUE

measurements
height: 44 1/2 in.

alternate measurements
113 cm

Conceived in 1950 and cast by the Susse Foundry in Paris in 1971.

Inscribed with the monogram HA, with the foundry mark Susse Fondeurs Paris and numbered 3/3.

Bronze, golden brown patina

PROVENANCE

Acquired in the early 1970s.

LITERATURE

Ionel Jianou, Jean Arp, Paris, 1973, no. 18, catalogued p. 72, no. 104, illustration of the plaster

Hommage à Jean Arp (exhibition catalogue), Galerie Denise René, Paris, 1974, no. 50, illustration of the plaster

Serge Fauchereau, Arp, London, 1989, no. 91, illustration of another cast p. 75

NOTE

The present work, conceived in 1950, dates from one of the most successful periods in Arp's artistic career. More than three decades earlier, Arp became a member of the radical Dada group in Switzerland in 1916. During this time he formulated an artistic philosophy that would challenge most established forms of artistic representation for many years to come. When in 1917 he wrote that he wanted "to find another order, another value for man in nature," he heralded the credo that would continue to govern his sculptures more than forty years later. Although the highly polished form of the present work demonstrates the sleek modernist aesthetic that had also been taken up by Brancusi and Laurens, its amorphous and irregular shape evidences some of the central themes of Arp's original manifesto. "All things, and man as well, should be like nature, without measure," he wrote as a young man. "I wanted to create new appearances, to extract new forms from man" (quoted in Serge Fauchereau, Hans Arp, Barcelona, 1988, p. 15).

By the time he conceived of the present sculpture in 1950, Arp had found a clear and innovative voice for his artistic inspiration. His work in sculpture from these years met with great critical success, leading him to prominent exhibitions in Paris and New York and a grand prize at the Venice Biennale in 1954. His artistic output around this time ranged from low-relief sculpture to poetry, but it was his work in free-standing figural sculpture that most consumed him. With its vibrant and graceful energy, Figure Mythique is a brilliant example from this prolific and successful time for the artist.