Poster by Max Ponty - Cie de Navigation Paquet

Lot 496: Poster by Max Ponty - Cie de Navigation Paquet

Van Sabben Auctions

June 6, 2009, 11:00 AM CET
Hoorn, Netherlands
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Description: Cie de Navigation Paquet - 74x105, ca. 1925, on linen by Max Ponty (1904-1972)
Condition Report: A
Notes: Max Ponty (1904-1972)
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33rd Poster Auction

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Van Sabben Auctions
June 6, 2009, 11:00 AM CET

Hoorn, Netherlands

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Shipping Terms: Auction House will help arrange shipment, at buyer's expense
Contract: By participating in this auction, the Purchaser declares that he/she fully accepts the terms and conditions of sale and that he/she will never be able to plead that they are unacquainted with these conditions of sale or their current use.
Payment: All payments must be made within two weeks of receipt of the sales invoice by deposit or bank transfer to account no: 52.91.64.515, via cheque or cash. An additional 4% charge will be made on all credit card payments and payment via Pay Pal.
Buyers Premium: The purchaser is required to pay an extra 20% on the amount assigned to the item, plus an additional 19% V.A.T. (E.C. residents only).
Tax: The purchaser is required to pay an extra 20% on the amount assigned to the item, plus an additional 19% V.A.T. (E.C. residents only).
Condition Report: With respect to the condition of the poster, four ratings have been used:-

A. Very good condition, with strong colours and no paper-loss. If there is a slight blemish or tear, then it is very marginal and not noticeable. A+ illustrates a poster in excellent condition which is rarely seen. A- indicates the possibility of a slight fold, tear or bubble, or a minor restoration.

B. Good condition. Some slight paper-loss, however not in the image or any crucial design area. If there is some restoration, it is not immediately evident. Lines and colours are good although the paper may be yellowed/stained. B+ indicates that the poster is in a good condition, B- in fairly good condition. The latter assessment may be due to heavier than normal light-staining or one or two noticeable repairs.

C. Fair condition. More pronounced light-staining, restorations, folds and flaking are more readily visible, possibly some minor paper-loss otherwise intact. The image is clear, the colours, although possibly faded, are still true to the artist’s intent.

D. Bad condition. A large part may be missing, including some crucial central image area, colours and lines are marred.
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