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Auction Description for Sotheby's: Impressionist & Modern Art

Impressionist & Modern Art (116 Lots)

by Sotheby's


116 lots with images

December 16, 2016

Live Auction

New York, NY, USA

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CAMILLE PISSARRO | Paysanne

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Description: Black crayon on paper

Condition Report: Black crayon on laid paper. The work is in good overall condition. The work is taped to the mat window along the top edge, verso, the upper left corner of the tape is missing. There is a 2.5 inch paper fault in the upper left corner. The sheet has retained its original deckle, the bottom edge is not even. The paper includes some darker fibers which appear as brown spots. There are two very faint pinhead size holes, one in the figure's apron, and one about 2 inches from the right visible edge in the mat window. There is some mild light and mat staining, and faint undulation to the sheet. The crayon is strong, and the work presents well.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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PIET MONDRIAN | Female Portrait Bust in Exotic Costume

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Description: Charcoal, conté crayon, and pastel on shaped paper

Condition Report: The media are pastel and charcoal on paper. The work is in good overall condition. The sheet is an irregular shape, with inwardly curved edges and truncated corners. The sheet is hinged at three points along the top of the sheet verso. There are hard creases which form a rectangle: this rectangle matches the edge of the picture plane as seen when the work is in its current matting. Along the left-hand crease there is reinforcing tape, verso, and in places along the other creases well. There are some losses and nicks to the edges of the sheet (outside the picture plane as delineated by the creases and not visible in the current matting.) There is a 3 in. horizontal tear just below the top hard crease. There is some dried black paint on some of the extreme edges of the sheet. There is a very minor faint brown discoloration by her proper left eyebrow.The back of the sheet shows some acidic staining. The media are very strong and fresh and the work presents very well.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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GUSTAVE LOISEAU | Hiver à Triel-sur-Seine; Bord de rivière: a double-sided work

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Description: Oil on canvas

Condition Report: The medium is oil on canvas, painted on both sides, on a linen-lined stretcher. The work has a strip-lining. The work is in good overall condition. There is good impasto retained. There is minor surface dirt, more so on the reverse, and some minor frame rubbing, mostly to the top edge, recto. Under UV there are some areas which fluoresce and appear to be associated with the green pigments and the artist`s technique; there does not appear to be any inpainting. The colors are strong, and the work presents very well.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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LOUIS HAYET | Les toits

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Description: Oil on canvas laid down on card

Condition Report: The medium is oil on canvas, laid down on card. The work is in fairly good overall condition. The picture is lightly painted in places. There is one pinhole in the upper right corner. There are a few light brown surface stains, in the sky to the left of center, and two pinhead size spots in the upper left quadrant. There is no apparent inpainting under UV. The colors are lively and the work presents very well.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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 | Les quais de Rouen, nocturne

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Description: Oil on canvas

Condition Report: The medium is oil on canvas. The canvas is not lined. The work is in good overall condition aside from a small surface scratch in the lower right, above the bottom visible edge, and an old patch a 2 in square patch on the reverse with corresponding inpainting center right. There is another dime-sized spot of inpainting in the sky at center and several tiny dots in the lower center just above the visible bottom edge. There is a varnish which fluoresces green under UV. The whites have nice impasto. The work presents very well.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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FRANK MYERS BOGGS | Les berges de Seine à Paris

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Description: Oil on canvas

Condition Report: The medium is oil on canvas. The canvas has been lined. The work is in very good overall condition. There is some yellowing to the varnish, and some extremely minor surface dirt. There is no apparent inpainting when viewed under UV light. The work presents very well.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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MAXIMILIEN LUCE | Péniches sur le canal à Rotterdam

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Description: Oil on canvas

Condition Report: The medium is oil on canvas, the canvas is strip lined. The work is in good overall condition. There is some moderate frame rubbing. There are two tiny brown accretions in the upper right, near the right edge. Under UV there are a few minor dashes of inpainting near the center of the bottom edge. The colors are strong and clear and the work presents very well.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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ODILON REDON | Étude d'arbres

