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Auction Description for 25 Blythe Road: British & Continental Pictures & Prints - Photographs
Viewing Notes:
22 January 2017 12:00 to 16:00; 23 January 2017 10:00 to 20:00; 24 January 2017 10:00 to 17:00; 25 January 2017 10.00 to 12.00 (limited viewing)
25BR - Picture & Photographs Auction:
Important Information for Buyers

All lots are offered subject to 25 Blythe Road Ltd.'s Conditions of Business and to reserves. The Conditions of Business for Buyers are also published in this catalogue.

Estimates are published as a guide only and are subject to review. The actual hammer price of a lot may well be higher or lower than the range of figures given and there are no fixed "starting prices".

A Buyer's Premium of 20% is applicable to all lots in this sale. The Buyer's Premium is subject to VAT at the standard rate (currently 20%). Unless otherwise indicated, lots are offered for sale under the auctioneer's margin scheme and VAT on the Buyer's Premium is payable by all buyers.

A webcast fee of 3% + plus VAT is payable on the hammer price for items bought online.

Cataloguing Practice
A work catalogued with the name(s) or recognised designation of an artist, without any qualification, is, in our opinion, a work by the artist. In other cases, the following expressions with the following meanings are used:

"Attributed to……" In our opinion probably a work by the artist in whole or in part.

"Studio of…." "Workshop of…." In our opinion a work executed in the studio or workshop of the artist, possibly under his supervision.

"Circle of…." In our opinion a work of the period of the artist and showing his influence.

"Follower of…" In our opinion a work executed in the artist's style but not necessarily by a pupil.

"Manner of…." In our opinion a work executed in the artist's style but of a later date.

"After…." In our opinion a copy (of any date) of a work of the artist.

"Signed….", "Dated….", "Inscribed…." In our opinion the work has been signed/dated/inscribed by the artist. The addition of a question mark (?) adds an element of doubt.

"Bears signature…", "Bears date….", "Bears inscription…." In our opinion the signature/date/inscription/stamp is by a hand other than that of the artist.

Artist Resale Right
On certain Lots marked '•' in the Catalogue that are sold for a Hammer Price of €1,000 or greater (converted into GBP using the European Central Bank Reference rate prevailing on the Auction End date) an additional premium will be payable by the Buyer to cover the payment of royalties under the Artist Resale Right Regulations 2006. The additional premium will be a percentage of the amount of the hammer price calculated in accordance with the table below, and shall not exceed the equivalent of €12,500.

Hammer Price Percentage Amount
From €0 to €50,000 4%
From €50,000.01 to €200,000 3%
From €200,000.01 to €350,000 1%
From €350,000.01 to €500,000 0.5%
Exceeding €500,000 0.25%

25 Blythe Road Ltd will be pleased to execute bids on behalf of those clients unable to attend the sale in person, subject to our Conditions of Business. All bids must be submitted in writing in good time and lots will always be purchased as cheaply as possible (depending on any other bids received, reserves and competition). This service is offered free of charge.

25 Blythe Road Ltd can supply quotations for shipping of purchases, including transit insurance and VAT refund administration fees, and will assist in the application for any export licences which may be required. Buyers are reminded that it is their responsibility to comply with UK export regulations and with any local import requirements.

Payment
Payment is due in sterling at the conclusion of the sale and before purchases can be released. Please note that we require seven days to clear sterling cheques unless special arrangements have been made in advance of the sale. We are pleased to accept major credit cards (regrettably we are unable to accept American Express), for which a surcharge will be made of 3% of the transaction total. There is no charge for payments made by a UK debit card; however non-UK debit cards will attract a 3% charge. Cash and Credit card payments, made on the premises, above £6,000 will not be accepted without prior arrangement and remote card payments can only be made up to the value of £2,000.

Electronic transfers may be sent directly to our Bank:
HSBC Bank Plc
38 High Street
Dartford
Kent
DA1 1DG

IBAN No.: GB02MIDL4019042203319
Swift Code: MIDLGB22
Sort Code: 401904
Account Number: 22033119
Account Name: 25 Blythe Road Ltd

VAT No. 144 1816 27

Storage
On receipt of cleared funds, lots can be collected from 25 Blythe Road during the auction or immediately after its completion. Thereafter, all purchased lots will be stored at 25 Blythe Road Ltd.'s premises. Please note that collection is BY APPOINTMENT on +44 (0) 207 602 4805. All lots should be cleared within two months of the auction date, after which they will be transferred to a third party for storage. A transfer fee of £10 per lot plus all incurred transfer and storage costs due to the third party will be payable prior to release.

