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Auction Description for John Moran: European & Modern Art Auction
Viewing Notes:
Prospective bidders may preview all lots offered in person at sale location: Pasadena Convention Center (lower east side), 300 East Green Street, Pasadena, CA 91101. Sale preview begins at 12.00 p.m. and continues throughout sale.
Sale Notes:
www.johnmoran.com

European & Modern Art Auction

(72 Lots)

by John Moran Auctioneers


72 lots with images

October 16, 2012

Live Auction

300 East Green Street

Lower Level, East Side, Euclid St.

Pasadena, CA, 91101 USA

Phone: +1 626.793.1833

Fax: +1 626.798.2079

Email: info@johnmoran.com

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Herminie Henriette Gudin  (1825-1876 French)

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Description: Fishermen returning home at sunset, signed lower right: H. Gudin, signed again and numbered verso: B. 92, oil on panel, 5.25'' H x 8'' W, est:$1500/2000 *** Please click ''view more'', below right for more information. ***

Condition Report: Visual: Very fine, stable crazing concentrated mainly in the sky. Blacklight: Crack fill throughout the upper portion of the sky and along the right edge. A few spots of touch-up along the left and right sides, the largest a 2mm diameter spot in the upper left corner.

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European late 19th / early 20th century

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Description: Portrait of a woman, signed lower right: F. Firtye, oil on panel, 13.25'' H x 6.5'' W, est:$800/1200 *** Please click ''view more'', below right for more information. ***

Condition Report: Visual: Generally good condition. Blacklight: No evidence of restoration under blacklight.

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Victor Joseph Chavet  (1822-1906 French)

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Description: Woman copying from a book in an ornate interior, dated and signed lower left: 79 V.J. Chavet, oil on panel, 9.5'' H x 7'' W, est:$3000/5000 *** Please click ''view more'', below right for more information. ***

Condition Report: Visual: Generally good condition. Blacklight: One spot of touch-up in the lower right corner.

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Adolphe Joseph Thomas Monticelli  (1824-1886 French)

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Description: ''1001 Nights'', signed lower right: Monticelli, oil on canvas laid to canvas, 21'' H x 25'' W, est:$5000/7000 *** Please click ''view more'', below right for more information. ***

Condition Report: Visual: Surface rubbing in the lower left and upper right. Minor surface scratches in the upper center. A few losses scattered in the left center and upper left. A speck of loss to the left of the standing figure. Blacklight: Touch-up along the upper left edge. A few scattered spots of touch-up in the upper left, a spot in the left center, a spot in the lower left, a spot and a 1.5'' horizontal line of touch-up in the right center, a spot in the lower right. Heavy varnish.

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Adolphe Joseph Thomas Monticelli  (1824-1886 French)

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Description: ''The Bridal Feast'', signed lower right: Monticelli, oil on board, 11.25'' H x 13.75'' W, est:$2500/3500 Note: The present work is compositionally similar to two paintings titled 'Le Parc de Saint-Cloud' listed in the reference A.M. Alauzen & P. Ripert, ''Monticelli: Sa Vie et Son Oeuvre'', Paris, 1969, pp. 187 & 223, figs. 257 & 258, illustrated. The book accompanies the lot. *** Please click ''view more'', below right for more information. ***

Condition Report: Visual: Frame abrasion and minor losses along the edges. Pinholes in three corners and the upper left corner missing due to a break from the nail hole. The board was removed from a secondary paper board and glue and board remnants remain throughout the verso. Blacklight: Extensive touch-up along the left and upper edges and other scattered spots of touch-up along the right and lower edges. A dime-sized spot of touch-up to address a loss in the upper right quadrant.

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Manuel  Robbe  (1872-1936 French)

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Description: Figures near a lake, signed in pencil lower right: Manuel Robbe, colored etching on paper under glass, irregular fan shape: 9.5'' H x 22.25'' W, est:$1000/2000 *** Please click ''view more'', below right for more information. ***

Condition Report: Visual: Generally good condition. Very minor toning to the paper. Hinged to the back mat with archival tape.

