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Auction Description for Doyle New York: Doyle at Home®
Viewing Notes:
Saturday, February 23, 10am-5pm Sunday, February 24, Noon-5pm Monday, February 25, 10am-6pm Tuesday, February 26, 10am-2pm

Doyle at Home®

by Doyle New York

Platinum House

582 lots with images

February 27, 2013

Live Auction

175 East 87th Street

New York, NY, 10128 USA

Phone: 212.427.2730

Fax: 212.427.7526

Email: BidLive@DoyleNewYork.com

582 Lots
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20th Century School On the Bike Path

Lot 1: 20th Century School On the Bike Path

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Description: 20th Century School On the Bike Path Signed indistinctly (lr) Oil on canvas 40 x 30 inches • 

Condition Report: Frame rubbing. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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American School 19th Century Mother and Child

Lot 2: American School 19th Century Mother and Child

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Description: American School 19th Century Mother and Child Oil on canvas 30 x 25 1/4 inches C 

Condition Report: Frame rubbing. Glue relined. Scattered craquelure throughout. Scattered inpainting in the background, on the woman's and child's face and hands. There is no further restoration visible under UV light. Framed in an oval but the painting is not an oval. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Charles P. Appel American, 1857-1928 Landscape at Dusk

Lot 3: Charles P. Appel American, 1857-1928 Landscape at Dusk

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Description: Charles P. Appel American, 1857-1928 Landscape at Dusk Signed indistinctly C. P. App... (ll) Oil on canvas 12 x 18 inches C 

Condition Report: Frame rubbing. There is a slight wave to the canvas. Scattered craquelure throughout. There are visible stretcher marks. There is a dense varnish, unable to detect further restoration under UV light. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Reynolds Beal American, 1867-1951 Bass Rocks, East Gloucester, Massachusetts, 1920

Lot 4: Reynolds Beal American, 1867-1951 Bass Rocks, East Gloucester, Massachusetts, 1920

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Description: Reynolds Beal American, 1867-1951 Bass Rocks, East Gloucester, Massachusetts, 1920 Signed Reynolds Beal and dated 1920 (ll) Colored pencil on paper 8 7/8 x 11 inches C Estate of Ernest Shapiro

Condition Report: Toned. Some slight matburn. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Arnold Belkin Canadian, 1930-1992 Sarah, 1960

Lot 5: Arnold Belkin Canadian, 1930-1992 Sarah, 1960

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Description: Arnold Belkin Canadian, 1930-1992 Sarah, 1960 Signed Arnold Belkin, dated 1960 and inscribed as titled (ll) Charcoal on paper Sight 39 x 24 7/8 inches C Estate of Henry Balter

Condition Report: Unexamined out of the frame. Toned. There is a small pin hole in the lower right corner. There is a small vertical line of glue residue in the background, approximately 1/4 inch long, in the upper left quadrant. There are some handling creases along the left register. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Abraham Jacob Bogdanove American, 1887-1946 Norton's Ledge, Monhegan, 1929

Lot 6: Abraham Jacob Bogdanove American, 1887-1946 Norton's Ledge, Monhegan, 1929

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Description: Abraham Jacob Bogdanove American, 1887-1946 Norton's Ledge, Monhegan, 1929 Signed A. J. Bogdanove and dated 1929 (ll) Oil on canvas 25 x 30 1/8 inches Provenance: Private collection A landscape painter, portraitist, muralist, and art teacher, Bogdanove was born in Minsk, Russia, and emigrated with his family to America in 1900. His best-known works are his vigorously painted scenes of the stark rocky coasts and quiet harbors of Monhegan Island, Maine, where the artist worked during the summers from 1918 until the end of his life. Avoiding expansive vistas, Bogdanove painted abstractly conceived images, capturing the colors and shapes created by effects of light and shadow on sites such as this rocky promontory on the island's southwestern side. C The Spanierman Gallery, LLC Collection of American Art

Condition Report: Frame rubbing with corresponding touches of inpaint. There are some light scattered touches of craquelure throughout. There is a stretcher mark on the right register. There is a 3 x 2 x 3 inch backwards C-shaped touch of inpaint in the upper right. There are touches of inpaint along the visible stretcher mark on the right register. There are no further touches of inpaint under UV light. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Charles Ephraim Burchfield American, 1893-1967 Forest Study and Hills and Sky: Two

Lot 7: Charles Ephraim Burchfield American, 1893-1967 Forest Study and Hills and Sky: Two

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Description: Charles Ephraim Burchfield American, 1893-1967 Forest Study and Hills and Sky: Two One inscribed with notes on color instructions and dated 7-8-... (lr) Pencil on paper Sight of each 10 1/2 x 16 1/2 inches Provenance: Dr. Anthony J. Sisti, Buffalo, NY • 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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David Burliuk Russian/American, 1882-1967 Floral Still Life