Conditions of Business for Buyers

1. Introduction
(a) The contractual relationship of 25 Blythe Road Ltd and Sellers with prospective Buyers is governed by:-
(i) these Conditions of Business for Buyers;
(ii) the Conditions of Business for Sellers displayed in the saleroom and available from 25 Blythe Road Ltd;
(iii) 25 Blythe Road Ltd's Authenticity Guarantee;
(iv) any additional notices and terms printed in the sale catalogue, in each case as amended by any saleroom notice or auctioneer's announcement.
(b) As auctioneer, 25 Blythe Road Ltd acts as agent for the Seller. Occasionally, 25 Blythe Road Ltd may own or have a financial interest in a lot.

2. Definitions
"Bidder" is any person making, attempting or considering making a bid, including Buyers;
"Buyer" is the person who makes the highest bid or offer accepted by the auctioneer, including a Buyer's principal when bidding as agent;
"Seller" is the person offering a lot for sale, including their agent, or executors;
"BR" means 25 Blythe Road Ltd, Auctioneers, 25 Blythe Road, London, W14 0PD, company number 7982062.
"Buyer's Expenses" are any costs or expenses due to 25 Blythe Road Ltd from the Buyer;
"Buyer's Premium" is the commission payable by the Buyer on the Hammer Price at the rates set out in the Guide for Prospective Buyers;
"Hammer Price" is the highest bid for the Property accepted by the auctioneer at the auction or the post auction sale price;
"Purchase Price" is the Hammer Price plus applicable Buyer's Premium and Buyer's Expenses;
"Reserve Price" (where applicable) is the minimum Hammer Price at which the Seller has agreed to sell a lot.

The Buyer's Premium, Buyer's Expenses and Hammer Price are subject to VAT, where applicable.

3. Examination of Lots
(a) BR's knowledge of lots is partly dependent on information provided by the Seller and BR is unable to exercise exhaustive due diligence on each lot. Each lot is available for examination before sale. Bidders are responsible for carrying out examinations and research before sale to satisfy themselves over the condition of lots and accuracy of descriptions.
(b) All oral and/or written information provided to Bidders relating to lots, including descriptions in the catalogue, condition reports or elsewhere are statements of BR's opinion and not representations of fact. Estimates may not be relied on as a prediction of the selling price or value of the lot and may be revised from time to time at BR's absolute discretion.

4. Exclusions and limitations of liability to Buyers
(a) BR shall refund the Purchase Price to
the Buyer in circumstances where it deems that the lot is a Counterfeit, subject to the terms of BR's Authenticity Guarantee.
(b) Subject to Condition 4(a), neither BR nor the Seller:-
(i) is liable for any errors or omissions in any oral or written information provided to Bidders by BR, whether negligent or otherwise;
(ii) gives any guarantee or warranty to Bidders and any implied warranties and conditions are excluded (save in so far as such obligations cannot be excluded by English law), other than the express warranties given by the Seller to the Buyer (for which the Seller is solely responsible) under the Conditions of Business for Sellers;
(iii) accepts responsibility to Bidders for acts or omissions (whether negligent or otherwise) by BR in connection with the conduct of auctions or for any matter relating to the sale of any lot.
(c) Without prejudice to Condition 4(b), any claim against BR and/or the Seller by a Bidder is limited to the Purchase Price for the relevant lot. Neither BR nor the Seller shall be liable for any indirect or consequential losses.
(d) Nothing in Condition 4 shall exclude or limit the liability of BR or the Seller for death or personal injury caused by the negligent acts or omissions of BR or the Seller.

5. Bidding at Auction
(a) BR has absolute discretion to refuse admission to the auction. Before sale, Bidders must complete a Registration Form and supply such information and references as BR requires. Bidders are personally liable for their bid and are jointly and severally liable with their principal, if bidding as agent (in which case BR's prior and express consent must be obtained).
(b) BR advises Bidders to attend the auction, but BR will endeavour to execute absentee written bids provided that they are, in BR's opinion, received in sufficient time and in legible form.
(c) When available, written and telephone bidding is offered as a free service at the Bidder's risk and subject to BR's other commitments; BR is therefore not liable for failure to execute such bids. Telephone bidding may be recorded.

6. Import, Export and Copyright Restrictions
BR and the Seller make no representations or warranties as to whether any lot is subject to import, export or copyright restrictions. It is the Buyer's sole responsibility to obtain any copyright clearance or any necessary import, export or other licence required by law, including licences required under the Convention on the International Trade in Endangered Species (CITES). ~ Lots marked with the symbol '~' have been identified at the time of cataloguing as containing organic material which may be subject to restrictions regarding import and export.

