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Auction Description for Swann: FINE PHOTOGRAPHS & PHOTOBOOKS
Viewing Notes:
Exhibition & Sale Schedule: Sale 2325 - Fine Photographs & Photobooks - begins at 2:30pm in New York on Thurs, October 17. All material in Sale 2325 on display at our premises in New York City, 104 East 25th Street, as follows: Sat, Oct 12: Noon to 5pm - Mon, Oct 14: 10am to 6pm - Tues, Oct 15: 10am to 6pm - Wed, Oct 16: 10am to 6pm - Thurs, Oct 17: 10am to Noon.

FINE PHOTOGRAPHS & PHOTOBOOKS

by Swann Auction Galleries

Platinum House

252 lots with images

October 17, 2013

Live Auction

104 East 25th Street

New York, NY, 10010 USA

Phone: 212.254.4710

Fax: 212 979 1017

Email: swann@swanngalleries.com

252 Lots
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MUYBRIDGE, EADWEARD (1830-1904) Man Walking, from Animal Locomotion, plate 1 * Woman Dancing, from Animal Locomotion, plate 189.

Lot 1: MUYBRIDGE, EADWEARD (1830-1904) Man Walking, from Animal Locomotion, plate 1 * Woman Dancing, from Animal Locomotion, plate 189.

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Description: MUYBRIDGE, EADWEARD (1830-1904) Man Walking, from Animal Locomotion, plate 1 * Woman Dancing, from Animal Locomotion, plate 189. Together, 2 collotypes, 7 1/8x15 and 7 1/4x15 7/8 inches (18.1x38.1 and 18.4x40.3 cm.), overall size 15 3/4x20 1/2 and 13 1/2x19 3/8 inches (40x52.1 and 34.5x49.2 cm.), with Muybridge's printed credit, series title, plate number, copyright, and date on the two-toned sheets recto. 1887

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(OCCUPATIONAL) Hand-tinted quarter-plate daguerreotype of a saddle maker, in the original seal and in a leather case. 1850s

Lot 2: (OCCUPATIONAL) Hand-tinted quarter-plate daguerreotype of a saddle maker, in the original seal and in a leather case. 1850s

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Description: (OCCUPATIONAL) Hand-tinted quarter-plate daguerreotype of a saddle maker, in the original seal and in a leather case. 1850s

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(GOLDMINING) Delicately hand-tinted half-plate daguerrreotype of a group of hopeful '49ers in blue denim jeans and/or work shirts

Lot 3: (GOLDMINING) Delicately hand-tinted half-plate daguerrreotype of a group of hopeful '49ers in blue denim jeans and/or work shirts

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Description: (GOLDMINING) Delicately hand-tinted half-plate daguerrreotype of a group of hopeful '49ers in blue denim jeans and/or work shirts posing in front of "Aron Perley house," with a goldmining pan at far left and verdant trees in the background; a later identification and a date, in pencil, appears inside the bottom panel of the case; partial original seals; in a leather case (separated at hinge). 1850

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(URBAN STREET SCENE) A full-plate daguerreotype street scene featuring a staged tableau in which

Lot 4: (URBAN STREET SCENE) A full-plate daguerreotype street scene featuring a staged tableau in which

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Description: (URBAN STREET SCENE) A full-plate daguerreotype street scene featuring a staged tableau in which two enigmatic figures greet one another in a doorway. This detailed architectural study highlights two wooden-frame buildings flanking a 3-story brick house with a mini-temple-front entryway and a pair of overflowing planters containing delicately hand-tinted flowers; in a leather case. Mid-1850s

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(CHINA) thomson, john (attributed to) Group of 11 rare photographs of China, comprising 9 of Canton, plus one depicting

Lot 5: (CHINA) thomson, john (attributed to) Group of 11 rare photographs of China, comprising 9 of Canton, plus one depicting