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Description: Pencil on paper laid down on card

Condition Report: The medium is pencil on paper laid down on card. The work is in good overall condition. The bottom edge of the sheet is uneven: as a result the left edge measures 8 1/2 in. and the right edge measures 8 3/8 in. The card is larger than the sheet, and measures 9 1/2 by 12 1/2 in. There is uneven discoloration from light exposure throughout the sheet, and some minor gentle mat stain to the upper edge. There are three tiny holes in the upper right quadrant, and a tiny accretion as well, the accretion about 1 in. from the upper right corner. There is possibly a very small repaired tear at the top of the right tree, barely visible to the naked eye. There is a small point of skinning in the lower left with some associated discoloration. There are a few minor flecks of foxing in the left margin. The media are strong and the work presents very well.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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AUGUSTE RODIN | Nu debout (le jour)

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Description: Bronze

Condition Report: The medium is bronze with black patina. The work is in very good overall condition. The base measures 1in. in height. There are very minor scratches on her proper right waist and proper right thigh, as well as a few other very minor scratches scattered throughout. There is a small scratch at the top of her head.There is surface dust particularly in the recessed areas.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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ARISTIDE MAILLOL | Femme à la draperie

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Description: Bronze

Condition Report: There is a variegated green patina. There are a few small spots of accretion in crevices. Otherwise fine. In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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AFTER ARISTIDE MAILLOL | Femme assise aux cheveux longs

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Description: Bronze

Condition Report: This work is in very good condition. Varied brown patina and some rubbing to the patina at the sculpture's extremities. Light surface dirt in the crevices. The work presents very well.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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FERDINAND DU PUIGAUDEAU | Clair de lune sur Kervaudu

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Description: Oil on canvas

Condition Report: The medium is oil on canvas. The canvas is not lined, but has been re-stretched. The work is in good overall condition. The surface is in excellent condition aside from a very minor central stretcher bar mark. There is some very minor surface dirt. There is some minor paint separation in the moon. Under UV: There is some in-painting along the top and left edges. In the right sky, there are three small spots of inpainting, and one more dash in the lower right quadrant. In the midground there is a combination of some small points of strengthening, as well as active pigments (the dark greens), the difference between the two is difficult to distinguish. The colors are vivid and the work presents very well.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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PAUL MADELINE | La ferme des hortensias, Le Diben

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Description: Oil on canvas

Condition Report: The medium is oil on canvas, not lined. Not examined out of its frame. The work is in very good overall condition. The surface has retained its impasto, the colors are strong. There is some very minor surface dirt throughout. There is a pinhead size loss in the center about 1.5 inches below the visible edge. There are some small losses along the upper left edge by the corner, associated with frame rubbing and some minor pulling in the upper left corner. The work is lightly painted along the edges and in some spots throughout. Under UV light there is no apparent inpainting. The work presents very well.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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FERDINAND DU PUIGAUDEAU | Parterre fleuri

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Description: Oil on canvas

Condition Report: The medium is oil on canvas. The canvas is not lined. The work is in good overall condition. There are two points in the upper left quadrant that have been retouched, the canvas is bumping outward slightly and there is some minor discoloration. There is some very faint undulation to the canvas. There is some craquelure throughout: this would appear to have been touched up and the old retouches are visible as faint fluorescing under UV. The colors are bright and the work presents very well.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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HENRI JEAN GUILLAUME MARTIN | La tonnelle fleurie

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Description: Oil on canvas

Condition Report: The medium is oil on canvas, the canvas is lined with a very sympathetic thin canvas liner. The work is very good overall condition. The artist has left some of the canvas bare and visible throughout. There is good dimension retained in the paint. There are some areas of extremely minor cracquelure. There is no apparent inpainting when viewed under UV.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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ALBERT ANDRÉ | Femme à sa toilette

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Description: Oil on canvas

Condition Report: Oil on canvas. Canvas is not lined. There is frame rubbing on all edges. There is some minor to moderate craquelure throughout, most prevalent in the upper portion of the work. There are a few thin horizontal cracks notably in her standing leg. Under UV there is no apparent inpainting. The work presents very well.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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MARCEL DYF | Dahlias