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Emeric Essex Vidal  (1791-1861 British)

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Description: ''Napoleonic Tomb - St. Helena'', signed lower left: E.E. Vidal 1822, signed again titled and inscribed verso: Drawn for The Marchioness of Downshire by Her Ladyship's obliged and humble servant E.E. Vidal, watercolor on paper laid to artist's board, paper size: 10.75'' H x 15.5'' W, est:$4000/6000 Note: Napoleon was exiled to the South Atlantic Island of St. Helena in 1815 and died there in 1821. *** Please click ''view more'', below right for more information. ***

Condition Report: Visual: Mat burn from a previous mount along the upper left and right edges. Toning and staining throughout. Not framed or matted.

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British early 19th century

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Description: Interior with gentleman and cat, unsigned, oil on tin, 14.75'' H x 12'' W, est:$1000/1500 *** Please click ''view more'', below right for more information. ***

Condition Report: Visual: Fine crazing throughout with tiny lifting areas of paint throughout the wooden cabinet in the background. Scattered losses along the edges, particularly the lower edge. Blacklight: Scattered spots of touch-up throughout concentrated mainly in the background and along the lower edge.

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Jan Van Goyen  (1596-1656 Dutch)

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Description: A grey day with sailboats on a river, figures and carts on a nearby shore, signed with initials and dated on the central boat: JVG 1643, oil on canvas, 9.25'' H x 15.5'' W, est:$30,000/50,000 *** Please click ''view more'', below right for more information. ***

Condition Report: Visual: Generally good condition. Very fine, stable crazing. Blacklight: Scattered tiny spots of touch-up in the sky around the central sail and along the lower edge. Other tiny spots of minor touch-up sparsely scattered throughout. The '3' on the date enhanced.

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After Sir Joshua  Reynolds P.R.A. (1723-1792 British)

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Description: Girl leaning on a pedestal (The Laughing Girl), unsigned, oil on canvas laid to canvas, 30'' H x 25'' W, est:$5000/7000 Exhibited: The National Exhibition of Works of Art, Leeds, England, 1868, no. 1168, lent by Richard Johnson Esq. (see verso label). Literature: 'The Standard', 29 May 1868, p. 5; 'Leeds Mercury', 8 May 1868 and 'Leeds Mercury', 14 July 1868, each with reviews of the painting when shown at the National Exhibition of Works of Art Leeds, 1868; D. Mannings and M. Postle ''Sir Joshua Reynolds: A Complete Catalogue of His Paintings'', 2000, pp. 530-2 and 596-597, other examples of 'Laughing Girl' illustrated. Note: Please reference the accompanying essay written by scholar Alice Munro-Faure for further information about this painting and its provenance. We are grateful to Alice Munro-Faure for her assistance in cataloging this lot. *** Please click ''view more'', below right for more information. ***

Condition Report: Visual: Very fine, stable crazing throughout. The tacking edges removed when lined. Blacklight: Spots and small lines of touch-up sparsely scattered throughout the background. Spots of touch-up on the figure's forehead and eyebrow areas. Difficult to read under heavy varnish.

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Attributed to Sir Peter  Lely  (1618-1680 British)

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Description: Portrait of a seated woman in a green satin dress, unsigned, oil on canvas laid to canvas, 49.5'' H x 40'' W, est:$8000/12,000 *** Please click ''view more'', below right for more information. ***

Condition Report: Visual: Craquelure and crazing throughout. Dots of loss due to frame abrasion along the edges. Blacklight: The entire upper right background quadrant with touch-up, overpaint and some paint shrinkage. Evidence of older touch-up throughout the figure's face. Large spots of touch-up in the red pigments in the lower left corner. Other more minor spots of touch-up elsewhere in the background and some minor spots on the figure's dress.

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18th / 19th century Italian School

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Description: Portrait of a shepherd and his puppy, appears unsigned, with an indistinct inscription verso: **** Fornioni, inscribed on a partial label affixed to the stretcher: Bologn, oil on canvas, 36.5'' H x 26.75'' W, est:$2000/3000 *** Please click ''view more'', below right for more information. ***

Condition Report: Visual: A 4'' x 2'' 'T'-shaped tear in the right center above the puppy's head. A .25'' puncture in the lower right quadrant. A few scattered specks of loss in the upper left quadrant and a dot of loss in the lower right corner. Stretcher bar creases and frame abrasion. The canvas dirty and with mildew bloom. Blacklight: A quarter-sized area of older touch-up above the active tear, a quarter-size of older touch-up in the upper right and an approximate 2'' x 2'' area of touch-up near the figure's armpit all with corresponding verso patches.