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Description: (CHINA) thomson, john (attributed to)/span Group of 11 rare photographs of China, comprising 9 of Canton, plus one depicting The Bund in Shanghai and a view of Tientsing (now Tianjin); 5 of the prints were attributed to John Thomson by Fong Chow, whose penciled notations appear on the mats. Albumen prints, each approximately 7 1/4x10 1/4 inches (18.4x26 cm.), one with a caption in the negative and 4 with handwritten titles, in ink, on verso; the Thomson prints with the original, trimmed calligraphic captions, in English, which are affixed to contemporary mounts. 1860s-1870s

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(CHINA) Group of 28 miscellaneous photographs of people and places in China, with

Lot 6: (CHINA) Group of 28 miscellaneous photographs of people and places in China, with

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Description: (CHINA) Group of 28 miscellaneous photographs of people and places in China, with occupationals (including a female musician with bound feet), a picturesque scene of the Emperor's Garden (Peking), men gambling, the Ming Tombs, "Princes Porch Yuen Ming Yueng," "Instrument Observatory, Peking," a hand-tinted scene captioned "Wo Cheong Hong, Residence of M. Chickel (sp?), Shanghai," 4 photographs depicting the Chinese quarter in Singapore and one of a busy (Manilla?) street scene. Albumen prints, 5 1/4x4 3/4 to 8 1/4x10 1/2 inches (13.3x12.1 to 21x26.7 cm.), two with captions in the negative, a few with handwritten notations on the mount and/or print verso; one with Fong Chow's notations, in Chinese, on a post-it attached to the sleeve and another with his notations, "Wong Pu," in English. 1860s-1870s

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(CHINA) john thomson The China Magazine, A Monthly Miscellany, Illustrated with Photographs Conducted by C. Langdon Davies.

Lot 7: (CHINA) john thomson The China Magazine, A Monthly Miscellany, Illustrated with Photographs Conducted by C. Langdon Davies.

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Description: (CHINA) john thomson/span The China Magazine, A Monthly Miscellany, Illustrated with Photographs Conducted by C. Langdon Davies. With 24 mounted albumen prints depicting the landscape and people of China, including many compelling images, and 3 with Thomson's credit on the mount. 4to, 3/4 leather with gilt-lettering on the backstrip, worn; some fading, but overall very tight without internal evidence of handling. the christmas volume./span Hong Kong, London, Paris: The China Magazine Office, 1868

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(HONG KONG) Group of 25 photographs of historic Hong Kong. The group comprises 3 multi-panel panoramas, including a detailed 3-part

Lot 8: (HONG KONG) Group of 25 photographs of historic Hong Kong. The group comprises 3 multi-panel panoramas, including a detailed 3-part

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Description: (HONG KONG) Group of 25 photographs of historic Hong Kong. The group comprises 3 multi-panel panoramas, including a detailed 3-part albumen panorama of the harbor, which is on a contemporary mount; a 2-part bird's-eye albumen panorama, with penciled notations on the original mount; and a 4-part, hand-tinted silver print panorama of buildings lining the harbor, which is unmounted and loose. With single prints depicting bustling street scenes of Queens Road and City Hall, "Glenealy" after the typhoon of 1874, a military exercise, a picturesque view of junk ships and seamen in Hong Kong harbor, and a scene of Singapore. Albumen (21) and hand-tinted silver (4) prints, various sizes from 5 1/4x10 1/2 to 8 1/2x11 1/2 inches (13.3x26.7 to 21.6x29.2 cm.); the overall size of the two mounted panoramas 8 1/4x21 1/2 and 8x34 inches (21x54.6 and 20.3x86.4 cm.). 1869-1890s

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(JAPAN) Group of 11 striking photographs of indigenous Aino (Hokkaido) peoples.

Lot 9: (JAPAN) Group of 11 striking photographs of indigenous Aino (Hokkaido) peoples.

