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Auction Description for Dreweatts: Old Master, 19th Century and Sporting Paintings
Viewing Notes:
8th December 9am - 12.30pm, 9th December 10am - 2pm, 10th December 9am - 6p-m. Morning of sale from 8.30am.
Sale Notes:
www.invaluable.com/dreweatts1759 for Live! Sales, or www.dnfa.com/donnington

Old Master, 19th Century and Sporting Paintings

by Dreweatts & Bloomsbury


196 lots | 193 with images

December 11, 2012

Live Auction

Donnington Priory

Donnington

Newbury, RG14 2JE United Kingdom

Phone: +44 (0)1635 553553

Fax: +44 (0)1635 553599

Email: donnington@dnfa.com

196 Lots
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Attributed to Peter Monamy (1681-1749) A First

Lot 102: Attributed to Peter Monamy (1681-1749) A First

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Description: Attributed to Peter Monamy (1681-1749) A First Rate lying at her anchorage in a calm and drying her sails Oil on canvas, 63.5 x 76cm (25 x 30in) Provenance: Property of a deceased estate, London.

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Follower of Adriaen van Diest British man-o'war

Lot 103: Follower of Adriaen van Diest British man-o'war

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Description: Follower of Adriaen van Diest British man-o'war off the coast with other shipping Oil on canvas, 65 x 112cm (25 1/2 x 44in)

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Thomas Luny (1759-1837) Ship sailing into a

Lot 104: Thomas Luny (1759-1837) Ship sailing into a

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Description: Thomas Luny (1759-1837) Ship sailing into a harbour, possibly Dartmouth Vessels off the coast A pair, oil on panel Both signed and indistinctly dated lower left Each 30 x 40.5cm (11 3/4 x 16in) (2) Provenance: The Collection of Mrs. Pauline Willes of the Isle of Wight. We are grateful to Michael Naxton for identifying the views as Dartmouth and Torbay.

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James Barenger (1780-1831) Darling Champion A

Lot 105: James Barenger (1780-1831) Darling Champion A

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Description: James Barenger (1780-1831) Darling Champion A pair, oil on canvas The first signed with initials lower left The second signed lower right Each 20.5 x 25.5cm (8 x 10in) (2) Provenance: The collection of Richard Bonnycastle.

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Francis Sartorius the Elder (1734-1804) A chaise

Lot 106: Francis Sartorius the Elder (1734-1804) A chaise

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Description: Francis Sartorius the Elder (1734-1804) A chaise match Oil on canvas, 35.5 x 91cm (14 x 35 3/4in) Provenance: with Arthur Ackermann & Son Ltd.; The collection of Richard Bonnycastle.

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Circle of James Pollard Horses and trap Oil on

Lot 107: Circle of James Pollard Horses and trap Oil on

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Description: Circle of James Pollard Horses and trap Oil on canvas, Bears intitals and date lower right 46 x 97cm (18 x 38 1/4in) Provenance: The Collection of Mrs. Pauline Willes of the Isle of Wight.

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Follower of Henry Alken. The finish Oil on canvas

Lot 108: Follower of Henry Alken. The finish Oil on canvas

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Description: Follower of Henry Alken. The finish Oil on canvas laid on panel Bears indistinct signature lower right 25.5 x 45.5cm (10 x 18in) Provenance: The collection of Richard Bonnycastle.

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Follower of James Seymour Race horses with jockeys

Lot 109: Follower of James Seymour Race horses with jockeys

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Description: Follower of James Seymour Race horses with jockeys up Race horses with grooms Race horses head to head A group of five, oil on panel Each 20.5 x 36.5cm (8 x 14 1/4in) (5)

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After James Seymour. The portraiture of Lamprie

Lot 110: After James Seymour. The portraiture of Lamprie

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Description: After James Seymour. The portraiture of Lamprie The portraiture of Volunteer A pair, engravings with hand colouring Each 30 x 31cm (11 3/4 x 12 1/4in) Provenance: with Arthur Ackermann & Son Ltd.; The collection of Richard Bonnycastle.

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After James Seymour Horses belonging to His Grace

Lot 111: After James Seymour Horses belonging to His Grace

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Description: After James Seymour Horses belonging to His Grace The Duke of Grafton Colour transfer engraving on glass 25.5 x 35.5cm (10 x 14in) Provenance: The collection on Richard Bonnycastle.