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After Sir Peter Paul Rubens, late 17th / early 18th century

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Description: The Holy Family with St. Elizabeth and the Infant St. John the Baptist, unsigned, oil on canvas, 54'' H x 40'' W, est:$1000/2000 Note: The present work is a copy after Sir Peter Paul Ruben's Baroque painting executed circa 1614. The original painting is in the collection of Wallraf-Richartz Museum, Cologne, Germany. *** Please click ''view more'', below right for more information. ***

Condition Report: Visual: An 'H'-shaped 1'' x 1'' partially repaired tear with losses on baby Jesus' left arm. Other spots of loss throughout. Frame abrasion. The canvas loose on the stretchers. Blacklight: Large areas of touch-up in the upper center and upper right: one 10'' x 6'' area, one 4'' x 4'' area and one 3'' x 2'' area. Four quarter-sized areas of touch-up on Mary's face. Touch-up on the baby's leg in the lower left. Touch-up along the entire lower edge. Other spots and small areas of touch-up throughout. With nine corresponding verso patches and strip lining along the lower edge.

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Early 19th century Continental School

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Description: The Holy Family with St. Anne and St. John the Baptist, unsigned, oil on canvas, 25'' H x 30'' W, est:$2500/4000 *** Please click ''view more'', below right for more information. ***

Condition Report: Visual: Crazing with abrasions and losses throughout. A 2'' loss in the lower left and a 1'' diameter area of loss in the lower right. Frame abrasion. Blacklight: Possibly spots of touch-up in the left center and in other scattered areas but difficult to read under blacklight.

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19th century Dutch School

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Description: Amsterdam view with figures, canal and bridge, partial indistinct signature lower right, oil on canvas laid to canvas, 13.5'' H x 17.5'' W, est:$2000/3000 *** Please click ''view more'', below right for more information. ***

Condition Report: Visual: Frame abrasion and losses along the lower left edge. Tacking edges removed when lined and the signature partially cut off. Blacklight: Scattered touch-up throughout the sky with a quarter-sized scattered area of touch-up in the upper left. Other minor scattered dots of touch-up in the foreground.

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Henry Stacy Marks R.A., R.W.S. (1829-1898 British)

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Description: ''One of the Old Brigade'', seated figure, signed with initials lower right: H.S.M., watercolor on paper under glass, sight size: 14.75'' H x 9.75'' W, est:$800/1200 *** Please click ''view more'', below right for more information. ***

Condition Report: Visual: Generally good condition. Paper toned. A 2'' vertical tear or abrasion extending from the upper center to just above the figures hat and a diagonal tear or abrasion in the extreme lower left sight corner. A spot of stain to the left of the figure and some minor foxing scattered throughout concentrated mainly in the upper right. Not examined out of the frame.

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Willibald  Wex  (1831-1892 German)

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Description: Marsh landscape at sunset, signed lower right: Willibald Wex, oil on canvas laid to canvas, 16'' H x 31.5'' W, est:$1500/2000 *** Please click ''view more'', below right for more information. ***

Condition Report: Visual: Craquelure and crazing throughout. Dots of loss due to frame abrasion along the left edge and in the lower right corner. Blacklight: Scattered touch-up along the four edges with some larger 2-3'' areas of touch-up in the upper left, lower right and along the lower edge. A few other scattered spots of touch-up in the landscape.

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Alfred  De Breanski, Sr.  (1852-1928 British)

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Description: ''Approaching Twilight'', signed indistinctly lower left, signed again, numbered and titled on a label affixed to the stretcher: No. 3, oil on canvas, 24'' H x 36'' W, est:$8000/12,000 *** Please click ''view more'', below right for more information. ***

Condition Report: Visual: Craquelure and some scattered paint shrinkage throughout. Stretcher bar creases. An isolated area of unstable craquelure in the upper center. Blacklight: Three spots of touch-up in the upper left and upper center quadrants of the sky. Areas of the dark green pigments fluoresce in the lower center lake surface shadows.

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Arthur  Gordon  (1868-early 20th century British)

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Description: ''Windsor Castle'', signed and dated lower left: Arthur Gordon. 1904., oil on canvas laid to canvas, 19.75'' H x 30'' W, est:$2000/3000 *** Please click ''view more'', below right for more information. ***

Condition Report: Visual: Stable crazing and paint shrinkage throughout. Blacklight: Scattered touch-up in the sky, the largest area a 4'' scattered in the upper right. Three spots of touch-up in the lower right.