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Description: (JAPAN) Group of 11 striking photographs of indigenous Aino (Hokkaido) peoples. Unmounted albumen prints, 8x10 1/4 inches (20.3x26 cm.), and the reverse, 10 are hand-colored and 10 with captions, in English, in the negative. 1890s

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(JAPAN) An elegant album with 50 hand-colored photographs, including the Great Gate in Nikko, the Imperial Palace in Tokyo, a chrysanth

Lot 10: (JAPAN) An elegant album with 50 hand-colored photographs, including the Great Gate in Nikko, the Imperial Palace in Tokyo, a chrysanth

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Description: (JAPAN) An elegant album with 50 hand-colored photographs, including the Great Gate in Nikko, the Imperial Palace in Tokyo, a chrysanthemum show, an iris garden, temples, tea houses, and several occupational scenes of geishas; much of the color is brilliant, and exquisetly applied. Hand-colored albumen prints, each approximately 7 7/8x9 3/4 inches (20x24.8 cm.), and the reverse; with the original tissue guards. Oblong folio, the front cover a matte board with applied gold and a picturesque tableau of birds, detached, and the rear cover a shiny black lacquer with a bird gazing at the moon, nearly detached; backstrip perished, but leather pieces laid in along with a list of the plates. 1890s

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SALZMANN, AUGUSTE (1824-1872)

Lot 11: SALZMANN, AUGUSTE (1824-1872) "Jérusalem, Escalier Antique Taillé dans le Roc."

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Description: SALZMANN, AUGUSTE (1824-1872) "Jérusalem, Escalier Antique Taillé dans le Roc." Salted paper print from a calotype negative, 13x9 1/4 inches (33x23.5 cm.), with Salzmann's printed credit, the title, and the printer's and publisher's credits on mount recto. 1854

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DU CAMP, MAXIME (1822-1894) Group of 12 early photographs of Egypt, comprising prints from the

Lot 12: DU CAMP, MAXIME (1822-1894) Group of 12 early photographs of Egypt, comprising prints from the

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Description: DU CAMP, MAXIME (1822-1894) Group of 12 early photographs of Egypt, comprising prints from the folios "Nubie," "Haute Égypt," and "Thebes." Salted paper prints from calotype negatives, 6 1/2x8 1/2 inches (16.5x21.6 cm.), with a printed title, caption, the printer's and publisher's credits, and a plate number on recto. 1852

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(JERUSALEM) Oversized panorama of Jerusalem composed of 3 mammoth-plate prints.

Lot 13: (JERUSALEM) Oversized panorama of Jerusalem composed of 3 mammoth-plate prints.

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Description: (JERUSALEM) Oversized panorama of Jerusalem composed of 3 mammoth-plate prints. Albumen prints, each approximately 16x21 inches (40.6x53.3 cm.), overall size 16x62 inches (40.6x168 cm.), with the number 1890 in the negative, mounted and in the orignal oak frame. Circa 1880

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CAMERON, JULIA MARGARET (1815-1879)

Lot 14: CAMERON, JULIA MARGARET (1815-1879) "Three Cingalese Girls."

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Description: CAMERON, JULIA MARGARET (1815-1879) "Three Cingalese Girls." Albumen print, 10 3/8x8 1/4 inches (26.4x21 cm.), with a Barnett/Bell Collection inscription, in ink, on mount verso. 1875-1878

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CAMERON, JULIA MARGARET. Alfred, Lord Tennyson and his Friends.

Lot 15: CAMERON, JULIA MARGARET. Alfred, Lord Tennyson and his Friends.

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Description: CAMERON, JULIA MARGARET. Alfred, Lord Tennyson and his Friends. With text by Anne Thackeray Ritchie and H.H. Hay Cameron. Illustrated with the complete set of 25 photogravures after Julia Margaret and H.H.H. Cameron's portraits of eminent members of the English literary and artistic world. Folio, rebound in gilt-lettered blue leather; with the original tissue overlays. one of 400 copies, this number 151./span London: T. Fisher Unwin, 1893

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JONES, REV. CALVERT (1804-1877) Ships in harbor.

Lot 16: JONES, REV. CALVERT (1804-1877) Ships in harbor.