Lot 8: David Burliuk Russian/American, 1882-1967 Floral Still Life

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Description: David Burliuk Russian/American, 1882-1967 Floral Still Life Signed Burliuk and dated 1946 (ll) Oil on canvas 20 x 15 inches C Estate of a Private Collector

Condition Report: Frame rubbing. Surface grime. It appears that a small piece of the impasto in the flowers has come off. 5/8 inch round inpainted hole with corresponding patch on the reverse on the table to the right of the foot of the vase. No further restoration is visible under UV light. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Ernest Chiriacka American, 1913-2010 Shooting the Buffalo

Lot 9: Ernest Chiriacka American, 1913-2010 Shooting the Buffalo

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Description: Ernest Chiriacka American, 1913-2010 Shooting the Buffalo Signed Ern. Chiriacka (lr) Oil on paper laid to board 11 7/8 x 16 inches Provenance: Acquired directly from the daughter of the artist C 

Condition Report: There is a small tear to the paper in the lower right corner, just below the signature. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Minna Wright Citron American, 1896-1991 Time Beyond Reach, 1959

Lot 10: Minna Wright Citron American, 1896-1991 Time Beyond Reach, 1959

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Description: Minna Wright Citron American, 1896-1991 Time Beyond Reach, 1959 Signed Citron and dated 1959 (lr) Oil on canvas 46 1/4 x 32 inches C 

Condition Report: Dirty varnish and surface grime. Scattered areas of craquelure. The canvas is buckling in the upper left and the upper right corner. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Alson Skinner Clark American, 1876-1949 Early Morning, Palm Springs

Lot 11: Alson Skinner Clark American, 1876-1949 Early Morning, Palm Springs

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Description: Alson Skinner Clark American, 1876-1949 Early Morning, Palm Springs Signed Alson Clark (lr); inscribed on an estate label From / Mrs. Alson Clark/1149 Wotkyns Drive/Pasadena 3, California and inscribed with estate number 224 on the reverse of the frame Oil on canvas 26 x 32 inches Provenance: Mrs. Alson Clark, wife of the artist Private collection Joan Irvine Smith Fine Arts, Laguna Beach, CA Private collection, San Francisco, CA Exhibited: Sacramento, CA, California State Senate, Senate Art Loan Program, 1996-99, no. L1996.3 In addition to the home Clark and his wife Medora built on the Arroyo Seco in Pasadena, after their move to California in 1919, the artist maintained a studio in Palm Springs. Turning from the more somber style of his earlier urban scenes and his 1913 views of the Panama Canal, he adjusted his palette to desert light and open space, using the plein-air methods he had learned from William Merritt Chase to capture qualities such as the sky's translucency, reflective patterns across the spare ground, and the color notes in the underbrush. A very Chase-like touch is notable in Clark's treatment of the vegetation in this painting. C The Spanierman Gallery, LLC Collection of American Art

Condition Report: Frame rubbing. There is a visible restretcher mark along the upper register. There is no visible restoration under UV light. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Russell Cowles American, 1887-1979 Patch of Sky, 1956

Lot 12: Russell Cowles American, 1887-1979 Patch of Sky, 1956

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Description: Russell Cowles American, 1887-1979 Patch of Sky, 1956 Signed Cowles (ll); inscribed as titled on stretcher and numbered 625 RC on overlap Oil on canvas 32 x 40 inches Provenance: Kraushaar Galleries, New York C 

Condition Report: Overall very good condition. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Jose Luis Cuevas Mexican/American, b. 1933 Untitled

Lot 13: Jose Luis Cuevas Mexican/American, b. 1933 Untitled

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Description: Jose Luis Cuevas Mexican/American, b. 1933 Untitled Signed Cuevas (lr) Mixed media on board 15 1/2 x 23 1/2 inches C Estate of Henry Balter

Condition Report: Toned. Faded and scattered stains. No examined out of the frame. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Jose Luis Cuevas Mexican/American, b. 1933 Antonio Souza en el Bar De Jack Dempsey, 1965

Lot 14: Jose Luis Cuevas Mexican/American, b. 1933 Antonio Souza en el Bar De Jack Dempsey, 1965

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Description: Jose Luis Cuevas Mexican/American, b. 1933 Antonio Souza en el Bar De Jack Dempsey, 1965 Signed Cuevas, inscribed Eh/Bar Jack Dempsey and dated 20-Dec. 1965 (lr); inscribed as titled and dated 20-Decembre 1965 on the reverse Mixed media on board 11 1/4 x 10 1/2 inches C Estate of Henry Balter

Condition Report: Glue residue. Toned. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Charles Dankmeyer (Dankmeijer) Dutch, 1861-1923 Town of Dinant

Lot 15: Charles Dankmeyer (Dankmeijer) Dutch, 1861-1923 Town of Dinant

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Description: Charles Dankmeyer (Dankmeijer) Dutch, 1861-1923 Town of Dinant Signed Ch. Dankmeyer (lr) Oil on canvas 18 3/4 x 25 3/4 inches C 