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William R.C. Watson  (1831-1921 British)

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Description: ''Glen Croe, Loch Long, Argyleshire'', sheep in a winter landscape, signed and dated lower right: W. Watson 1912, oil on canvas, 13'' H x 19'' W, est:$1000/1500 *** Please click ''view more'', below right for more information. ***

Condition Report: Visual: Generally good condition. Not examined out of the frame. Blacklight: No evidence of restoration under blacklight.

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Frank S. Eastman  (1878-1964 British)

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Description: ''Pied Piper of Hamelin'', signed and dated lower right: Frank S. Eastman 1910, signed again and titled on a partially indistinct label affixed to the stretcher, oil on canvas, 30'' H x 25.5'' W, est:$3000/4000 *** Please click ''view more'', below right for more information. ***

Condition Report: Visual: Isolated areas of craquelure concentrated mainly in the lower half. Approximately four scattered losses on children in the lower center and lower right. A .25'' scattered area of loss on a girl along the lower center edge. Blacklight: No evidence of restoration under blacklight.

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Studio of Georges Clarin (1843-1919 French)

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Description: Portrait of Sarah Bernhardt holding flowers, from the opening scene of Gismorda, unsigned, oil on lithographic image on tooled gilt leather mounted to stretcher bars, 34'' H x 23'' W, est:$2000/3000 *** Please click ''view more'', below right for more information. ***

Condition Report: Visual: Scattered isolated areas of craquelure throughout concentrated mainly on the figure's skin and hair. A 2'' horizontal tear with associated losses in the left center. A 5'' horizontal surface scratch on the right side of the figure's head, a 2'' surface abrasion on the gilt in the upper center and a 1'' diagonal surface abrasion in the lower center. A few other more minor surface scratches scattered throughout. Blacklight: No evidence of restoration under blacklight.

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Albert  Lynch  (1851-1900 Peruvian)

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Description: Portrait of a young woman in a hat holding a bouquet of flowers, signed upper right: Albert Lynch, oil on canvas, 37.5'' H x 27.5'' W, est:$25,000/35,000 *** Please click ''view more'', below right for more information. ***

Condition Report: Visual: Generally good condition with minor frame abrasion. Blacklight: One spot of touch-up along the left center edge.

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Late 19th century

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Description: Still life with grapes, signed with initials lower right: MAP, indistinct inscription upper stretcher, oil on canvas, 18.5'' H x 10.25'' W, est:$600/800 *** Please click ''view more'', below right for more information. ***

Condition Report: Visual: A 2'' vertical tear with associated specks of loss in the left center on the edge of the grape cluster. Blacklight: No evidence of restoration under blacklight.

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Euphemie  Muraton  (1840-1914 French)

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Description: Grapes and apples in a wicker basket, with chrysanthemums strewn to the side, signed lower right: E. Muraton, numbered on a gum label affixed to the stretcher: No. 648, oil on canvas, 18'' H x 26'' W, est:$1200/1800 *** Please click ''view more'', below right for more information. ***

Condition Report: Visual: Generally good condition with minor frame abrasion. Blacklight: A quarter-sized spot of touch-up in the upper left quadrant with corresponding verso patch.

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Edward Harrison May  (1824-1887 British)

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Description: Aristocratic figures before a reflecting pond, signed, inscribed and dated lower right: E.H. May Paris 68, oil on canvas laid to canvas, 44'' H x 64.5'' W, est:$30,000/50,000 *** Please click ''view more'', below right for more information. ***

Condition Report: Visual: Generally good condition. Stable minor scattered craquelure. Blacklight: Minor scattered spots of older touch-up: a quarter-sized scattered area in the lower left corner, possible spots on the central standing man, a few spots on the man third from right, some other very minor scattered spots throughout.

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Pietro  Ricci  (Early 20th century- Italian)

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Description: Jesters and a lady, signed and inscribed lower right: Pietro Ricci Venezia, oil on canvas laid to canvas, 26'' H x 21'' W, est:$3000/5000 *** Please click ''view more'', below right for more information. ***

Condition Report: Visual: Minor surface rubbing on the harlequin figure's mask. Blacklight: Scattered small areas of touch-up in the background around the upper figure. A few small areas of touch-up surrounding but not affecting the signature and in the lower left on the stones. A few tiny dots of discoloration with possible touch-up on the white figure's forehead.