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Description: JONES, REV. CALVERT (1804-1877) Ships in harbor. Salted paper print from a calotype paper negative, 6 1/8x8 1/8 inches (15.6x20.6 cm.), with a Patent Talbotype or Sun Pictures hand stamp on mount verso. 1850s

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WORTLEY, COLONEL HENRY STUART (1832-1890)

Lot 17: WORTLEY, COLONEL HENRY STUART (1832-1890) "The day is done and the darkness/Falls from the wings of night."

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Description: WORTLEY, COLONEL HENRY STUART (1832-1890) "The day is done and the darkness/Falls from the wings of night." Albumen print, 12 1/4x14 inches (31.1x35.6 cm.), with the partial title, in ink, on recto. Circa 1869-1870

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GARDNER, ALEXANDER (1821-1882) Suite of 4 photographs depicting the hanging of the Lincoln conspirators on July 7, 1865.

Lot 18: GARDNER, ALEXANDER (1821-1882) Suite of 4 photographs depicting the hanging of the Lincoln conspirators on July 7, 1865.

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Description: GARDNER, ALEXANDER (1821-1882) Suite of 4 photographs depicting the hanging of the Lincoln conspirators on July 7, 1865. Albumen prints, each 6 3/4x8 3/4 inches (17.2x22.2 cm.), with Gardner's credit, titles, date, and copyright printed on the original mounts recto. 1865

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JACKSON, WILLIAM HENRY (1843-1942) Rare sample album with 742 half stereo views by Jackson (on 54 leaves) spanning

Lot 19: JACKSON, WILLIAM HENRY (1843-1942) Rare sample album with 742 half stereo views by Jackson (on 54 leaves) spanning

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Description: WITH VIEWS OF JACKSON AT WORK JACKSON, WILLIAM HENRY (1843-1942) Rare sample album with 742 half stereo views by Jackson (on 54 leaves) spanning approximately fifteen years of his western career. The photographs feature a range of subjects, including portraits; landscapes; railroad and mining scenes; views of towns, including Colorado (Denver, Georgetown, Leadville, Ouray, Telluride, Breckenbridge, Evergreen Lake, Manitou, Pike's Peak plus the Robert E. Lee Mine and Bessemer Steel Work), Utah (Salt Lake City and Ute Indians), and Wyoming (the Badlands and Snake River); locomotives along the Union Pacific Railroad route; and numerous scenes of geysers and rock formations in Yellowstone. Also included are pictures of Jackson himself. Arch-topped albumen prints, 3 1/8x3 inches (7.9x7.6 cm.), with multiple prints mounted recto and verso on green boards measuring 9 3/4x15 3/4 inches (24.8x40 cm.). Folio-size pages, covers perished, disbound; with a 4-hole punch at the far left edge, all of the leaves are loose. 1870-1885

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MACPHERSON, ROBERT TURNBULL (1814-1872) Album titled

Lot 20: MACPHERSON, ROBERT TURNBULL (1814-1872) Album titled "Roma,"

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Description: MACPHERSON, ROBERT TURNBULL (1814-1872) Album titled "Roma," with 59 spectacular views of the Eternal City, including the Colosseum, St. Peter's Basilica, the Pantheon, and the Roman Forum, as well as many other churches, buildings, and landmarks; also with some panoramic views of the city and country, and detailed views of sculpture. Albumen prints, sizes ranging from approximately 6 3/8x7 3/8 to 13x16 inches (16.2x18.7 to 33x40.6 cm.), and the reverse, 25 with Macpherson's embossed blind stamp with a number, in pencil, and 43 with a caption, in ink, on mount recto; 2 images are oval, one sheet with 2 images, and a third with a panorama composed of 2 prints. Elephant folio, 1/2 leather over blue gilt-pictorial and gilt-lettered boards, the leather soiled and worn; ex-library book plate and blind stamp on the first plate. Circa 1860

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(VERNACULAR--AMERICANA) Organized parade group of Illinois women and men, many of whom are holding flags, and may be

Lot 21: (VERNACULAR--AMERICANA) Organized parade group of Illinois women and men, many of whom are holding flags, and may be