Condition Report: Scattered craquleure. Frame rubbing. Dirty varnish. There is a possible repair in the sky at the upper center edge, with a corresponding patch on the reverse. Please note that there is no visible restoration under Uv light. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Arthur Bowen Davies American, 1863-1928 Life Study (Interior)

Lot 16: Arthur Bowen Davies American, 1863-1928 Life Study (Interior)

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Description: Arthur Bowen Davies American, 1863-1928 Life Study (Interior) Oil on canvas 11 3/4 x 6 inches Provenance: Grand Central Art Galleries, Inc., New York Private collection Exhibited: New York, Spanierman Gallery, LLC, Arthur B. Davies: Painter, Poet, Romancer & Mystic, Mar. 29-Apr. 28, 2012 Literature: Lisa N. Peters, Arthur B. Davies: Painter, Poet, Romancer & Mystic, online cat., New York: Spanierman Gallery, 2012, p. 10, color illus. A highly prolific artist, Davies had a passion for painting the female nude, focusing on the subject in oils as well as works in other media in which he brought out the spontaneity of movement or conveying the weight, tension, and solidity of his subject. This work belongs within the context of the "inhalation" studies Davies created in his late career, in which he sought to visualize breathing in his paintings. To Davies the "lift of inhalation" connected all the arts-ancient and modern-as it represented life in action. C The Spanierman Gallery, LLC Collection of American Art

Condition Report: Frame rubbing. There is a tiny touch of inpaint in the upper right quadrant. There are some light touches along the lower register. There is no further restoration visible under UV light. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Arthur Bowen Davies American, 1863-1928 Home

Lot 17: Arthur Bowen Davies American, 1863-1928 Home

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Description: Arthur Bowen Davies American, 1863-1928 Home Signed A. B. Davies (ll) Oil on canvas 14 1/8 x 10 1/4 inches Provenance: Lillie P. Bliss, New York On loan to the Museum of Modern Art, New York, May 17-Sept. 27, 1931 by bequest to the Science Museum of Minnesota (formerly St. Paul Institute), MN, 1931-62 On loan to the Minneapolis Institute of Arts, MN, 1931-59 Deaccessioned to the Walker Art Center, Minneapolis, MN 1962-2004 Exhibited: New York, Museum of Modern Art, Memorial Exhibition: The Collection of the Late Miss Lizzie P. Bliss, May 17-Sept. 27, 1931, no. 29, p. 22 Literature: Memorial Exhibition: The Collection of the Late Miss Lizzie P. Bliss. Exh. cat. New York: The Plandome Press in conjunction with the Museum of Modern Art, New York, 1931, p. 22, no. 29 Home belongs to the intimate views of family life created by Davies primarily in the mid-1890s. His subject in this painting is the interior of his home in Congers, New York. His wife, Virginia (a medical doctor on the staff of the New York Infant Asylum), holds one of the couple's two children (either Niles, born 1893; or Arthur David, born 1895). The young girls in the painting are two of the three daughters of Virginia's widowed sister, Mattie Betts, who moved into the Davies household in 1893. Following in the tradition of the family portrait, this image includes symbols of domestic contentment-art, music, flowers, and a view of an expansive countryside out the window-yet Davies brought to it an intriguing modern quality of detachment. The first owner of this painting was the noted art patron Lillie P. Bliss, whose collection formed the basis of the holdings of the Museum of Modern Art. Home's purchase by Bliss reflects her eye for iconic art that was cutting edge in its day. C The Spanierman Gallery, LLC Collection of American Art

Condition Report: Frame rubbing. Glue relined. Scattered inpaint throughout, especially in the dress and the floor around the woman holding the child. There is no further restoration under UV light. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Benjamin Franklin De Haven American, 1856-1934 Crashing Waves, 1893

Lot 19: Benjamin Franklin De Haven American, 1856-1934 Crashing Waves, 1893

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Description: Benjamin Franklin De Haven American, 1856-1934 Crashing Waves, 1893 Signed F. De Haven and dated 1893 (lr) Oil on canvas 20 x 32 1/4 inches C 

Condition Report: Wax relined. Frame rubbing. Scattered craquelure throughout. There is scattered inpaint throughout the sky and water. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Adolf Dehn American, 1895-1968 Haymaking in Minnesota, 1944

Lot 20: Adolf Dehn American, 1895-1968 Haymaking in Minnesota, 1944

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Description: Adolf Dehn American, 1895-1968 Haymaking in Minnesota, 1944 Signed Adolf Dehn and dated 44 (ll) Watercolor on paper Sight 19 x 27 1/2 inches C 

Condition Report: Unexamined out of the frame. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Adolf Dehn American, 1895-1968 Haitian Market

