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Lot 30: Photography of Chet Baker "Young Chet" by William Claxton (printed in the 80's)

Entertainment Memorabilia Auction: Jazz, Music Hall...

Platinum House

by Rossini Maison de Ventes aux Enchères

May 15, 2009

Paris, France

Live Auction
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Description: Photography of Chet Baker "Young Chet" by William Claxton (printed in the 80's). photo de Chet Baker "Young Chet" de William Claxton (tirage années 80s) 17 x 24 cm. JAZZ: PHOTOGRAPHIES.
THE AUCTIONEER IS ONLY RESPONSIBLE FOR THE FRENCH INFORMATION PROVIDED BY THIS CATALOGUE. THE ENGLISH TRANSLATION IS COURTESY TO THE ENGLISH SPEAKERS.

Notes: William Claxton (October 12, 1927 - October 11, 2008 was an American photographer and author.Born in Pasadena, California, Claxton's works included a book of photographs of Steve McQueen, and Jazz Life, a book of photographs depicting jazz artists in the 1960s. He was most noted for his photography of jazz musicians including Chet Baker. Claxton also photographed celebrities and models. He married model Peggy Moffitt in 1960 and had one son, Christopher M. Claxton, born in 1973. Claxton died on October 11, 2008 of complications from congestive heart failure, one day before his 81st birthday.Chesney Henry "Chet" Baker Jr. (Yale, Oklahoma, December 23, 1929 - Amsterdam, Netherlands May 13, 1988) was an American jazz trumpeter, flugelhorn player and singer.Specializing in relaxed, even melancholy music, Baker rose to prominence as a leading name in cool jazz in the 1950s. Baker's good looks and smoldering, intimate singing voice established him as a promising name in pop music as well. But his success was badly hampered by drug addiction, particularly in the 1960s, when he was imprisoned.Baker was immortalized by the photographer William Claxton in his book Young Chet: The Young Chet Baker. An Academy Award-nominated 1988 documentary about Baker, Let's Get Lost, portrays him as a cultural icon of the 1950s, but juxtaposes this with his later image as a drug addict. The film, directed by fashion photographer Bruce Weber, was shot in black-and-white and includes a series of interviews with friends, family (including his three children by third wife Carol Baker), associates and lovers, interspersed with film from Baker's earlier life, and with interviews with Baker from his last years.

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