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Jules  Zermati  (fl. 1880-1920 Italian)

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Description: ''Darby and Joan'', couple in an interior with market provisions: roosters, eggs and wine bottle, signed lower right: J. Zermati, oil on canvas laid to masonite, 12'' H x 18'' W, est:$1000/1500 *** Please click ''view more'', below right for more information. ***

Condition Report: Visual: Generally good condition with a speck of loss in the upper left. Blacklight: A few very minor dots of touch-up in the upper left and on the wall.

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Ettore  Simonetti  (1857-1909 Italian)

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Description: Two figures conversing in an ornate interior, signed and inscribed lower right: Ettore Simonetti Roma, oil on canvas, 25'' H x 18'' W, est:$8000/12,000 *** Please click ''view more'', below right for more information. ***

Condition Report: Visual: A 1'' vertical stable tear with minor losses along the tear and a small associated dot of loss on the seated figure's right foot with corresponding, stabilizing amateur tape repair verso. Three tiny dots of loss in the lower left corner and a few other tiny dots of loss throughout. Blacklight: Scattered fine spots of touch-up throughout, concentrated mainly in the background with slightly larger areas in the dark drapes around the standing figure.

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School of Felix  Ziem  (late 19th-early 20th century French)

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Description: Gondola in the Venice Lagoon, bears signature lower right: Ziem, oil on panel, 13'' H x 17.25'' W, est:$1000/1500 *** Please click ''view more'', below right for more information. ***

Condition Report: Visual: Generally good condition. Blacklight: No evidence of restoration under blacklight.

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Luigi  Paolillo  (1864-1934 Italian)

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Description: A vista of the Amalfi coast, signed lower right: L. Paolillo-, oil on canvas laid to canvas, 46'' H x 48'' W, est:$4000/6000 *** Please click ''view more'', below right for more information. ***

Condition Report: Visual: Generally good condition. Scattered craquelure throughout. Surface dirt. An approximate 10'' horizontal shallow surface abrasion in the upper left. A small surface scratch in the lower left corner. Frame abrasion. The tacking edges removed when lined, as stated. Blacklight: A small area of touch-up on the water in the lower center. A few possible spots of touch-up in the lower left.

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Bernard  Hay  (1864-1931 British)

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Description: View of fishermen and the island of Capri, signed indistinctly lower right: Bernard Hay, oil on canvas, 22'' H x 35'' W, est:$2500/3500 *** Please click ''view more'', below right for more information. ***

Condition Report: Visual: Generally good condition with minor frame abrasion. Surface dirt. Blacklight: No evidence of restoration under blacklight.

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Alexej Alexejewitsch Harlamoff  (1842-1915 Russian)

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Description: ''Old Lace and Young Dreams'', portrait of a young girl holding flowers, signed and indistinctly dated lower right: A. Harlamoff, oil on canvas laid to canvas, 42.5'' H x 28'' W, est:$200,000/300,000 *** Please click ''view more'', below right for more information. ***

Condition Report: Visual: Very minor specks of loss to the varnish layer in the lower left and to the left of the signature. Fine, stable scattered crazing concentrated primarily in the background. Minor scattered frame abrasion. Blacklight: Spots of touch-up throughout the background. Two scattered areas of crack fill on the figure's left shoulder and above the flowers. A few small spots of touch-up on the figure's face, possibly. Small areas of touch-up on the figure's forehead along the lace edge. Possible touch-up enhancements to the red dress below the figure's hands. Difficult to read under blacklight.

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Armand Gustave Gerard Jamar  (1870-1946 Belgian)

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Description: Portrait of a woman sewing, signed and dated twice: Ar. Jamar 1913, oil on canvas, 40'' H x 27.75'' W, est:$3000/5000 *** Please click ''view more'', below right for more information. ***

Condition Report: Visual: Generally good condition with minor scattered craquelure. Blacklight: One spot of touch-up in the lower left corner to the left of the signature. Dark pigments along the left and right edges fluoresce under blacklight, presumably in the hand of the artist.