Lot 21: Adolf Dehn American, 1895-1968 Haitian Market

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Description: Adolf Dehn American, 1895-1968 Haitian Market Signed Adolf Dehn and dated 68 (lr); inscribed as titled on the reverse Oil on board 15 x 21 inches C 

Condition Report: Frame rubbing. Dirty varnish. There is a light 3 1/2 inch horizontal scratch in the sky at the center. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Adolf Arthur Dehn American, 1895-1968 Brahmin Fantasy, 1959

Lot 22: Adolf Arthur Dehn American, 1895-1968 Brahmin Fantasy, 1959

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Description: Adolf Arthur Dehn American, 1895-1968 Brahmin Fantasy, 1959 Signed Adolf Dehn. (ll); inscribed as titled, and dated A.D./1959/N.Y.C. on the reverse Oil on board 22 x 18 inches C 

Condition Report: Frame rubbing. There is no visible restoration under Uv light. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Adolf Arthur Dehn American, 1895-1968 Girls & Roosters, 1954

Lot 23: Adolf Arthur Dehn American, 1895-1968 Girls & Roosters, 1954

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Description: Adolf Arthur Dehn American, 1895-1968 Girls & Roosters, 1954 Signed Adolf Dehn (ur); signed Adolf Dehn, dated 1954 and inscribed as titled on the reverse Oil on board 8 x 10 inches C 

Condition Report: Dirty varnish. Scattered craquleure. Frame rubbing. There is no visible restoration under UV light. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Raoul Maucherat de Longpre French, b. 1843 Bouquet of Lilacs and Roses

Lot 24: Raoul Maucherat de Longpre French, b. 1843 Bouquet of Lilacs and Roses

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Description: Raoul Maucherat de Longpre French, b. 1843 Bouquet of Lilacs and Roses Signed R. M. D. Longpre Fils (lr) Gouache on paper 28 5/8 x 20 1/4 inches Unframed At the turn of the twentieth century, the French painter, Raoul Maucherat de Longpré (elder brother of Paul) was known in France and the United States for his highly skilled floral still lifes. His favorite flowers were roses and lilacs, which he combined in this fastidiously rendered gouache. Such works demonstrate the artist's commitment to scientific accuracy combined with his enthusiasm for his chosen subject. C The Spanierman Gallery, LLC Collection of American Art

Condition Report: Toned. There is some light creasing along the upper left edge, the upper right quadrant, the lower right quadrant and along the right edge. There are some minor nics to all edges. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Raoul Maucherat de Longpre French, b. 1843 Lilacs and Yellow Roses

Lot 25: Raoul Maucherat de Longpre French, b. 1843 Lilacs and Yellow Roses

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Description: Raoul Maucherat de Longpre French, b. 1843 Lilacs and Yellow Roses Signed Raoul M. de Longpre fils (lr) Gouache on paperboard 10 x 14 inches Provenance: Private collection Although de Longpré probably did not leave his native France, his work was exhibited in America through the efforts of his younger brother Paul, who emigrated to this country in 1890. A dedicated painter of flowers, Raoul specialized in images of lilacs and roses. Among his favorite formats is that in this gouache, in which cut flowers are arranged on a stone plinth, with a few branches spilling over the edge to add a trompe l'oeil effect. Gouache was de Longpré's preferred medium. His ability to use it with both precision and delicacy may be seen in this work. Such images, in which lilacs (symbols of purity and youthful innocence) were arranged in lush abundance, along with roses (symbols of love), were well suited to the homes of Victorian America. C The Spanierman Gallery, LLC Collection of American Art

Condition Report: Matburn. Foxing in the background. Rubbing on the edges from where it was framed. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Louis Dodd American, 1943-2006 The Nantucket Whale Ship Constitution in the Bearing Sea

Lot 26: Louis Dodd American, 1943-2006 The Nantucket Whale Ship Constitution in the Bearing Sea

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Description: Louis Dodd American, 1943-2006 The Nantucket Whale Ship Constitution in the Bearing Sea Signed Louis Dodd (lr) Oil on board 19 1/4 x 29 1/2 inches Provenance: Nantucket Maritime Galleries, Nantucket, MA C 

Condition Report: There is no visible restoration under UV light. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Edwin Stafford Doolittle American, 1843-1879 Minturn's Point on the Hudson River, 1874; Together with American School, Along the River

Lot 27: Edwin Stafford Doolittle American, 1843-1879 Minturn's Point on the Hudson River, 1874; Together with American School, Along the River

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Description: Edwin Stafford Doolittle American, 1843-1879 Minturn's Point on the Hudson River, 1874 Signed E. S. Doolittle and dated 74 (ll); inscribed as titled, signed E. S. Doolittle Fecit and dated 1874 on the reverse Oil on canvas 12 x 18 inches: Together with American School, 19th Century, Along the River, signed indistictly Wer... (lr), oil on board, 12 x 16 inches C 