7. Conduct of the Auction
(a) The auctioneer has discretion to refuse bids, withdraw or re-offer lots for sale (including after the fall of the hammer) if (s)he believes that there may be an error or dispute, and may also take such other action as (s)he reasonably deems necessary.
(b) The auctioneer will commence and advance the bidding in such increments as (s)he considers appropriate and is entitled to place bids on the Seller's behalf up to the Reserve Price for the lot, where applicable.
(c) Subject to Condition 7(a), the contract between the Buyer and the Seller is concluded on the striking of the auctioneer's hammer.
(d) Any post-auction sale of lots shall incorporate these Conditions of Business.

8. Payment and Collection
(a) Unless otherwise agreed in advance, payment of the Purchase Price is due in pounds sterling immediately after the auction (the "Payment Date").
(b) Title in a lot will not pass to the Buyer until BR has received the Purchase Price in cleared funds. BR will generally not release a lot to a Buyer before payment. Earlier release shall not affect passing of title or the Buyer's obligation to pay the Purchase Price, as above.
(c) The refusal of any licence or permit required by law, as outlined in Condition 6, shall not affect the Buyer's obligation to pay for the lot, as per Condition 8(a).
(d) The Buyer must arrange collection of lots within 10 working days of the auction. Purchased lots are at the Buyer's risk from the earlier of (i) collection or (ii) 10 working days after the auction. Until risk passes, BR will compensate the Buyer for any loss or damage to the lot up to a maximum of the Purchase Price actually paid by the Buyer. BR's assumption of risk is subject to the exclusions detailed in Condition 5(d) of the Conditions of Business for Sellers.
(e) All packing and handling of lots is at the Buyer's risk. BR will not be liable for any acts or omissions of third party packers or shippers.

9. Remedies for non-payment
Without prejudice to any rights that the Seller may have, if the Buyer without prior agreement fails to make payment for the lot within 5 working days of the auction, BR may in its sole discretion exercise 1 or more of the following remedies:-
(a) store the lot at its premises or elsewhere at the Buyer's sole risk and expense;
(b) cancel the sale of the lot;
(c) set off any amounts owed to the Buyer by BR against any amounts owed to BR by the Buyer for the lot;
(d) reject future bids from the Buyer;
(e) charge interest at 4% per annum above HSBC Bank plc Base Rate from the Payment Date to the date that the Purchase Price is received in cleared funds;
(f) re-sell the lot by auction or privately, with estimates and reserves at BR's discretion, in which case the Buyer will be liable for any shortfall between the original Purchase Price and the amount achieved on re-sale, including all costs incurred in such re-sale;
(g) Exercise a lien over any Buyer's Property in BR's possession, applying the sale proceeds to any amounts owed by the Buyer to BR. BR shall give the Buyer 14 days' written notice before exercising such lien;
(h) commence legal proceedings to recover the Purchase Price for the lot, plus interest and legal costs;
(i) disclose the Buyer's details to the Seller to enable the Seller to commence legal proceedings

10. Failure to collect purchases
(a) If the Buyer pays the Purchase Price but does not collect the lot within 20 working days of the auction, the lot will be stored at the Buyer's expense and risk at BR's premises or in independent storage
(b) If a lot is paid for but uncollected within 6 months of the auction, following 60 days written notice to the Buyer, BR will re-sell the lot by auction or privately, with estimates and reserves at BR's discretion. The sale proceeds, less all BR's costs, will be forfeited unless collected by the Buyer within 2 years of the original auction.

11. Data Protection
(a) BR will use information supplied by Bidders or otherwise obtained lawfully by BR for the provision of auction related services, client administration, marketing and as otherwise required by law.
(b) By agreeing to these Conditions of Business, the Bidder agrees to the processing of their personal information and to the disclosure of such information to third parties world-wide for the purposes outlined in Condition 11(a) and to Sellers as per Condition 9(i).

12. Miscellaneous
(a) All images of lots, catalogue descriptions and all other materials produced by BR are the copyright of BR.
(b) These Conditions of Business are not assignable by any Buyer without BR's prior written consent, but are binding on Bidders' successors, assigns and representatives.
(c) The materials listed in Condition 1(a) set out the entire agreement between the parties.
(d) If any part of these Conditions of Business be held unenforceable, the remaining parts shall remain in full force and effect.
(e) These Conditions of Business shall be interpreted in accordance with English Law, under the exclusive jurisdiction of the English Courts, in favour of BR.