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Description: (VERNACULAR--AMERICANA) Organized parade group of Illinois women and men, many of whom are holding flags, and may be marching for equal rights or celebrating July 4th; attributed to O. Oleson. Albumen print, 5 1/2x8 1/4 inches (14x21 cm.), mounted to a period board. 1870s

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SOMMER, GIORGIO (1834-1914) Album titled

Lot 22: SOMMER, GIORGIO (1834-1914) Album titled "Souvenir d'un Voyage en Italie en 1892, Le Vésuve, Pompei et ses Antiquitiés."

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Description: SOMMER, GIORGIO (1834-1914) Album titled "Souvenir d'un Voyage en Italie en 1892, Le Vésuve, Pompei et ses Antiquitiés." With 64 photographs relating to Pompeii, including landscapes, photographs of artifacts, architectural ruins, and victims of the volcanic eruption; also with 6 artistic renderings using color. Albumen prints, sizes ranging from approximately 8x10 to 12x14 inches (20.3x25.4 to 30.5x35.6 cm.), and the reverse, nearly all with the photographer's credit, the location, and a number in the negative. Oblong folio, gilt-lettered red leather over red cloth, worn. 1892

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(PARIS WORLD'S FAIR) Album entitled

Lot 23: (PARIS WORLD'S FAIR) Album entitled "Paris Exposition 1889,"

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Description: (PARIS WORLD'S FAIR) Album entitled "Paris Exposition 1889," with 57 prints of displays celebrating industry and invention, many in the elegant Art Nouveau setting of the Grand Palais. Comprising 25 interior views of exhibitions devoted to Beaux Art sculpture and photography, displays of consumer products (shoes, silver, porcelain, textiles, and religious art from various countries, including a gigantic cask of wine), and scenes of the Palais des Machines. Also includes 32 exotic outdoor views of pavillions dedicated to the architecture, crafts and culture of Algeria, Cambodia, China, Egypt, Greece, Hawaii, Japan, Java, Portugal, Siam, Serbia and France; and 2 glimpses of the Eiffel Tower (which was newly built for the fair), and laborers posing alongside the generators responsible for keeping the building operational. Albumen prints, sizes ranging from 8 1/4x10 3/8 (the majority) to 10 3/4x15 inches (21x25.4 to 27.3x38.1 cm.), and the reverse, mounted recto/verso, each with a caption and all but one with an inventory number, in the negative. Oblong folio, gilt-lettered leather, worn, backstrip detached. 1889

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MAYFIELD, WILLIAM PRESTON (1896-1974) Wright Brothers in flight over Dayton at Simms Field with spectators watching.

Lot 24: MAYFIELD, WILLIAM PRESTON (1896-1974) Wright Brothers in flight over Dayton at Simms Field with spectators watching.

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Description: MAYFIELD, WILLIAM PRESTON (1896-1974) Wright Brothers in flight over Dayton at Simms Field with spectators watching. Silver print, 4 1/4x6 3/8 inches (10.8x16.2 cm.). Circa 1909

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(WRIGHT BROTHERS) Wilbur in the seat of an early glider.

Lot 25: (WRIGHT BROTHERS) Wilbur in the seat of an early glider.

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Description: (WRIGHT BROTHERS) Wilbur in the seat of an early glider. Silver print with highlighting, 6x9 inches (15.2x22.9 cm.), with a caption label with J.R. McMahon's name, on mount recto, as well as various notations and retouching for publication, in pencil and in ink, on the print and mounts recto and verso. 1902

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(SPACE) Great Nebula in Andromeda.

Lot 26: (SPACE) Great Nebula in Andromeda.