Condition Report: Doolittle- Frame rubbing. Scattered inpaint throughtout. There is a 1 inch diameter repaired hole in the sky at the center left. There is a 1 1/2 inch horizontal repaired tear with a 3 1/2 x 1 1/2 inch area of inpaint surrounding it in the sky at the center right. There is no further restoration visible under UV light. American school-Dirty varnish. Frame rubbiong. Some light scattered touches of inpaint scattered in the landscape, particularly in the trees at the center left and the landscape at the foreground. There is no further restoration visible under UV light. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Arthur Radclyffe Dugmore American, 1870-1955 Zebras Grazing-Moonlight, 1911

Lot 28: Arthur Radclyffe Dugmore American, 1870-1955 Zebras Grazing-Moonlight, 1911

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Description: Arthur Radclyffe Dugmore American, 1870-1955 Zebras Grazing-Moonlight, 1911 Signed A. R. Dugmore and dated 1911 (lr) Oil on canvas 38 x 30 inches Provenance: Private collection Born in Ireland, Dugmore had an eventful life. At age twelve, his father, an eccentric nobleman, purchased a schooner, in which the family lived, cruising the oceans. Quarreling with his father, Dugmore struck out on his own. He struggled for many years to make his way. He opened a photographic studio, where he tried to make a living by painting birds. He then got a job in Northern Canada to study the beaver. In 1908, he visited Africa. This was followed by trips to Newfoundland, Nova Scotia, and Labrador. On his travels he photographed and painted. On his return (he moved to America at some point), he lectured and wrote books. He was among the individuals responsible for the pursuit of big game with a camera, rather than a gun, leading to the wildlife art that is so widespread today. C The Spanierman Gallery, LLC Collection of American Art

Condition Report: Frame rubbing with corresponding inpaint. Scattered craquelure throughout. There is no further restoration visible under UV light. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Charles Warren Eaton American, 1857-1937 Yellow Leaf

Lot 29: Charles Warren Eaton American, 1857-1937 Yellow Leaf

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Description: Charles Warren Eaton American, 1857-1937 Yellow Leaf Signed Chas. Warren Eaton (ll); inscribed The Yellow Leaf/Chas Warren Eaton/Bloomfield, N.J. on an old label on the stretcher Oil on canvas 20 x 24 inches Provenance: Private collection Yellow Leaf was painted during Eaton's years in Bloomfield, New Jersey, from 1888 to about 1900. Next to Montclair, which was closely associated with George Inness, Bloomfield was a place where Eaton strongly felt the presence of Inness, whose studio was adjacent to Eaton's in New York's Holbein Building. Inness dropped in on Eaton in 1889, and his son at some point shared a studio with Eaton in Montclair. In this view of an autumnal landscape in the half light of morning, Eaton's emphasis was the range of brilliant yellows in the trees, which he captured with yellow pigments ranging from the orange to the green end of the spectrum. C The Spanierman Gallery, LLC Collection of American Art

Condition Report: Frame rubbing. Visible stretcher mark along the left register. There is a dense varnish, unable to detect further restoration under UV light. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Charles Warren Eaton American, 1857-1937 Evening Shadows

Lot 30: Charles Warren Eaton American, 1857-1937 Evening Shadows

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Description: Charles Warren Eaton American, 1857-1937 Evening Shadows Signed Chas Warren Eaton. (lr) Oil on canvas 20 1/8 x 24 1/4 inches Provenance: Private collection, NJ Exhibited: New York, Spanierman Gallery, LLC, Charles Warren Eaton (1857-1937): An American Tonalist Rediscovered, Nov. 4-Dec. 31, 2004, cat. no. 55, p. 93 color illus. Literature: Charles Teaze Clark. Charles Warren Eaton (1857-1937): An American Tonalist Rediscovered. Exh. cat. New York: Spanierman Gallery, LLC, cat. no. 55, p. 93 color illus. Evening Shadows is a quintessential Eaton image, featuring dark trees silhouetted against a sky lit by the sun's afterglow. The contemplative mood evoked is intended to draw the viewer into an awareness of a "spiritual truth" beyond appearances. C The Spanierman Gallery, LLC Collection of American Art

Condition Report: Glue relined. Frame rubbing, with minor corresponding inpaint. There are touches of inpaint in the sky in the upper left quadrant, particularly in where there used to be stretcher marks. There is no further restoration visible under UV light. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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European School 20th Century The Young Artist and his Mother

Lot 30A: European School 20th Century The Young Artist and his Mother

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Description: European School 20th Century The Young Artist and his Mother Signed Louis Auguste (lr) Oil on canvas 48 x 24 inches C 

Condition Report: Frame rubbing. Surface grime. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Susan Eisendieck French, 1908-1998 Terrasse au Bord D'une Riviere

