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Auction Description for Wilson Fine Art & Antiques: 7-22 Luxury Fine Art Auction Sale!

7-22 Luxury Fine Art Auction Sale!

(1153 Lots)

by Wilson Fine Art & Antiques


1,153 lots with images

July 22, 2014

Live Auction

1942 Broadway St., STE 314C

Boulder, CO, 80302 USA

Phone: 720 220-1544

Email: wilsonantiquesandart@gmail.com

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TIGER EYE AND TURQUOISE NECKLACE

Lot 1B: TIGER EYE AND TURQUOISE NECKLACE

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Description: TIGER EYE AND TURQUOISE NECKLACE, APPROX. 600 CTS.

Condition Report: NEW

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Lithograph by Douglas Hofmann

Lot 1K: Lithograph by Douglas Hofmann"The Red Sash Ballerina Dance"

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Description: Douglas Hofmann S/N Lim Ed Litho "The Red Sash Ballerina Dance

Condition Report: Good

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The RollingStones  Giclee, mini guitar & engraved signatures

Lot 1M: The RollingStones Giclee, mini guitar & engraved signatures

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Description: "The RollingStones" Giclee in San Antonio TX. with mini guitar & engraved signatures, comes in Beautiful custom matt & frame, approx dimension 19"x14".

Condition Report: Good

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Charles Jeffrey Limited Edition Etching

Lot 1Y: Charles Jeffrey Limited Edition Etching "Artict Dancers"

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Description: In the Manner of Charles Jeffrey Limited Edition Etching "Artict Dancers", bearing the Signature, approx dimension 17x15 in.

Condition Report: Good

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Lot 1Z: "Spring Break" By Michael Schofield (96EF)

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Description: Original, Acrylic Paint on Canvas, Signed by the artist, Approximately 20 X 16 In.

Condition Report: EXCELLENT

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Lot 2A: "Exposed with Flowers" By Leela Woros

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Description: Serigraph, Signed by the artist, Approximately 39" x 47" In.

Condition Report: Good

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TIGER EYE AND TURQUOISE NECKLACE

Lot 2B: TIGER EYE AND TURQUOISE NECKLACE

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Description: TIGER EYE AND TURQUOISE NECKLACE, APPROX. 600 CTS.

Condition Report: NEW

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Lady's 14K Yellow Gold Garnet Ring(5)

Lot 2J: Lady's 14K Yellow Gold Garnet Ring(5)

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Description: this lady's 14k yellow gold garnet ring is comprised of 4 prongs set round cut garnet. Total estimated garnet's weight is 2.00ct. The total weight of the ring is 2.30 grams. Garnet Characteristics color red, clarity VS1, weight 2.00cts

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Lithograph by Douglas Hofmann

Lot 2K: Lithograph by Douglas Hofmann "Satin Slippers" Nude

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Description: Douglas Hofmann S/N Lim Ed Litho "Satin Slippers" Nude

Condition Report: Good

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The Dore Bible Gallery

Lot 2M: The Dore Bible Gallery "David Spares Saul" Pg. 32

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Description: From The Dore Bible Gallery containing one hundred superb illustrations. By Gustave Dore born in the city of Strasburg, January 10, 1833.

Condition Report: Good

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Jacobson Limited Edition Lithograph

Lot 2Y: Jacobson Limited Edition Lithograph "Laguna Beach"

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Description: Limited Edition Lithograph In the Manner of Jacobson titled "Laguna Beach" , bearing the Signature, approx dimension 12x13 in.

Condition Report: Good

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Lot 2Z: "First Day of Fall" By Michael Schofield (97EF)

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Description: Original, Acrylic Paint on Canvas, Signed by the artist, Approximately 20 X 16 In.

Condition Report: EXCELLENT

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MIXED QUARTZ NECKLACE

Lot 3B: MIXED QUARTZ NECKLACE

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Description: MIXED QUARTZ NECKLACE, 24'', APPROX. 1200 CTS

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Lithograph by Douglas Hofmann

Lot 3K: Lithograph by Douglas Hofmann "Rhapsody En Blue II Ballerina Studio Ballet Dancer"

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Description: Douglas Hofmann S/N Lim Ed Litho "Rhapsody En Blue II Ballerina Studio Ballet Dancer Art.