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Description: (SPACE) Great Nebula in Andromeda. Bromide print, 9 1/8x7 1/4 inches (23.2x18.4 cm.), with the title, in ink, and a hand stamp on mount recto; with a San Francisco Museum of Modern Art exhibition label on frame verso. Circa 1900

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(CYANOTYPES) A select group of 133 vivid cyanotypes of a New Jersey construction site,

Lot 27: (CYANOTYPES) A select group of 133 vivid cyanotypes of a New Jersey construction site,

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Description: (CYANOTYPES) A select group of 133 vivid cyanotypes of a New Jersey construction site, depicting industrial work (perhaps a gas plant), including piping, the laborers, and panoramic as well as detailed scenes. Cyanotypes, each approximately 4 1/2x7 1/2 inches (11.4x19.1 cm.), and the reverse, each with an inventory number in the negative, and some with a date, time, or caption, also in the negative or in the image. 1902-1903

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(HINE, LEWIS. W.) (1874-1940) Breaker boys.

Lot 28: (HINE, LEWIS. W.) (1874-1940) Breaker boys.

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Description: (HINE, LEWIS. W.) (1874-1940) Breaker boys. Silver print with hand-tinting, 6 1/4x8 1/2 inches (15.9x21.6 cm.), flush mounted to a later board. Circa 1910

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(HINE, LEWIS W.) (1874-1940) Steel workers at Russian boarding house (from the

Lot 29: (HINE, LEWIS W.) (1874-1940) Steel workers at Russian boarding house (from the "Pittsburgh Survey").

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Description: (HINE, LEWIS W.) (1874-1940) Steel workers at Russian boarding house (from the "Pittsburgh Survey"). Silver print, 4 1/2x6 1/2 inches (11.4x16.5 cm.). 1908; printed 1942

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CURTIS, EDWARD S. The North American Indian. Volume I.

Lot 30: CURTIS, EDWARD S. The North American Indian. Volume I.

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Description: CURTIS, EDWARD S. The North American Indian. Volume I. Written, Illustrated and Published by Edward S. Curtis. Edited by Frederick Webb Hodge. Foreword by Theodore Roosevelt. Lavishly illustrated with 79 (of 79) sepia-toned photogravure plates on Japan vellum, a few with hand-coloring, of Curtis' landmark photographs of Native Americans, this volume documenting the Apache, Jicarillas, and Navaho. Large 4to, 3/4 gilt-lettered morocco, light wear at the edges; internally very clean and bright; top edge gilt. Roth 36; Parr/Badger I 73; Hasselbad 48; Auer 94. one of a planned edition of 500 copies, signed and dated by curtis./span (Norwood, Massachusetts): (The Plimpton Press), 1907

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CURTIS, EDWARD S. (1868-1952) Chief Joseph.

Lot 31: CURTIS, EDWARD S. (1868-1952) Chief Joseph.

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Description: CURTIS, EDWARD S. (1868-1952) Chief Joseph. Platinum print, 7 5/8x5 1/2 inches (19.4x14 cm.), with Curtis' copyright credit and date in the negative; in a period Seattle frame mounted to a paper mat. 1903

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CURTIS, EDWARD S. (1868-1952) Black Eagle--Assiniboin.

Lot 32: CURTIS, EDWARD S. (1868-1952) Black Eagle--Assiniboin.

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Description: CURTIS, EDWARD S. (1868-1952) Black Eagle--Assiniboin. Platinum print, 16x7 5/8 inches (40.6x19.4 cm.), with Curtis' signature, in ink, and his embossed copyright stamp, on recto. Circa 1908

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CURTIS, EDWARD S. (1868-1952) The Zuñi Governor.

Lot 33: CURTIS, EDWARD S. (1868-1952) The Zuñi Governor.

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Description: CURTIS, EDWARD S. (1868-1952) The Zuñi Governor. Platinum print, 12 1/2x7 3/4 inches (31.8x19.7 cm.), with Curtis' signature, in ink, and his embossed copyright stamp, on recto. Circa 1900

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CURTIS, EDWARD S. (1868-1952)

Lot 34: CURTIS, EDWARD S. (1868-1952) "The Vanishing Race."