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Description: Oil on canvas

Condition Report: The medium is oil on canvas, not lined. The work is in good overall condition. There is very good impasto retained. In the thickest impasto, there is some cupping in a few places: to the right of the bottom of the pitcher, and in the middle flower at right. There is some fine cracking to the thick impasto as well in a few places, and some minor paint separation in the lower right. There is some bumping to the canvas. Under UV there are some small scattered spots and dashes of inpainting throughout, the largest concentration being in the lower left quadrant. There is a nickel sized spot of inpainting in the impasto in the lower right in the leaves by the base of the vase. The colors are bold and the work presents very well.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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LOUIS VALTAT | Madame Zette Dupont

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Description: Oil on canvas

Condition Report: The medium is oil on canvas. The canvas is lined. The work is in good overall condition. There is some fine craquelure, notably in the beige painted areas, some of which has been filled in, as visible under UV. Also under UV appears a small (2mm diam) spot of inpainting in the lower right quadrant. The colors are fresh and clear and the work presents very well.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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LOUIS VALTAT | Cerises et pêches

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Description: Oil on canvas

Condition Report: The medium is oil on canvas. The canvas is lined. The work is in fairly good overall condition. The work has retained nice dimension, though there are a few small losses scattered throughout, many of these have been touched up, visible both under UV and to the naked eye, particularly in the blacks, in the lower left quadrant. The work presents very well.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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BERNARD BUFFET | Clown, chapeau noir

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Description: Oil on canvas

Condition Report: The medium is oil on canvas, the canvas is not lined. The work is in very good overall condition. There is nice impasto retained. There is some minor craquelure in the greens of the clown's shirt. There is some fluorescence associated with the artist's technique, but there is no apparent inpainting when viewed under UV light. The colors are bright and fresh and the work presents very well.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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BERNARD BUFFET | Toréro

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Description: Oil on canvas

Condition Report: The medium is oil on canvas. The surface is in good overall condition. The impasto is very rich and thick, and nearly completely retained with a few small scattered losses. In the thickest impasto, there are a few tiny cracks in some places. The canvas is bumping somewhat in the upper right, just at the edge of his hat. There is paint separation in the blacks in the in the toreador's jacket and in the edges of his hat. There is minor paint separation in the upper portion of the work, in the browns and dark ochres. Under UV: there is no apparent inpainting. The colors are bold and fresh and the work presents very well.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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JEAN DUFY | Paris, le carrousel du Louvre

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Description: Watercolor and gouache on paper mounted on card

Condition Report: The medium is watercolor and gouache on paper mounted on card. The work is in very good overall condition. The sheet is completely mounted to the card along all four edges with paper tape, the center of the sheet is not laid down. The sheet is rippling slightly at two points along the left edge where there is no mounting tape (not visible under the current matting). The colors are very fresh and the work presents very well.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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EMMANUEL DE LA VILLÉON | Le lavoir de la gâtine

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Description: Oil on canvas

Condition Report: The medium is oil on canvas, the canvas is not lined. The work is in good overall condition. There is some minor craquelure throughout and some surface dirt. Under UV, there are three small areas of retouching along the top edge, the furthest to the left in the extreme upper left corner. The colors are clear and the impasto is nicely retained. The work presents very well.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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JEAN DUFY | Paris, la Tour Saint Jacques

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Description: Watercolor and gouache on paper laid down on card

Condition Report: The medium is watercolor and gouache on paper laid down on card. The work is in good overall condition.There is very minor frame abrasion and minor mat staining at the edges of the sheet. The sheet is gently light stained. The sheet is coming loose from the card in the extreme lower right corner. The card is slightly warping towards the right. The colors are clear and the work presents very well.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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RAOUL DUFY | Santa Maria della Salute, Venise

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Description: Watercolor and gouache on wove Arches paper