Condition Report: Good

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Jacobson Limited Edition Lithograph

Lot 3Y: Jacobson Limited Edition Lithograph "Court Yard"

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Description: Limited Edition Lithograph In the Manner of Jacobson titled "Court Yard" , bearing the Signature, approx dimension 12x13 in.

Condition Report: Good

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Lot 3Z: "Distant Mountain" By Michael Schofield (98EF)

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Description: Original, Acrylic Paint on Canvas, Signed by the artist, Approximately 20 X 16 In.

Condition Report: EXCELLENT

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PINK AND WHITE AGATES, NATURAL STONE NECKLACE

Lot 4B: PINK AND WHITE AGATES, NATURAL STONE NECKLACE

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Description: PINK AND WHITE AGATES, NATURAL STONE NECKLACE, APPROX. 3000 CTS, 30''.

Condition Report: NEW

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Lady's 14K Yellow Gold Diamond Ring(7)

Lot 4J: Lady's 14K Yellow Gold Diamond Ring(7)

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Description: This Lady's 14K yellow gold diamond ring is comprised of pave set 62 round brilliant cut diamonds. Total weights are 1.20 ctw SI2 clarity and KL color. The total weight of the ring is 4.90 grams.

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Lithograph by Douglas Hofmann

Lot 4K: Lithograph by Douglas Hofmann "The Mirror"

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Description: Douglas Hofmann "The Mirror" Hand Signed/Numbered Lithograph

Condition Report: Good

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Jacobson Limited Edition Lithograph

Lot 4Y: Jacobson Limited Edition Lithograph "Outside Cafe"

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Description: Limited Edition Lithograph In the Manner of Jacobson titled "Outside Cafe" , bearing the Signature, approx dimension 12x13 in.

Condition Report: Good

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MIXED PEARLS AND JADE NECKLACE

Lot 5B: MIXED PEARLS AND JADE NECKLACE

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Description: MIXED PEARLS AND JADE NECKLACE

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LITHOGRAPH BY ARTIST HENRI MATISSE

Lot 5G: LITHOGRAPH BY ARTIST HENRI MATISSE

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Description: LITHOGRAPH BY HENRI MATISSE, BEARING THE SIGNATURE TITLED "ODALISQUE A LA JUPE DE TULLE", CIRCA 1923 . Matisse?s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, ?From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.? Matisse?s mother was the first to advise her son not to adhere to the ?rules? of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fianc�?�©e, Am�?�©lie Parayre, whom he later married: ?I love you dearly, mademoiselle; but I shall always love painting more.? Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Acad�?�©mie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Acad�?�©mie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the �??cole des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Soci�?�©t�?�© Nationale, which meant that each year he could show paintings at the Salon de la Soci�?�©t�?�© without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Soci�?�©t�?�© Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle �??le off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Am�?�©lie Noellie Parayre, his future wife, his anchor.

Condition Report: Good

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Lithograph by Duaiv(French)

Lot 5K: Lithograph by Duaiv(French) "Violinist" Musical Lim Ed

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Description: Duaiv(French) "Violinist" Musical Lim Ed Hand Sign Lithograph, appro size med up to 30 in.

Condition Report: Good

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Jacobson Limited Edition Lithograph

Lot 5Y: Jacobson Limited Edition Lithograph "Side Street Cafe"

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Description: Limited Edition Lithograph In the Manner of Jacobson titled "Side Street Cafe" , bearing the Signature, approx dimension 11x15 in.

Condition Report: Good

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PINK AGATE NECKLACE

Lot 6B: PINK AGATE NECKLACE

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Description: PINK AGATE NECKLACE, APPROX. 100 CTS

Condition Report: NEW

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Lot 6D: "The Two Circles of Spirits" Paradise 16 By Salvador Dali

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Description: Certified Dali Woodblock, Signed, Image Size Approximately 11 x 8 In. Arches Paper Matting Size Approximately 17 x 13 In.

Condition Report: Good

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LITHOGRAPH BY ARTIST HENRI MATISSE

Lot 6G: LITHOGRAPH BY ARTIST HENRI MATISSE

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Description: LITHOGRAPH BY HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "TETE DE FACE", CIRCA 1948 . Matisse?s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, ?From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.? Matisse?s mother was the first to advise her son not to adhere to the ?rules? of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fianc�?�©e, Am�?�©lie Parayre, whom he later married: ?I love you dearly, mademoiselle; but I shall always love painting more.? Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Acad�?�©mie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Acad�?�©mie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the �??cole des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Soci�?�©t�?�© Nationale, which meant that each year he could show paintings at the Salon de la Soci�?�©t�?�© without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Soci�?�©t�?�© Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle �??le off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Am�?�©lie Noellie Parayre, his future wife, his anchor.