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Thomas Weaver (1774-1843) A bay racehorse and

Lot 112: Thomas Weaver (1774-1843) A bay racehorse and

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Description: Thomas Weaver (1774-1843) A bay racehorse and groom outside a stable, a grandstand beyond Oil on canvas, Signed and dated 1823 lower right 71 x 91.5cm (28 x 36in) Provenance: The collection of Richard Bonnycastle.

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Thomas Hand (c.1771-1804) Drawing cover Oil on

Lot 113: Thomas Hand (c.1771-1804) Drawing cover Oil on

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Description: Thomas Hand (c.1771-1804) Drawing cover Oil on canvas, 66 x 91.5cm (26 x 36in) Provenance: M. Bernard, 21 Ryder Street, London; where purchased by the present owner's parents (as by George Morland). Literature: Apollo Magazine, December 1964 Vol. LXXX no. 34, advertisment for M. Bernard. (as by George Morland).

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John Frederick Herring the Elder (1795-1865) Don

Lot 114: John Frederick Herring the Elder (1795-1865) Don

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Description: John Frederick Herring the Elder (1795-1865) Don John, Winner of the Champagne Stakes and the St. Leger, 1838 Oil on panel Signed lower left Inscribed Don John, 1838 middle right 25.5 x 30.5cm (10 x 12in) Provenance: with Arthur Ackermann & Sons Ltd.; The collection of Richard Bonnycastle.

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John Frederick Herring the Elder (1795-1865) Mr.

Lot 115: John Frederick Herring the Elder (1795-1865) Mr.

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Description: John Frederick Herring the Elder (1795-1865) Mr. W. Chiffney's Priam with jockey up - 1830 Derby Winner Oil on canvas, Signed, dated and inscribed lower left 21.5 x 30cm (8 1/5 x 11 3/4in) Provenance: The collection of Richard Bonnycastle. Literature: (possibly) Oliver Becket, J.F. Herring & Sons., No. 85. Please note this painting is by Herring Jnr Not Herring Snr.

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Manner of John Frederick Herring Junior Horses and

Lot 116: Manner of John Frederick Herring Junior Horses and

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Description: Manner of John Frederick Herring Junior Horses and sheep in a field Horses and farm labourers in a field A pair, oil on board Bearing signatures and dated lower right 14.5 x 19cm (5 3/4 x 7 1/2in) (2) Provenance: The collection of Richard Bonnycastle.

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English School (19th century) A bay horse in a

Lot 117: English School (19th century) A bay horse in a

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Description: English School (19th century) A bay horse in a landscape Oil on canvas, 61 x 79cm (24 x 31in) Provenance: The collection of Richard Bonnycastle.

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Benjamin Killingbeck (active 1763-1789) A horse

Lot 118: Benjamin Killingbeck (active 1763-1789) A horse

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Description: Benjamin Killingbeck (active 1763-1789) A horse and groom with a racecorse beyond Oil on canvas, Signed and dated 1776 lower right 62 x 76cm (24 1/4 x 30in) Provenance: The collection of Richard Bonnycastle.

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Harry Hall (1814-1882) Mounseer, with jockey up

Lot 119: Harry Hall (1814-1882) Mounseer, with jockey up

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Description: Harry Hall (1814-1882) Mounseer, with jockey up Oil on canvas, Signed and dated 1850 lower right Inscribed lower left 57 x 76cm (23 1/2 x 30in) Provenance: The collection of Richard Bonnycastle.

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Attributed to Harry Hall (1814-1882) Promised Land Oil on

Lot 120: Attributed to Harry Hall (1814-1882) Promised Land Oil on

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Description: Attributed to Harry Hall (1814-1882) Promised Land Oil on canvas, Signed lower right Inscribed and dated 1859 middle left 50 x 60cm (19 3/4 x 23 1/2in) Provenance: with Arthur Ackermann & Sons Ltd.; The collection of Richard Bonnycastle.

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Harry Hall (1814-1882) Mr. T. H. Pedley's

Lot 121: Harry Hall (1814-1882) Mr. T. H. Pedley's

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Description: Harry Hall (1814-1882) Mr. T. H. Pedley's 'Cossack', Winner of the Derby 1847 Oil on canvas, 25.5 x 30.5cm (10 x 12in) Provenance:The collection of Richard Bonnycastle.