Lot 31: Susan Eisendieck French, 1908-1998 Terrasse au Bord D'une Riviere

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Description: Susan Eisendieck French, 1908-1998 Terrasse au Bord D'une Riviere Signed Susan Eisendieck (ll); inscribed as titled on the reverse Oil on canvas 24 x 20 inches • 

Condition Report: Frame rubbing. There is no visible restoration under UV light. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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European School 21st Century Still Life with Flowers, Peaches and a Parrot in a Niche

Lot 31A: European School 21st Century Still Life with Flowers, Peaches and a Parrot in a Niche

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Description: European School 21st Century Still Life with Flowers, Peaches and a Parrot in a Niche Oil on canvas 31 1/4 x 47 inches C 

Condition Report: Scattered craquelure throughout. Frame rubbing. Dirty varnish. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Alan Fletcher Scottish, 1930-1958 Untitled, 1958

Lot 32: Alan Fletcher Scottish, 1930-1958 Untitled, 1958

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Description: Alan Fletcher Scottish, 1930-1958 Untitled, 1958 Signed Alan Fletcher and dated 1958 (lr) Mixed media on paper 8 x 13 1/4 inches • 

Condition Report: Scattered staining, glue residue throughout. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Ben Foster American, 1852-1926 In the Berkshires

Lot 33: Ben Foster American, 1852-1926 In the Berkshires

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Description: Ben Foster American, 1852-1926 In the Berkshires Signed Ben Foster (ll) Oil on canvas 25 x 30 inches C 

Condition Report: Frame rubbing. Scattered craquelure throughout. There is a visible restretcher mark along the upper register. There are two tiny losses to the surface in the upper left quadrant. There is no visible restoration under UV light. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Ben Foster American, 1852-1926 Valley Landscape

Lot 34: Ben Foster American, 1852-1926 Valley Landscape

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Description: Ben Foster American, 1852-1926 Valley Landscape Signed Ben Foster (ll) Oil on canvas 18 x 22 inches C 

Condition Report: Glue relined. Frame rubbing. There are two shallow dents with corresponding paint loss, approximately 3/4 inch round, in the lower left quadrant. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Ben Foster American, 1852-1926 Forest Edge

Lot 35: Ben Foster American, 1852-1926 Forest Edge

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Description: Ben Foster American, 1852-1926 Forest Edge Signed Ben Foster (ll) Oil on canvas 24 x 24 inches Provenance: Private collection Foster returned from study in Paris in 1887 and subsequently divided his time between his Manhattan studio and his country home in Cornwall Hollow, Connecticut. Forest Edge demonstrates his interest in subtly teasing out abstract shapes in the Connecticut countryside so as to satisfy the universal human desire for nature to provide a feeling of calmness and order. C The Spanierman Gallery, LLC Collection of American Art

Condition Report: Frame rubbing. There are some very minor touches of inpaint scattered in the grass and sand at the center. There is no further restoration visible under UV light. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Achille Emile Othon Friesz French, 1879-1949 (i) Fleurs (ii) Le Port

Lot 36: Achille Emile Othon Friesz French, 1879-1949 (i) Fleurs (ii) Le Port

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Description: Achille Emile Othon Friesz French, 1879-1949 (i) Fleurs Atelier stamped E. Othon Friesz (ll) Oil on panel 14 x 10 3/4 inches Provenance: Galerie Artina, Paris Acquired by Alvin S. Romansky on behalf of the present owner from the above on May 27, 1971. This painting was authenticated by Madame Friesz, circa 1971, according to a letter from Alvin S. Romansky to the current owner, which was penned shortly after he had met with Madame Friesz in Paris. (ii) Le Port Estate stamped with initials EOF (lr) Crayon on paper 8 3/8 x 11 inches Provenance: Sale, Sotheby's, London, June 18, 1967, lot 108 Alvin S. Romansky, acquired from the above sale on behalf of the current owner C Estate of a Private Collector

Condition Report: Scattered paint separation. Frame rubbing. Some small losses and cracking scattered along the edges. Dirty varnish. Scattered inpainting along the right edge; 2 inch area at far right center and at top center. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Emil Ganso American, 1895-1941 (i) Reclining Nude (ii) Reclining Nude, Legs Extended

Lot 37: Emil Ganso American, 1895-1941 (i) Reclining Nude (ii) Reclining Nude, Legs Extended

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Description: Emil Ganso American, 1895-1941 (i) Reclining Nude Signed Ganso in pencil (lr) Brown chalk and charcoal on paper 16 1/4 x 22 inches Unframed (ii) Reclining Nude, Legs Extended Signed Genso (lr) and inscribed G. (ll) Brown chalk and graphite pencil on paper 15 3/8 x 19 1/2 inches Unframed C Estate of Ernest Shapiro