Condition Report: Good

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Lady's 18K Yellow Gold White Topaz/Cats's Eye/RuBy Ring (9)

Lot 6J: Lady's 18K Yellow Gold White Topaz/Cats's Eye/RuBy Ring (9)

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Description: This lady's 18K white Topaz/Cat's eye rubies ring is comprised of 4 prongs set cushion cut 1 white topaz surrounded by 8 round cats eye stones and 6 oval cut rubies. Total estimated white topaz's weight is 3.50ctw. And the weight of the cat's eyes are 1.00cts and weight of rubies are 1.50ctw the total weight of the ring is 9.30 grams.

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Lithograph by Duaiv(French)

Lot 6K: Lithograph by Duaiv(French) "Golf Swing" Golfing Lim Ed

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Description: Duaiv(French) "Golf Swing" Golfing Lim Ed Hand Sign Lithograph, appro size med up to 30 in.

Condition Report: Good

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Jacobson Limited Edition Lithograph

Lot 6Y: Jacobson Limited Edition Lithograph "Country Harbor"

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Description: Limited Edition Lithograph In the Manner of Jacobson titled "Country Harbor" , bearing the Signature, approx dimension 11x15 in.

Condition Report: Good

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Lot 7D: "Cacciaguida's History Lesson" Paradise 15 By Salvador Dali

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Description: Certified Dali Woodblock, Signed, Image Size Approximately 11 x 8 In. Arches Paper Matting Size Approximately 17 x 13 In.

Condition Report: Good

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LITHOGRAPH BY ARTIST HENRI MATISSE

Lot 7G: LITHOGRAPH BY ARTIST HENRI MATISSE

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Description: LITHOGRAPH BY HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "NU", CIRCA 1906 . Matisse?s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, ?From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.? Matisse?s mother was the first to advise her son not to adhere to the ?rules? of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fianc�?�©e, Am�?�©lie Parayre, whom he later married: ?I love you dearly, mademoiselle; but I shall always love painting more.? Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Acad�?�©mie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Acad�?�©mie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the �??cole des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Soci�?�©t�?�© Nationale, which meant that each year he could show paintings at the Salon de la Soci�?�©t�?�© without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Soci�?�©t�?�© Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle �??le off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Am�?�©lie Noellie Parayre, his future wife, his anchor.

Condition Report: Good

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Lithograph by Duaiv(French)

Lot 7K: Lithograph by Duaiv(French) "Monaco Grand Prix" Car Race

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Description: Duaiv(French) "Monaco Grand Prix" Car Race Hand Signed Lithograph, appro size med up to 30 in.

Condition Report: Good

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Salem Shipyard by Wooster Scott

Lot 7M: Salem Shipyard by Wooster Scott

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Description: Wooster Scott Limited Edition Lithograph. unframed; framing available at an additional charge, bearing the signature , a must have in your art collection, approx dimension 14"x13". Learn of all the greats and simply artist of generation's past. It all is the journey that takes us here in todays world of art! Shre the appreciation, bid and win today!!!!

Condition Report: Good

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Jacobson Limited Edition Lithograph

Lot 7Y: Jacobson Limited Edition Lithograph "Flower Stall"

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Description: Limited Edition Lithograph In the Manner of Jacobson titled "Flower Stall" , bearing the Signature, approx dimension 12x14 in.

Condition Report: Good

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Lot 7Z: "Autumn In Fall" By Michael Schofield (102EF)

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Description: Original, Acrylic Paint on Canvas, Signed by the artist, Approximately 20 x 16 In.

Condition Report: EXCELLENT

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Lot 8A: "Cross Colors"

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Description: Lithograph, Appoximately 14" x 18" In.