25 Blythe Road Ltd's Authenticity Guarantee
If 25 Blythe Road Ltd sells an item of Property which is later shown to be a "Counterfeit", subject to the terms below 25 Blythe Road Ltd will rescind the sale and refund the Buyer the total amount paid by the Buyer to 25 Blythe Road Ltd for that Property, up to a maximum of the Purchase Price.
The Guarantee lasts for one (1) year after the date of the relevant auction, is for the benefit of the Buyer only and is non-transferable.
"Counterfeit" means an item of Property that in 25 Blythe Road Ltd's reasonable opinion is an imitation created with the intent to deceive over the authorship, origin, date, age, period, culture or source, where the correct description of such matters is not included in the catalogue description for the Property.

Property shall not be considered Counterfeit solely because of any damage and/or restoration and/or modification work (including, but not limited to, recolouring, tooling or repatinating).
Please note that this Guarantee does not apply if either:-
(i) the catalogue description was in accordance with the generally accepted opinions of scholars and experts at the date of the sale, or the catalogue description indicated that there was a conflict of such opinions;
(ii) the only method of establishing at the date of the sale that the item was a Counterfeit would have been by means of processes not then generally available or accepted, unreasonably expensive or impractical; or likely to have caused damage to or loss in value to the Property
(in 25BR's reasonable opinion);
(iii) there has been no material loss in value of the Property from its value had it accorded with its catalogue description.

To claim under this Guarantee, the Buyer must:-
(i) notify 25 Blythe Road Ltd in writing within one (1) month of receiving any information that causes the Buyer to question the authenticity or attribution of the Property, specifying the lot number, date of the auction at which it was purchased and the reasons why it is believed to be Counterfeit; and
(ii) return the Property to 25 Blythe Road Ltd in the same condition as at the date of sale and be able to transfer good title in the Property, free from any third party claims arising after the date of the sale.

25 Blythe Road Ltd has discretion to waive any of the above requirements. 25 Blythe Road Ltd may require the Buyer to obtain at the Buyer's cost the reports of two independent and recognised experts in the relevant field and acceptable to 25 Blythe Road Ltd. 25 Blythe Road Ltd shall not be bound by any reports produced by the Buyer, and reserves the right to seek additional expert advice at its own expense. In the event 25 Blythe Road Ltd decides to rescind the sale under this Guarantee, it may refund to the Buyer the reasonable costs of up to two mutually approved independent expert reports, provided always that the costs of such reports have been approved in advance and in writing by 25 Blythe Road Ltd.















Shipping Terms:
Should you require shipping post the auction then please do get in touch and we will contact at least two shipping companies to obtain the most economical quote. Should the lot(s) be small and not fragile being shipped within the UK then we will make every effort to pack in house.

25 Blythe Road Ltd
25 Blythe Road, London, W14 OPD
Tel: +44 (0)20 7806 5541
Fax: +44 (0)20 7602 5973
enquiries@25blytheroad.com
www.25blytheroad.com

British & Continental Pictures & Prints - Photographs (215 Lots)

by 25 Blythe Road

January 25, 2017, 1:30 PM GMT

Live Auction

London, United Kingdom

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Fine Art (208)
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Attributed to Henry Bright (1814-1873)  Coastal scene by moonlight

Estimate: £400 - £600

Description: Attributed to Henry Bright (1814-1873) Coastal scene by moonlight oil on canvas 35.5 cm by 52 cm; 9 ¼ in by 20 ½ in

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Starting bid: £200 (0 bids)

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Follower of JEAN RAOUX (1644-1734)  THE CONCERT  oil on canvas

Estimate: £2,000 - £3,000

Description: Follower of JEAN RAOUX (1644-1734) THE CONCERT oil on canvas 99.5 cm by 81 cm; 39 in by 31 ½ in A work by Raoux of identical composition is recorded as being in a private collection in Béziers in 1967 and was exhibited at the Musée de Beaux-Arts de Béziers in the same year

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Starting bid: £1,000 (0 bids)

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FOLLOWER OF THE BASSANO FAMILY (C. 1600)  PORTRAIT OF A MAN  in ela

Estimate: £400 - £600

Description: FOLLOWER OF THE BASSANO FAMILY (C. 1600) PORTRAIT OF A MAN in elaborate frame oil on canvas 53 cm by 41 cm; 21 in by 16 in

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Starting bid: £200 (0 bids)

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RICHARD BANKES HARRADEN (1778-1862)  VIEW OF KINGS PARADE, CAMBRIDGE, W

Estimate: £1,500 - £2,000

Description: RICHARD BANKES HARRADEN (1778-1862) VIEW OF KINGS PARADE, CAMBRIDGE, WITH CORPUS CHRISTI COLLEGE signed and dated l.r.: R. B. Harraden/1842 oil on canvas 42cm by 60cm; 16 1/2in by 23 3/4in

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Starting bid: £750 (0 bids)