Condition Report: (i) Some scattered smudging. Toned. Matburn. Hinged with two pieces of tape along the upper edge on the verso. (ii) Toned. Paper is buckling in the upper right and upper left corners. The work is hinged with two pieces of tape on the verso. There is some scattered smudging. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Gabriel Godard French, b. 1933 Untitled

Lot 38: Gabriel Godard French, b. 1933 Untitled

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Description: Gabriel Godard French, b. 1933 Untitled Signed G. Godard (cl) Oil on canvas 36 x 45 inches C 

Condition Report: Frame rubbing. There is a dirty varnish. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Thomas Bailey Griffin American, 1858-1918 Along the River

Lot 39: Thomas Bailey Griffin American, 1858-1918 Along the River

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Description: Thomas Bailey Griffin American, 1858-1918 Along the River Signed Thomas B. Griffin (ll) Oil on canvas 18 x 30 inches C 

Condition Report: Wax relined. Frame rubbing. Scattered craquelure throughout. There is a two inch hook shapped repaired tear in the canvas on the upper edge. There is another vertical repaired tear in the sky at the upper center, approximately 1 inch. There is a repaired hole in the sky at the upper right quadrant that is approximately 2 x 1 1/2 inches. There are some other light touches in the sky and some touches on the edge from the frame rubbing. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Chaim Gross American, 1904-1991 Mother and Child

Lot 40: Chaim Gross American, 1904-1991 Mother and Child

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Description: Chaim Gross American, 1904-1991 Mother and Child Signed Chaim Gross, stamped with foundry mark and numbered 1/8 Bronze with brown patina Height excluding base 8 1/2 inches C 

Condition Report: Surface dirt in the crevices. Bronze is slightly loose on the base. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Chaim Gross American, 1904-1991 Mother and Child

Lot 41: Chaim Gross American, 1904-1991 Mother and Child

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Description: Chaim Gross American, 1904-1991 Mother and Child Signed Chaim Gross, inscribed with the artist's device, dated indistinctly ...9..., numbered 1/8 and stamped Bedi-Makky Art Foundry/N.Y. Bronze with brown patina 11 1/4 x 13 1/2 x 4 inches C Estate of Henry Balter

Condition Report: Overall good condition. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Chaim Gross American, 1904-1991 (i) Acrobat Bronze (ii) Acrobat Drawing

Lot 42: Chaim Gross American, 1904-1991 (i) Acrobat Bronze (ii) Acrobat Drawing

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Description: Chaim Gross American, 1904-1991 (i) Acrobat Signed CH GROSS, inscribed with artist's device and numbered 1/6 Bronze with brown patina Height 17 1/2 inches (ii) Acrobat, 1969 Signed Chaim Gross, inscribed To Dr. and Mrs. Benedict Rizzuti/with friendship. and dated June 1969 along the lower register Graphite pencil and color chalk on paper 16 3/4 x 8 7/8 inches C 

Condition Report: (i) Good condition (ii) Good condition. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Chaim Gross American, 1904-1991 Group of Four Works on Paper

Lot 43: Chaim Gross American, 1904-1991 Group of Four Works on Paper

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Description: Chaim Gross American, 1904-1991 (i) Two Acrobats Signed Chaim Gross and inscribed indistinctly (lr) Watercolor and pencil on paper Sight 17 3/4 x 7 1/2 inches (ii) Two Acrobats, 1964 Signed Chaim Gross, inscribed indistinctly and dated 64 (lr) Watercolor and pencil on paper Sight 10 3/8 x 12 7/8 inches (iii) Two Women and a Child Signed Chaim Gross and inscribed indistinctly (lr) Watercolor and pencil on paper Sight 11 5/8 x 12 inches (iv) Group of Old Men Signed Chaim Gross (lr) Watercolor and pencil on paper Sight 5 3/8 x 11 3/4 inches C 

Condition Report: (i) Toned. Light stain in the upper left along the edge. Unexamined out of the frame. (ii) Toned. Unexamined out of the frame. (iii) Toned. Unexamined out of the frame. (iv) Toned. Unexamined out of the frame. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Sidney Gross American, 1921-1969 Industrial Variations #1

Lot 44: Sidney Gross American, 1921-1969 Industrial Variations #1

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Description: Sidney Gross American, 1921-1969 Industrial Variations #1 Signed Gross (ll) Oil on canvas 50 x 42 inches Provenance: The artist Frank Rehn Gallery, New York Exhibited: Pittsburgh, Carnegie Institute, Painting in the United States, Oct. 13-Dec. 11, 1949 C 

Condition Report: Cracquelure throughout. Possible rolling cracquelure at upper left and upper right. Areas of pigment loss in darker colors across bottom of painting. Heavy surface dirt. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Charles Paul Gruppe American, 1860-1940 Sheep at the Edge of the Wood

Lot 45: Charles Paul Gruppe American, 1860-1940 Sheep at the Edge of the Wood

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Description: Charles Paul Gruppe American, 1860-1940 Sheep at the Edge of the Wood Signed Chas P. Gruppe (ll) Oil on canvas 24 1/8 x 19 1/4 inches C 