Condition Report: Good

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ARIZONA JADE NECKLACE

Lot 8B: ARIZONA JADE NECKLACE

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Description: ARIZONA JADE NECKLACE, APPROX. 800 CTS

Condition Report: NEW

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Lady's 14K Yellow Gold Blue Diamond Ring (12)

Lot 8J: Lady's 14K Yellow Gold Blue Diamond Ring (12)

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Description: This lady's 14K yellow gold diamond/blue diamond ring is comprised of 2 prongs set round brilliant cut 7 blue diamonds surrounded by 12 round brilliant cut diamonds. Total estimated weight of the diamonds are .80cts. The total weight of the ring is 4.60 grams. Diamond's characteristics color IJ, clarity I1 I2, weight .50cts, Blue Diamonds characteristics color dark blue, clarity SI2 I1, weight .30cts

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Lithograph by Norman Gautreau

Lot 8K: Lithograph by Norman Gautreau "The Chelsea Fire 1973 Massachusetts"

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Description: Norman Gautreau "The Chelsea Fire 1973 Massachusetts" Lithograph

Condition Report: Good

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Best in Show by Wooster Scott

Lot 8M: Best in Show by Wooster Scott

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Description: Wooster Scott Limited Edition Lithograph. unframed; framing available at an additional charge, bearing the signature , a must have in your art collection, approx dimension 14"x13". Learn of all the greats and simply artist of generation's past. It all is the journey that takes us here in todays world of art! Shre the appreciation, bid and win today!!!!

Condition Report: Good

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Jacobson Limited Edition Lithograph

Lot 8Y: Jacobson Limited Edition Lithograph "View to the West"

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Description: Limited Edition Limited Edition Lithograph In the Manner of Jacobson titled "View to the West" , bearing the Signature, approx dimension 12x16 in.

Condition Report: Good

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Lot 8Z: "Winter Color" By Michael Schofield (103EF)

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Description: Original, Acrylic Paint on Canvas, Signed by the artist, Approximately 18 x 24 In.

Condition Report: EXCELLENT

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WHITE BAROQUE PEARLS AND QUARTZ NECKLACE

Lot 9B: WHITE BAROQUE PEARLS AND QUARTZ NECKLACE

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Description: WHITE BAROQUE PEARLS AND QUARTZ NECKLACE, APPROX. 800 CTS

Condition Report: NEW

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Lot 9D: "Original Perfection" Paradise 13 By Salvador Dali

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Description: Certified Dali Woodblock, Signed, Image Size Approximately 11 x 8 In. Arches Paper Matting Size Approximately 17 x 13 In.

Condition Report: Good

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LITHOGRAPH BY ARTIST HENRI MATISSE

Lot 9G: LITHOGRAPH BY ARTIST HENRI MATISSE

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Description: LITHOGRAPH BY HENRI MATISSE, TITLED "NU AU VISAGE COUPLE", CIRCA 1914 . Matisse?s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, ?From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.? Matisse?s mother was the first to advise her son not to adhere to the ?rules? of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fianc�?�©e, Am�?�©lie Parayre, whom he later married: ?I love you dearly, mademoiselle; but I shall always love painting more.? Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Acad�?�©mie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Acad�?�©mie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the �??cole des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Soci�?�©t�?�© Nationale, which meant that each year he could show paintings at the Salon de la Soci�?�©t�?�© without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Soci�?�©t�?�© Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle �??le off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Am�?�©lie Noellie Parayre, his future wife, his anchor.

Condition Report: Good

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Serigraph by Howard Behrens

Lot 9K: Serigraph by Howard Behrens "Santorini Afternoon"

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Description: Howard Behrens "Santorini Afternoon" Signed& Numb Serigraph, approx 30 inches med size.

Condition Report: Good

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Georges Lambert Original Lithograph

Lot 9M: Georges Lambert Original Lithograph

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Description: Limited Edition Lithograph in the manner of Artist Georges Lambert, Bearing the signature, & numbered, NOT FRAMED! framing available at an additional charge, approx dimension 21"x29"

Condition Report: Good

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Renoux  Limited Edition Lithograph

Lot 9Y: Renoux Limited Edition Lithograph "Morning Caf�?�©"

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Description: Limited Edition Lithograph In the Manner of Renoux titled "Morning Caf�?�©", bearing the signature & numbered, approx dimension 15x12 in.

Condition Report: Good

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Lot 9Z: "Winter Deep Cold" By Michael Schofield (104EF)

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Description: Original, Acrylic Paint on Canvas, Signed by the artist, Approximately 18 x 24 In.

Condition Report: EXCELLENT

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