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Circle of Sir George Hayter (1792-1871)  Studies of figures at a perfor

Estimate: £200 - £300

Description: Circle of Sir George Hayter (1792-1871) Studies of figures at a performance oil on board laid to panel 33 cm by 42 cm; 13 in by 16 ½ in

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Starting bid: £100 (0 bids)

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ITALIAN SCHOOL (17TH CENTURY)  A SCENE FROM THE LIFE OF MASSINISSA & SO

Estimate: £400 - £600

Description: ITALIAN SCHOOL (17TH CENTURY) A SCENE FROM THE LIFE OF MASSINISSA & SOPHONISBA oil on canvas inscribed l.r.: Masinissa sofonisbe 47cm by 37cm; 18 1/2in by 14 1/2in

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Current bid: £200 (1 bid)

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ATTRIBUTED TO WILLIAM COLLINS R.A. (1788-1847)  HARBOUR SCENE  oil

Estimate: £300 - £500

Description: ATTRIBUTED TO WILLIAM COLLINS R.A. (1788-1847) HARBOUR SCENE oil on panel bears signature and date l.r.: W. Collins 1840 22.5 cm by 30.5 cm; 9 in by 12 in

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Starting bid: £150 (0 bids)

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AFTER CARLO DOLCI (1616-1686)  THE PENITENT MAGDALEN  oil on canvas

Estimate: £1,500 - £2,000

Description: AFTER CARLO DOLCI (1616-1686) THE PENITENT MAGDALEN oil on canvas 118 cm by 91 cm; 46 ½ in by 35 in Provenance John Ashton Bostock (1815-95); By whom donated to the Chapel of Leavesden Hospital; Sold at the closure sale of the above, where acquired by the present owner. A copy after the signed and dated work by Dolci of 1670, commissioned by Sir John Finch (1626-82) for Catherine of Braganza, wife of Charles II, and in the English Royal Collection ever since. Literature See F. Baldassari, Carlo Dolci. Complete catalogue of the paintings, Florence 2015, p. 260, cat. no. 145, reproduced in colour p. 261.

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Starting bid: £750 (0 bids)

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English School (mid 19th century)  The Colosseum, Rome  oil on boar

Estimate: £80 - £120

Description: English School (mid 19th century) The Colosseum, Rome oil on board 30 cm by 24 cm; 12 in by 9 ½ in

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Starting bid: £40 (0 bids)

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FOLLOWER OF RICHARD PARKES BONINGTON (1802-1828)  VENETIAN SCENE  o

Estimate: £80 - £120

Description: FOLLOWER OF RICHARD PARKES BONINGTON (1802-1828) VENETIAN SCENE oil on board 9.5cm by 12cm; 3 ¾ in by 4 ¾ in

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Starting bid: £40 (0 bids)

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Manner of Jacob Salomonsz van Ruysdael (1629-1681)  Figures in a wooded

Estimate: £3,000 - £5,000

Description: Manner of Jacob Salomonsz van Ruysdael (1629-1681) Figures in a wooded riverine landscape oil on canvas 86.5 cm by 120 cm; 34 in by 47 ¼ in

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Starting bid: £1,500 (0 bids)

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Manner of Mattia Preti (1613-1699)  Pope Saint Gregory I, called The Gr

Estimate: £400 - £600

Description: Manner of Mattia Preti (1613-1699) Pope Saint Gregory I, called The Great oil on canvas 87 cm by 67 cm; 34 ¼ in by 26 ½ in

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Starting bid: £200 (0 bids)

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THEODORE FOURMOIS (1814-1871)  WOODED LANDSCAPE WITH FARM BUILDINGS

Estimate: £300 - £500

Description: THEODORE FOURMOIS (1814-1871) WOODED LANDSCAPE WITH FARM BUILDINGS signed l.r.: T Fourmois, oil on canvas 36.5cm by 50.5cm; 14 1/in by 20in

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Starting bid: £150 (0 bids)

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Charles Leickert (1816-1907)  Dutch river landscape   signed l.r.:

Estimate: £800 - £1,200

Description: Charles Leickert (1816-1907) Dutch river landscape signed l.r.: C.H. Leickert oil on panel unframed 27 cm by 37.5 cm; 10 ½ in by 14 ¾ in Provenance Acquired by the current owner's father, Bonhams, 26th February, 1970, lot 93

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Starting bid: £400 (0 bids)

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JAN MORGHEN (FL. MID 19TH CENTURY)  WINTER LANDSCAPE  signed l.l.:

Estimate: £200 - £300

Description: JAN MORGHEN (FL. MID 19TH CENTURY) WINTER LANDSCAPE signed l.l.: J. Morghen, oil on canvas 48cm by 69.5cm; 19in by 27in