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Attributed to Jacques-Laurent Agasse (1767-1849)

Lot 122: Attributed to Jacques-Laurent Agasse (1767-1849)

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Description: Attributed to Jacques-Laurent Agasse (1767-1849) Study of a horse's head Oil on board Tondo 28cm (11in) Provenance: The collection of Paul Mellon K.B.E.; Sotheby's London, Paintings from the Paul Mellon collection, 18th November 1981, Lot 152 (as Herring) with Arthur Ackermann & Son Ltd. (as by Jacques-Laurent Agasse); The collection of Richard Bonnycastle. Literature: Judy Egerton, British Sporting and Animal Paintings, 1655-1857, 1978, pg. 191, No. 202.

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James Loder of Bath (1784-1860) Gento in a stable

Lot 123: James Loder of Bath (1784-1860) Gento in a stable

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Description: James Loder of Bath (1784-1860) Gento in a stable Oil on canvas, Signed and dated 1841 lower right 58 x 76cm (22 3/4 x 30in) Provenance: with Arthur Ackermann & Son Ltd.; The collection of Richard Bonnycastle.

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Edwin Frederick Holt (fl. 1864-1897) Pride of

Lot 124: Edwin Frederick Holt (fl. 1864-1897) Pride of

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Description: Edwin Frederick Holt (fl. 1864-1897) Pride of Kildare Oil on canvas, Signed lower left Inscribed upper right 50.5 x 61cm (20 x 24in) Provenance:The collection of Richard Bonnycastle.

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Edward A. Fellowes Prynne (1854-1921) Portrait of

Lot 125: Edward A. Fellowes Prynne (1854-1921) Portrait of

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Description: Edward A. Fellowes Prynne (1854-1921) Portrait of a huntsman and his hounds Oil on canvas, Signed and dated 1903 lower left Inscribed on reverse 242 x 150cm (95 1/2 x 59in)

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Peter Biegel (1913-1988) Sketches, 'Rough House'

Lot 126: Peter Biegel (1913-1988) Sketches, 'Rough House'

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Description: Peter Biegel (1913-1988) Sketches, 'Rough House' Oil on canvas, Signed, inscribed and dated Kinnersley, May 75 lower right Inscribed Sketches, Rough House upper right 46 x 61cm (18 x 24in) Provenance: The collection of Richard Bonnycastle.

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Peter Biegel (1913-1988) Neck and neck Oil on

Lot 127: Peter Biegel (1913-1988) Neck and neck Oil on

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Description: Peter Biegel (1913-1988) Neck and neck Oil on canvas, Signed and dated '50 lower left 61 x 81cm (24 x 32in) Provenance: The collection of Richard Bonnycastle.

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Peter Biegel (1913-1988) The Workingham Stakes,

Lot 128: Peter Biegel (1913-1988) The Workingham Stakes,

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Description: Peter Biegel (1913-1988) The Workingham Stakes, Royal Ascot Oil on canvas, Signed lower left 36 x 51cm (14 x 20in) Provenance: with J. L. W. Bird Fine Art.; Sotheby's London, The Racing sale - A celebration of the Turf, 13th November 1996, Lot 172; The collection of Richard Bonnycastle.

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Peter Biegel (1913-1988) Second fence, Colonial

Lot 129: Peter Biegel (1913-1988) Second fence, Colonial

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Description: Peter Biegel (1913-1988) Second fence, Colonial Cup Oil on canvas, Signed and dated Nov '70 lower left 51 x 76cm (20 x 30in) Provenance: Christie's New York, Sporting Art, 3rd December 1997, Lot 114; The collection of Richard Bonnycastle.

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Peter Biegel (1913-1988) The Wokingham Stakes,

Lot 130: Peter Biegel (1913-1988) The Wokingham Stakes,

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Description: Peter Biegel (1913-1988) The Wokingham Stakes, Royal Ascot Oil on canvas, Signed and dated '49 lower left 51 x 61cm (20 x 24in) Provenance: The collection of Richard Bonnycaslte.

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Peter Biegel (1913-1988) Quorn horses Waterolour

Lot 131: Peter Biegel (1913-1988) Quorn horses Waterolour

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Description: Peter Biegel (1913-1988) Quorn horses Waterolour over pencil Signed and dated 59 lower left Inscribed with horses' names Pyramid, Bouncer, After Dark, Lone Star, Pip and Blue Jacket 29.5 x 24cm (11 1/2 x 9 1/2in) Provenance:The collection of Richard Bonnycastle.