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Description: CURTIS, EDWARD S. (1868-1952) "The Vanishing Race." Orotone, 7 1/2x9 1/2 inches (19.1x24.1 cm.), with Curtis' signature and copyright in the plate; in the original frame. 1904

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CURTIS, EDWARD S. (1868-1952)

Lot 35: CURTIS, EDWARD S. (1868-1952) "The Vanishing Race."

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Description: CURTIS, EDWARD S. (1868-1952) "The Vanishing Race." Orotone, 10 3/4x11 1/2 inches (27.3x29.2 cm.), with Curtis' signature and copyright in the plate; in an original Curtis frame with the Curtis Studio label and remnants of the caption label on verso. 1904

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CURTIS, EDWARD S. (1868-1952)

Lot 36: CURTIS, EDWARD S. (1868-1952) "The Piki Maker."

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Description: CURTIS, EDWARD S. (1868-1952) "The Piki Maker." Orotone, 9 1/2x7 3/8 inches (24.1x18.7 cm.), with Curtis' signature, in the plate; in an original batwing frame, with Curtis' studio and title labels on verso. 1906

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CURTIS, EDWARD S. (1868-1952)

Lot 37: CURTIS, EDWARD S. (1868-1952) "The Clam Digger."

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Description: CURTIS, EDWARD S. (1868-1952) "The Clam Digger." Sepia-toned silver border print, 7 1/2x5 1/2 inches (19.1x14 cm.), with Curtis' signtuare, in ink, on recto; in the original frame, with a Curtis Studio label and title label on verso. 1900

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VROMAN, ADAM CLARK (1856-1916) Pair of Native American portraits from the Southwest.

Lot 38: VROMAN, ADAM CLARK (1856-1916) Pair of Native American portraits from the Southwest.

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Description: VROMAN, ADAM CLARK (1856-1916) Pair of Native American portraits from the Southwest. Platinum prints, each measuring 6 1/2x4 1/2 inches (16.5x11.4 cm.), each with Vroman's numeric notation in the negative, and another numeric notation, in ink, on recto. 1899

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STIEGLITZ, ALFRED (1864-1946)

Lot 39: STIEGLITZ, ALFRED (1864-1946) "The Hand of Man," from Camera Work, Number 36.

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Description: STIEGLITZ, ALFRED (1864-1946) "The Hand of Man," from Camera Work, Number 36. Photogravure, 6 1/8x8 3/8 inches (15.6x21.3 cm.), flush mounted. 1902; printed 1911

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HAVILAND, PAUL (1880-1950)

Lot 40: HAVILAND, PAUL (1880-1950) "New York at Night."

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Description: HAVILAND, PAUL (1880-1950) "New York at Night." Platinum print, 6 1/8x8 1/8 inches (15.6x20.6 cm.). 1914

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POST, WILLIAM B. (1857-1921) Water Lilies.

Lot 41: POST, WILLIAM B. (1857-1921) Water Lilies.

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Description: POST, WILLIAM B. (1857-1921) Water Lilies. Platinum print, 9 3/8x7 1/2 inches (23.8x19.1 cm.), double mounted to board, with Post's signature, in pencil, on print recto. Circa 1900

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KÜHN, HEINRICH (1866-1944) Rubber Plant.

Lot 42: KÜHN, HEINRICH (1866-1944) Rubber Plant.

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Description: KÜHN, HEINRICH (1866-1944) Rubber Plant. Bromoil print on tissue, 11x8 3/8 inches (27.9x21.3 cm.), with Kühn's signature, in pencil, on recto. 1929

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KÜHN, HEINRICH (1866-1944) Tonwertstudie (Innsbruck).

Lot 43: KÜHN, HEINRICH (1866-1944) Tonwertstudie (Innsbruck).

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Description: KÜHN, HEINRICH (1866-1944) Tonwertstudie (Innsbruck). Gum bichromate print, 11 1/2x9 1/8 inches (29.2x23.2 cm.), with Kühn's title and notations, in pencil, on verso. Circa 1910

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(STRAND, PAUL) (1890-1976)

Lot 44: (STRAND, PAUL) (1890-1976) "Wall Street."