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Starting bid: £100 (0 bids)

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GIUSEPPE GOZZINI (FL. 1824-1870)  ROAD THROUGH A ROCKY LANDSCAPE  s

Estimate: £200 - £300

Description: GIUSEPPE GOZZINI (FL. 1824-1870) ROAD THROUGH A ROCKY LANDSCAPE signed and dated l.l.: G. Gozzini 1844 oil on canvas 30 cm by 23 cm; 12 in by 9 in

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Starting bid: £100 (0 bids)

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FLORAL PAINTED BOAT-SHAPED TRAY  oil on panel  64 cm by 29 cm; 25 i

Estimate: £60 - £100

Description: FLORAL PAINTED BOAT-SHAPED TRAY oil on panel 64 cm by 29 cm; 25 in by 11 ½ in

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Starting bid: £30 (0 bids)

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Henri-AimÉ Duhem (1860-1941)  Objects in an elegant interior  signe

Estimate: £400 - £600

Description: Henri-AimÉ Duhem (1860-1941) Objects in an elegant interior signed l.l.: Henri Duhem oil on canvas 50 cm by 60 cm; 9 ¾ in by 23 in

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Starting bid: £200 (0 bids)

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Ludek Alois Marold (1865-1898)  Anelegantwomanseatedbyastove  Signe

Estimate: £1,500 - £2,000

Description: Ludek Alois Marold (1865-1898) Anelegantwomanseatedbyastove Signedl.l.:L.Marold watercolour 37.5cmby26cm;14½inby10¼in

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Starting bid: £750 (0 bids)

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a group of four watercolours  including Cottages in the snow, East Angl

Estimate: £80 - £120

Description: a group of four watercolours including Cottages in the snow, East Anglian costal scene, Cattle grazing in a landscape various sizes (4)

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Starting bid: £40 (0 bids)

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ATTRIBUTED TO WILLIAM CROUCH (1817-1850)  CAPRICCIO LANDSCAPE  wate

Estimate: £80 - £120

Description: ATTRIBUTED TO WILLIAM CROUCH (1817-1850) CAPRICCIO LANDSCAPE watercolour 7cm by 11.5cm; 3in by 4 1/2 in

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Starting bid: £40 (0 bids)

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E.L. MCCLOY (19th CENTURY)  WIFE OF SAMUEL MCCLOY  signed l.r.: E.L

Estimate: £200 - £300

Description: E.L. MCCLOY (19th CENTURY) WIFE OF SAMUEL MCCLOY signed l.r.: E.L. Mccloy watercolour 54cm by 41cm; 21in by 16in

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Starting bid: £100 (0 bids)

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Attributed to Benjamin Williams Leader R.A. (1831-1923)  View near Bett

Estimate: £200 - £300

Description: Attributed to Benjamin Williams Leader R.A. (1831-1923) View near Bettws-y-Coed, North Wales bears signature l.l.: B.W. Leader watercolour 22 cm by 33 cm; 18 ½ in by 13 in

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Starting bid: £100 (0 bids)

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CHARLES SIM MOTTRAM (worked 1876-1903)  FROM THE BEACH  signed and

Estimate: £300 - £500

Description: CHARLES SIM MOTTRAM (worked 1876-1903) FROM THE BEACH signed and dated l.r.:Che.S.Mottram/'93 watercolour 30 cm by 45.5 cm; 11 3/4 in by 18 in Mottram was a painter of marine and coastal scenes. Born in Rotherham, Yorkshire he moved to London at an early age, living in Stoke Newington and Hampstead. He began exhibiting Cornish subjects in 1880s and in 1901 he and his wife and young family moved to Cornwall, taking up residence in St Ives.

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Starting bid: £150 (0 bids)

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WILLIAM MOORE, JNR (1817-1909)  ARDCHONNEL CASTLE, LOCH AWE  signed

Estimate: £70 - £100

Description: WILLIAM MOORE, JNR (1817-1909) ARDCHONNEL CASTLE, LOCH AWE signed and indistinctly dated; signed and inscribed with title and the artist's address on a label on the backboard watercolour 10 cm by 16.5 cm; 3 3/4 in by 6 1/2 in The son of the York artist William Moore, Snr and brother of the artists Albert Joseph Moore, Edwin Moore, Henry Moore and John Collingham Moore. He was taught by his father and Henry Barlow Carter and mainly painted watercolour landscapes and exhibited at the Royal Academy, Royal Watercolour Society and elsewhere.