Condition Report: The work is watercolor and gouache on wove Arches paper, in good overall condition. The sheet is hinged to the mat at three points along the top edge, verso. There are traces of old paper tape along all four edges, verso. There is some minor surface dirt. There are a few paper faults along the extreme top edge, at right. There is faint to moderate mat and light staining throughout but predominantly at left. The colors are strong and fresh and the work presents very well.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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MAURICE UTRILLO | Montmartre avec vue de Sacré-Coeur

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Description: Pastel and gouache heightened with oil on paper

Condition Report: The medium is pastel and gouache heightened with oil on paper. The work is in good overall condition. There are pinholes in all four corners. There is old paper tape along all four edges, verso. There is a small brown stain in the cupola of Sacré-Coeur and another just above the tree line, in the sky at the center. The colors are strong, the oil impasto is fresh and the work presents very well.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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PIERRE-EUGÈNE MONTÉZIN | Rue sous la pluie

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Description: Oil on canvas

Condition Report: The medium is oil on canvas, the canvas is not lined. There is good impasto and dimension retained, elsewhere the work is lightly painted. There is some frame rubbing. The beige colored paint in the sky may be slightly discolored but this does not alter the aspect of the painting in any way. There is no apparent inpainting when viewed under UV light.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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MAURICE UTRILLO | Sacré-Coeur de Montmartre et Square St. Pierre

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Description: Gouache on paper

Condition Report: The work is gouache on watermarked Ingres paper. The work is in good overall condition. The sheet is attached at all four edges to the mat window, verso. There are two small horizontal repaired tears (less than one inch) along the left visible edge and one more in the upper left along the top edge. There is a small tear just below the signature. There are pinholes along the top edge in the upper left and center. The sheet edges are nicked slightly throughout. Most of the aforementioned nicks and tears are covered by the present matting. The media are fresh and the gouache has maintained its dimension. The work presents very well.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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MAURICE DE VLAMINCK | Les lavoirs sur les bords de l'Eure, Chartres

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Description: Gouache on Canson & Montgolfier paper mounted on paperboard

Condition Report: The medium is gouache on paper mounted on paperboard, at the edges, verso. The work is in good overall condition. The center of the sheet is not laid down. The margins are traced with pencil. There is old paper tape at the side and top edges, wrapping around about 3mm into the margin. The sheet has darkened somewhat from light stain. There is a little paper residue at the center of the top margin. The colors are strong and the work presents very well.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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ANDRÉ DERAIN | Chemin animé en Provence

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Description: Oil on canvas

Condition Report: The medium is oil on canvas. The canvas is unlined. The work is in good overall condition. There is good impasto retained. Under UV, there is old retouching visible in the sky, along the top edge, about an inch wide, and also along the left edge. There are a few other areas of fluorescing, in the lower right quadrant, and also the dark green plants in the lower left quadrant, at the bottom edge, and to the left of the figure, likely due to the artist's technique. The work presents very well.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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RAOUL DUFY | Sainte-Adresse

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Description: Oil on canvas

Condition Report: The medium is oil on canvas. The canvas is not lined. The work is in very good overall condition. There is some minor undulation to the canvas, particularly in the bottom half. There is minor surface dirt. There has been some minor transfer of the paint from the frame liner onto the picture along the right edge. Under UV there is no apparent inpainting. The colors are bold and fresh and the work presents very well.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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MAURICE DE VLAMINCK | Meules

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Description: Gouache and watercolor on paper laid down on paperboard

Condition Report: The medium is gouache and watercolor on paper laid down on paperboard. The work is hinged along the top edge to the mat window, verso. The surface is in very good overall condition, thinly painted along the edges. There is some surface dust. The work presents very well.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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 | Chaussée John Kennedy au Havre

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Description: Watercolor on paper

Condition Report: The medium is watercolor on paper. The work is in fairly good overall condition. The sheet is hinged to the mat backing at three points along the top edge, verso. There are small, minor repaired tears along the bottom edge, as well as in the lower right, upper right and upper left corners. There is a small tear just left of the center of the top edge, about 1/4 inch long. There is a 1/4 inch. loss to the sheet about 4 inches from the top edge, near the right edge, which has been repaired and patched. There is some mild light and mat stain to the sheet, The work presents well.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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JEAN DUFY | Le pont Alexandre III