Condition Report: Frame rubbing. Dirty varnish. There is no visible restoration under UV light. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Emile Albert Gruppe American, 1896-1978 Vermont Covered Bridge

Lot 46: Emile Albert Gruppe American, 1896-1978 Vermont Covered Bridge

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Description: Emile Albert Gruppe American, 1896-1978 Vermont Covered Bridge Signed Emile A. Gruppe (lr); inscribed as titled on the stretcher and inscribed Serial No. III on the reverse Oil on canvas 25 x 30 inches Provenance: Private collection Exhibited: Rockport, MA, Rockport Art Association, Emile Gruppe Retrospective, Oct. 5-Nov. 23, 2006 New York, Spanierman Gallery, LLC, Emile A. Gruppe (1896-1978), Jul. 10-Aug. 30, 2008 Gruppe combined realism and Impressionism in this quintessential scene of New England in the winter. The sunlight breaking through the clouds and the tracks in the snow that lead us across the weathered covered bridge, make this scene seem particularly inviting. C The Spanierman Gallery, LLC Collection of American Art

Condition Report: Frame rubbing. There is no visible restoration under UV light. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Emile Albert Gruppe American, 1896-1978 Yellow Dory, Rockport Harbor

Lot 47: Emile Albert Gruppe American, 1896-1978 Yellow Dory, Rockport Harbor

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Description: Emile Albert Gruppe American, 1896-1978 Yellow Dory, Rockport Harbor Signed Emile A. Gruppe (lr) Oil on canvas 20 x 24 inches Provenance: Private collection Exhibited: Rockport, MA, Rockport Art Association, Emile Gruppe Retrospective, Oct. 5-Nov. 23, 2006 New York, Spanierman Gallery, LLC, Emile A. Grupe (1896-1978), Jul. 10-Aug. 30, 2008 Gruppe painted in a variety of places, including upstate New York, Vermont, and Florida. However, he is associated first and foremost with artistic activity in the Cape Ann towns of Rockport and Gloucester. Notable for its attractive design, perceptive handling of color and forceful technique, Yellow Dory, Rockport Harbor underscores his skills in conveying natural effects in relation to the maritime environment. At the same time, the painting reveals his ability to capture the look and spirit of Rockport, the bustling fishing port that played such a vital role in his repertoire of subjects. C The Spanierman Gallery, LLC Collection of American Art

Condition Report: Frame rubbing, with some corresponding inpaint, particularly along the left edge. Some light craquelure in the clouds. There is some possible scattered touches of inpaint in the sky. There is no further restoration visible under UV light. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Milton Elting Hebald American, b. 1917 Figure of a Dancer, 1966

Lot 48: Milton Elting Hebald American, b. 1917 Figure of a Dancer, 1966

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Description: Milton Elting Hebald American, b. 1917 Figure of a Dancer, 1966 Signed Hebald, dated 1966 and numbered 3/6 Bronze with brown patina Height 26 inches C 

Condition Report: The patina darkens from the figures legs down to the base surface. The deepest crevice have minor amounts of green oxidation. The stone plinth is heavily soiled with a brown finish. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Armand (Francois Joseph) Henrion French, 1875-1958 Self Portrait, Scowling Clown

Lot 49: Armand (Francois Joseph) Henrion French, 1875-1958 Self Portrait, Scowling Clown

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Description: Armand (Francois Joseph) Henrion French, 1875-1958 Self Portrait, Scowling Clown Signed Arm. Henrion (ll) Oil on board 8 1/2 x 6 inches Provenance: Private collection, New York A Belgian-born artist who exhibited in Belgian Salons before settling in Paris and becoming a naturalized French citizen, Henrion had a consuming fascination the character of Pierrot, a French equivalent of the Italian Pedrolino of the Commedia dell'arte. Henrion portrayed himself as this comic trickster, who traditionally did not wear a mask, but instead applied heavy white face makeup. Many artists, from Jean-Antoine Watteau to Paul Cézanne, Pablo Picasso, and Aubrey Beardsley were also captivated by Pierrot, often considering him a kind of mirror image of the artist. Henrion's literal transformation of Pierrot into himself presents a unique twist on the legacy of the views of this character in whom artists have long seen themselves echoed. In portraying himself as Pierrot, Henrion explored nuances of humor, as his expressions in the works encompass the facial expressions conveying such qualities as the tongue-in-cheek, the retort, the comeback, the riposte, and the droll comment. Henrion's animated, gestural handling in the creation of the small jewel-like depictions concurs with the feeling they convey of a light-hearted sense that life is to be enjoyed. C The Spanierman Gallery, LLC Collection of American Art

Condition Report: Frame rubbing. There are some minor scattered touches of inpaint in the background. There is no further restoration visible under UV light. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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