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Starting bid: £35 (0 bids)

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James Ward, RA (1769-1859)  Mrs Macnab of Inversnaid at her Spinning Wh

Estimate: £250 - £350

Description: James Ward, RA (1769-1859) Mrs Macnab of Inversnaid at her Spinning Wheel signed with initials: JWD/RA inscribed: Mrs McNab, Inversnaid and dated: August 24 pencil 16 cm by 23 cm; 6 ¼ in by 9 in

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Starting bid: £120 (0 bids)

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Albert Goodwin, RWS (1845-1932)  Lake Maggiore  signed with monogra

Estimate: £300 - £500

Description: Albert Goodwin, RWS (1845-1932) Lake Maggiore signed with monogram l.l.: AG and inscribed l.r. Lago Maggiore watercolour 12.5 cm by 21.5 cm; 5 in by 8 1/2 in

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Starting bid: £150 (0 bids)

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Edward Lear (1812-1888)  Valmontone, near Tivoli  inscribed and dat

Estimate: £1,200 - £1,800

Description: Edward Lear (1812-1888) Valmontone, near Tivoli inscribed and dated: Lampezza (?)/8 May 1840 pencil 21.5 cm by 41.5 cm; 8 1/2 in by 16 1/4 in sold together with a framed lithograph after Edward Lear, "Bracciano" from Views of Rome and its Environs of 1841 Provenance (drawing of Valmontone): Sir Robin Darwin, RA; with Agnew's (2) The drawing forms part of a group of sketches of the area around Rome from the late 1830s and early 1840s which culminated in Lear's great set of travel prints of the area Views of Rome and its Environs, a lithograph from which is also sold with this lot. The sketch of the figures on horseback (top right in this image) may indeed be a study for the figures at the centre of a lithograph from this celebrated set. A more complete view of Valmontone, dating from 1841, also appeared in the collection of the painter Sir Robin Darwin and was exhibited at the 1986 Royal Academy Edward Lear Exhibition.

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Starting bid: £600 (0 bids)

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After James Ward, RA (1769-1859)  Study for

Estimate: £300 - £500

Description: After James Ward, RA (1769-1859) Study for "A Poultry Market" bearing initials l.l.: JWD/RA with a landscape study in pencil attributed to James Ward (verso) watercolour over pencil 30 cm by 21.5 cm; 11 ¾ in by 8 ½ in Provenance Peter Cochrane This watercolour appears to be based on the central figure in James Ward's major subject picture, A Poultry Market, which was engraved as a popular mezzotint by Ward's brother William in 1803. It has been suggested that this copy has been made on the verso of an original pencil landscape drawing by James Ward.

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Starting bid: £150 (0 bids)

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Constantin Guys (1802-1892)  A sheet of studies from the Crimean War

Estimate: £800 - £1,200

Description: Constantin Guys (1802-1892) A sheet of studies from the Crimean War Numbered l.l.: 109 Wash over pen and ink, 25.5cm by 42cm; 10in by 16 1/2 in Provenance Bruno Streiff, Zurich Although a French painter, Guys did much of his most interesting and historically important work as an illustrator for the Illustrated London News in the mid 1850s. Baudelaire described Guys as "the painter of modern life", a title that is fully justified by the originality and fidelity of his powers as an illustrator, whether in his depictions of lavish Paris society in the Second Empire or in the heat of war. The studies on this sheet relate to a number of finished drawings Guys executed for the Illustrated London News during the Crimean War, a role he undertook as an equivalent to today's war photographer. His ability to capture his subject with a swift but poetic flourish deeply influenced his contemporaries, particularly Honore Daumier, as well as Gautier and his biographer, Baudelaire.

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Starting bid: £400 (0 bids)

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Attributed to James Holland, O.W.S. (1799-1870)  A venetian scene

Estimate: £200 - £300

Description: Attributed to James Holland, O.W.S. (1799-1870) A venetian scene watercolour and gouache over pencil 23 cm by 29 cm; 9 in by 11 ½ in

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Starting bid: £100 (0 bids)

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RICHARD HENRY NIBBS (1816-1893)  TWO LONDON VIEWS  including Scene

Estimate: £80 - £120

Description: RICHARD HENRY NIBBS (1816-1893) TWO LONDON VIEWS including Scene on the Thames and Greenhithe Pier the first signed and dated l.r.: J.H. Nibbs/86, the second signed l.r.: J.H. Nibbs and inscribed and dated l.r.: Greenhithe Pier, April 1841; the first watercolour with bodycolour, the second pen and sepia ink 50.5cm by 29cm; 20in by 11 1/2in 21cm by 27cm; 8 1/3in by 10 2/3in

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Starting bid: £40 (0 bids)