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Charles  Wirgman Sr.  (1832-1891 British)

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Description: Japanese Samurai dressed for battle with military banners and Japanese flags flying, signed and dated lower right: C. Wirgman 1866, oil on canvas laid to canvas, 15.5'' H x 19.5'' W, est:$3000/5000 *** Please click ''view more'', below right for more information. ***

Condition Report: Visual: Stable craquelure and frame abrasion. A tiny surface scuff with minor specks of loss lower left. Blacklight: Older touch-up or overpaint scattered throughout the sky over the varnish layer, concentrated along the edges. A few spots of minor touch-up evident in the foreground. Difficult to read under varnish.

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Joseph  Farquharson  (1846-1935 Scottish)

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Description: ''The Fruit Seller'', an Arab fruit vendor, signed and inscribed verso: Mon. J. Farquharson / a Atelier, oil on panel, 9'' H x 5.5'' W, est:$1000/1500 *** Please click ''view more'', below right for more information. ***

Condition Report: Visual: Generally good condition. Blacklight: A few spots of possible touch-up on the wall in the left center.

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Gustave Achille Guillaumet  (1840-1887 French)

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Description: ''Arab Horsemen at Rest'', wooded encampment with Arabian horsemen, signed and dated lower right: G. Guillaumet 1880, oil on canvas laid to canvas, 21'' H x 30'' W, est:$20,000/30,000 *** Please click ''view more'', below right for more information. ***

Condition Report: Visual: Generally good condition. Blacklight: Scattered spots of touch-up throughout the white pigments in the sky. An isolated area of possible small spots of touch-up on the tree in the right center.

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Paul Jean Baptiste Lazerges  (1845-1902 French )

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Description: Figures near a hillside compound, Morocco, signed and dated lower left: Paul Lazerges 188*, oil on panel, 21.5'' H x 28.5'' W, est:$7000/9000 *** Please click ''view more'', below right for more information. ***

Condition Report: Visual: Losses due to frame abrasion along the edges. A few scattered specks of loss in the left center, a small loss on the last two digits of the date in the lower left, two surface scratches with minor loss in the upper left, a spot of loss in the upper center sky. Yellowed varnish and surface dirt. Blacklight: Touch-up along the edges to address frame abrasion. Areas of darker blue fluoresce in the upper left and right corners of the sky but this may be due to uneven varnish.

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Frederic Arthur Bridgman N.A. (1847-1928 New York/French)

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Description: ''An Afternoon Haircut'', saddled horse with four figures, one receiving a haircut, signed lower left: F.A. Bridgman, oil on canvas, 18'' H x 21.75'' W, est:$20,000/30,000 Note: The present lot has been authenticated by Dr. Ilene Susan Fort, the Gail and John Liebes Curator of American Art, Los Angeles County Museum of Art. *** Please click ''view more'', below right for more information. ***

Condition Report: Visual: Stable craquelure scattered in isolated areas throughout: in doorway behind figures, in the three figures at left, in the saddle blanket of horse, in areas in the green foliage as well as in the figures to the far right. Three new stretcher keys. Blacklight: No evidence of restoration under blacklight.

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Frederic Arthur Bridgman N.A. (1847-1928 New York/French)

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Description: Entrance to a mosque, signed lower left: F.A. Bridgman, oil on canvas, 21.75'' H x 18.25'' W, est:$20,000/30,000 *** Please click ''view more'', below right for more information. ***

Condition Report: Visual: Generally good condition. Blacklight: A quarter-sized spot of touch-up in the lower right corner.

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Mariano  De Franceschi  (1849-1896 Italian)

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Description: An Arab market, signed and inscribed lower left: De Franceschi / Roma, watercolor on paper, sight size: 20'' H x 29.5'' W, est:$7000/9000 *** Please click ''view more'', below right for more information. ***

Condition Report: Visual: The paper with toning and with some mild staining in the upper center. The colors slightly faded. Two small surface abrasions in the sky in the upper left. Approximately 5 vertical thin lines of surface abrasion running the height of the watercolor. Not examined out of the frame.