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Peter Biegel (1913-1988) Horse studies on Epsom

Lot 132: Peter Biegel (1913-1988) Horse studies on Epsom

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Description: Peter Biegel (1913-1988) Horse studies on Epsom Summer meeting programmes Watercolour and pencil Both signed, inscribed and dated '53 Each 17.5 x 12.5cm (7 x 5in) Provenance:The collection of Richard Bonnycastle.

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Peter Biegel (1913-1988) Chivalry Oil on canvas,

Lot 133: Peter Biegel (1913-1988) Chivalry Oil on canvas,

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Description: Peter Biegel (1913-1988) Chivalry Oil on canvas, Signed lower right Inscribed on overlap 41 x 51cm (16 x 20in) Provenance: with The Tryon Gallery Ltd.; The collection of Richard Bonnycastle.

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Peter Biegel (1913-1988) Arkle, Kempton racecourse

Lot 134: Peter Biegel (1913-1988) Arkle, Kempton racecourse

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Description: Peter Biegel (1913-1988) Arkle, Kempton racecourse stables Watercolour over pencil Signed, inscribed and dated 27.12.66 lower right 25 x 30cm (9 3/4 x 11 3/4in) Provenance: with J.L. W. Bird Fine Art.; The collection of Richard Bonnycastle.

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Peter Biegel (1913-1988) The end of the gallops

Lot 135: Peter Biegel (1913-1988) The end of the gallops

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Description: Peter Biegel (1913-1988) The end of the gallops Oil on canvas, Signed lower left 51 x 61cm (20 x 24in) Provenance: with Rowland Ward Ltd.; The collection of Richard Bonnycastle.

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Peter Biegel (1913-1988) The start of a two mile

Lot 136: Peter Biegel (1913-1988) The start of a two mile

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Description: Peter Biegel (1913-1988) The start of a two mile chase at Cheltenham Oil on canvas, Signed lower left 40.5 x 51cm (16 x 20in) Provenance: with The Tryon Gallery Ltd.; The Collection of Richard Bonnycastle.

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Peter Biegel (1913-1988) On Glen Bruar Watercolour

Lot 137: Peter Biegel (1913-1988) On Glen Bruar Watercolour

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Description: Peter Biegel (1913-1988) On Glen Bruar Watercolour and gouache Signed and dated '62 lower right 26.5 x 38cm (10 1/4 x 15in) Provenance: The collection of Richard Bonnycastle.

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Peter Biegel (1913-1988) Down to post, Newmarket

Lot 138: Peter Biegel (1913-1988) Down to post, Newmarket

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Description: Peter Biegel (1913-1988) Down to post, Newmarket Oil on canvas, Signed and inscribed centre Inscribed with horses' names Humble Duty, Never To Late II, Chrona, Murry Mad Cat, Hecla and Farfalla 41 x 51cm (16 x 20in) Provenance: with J.J. Patrickson & Son Ltd.; The collection of Richard Bonnycastle.

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Peter Biegel (1913-1988) Going out at Salisbury

Lot 139: Peter Biegel (1913-1988) Going out at Salisbury

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Description: Peter Biegel (1913-1988) Going out at Salisbury Watercolour Signed lower right Inscribed and dated 7.7.60 upper left 23.5 x 31cm (9 1/4 x 12 1/4in) Provenance: with J. L. W. Bird Fine Art.; The collection of Richard Bonnycastle.

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Peter Biegel (1913-1988) At the start Oil on

Lot 140: Peter Biegel (1913-1988) At the start Oil on

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Description: Peter Biegel (1913-1988) At the start Oil on canvas, Signed and inscribed centre Inscribed with horses' names Nearco, Gloria Nicky, Hydroplain and Prince Chevalier 41 x 51cm (16 x 20in) Provenance: The collection of Richard Bonnycastle.

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Peter Biegel (1913-1988) Jeff Lewis' Great Treble,

Lot 141: Peter Biegel (1913-1988) Jeff Lewis' Great Treble,

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Description: Peter Biegel (1913-1988) Jeff Lewis' Great Treble, Epsom 1971 Watercolour over pencil Signed lower right Further inscribed by each horse 22.5 x 28cm (9 x 11in) Provenance: with J. L. W. Bird Fine Art.; The collection of Richard Bonnycastle.