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Description: Oil on canvas laid down on Masonite

Condition Report: The medium is oil on canvas, laid down on Masonite. The work is in good overall condition. There are a few 1-1.5 inch cracks to the paint surface in the upper right, upper left, and just right of center, descending from the top edge of the work, and in the staircase about 3 inches from the left edge. There is a pinhead sized accretion in the center just below the visible edge, what looks to be a beige colored paint. There is some very faint paint separation in the greens, at left. Under UV the two cracks in the upper left and upper center right have been filled in, and the areas surrounding them have been touched up as well. The colors are bright and strong, and the work presents very well.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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ANDRÉ DERAIN | Portrait de femme

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Description: Oil on canvas

Condition Report: Oil on canvas, canvas not lined. Work is in very good overall condition. There is some minor frame rubbing. There is no apparent inpainting when viewed under UV light. The colors are fresh and the work presents very well.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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JEAN-PIERRE CASSIGNEUL | Femme à la chaise longue

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Description: Oil on canvas

Condition Report: The medium is oil on canvas, the canvas is not lined. The work is in very good overall condition. There is a pinhead size loss in the upper center, about an inch from the top edge. There is no apparent inpainting visible under UV. The colors are bold and the work presents very well.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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FRANÇOISE GILOT | Self-portrait in Front of Bamboo

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Description: China ink over pencil on paper

Condition Report: The medium is China ink over pencil on paper. The work is in very good overall condition. The sheet is hinged at several points along the top, verso. The sheet retains its original deckle, the edges are visible in the current matting. There is a very tiny crease in the extreme upper left corner. The upper right edge shows traces of red crayon. The ink is very strong and the work presents very well.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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ALVAR SUÑOL (MUNOZ-RAMOS) | Naturaleza muerta

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Description: Oil on canvas

Condition Report: The medium is oil on canvas, the canvas is not lined. The work is in good overall condition. The canvas is slightly slack on the stretcher. Under UV there is a varnish which fluoresces light green. There are a few small spots of inpainting in the center right and lower left. There are a few other brush strokes which fluoresce in the center. The work presents very well.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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ANDRÉ BRASILIER | Les grands chevaux rouges

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Description: Oil on canvas

Condition Report: Oil on canvas. Not lined. Not examined out of frame. The work is in good overall condition. There is some minor bumping and pulling to the canvas in the upper corners. Under UV there are several areas of fluorescence: in the lower right corner at both the right and lower edges, in the second horse from the right, in the fifth tree from the right, at the tops of the trees in the upper center, and in the lower left quadrant, and in the center of the canvas. The colors are bright and the work presents very well.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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MAURICE BRIANCHON | Campagne

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Description: Oil on canvas

Condition Report: The medium is oil on canvas, the canvas is not lined. The work is in very good overall condition. There is some minor bumping in the lower right corner. There is no apparent inpainting under UV light. The colors are fresh and the work presents well.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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FRANCIS PICABIA | Paysage

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Description: Oil on card

Condition Report: The medium is oil on card. The work is in good overall condition. There is nice impasto retained. The very extreme lower right corner has been slightly blunted. Under UV there is some bright fluorescence in the sky but no apparent inpainting. The colors are fresh and the work presents well.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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ALEXANDER ARCHIPENKO | Silhouette

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Description: Bronze

Condition Report: The medium is bronze with brown patina. The work is in good overall condition. There is some verdigris at the extreme bottom near the base at the back, and some very minute rubbing at the extremities. There is minor surface dust throughout, and the base has some dust and old label residue. The base measures 2 x 3 1/4 x 6 in. The work presents very well.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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JOSEPH CSAKY | Jeune femme debout

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Description: Stone

Condition Report: The medium is a speckled beige stone.The work is in good overall condition. There are some chips along the bottom edge. There is some very minor dirt and dust in the incised areas. There are a few small areas where the residue from old adhesive is visible, mostly towards the bottom of the figure. The marble base measures 4 7/8 inches high. The sculpture presents very well.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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LÉONARD TSUGUHARU FOUJITA | Portrait d'homme