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Hans  Baluschek  (1870-1935 German)

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Description: ''Cyclus Die Eisenbahn / No. 6, !Halt.!'', Berlin train, signed and dated twice with conjoined initials lower left: HBaluschek 1898, signed again, inscribed and titled on the original verso backing, gouache and pastel on paper laid to board under glass, 37'' H x 25'' W, est:$20,000/30,000 Note: Hans Baluschek was an important German painter and graphic artist whose father was a railway engineer. The railroad was a frequent subject for the artist throughout his early career, when his focus was on depictions of ordinary working people, and continued after he solidified his opposition to Imperial Germany by joining the Berlin Secession in 1900. Baluschek was denounced as a degenerate artist by the Nazis when they took power in 1933. *** Please click ''view more'', below right for more information. ***

Condition Report: Visual: Generally good condition. A black tape border along the four edges. Not examined out of the frame.

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August  Piepenhagen  (1791-1868 German)

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Description: Czech landscape, appears unsigned, asphalt on cardboard, 10'' H x 12.75'' W, est:$800/1200 Note: With a Prague gallery label and stamps inscribed in Czech verso. *** Please click ''view more'', below right for more information. ***

Condition Report: Visual: Discolored varnish. Blacklight: A 2'' x 2'' area of touch-up in the upper left corner, a nickel-sized area of touch-up in the upper right corner. Tiny scattered dots of touch-up in the center.

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Stanislav Julianovic Zhukovsky  (1873-1944 Polish)

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Description: Stream through a winter landscape, signed lower left: S. Joukovsky, oil on canvas, 24'' H x 28.5'' W, est:$10,000/15,000 *** Please click ''view more'', below right for more information. ***

Condition Report: Visual: Minor scattered surface drips along the right side. A 1'' x 5'' area of discoloration in the lower right corner. Minor scattered stable craquelure. Blacklight: No evidence of restoration under blacklight.

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Aladar Edvi Illes  (1870-1958 Hungarian)

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Description: Sunset landscape, signed lower left: E. Illes A., oil on canvas laid to board, 19.75'' H x 27.25'' W, est:$600/800 *** Please click ''view more'', below right for more information. ***

Condition Report: Visual: Generally good condition. A 3'' vertical area lacking varnish along the upper left edge. A few minor scattered losses in the center and lower center. Blacklight: No evidence of restoration under blacklight.

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Jerzy  Mierzejewski  (1917-2012 Polish)

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Description: ''Zielona Bulcowina'', green Cubist trees, indistinctly signed lower right, signed again, inscribed, titled and numbered verso: Mal. Jerzy Mierzejewski / Polska / Olej / C19 9-I, oil on canvas, 23'' H x 29'' W, est:$6000/8000 *** Please click ''view more'', below right for more information. ***

Condition Report: Visual: Generally good condition. Blacklight: No evidence of restoration under blacklight.

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Sigmund Joseph Menkes  (1896-1986 Ukrainian)

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Description: Still life with flower vase, books and pineapple, signed lower right: Menkes, oil on board, 31'' H x 23.5'' W, est:$15,000/25,000 *** Please click ''view more'', below right for more information. ***

Condition Report: Visual: Generally good condition. Blacklight: No evidence of restoration under blacklight.

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Issachar Ber Ryback  (1897-1937 Ukrainian)

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Description: Portrait of a lady in a lace veil, signed lower left: I. Ryback, watercolor and ink with gouache highlights on paper under glass, paper size: 21.75'' H x 17.25'' W, est:$6000/9000 *** Please click ''view more'', below right for more information. ***

Condition Report: Visual: Generally good condition. Three tiny losses to the paper in the lower left. Rippling and creasing to the paper throughout intrinsic to the execution. A tiny tear in the lower left corner. Remnants of small strips of paper tape along the four verso edges. Framed loose in the frame, not mounted.

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Robert Morson Hughes  (1873-1953 British)

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Description: A view of the Alps, signed lower right: R. Morson Hughes, oil on canvas, 36'' H x 36'' W, est:$700/1000 *** Please click ''view more'', below right for more information. ***

Condition Report: Visual: Craquelure concentrated in the sky and the snowy areas of the mountains. Stretcher bar creases and a central stretcher bar crease. Two white surface drips in the upper left quadrant of the clouds. Blacklight: No evidence of restoration under blacklight.

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Edouard Leon Cortes  (1882-1969 French)

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Description: ''Porte St. Martin'', circa 1910-15, signed lower right: Edouard Cortes., oil on canvas, 13'' H x 18'' W, est:$20,000/25,000 *** Please click ''view more'', below right for more information. ***

Condition Report: Visual: Generally good condition. Blacklight: No evidence of restoration under blacklight.

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