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Description: (STRAND, PAUL) (1890-1976) "Wall Street." Platinum palladium print, 10 1/8x12 5/8 inches (25.7x32.1 cm.), with the edition notation 52/100, in pencil, on verso; in a Keith Knight frame. 1915; printed 1983

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SEELEY, GEORGE H. (1880-1955)

Lot 45: SEELEY, GEORGE H. (1880-1955) "Girl with Dog, Stockbridge, Mass."

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Description: SEELEY, GEORGE H. (1880-1955) "Girl with Dog, Stockbridge, Mass." Platinum print, 8 1/2x7 1/2 inches (21.6x19.1 cm.), triple mounted, with Seeley's signature, in pencil, on print recto, and with his signature and title, in pencil, on print verso as well as in ink on mount verso. 1907

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STEICHEN, EDWARD (1879-1973)

Lot 46: STEICHEN, EDWARD (1879-1973) "Cover Design" (Number 14) * "Road into the Valley--Moonrise" (Steichen Supplement) * "Pastoral--Moonlight

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Description: STEICHEN, EDWARD (1879-1973) "Cover Design" (Number 14) * "Road into the Valley--Moonrise" (Steichen Supplement) * "Pastoral--Moonlight" (Number 19). Colored halftone and 2 hand-toned photogravures, the Cover Design 11 3/4x8 inches (full sheet) and the gravures each approximately 8x6 1/4 inches (29.8x20.3 and 20.3x15.9 cm.), the gravures are mounted. 1906 (2) and 1907

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(CAMERA WORK) Group of 5 select plates from this important publication,

Lot 47: (CAMERA WORK) Group of 5 select plates from this important publication,

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Description: ONE SIGNED BY COBURN (CAMERA WORK) Group of 5 select plates from this important publication, including one by Edward Steichen, 2 by Clarence H. White, one signed by Alvin Langdon Coburn and a nude by W. W. Renwick. Photogravures, sizes ranging from 2 7/8x7 1/2 to 8 3/8x6 3/8 inches (7.3x19.1 to 21.3x16.2 cm.), each on the original mount. 1905-1908

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(CAMERA WORK) A selection of 14 plates from Camera Work, including work by Paul Strand, Alfred Stieglitz, and Edward Steichen.

Lot 48: (CAMERA WORK) A selection of 14 plates from Camera Work, including work by Paul Strand, Alfred Stieglitz, and Edward Steichen.

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Description: (CAMERA WORK) A selection of 14 plates from Camera Work, including work by Paul Strand, Alfred Stieglitz, and Edward Steichen. Photogravures (6) and half-tones (8, and 3 duplicates), sizes ranging from approximately 6x4 1/2 to 9x6 3/4 inches (15.2x11.4 to 22.9x17.1 cm.), several with their original mounts. 1903-1917

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STEICHEN, EDWARD (1879-1973) Select group of 16 plates (plus 2 duplicates) from Camera Work, including

Lot 49: STEICHEN, EDWARD (1879-1973) Select group of 16 plates (plus 2 duplicates) from Camera Work, including "Moonlight: The Pond,"

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Description: STEICHEN, EDWARD (1879-1973) Select group of 16 plates (plus 2 duplicates) from Camera Work, including "Moonlight: The Pond," "Steeplechase Day, Paris; After the Races," and a range of portraits of notables, primarily from issues Number 14 and Number 42/43. Photogravures and duogravures (4), sizes ranging from 5x6 1/8 to 9 1/2x6 1/2 inches (12.7x15.6 to 24.1x16.5 cm.), and the reverse, most are on Japan tissue and six are mounted; also includes two duplicate plates. 1906-1913

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CAMERA WORK. Number 31.

Lot 50: CAMERA WORK. Number 31.

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Description: CAMERA WORK. Number 31. Reproduced with 13 (of 14) photogravures after photographs by Frank Eugene. 4to, gilt-lettered green cloth (Orange Camera Club), lightly worn. New York, 1910

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