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Peter Biegel (1913-1988) Mares and foals,

Lot 142: Peter Biegel (1913-1988) Mares and foals,

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Description: Peter Biegel (1913-1988) Mares and foals, Almahurst Farm Oil on canvas, Signed and dated '76 lower right 51 x 76cm (20 x 30in) Provenance: Sotheby's New York, Important Sporting Art, 7th June 2001, Lot 552; The collection of Richard Bonnycastle.

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Peter Biegel (1913-1988) Quorn bitches Watercolour

Lot 143: Peter Biegel (1913-1988) Quorn bitches Watercolour

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Description: Peter Biegel (1913-1988) Quorn bitches Watercolour Signed and dated 1960 lower left Inscribed with names Comical, Blood brother, Varmint, Whimsey, Cosey, Vision, Charity, Surplice and Vigil 26 x 37cm (10 1/4 x 14 1/2in) Provenance: The collection of Richard Bonnycastle.

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Peter Biegel (1913-1988) Quorn hounds, Watercolour

Lot 144: Peter Biegel (1913-1988) Quorn hounds, Watercolour

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Description: Peter Biegel (1913-1988) Quorn hounds, Watercolour and pencil Signed and dated Jan 58 lower left Inscribed with dog's names Goater, Gonage, Godfrey, Patchwork, Paleface, Goldsmith, Solvent and Sorcery 28 x 26cm (11 x 10 1/4in) Provenance: The collection of Richard Bonnycastle.

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Peter Biegel (1913-1988) Mares and foals under a

Lot 145: Peter Biegel (1913-1988) Mares and foals under a

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Description: Peter Biegel (1913-1988) Mares and foals under a stormy sky Oil on canvas, Signed lower right 31 x 36cm (12 1/4 x 14 1/4in) Provenance: with Rowland Ward Ltd.; The collection of Richard Bonnycastle.

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Peter Biegel (1913-1988) A bay horse in a field

Lot 146: Peter Biegel (1913-1988) A bay horse in a field

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Description: Peter Biegel (1913-1988) A bay horse in a field Oil on canvas, Signed and dated '65 lower right 41 x 51cm (16 x 20in) Provenance: The collection of Richard Bonnycastle.

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Peter Biegel (1913-1988) Fighting Charlie leaving

Lot 147: Peter Biegel (1913-1988) Fighting Charlie leaving

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Description: Peter Biegel (1913-1988) Fighting Charlie leaving the paddock at Ascot Oil on canvasboard Signed lower left Inscribed Leaving the paddock, Gold Cup Ascot '65, Fighting Charlie lower right 30.5 x 40.5cm (12 x 16in) Provenance: The collection of Richard Bonnycastle.

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Peter Biegel (1913-1988) A bay horse in a field

Lot 148: Peter Biegel (1913-1988) A bay horse in a field

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Description: Peter Biegel (1913-1988) A bay horse in a field Oil on canvas, Signed and dated '61 lower right 41 x 51cm (16 x 20in) Provenance: The collection of Richard Bonnycastle.

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Sir Alfred Munnings (1878-1959) Unsaddling at

Lot 149: Sir Alfred Munnings (1878-1959) Unsaddling at

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Description: Sir Alfred Munnings (1878-1959) Unsaddling at Epsom, Summer meeting Colour offset lithograph Signed in pencil lower right 44.5 x 53cm (17 1/2 x 20 3/4in) Provenance: with Arthur Ackermann & Son Ltd.; The collection of Richard Bonnycastle.

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Sir Alfred Munnings (1878-1959) Going out at Epsom

Lot 150: Sir Alfred Munnings (1878-1959) Going out at Epsom

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Description: Sir Alfred Munnings (1878-1959) Going out at Epsom Colour offset lithograph Signed in pencil lower right 52.5 x 50.5cm (20 3/4 x 20in) Provenance: with Arthur Ackermann & Son Ltd.; The collection of Richard Bonnycastle.

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Sir Alfred Munnings (1878-1959) The paddock at

Lot 151: Sir Alfred Munnings (1878-1959) The paddock at

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Description: Sir Alfred Munnings (1878-1959) The paddock at Epsom, Spring meeting Colour offset lithograph Signed in pencil lower right 44.5 x 53cm (17 1/2 x 20 3/4in) Provenance: with Arthur Ackermann & Son Ltd.; The collection of Richard Bonnycastle.

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