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Description: Pencil on bisque-toned calque

Condition Report: The medium is pencil on bisque-toned calque. The sheet is in good overall condition. The sheet is attached to the mat back _________. There is a very small horizontal creases in the right and left edges. The sheet has darkened from light exposure and has some extremely minor mat staining at all edges. The mat stain and most of the small creases are covered by the current matting. There is some faint rippling to the sheet throughout from handling. The work presents very well and is ready to hang.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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JULES PASCIN | Nu assis

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Description: Pastel and pencil on paper laid down on card

Condition Report: The medium is pastel and pencil on paper laid down on card. The work is in fairly good overall condition. The sheet edges are uneven and have some losses and minor tears in some places. There are traces of old adhesive along the edges also. There is a small circular point of skinning in the top center, just below the edge, the aforementioned not visible in the current matting. There are several spots where some moisture or liquid appears to have disrupted the pastel surface, in the central and right portions of the work. The colors are strong and the work presents very well.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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JULES PASCIN | Femme assise

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Description: Charcoal on paper laid down on card

Condition Report: The medium is charcoal on paper laid down on card. The work is in fairly good condition. There are pinholes in the upper and lower left corners. There are repaired tears in the upper left corner, and various repairs throughout, more concentrated in the lower left and upper right quadrants, the largest two about ten inches, extending from the left edge towards the bottom edge, and in the upper right corner. There are a few tiny specs of foxing and a small bleach spot in the upper right quadrant near the figure's arm. There is some minor surface and handling marks. There are some traces of old adhesive partially in the bottom margin and in places along the extreme left edge. The work presents well.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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LÉONARD TSUGUHARU FOUJITA | Portrait de Kikou Yamata

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Description: Pencil and colored pencil on calque

Condition Report: The media are pencil and colored pencil on fine calque. The work is in good overall condition. The sheet is hinged to the mat backing at 2 points along the top edge, and there are traces of older hinge tape, verso. The sheet edges are very slightly uneven. There are two minor repaired tears: 1cm long horizontal repaired tear in the lower left corner and 5mm horizontal repaired tear at the center of the left edge. There is a repaired tear in the upper left corner, about 2cm horizontal and 1cm vertical. There are several minor tears and nicks along the center of the right edge and one along the lower left edge . All the aforementioned are covered in the current matting. There is a pinhead size loss in the figure's raised hand. There is some very minor mat stain, mostly along the top edge.There are four tiny spots of foxing in the upper right quadrant. The work presents very well.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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JAN LEBENSTEIN | Figure No. 92

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Description: Oil and resin on canvas

Condition Report: The media are oil and resin on canvas. The work is in good condition, aside from a 3 in tear in the upper right quadrant, a small loss at the center of the left edge, and a white paint drip-like accretion in the lower left quadrant. The center stretcher bar has broken. The canvas has some very minor rippling and is somewhat slack on the stretcher. Under UV: there is an area of retouching in the upper left quadrant several inches from the top edge, the area measures roughly 2 inches at its longest point, and is visible to the naked eye. The varnish fluoresces light green and appears to be uneven. The work has excellent raised resin impasto elements and presents very well.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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PAUL KLEE | Werbeblatt zu einem Ballett (Promotional leaflet for a ballet)

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Description: Pen and ink on paper mounted on card

Condition Report: The medium is pen and ink on paper. The work is in good overall condition. The sheet is mounted at various points along all four edges verso to the artist's mount. The sheet is rippled somewhat and there are very minor handling creases. The sheet has some minor inherent faults. There is soft light staining throughout the sheet, and to the mount. The work presents well.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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REMBRANDT BUGATTI | Vache meuglant

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Description: Bronze

Condition Report: The medium is bronze with brown patina. The work is in good overall condition. There is some gentle rubbing to the more protruding elements, and some on the cow's back. There is some surface dust and dirt in the recessed areas. The work presents very well.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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