Invaluable cannot guarantee the accuracy of translations through Google Translate and disclaims any responsibility for inaccurate translations.
Lot 1815S: One More Notch by Bill AntonPlatinum House
March 22, 2014
Las Vegas, NV, USA
Timed Auctions are a new and exciting way to buy quality lots from exclusively participating auctioneers. Place your top bid to be executed in confidence or get notified when you've been outbid and come back to bid again.
Our Timed Auctions are convenient, secure and designed to enhance your bidding experience.
P.S. Remember to refresh the page to see the current bid, time left, and if the lot closing was extended.Close
Description: One More Notch by Bill Anton - Edition Size: 195 - Giclee on Paper - Signed & Numbered Dimensions: 21 x 28 Release Date: 9-2011 ???.Bill Anton was born in Chicago in 1957 and later moved to Prescott, Arizona. He graduated from Northern Arizona University. Later, after committing to painting full-time, he studied under Michael Lynch and Ned Jacob, who encouraged him to paint from life. ?While the nature of my work necessitates much studio time, more and more of my painting is done outside.? Anton?s work has been published in Southwest Art, Architectural Digest, Art of the West, Equine Images, Western Horseman and Art-Talk. Corporate collections that include his work are Sears, Dupont, State Farm Insurance, Bank of America, Hewlett Packard, and Trust Company of the West. His award winning work has been displayed at the Prix de West at the National Cowboy and Western Heritage Museum, Masters of the American West at The Autry Museum, The National Center for American Western Art, the Old West Museum, and The National Museum of Wildlife Art. In addition, his work is in the permanent collection of the prestigious Gilcrease Museum. ?I do not see myself as a biographer of the cowboy. I know some artists feel they are recording history on the ranches as life there is today, but the focus of my work has always been mood and passion. If I?m recording anything, I?m recording how I feel about the west. I want the viewer to feel the drama of atmosphere and the mystery of a western night. I want the volume and portent of a cloud to be evident in the calligraphy of a brushstroke. The pack of muscle below a horse?s shoulder should be energized by a gestural application of paint. ?You see, I love to paint. And I love the American west. I was born in Chicago, but the Sierra Nevada, Sangre de Cristo, Sawatch and a hundred other ranges of our rocky mountains were the only ?Big Shoulders? I was ever interested in. Walking thunderstorms, sunstruck cedars, rimrock and artfully abstract water patterns charge the landscape with impossible beauty. ?Amidst this nobility is its caretaker: the rancher. With the natural ease of generations bred to the saddle, he is a powerful image further ennobled by a fine horse. An artist under the spell of the west has the privilege of marshalling the virtues of landscape, figure andequine painting into one supremely paintable subject: the American cowboy.? - Bill Anton
Condition Report: New-Mint