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THE HOOD FAMILY (19TH CENTURY)  A FOLIO OF LANDSCAPE WATERCOLOURS

Estimate: £100 - £150

Description: THE HOOD FAMILY (19TH CENTURY) A FOLIO OF LANDSCAPE WATERCOLOURS including views of the Alps, Capri, South Coast, Lowestoft, and Navirino Bay, some copies of other artists including after Callow and Robertson, watercolour various sizes (29)

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Starting bid: £50 (0 bids)

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J. VAN ORNBLOOR (ACTIVE C. 1750)  FLOWERS IN AN ORNAMENTAL URN IN A LAN

Estimate: £200 - £300

Description: J. VAN ORNBLOOR (ACTIVE C. 1750) FLOWERS IN AN ORNAMENTAL URN IN A LANDSCAPE watercolour signed and inscribed indistinctly l.l. 33.5cm by 26cm; 13in by10in

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Starting bid: £100 (0 bids)

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GEORGE CATTERMOLE, OWS (1800-1868)  MONKS READING IN A MEDIEVAL INTERIO

Estimate: £500 - £700

Description: GEORGE CATTERMOLE, OWS (1800-1868) MONKS READING IN A MEDIEVAL INTERIOR watercolour, in an exceptional antique carved-gilt frame 49cm by 64.5cm; 19 1/4in by 25 1/4in Exhibited London, Old Watercolour Society, 1850, no. 377 George Cattermole was born at Dickleburgh, in Norfolk. When he was fourteen he began working as an architectural and topographical designer for the antiquary John Britton. He became an associate of the Royal Watercolour Society in 1822 and a full member in 1833. In 1850 he abandoned the society, dedicating his attention to painting in oil. At the Paris Exhibition of 1855 George Cattermole was honoured with one of the five first-class gold medals awarded to British painters. He also received professional artistic honours in Amsterdam and in Belgium. Among his leading works are The Murder of the Bishop of Liege, The Armourer (relating the Story of the Sword) and The Assassination of the Regent Murray by Hamilton of Bothwellhaugh. He was strongly influenced by the writing of Walter Scott whose work he also illustrated. The present work is a major exhibition piece from his final years as a watercolour painter.

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Starting bid: £240 (0 bids)

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THOMAS SEWELL ROBINS, N.W.S. (1810-1880)  STUDY OF A FISHERWOMAN  s

Estimate: £100 - £150

Description: THOMAS SEWELL ROBINS, N.W.S. (1810-1880) STUDY OF A FISHERWOMAN signed with initals and dated l.r.:TSR 50 watercolour 31cm by 18.5cm;12 1/4in by 7 1/4in

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Starting bid: £50 (0 bids)

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THOMAS DANIELL, R.A. (1749-1840)   AUBDAUR,WATER COOLER  pencil

Estimate: £200 - £300

Description: THOMAS DANIELL, R.A. (1749-1840) AUBDAUR,WATER COOLER pencil 20cm by 16cm; 8in by 6 1/4in

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Starting bid: £100 (0 bids)

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John Laporte (1761-1839)  Lakeside scene with approaching boat  wat

Estimate: £150 - £200

Description: John Laporte (1761-1839) Lakeside scene with approaching boat watercolour and gouache 41 cm by 35 cm; 16 in by 13 ¾ in

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Starting bid: £70 (0 bids)

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Henry William Burgess (c. 1792-1839)  Whitstable Harbour  inscribed

Estimate: £100 - £150

Description: Henry William Burgess (c. 1792-1839) Whitstable Harbour inscribed with title l.r. pencil 25.5 cm by 34 cm; 10 in by 13 ½ in

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Starting bid: £50 (0 bids)

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Thomas Rowlandson (1756-1827)  The Cortege  watercolour over pen an

Estimate: £400 - £600

Description: Thomas Rowlandson (1756-1827) The Cortege watercolour over pen and ink 14 cm by 20.5 cm; 5 ½ in by 8 in

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Starting bid: £200 (0 bids)

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Thomas Hosmer Shepherd (1793-1864)  a folio of london views  includ

Estimate: £300 - £500

Description: Thomas Hosmer Shepherd (1793-1864) a folio of london views including Whittington's college, College Hill; and Physicians college, Warwick lane four watercolours on two mounts sepia wash approx. 13 cm by 17 cm; 5 in by 6 ¾ in (when mounted as pair) (unframed) (2)

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Starting bid: £150 (0 bids)

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Georg Greis (fl. 1814)  The Brandenburg Gate, Berlin  signed dated

Estimate: £60 - £80

Description: Georg Greis (fl. 1814) The Brandenburg Gate, Berlin signed dated and extensively inscribed (and verso):Von deinem guten freunde. Georg Greis Koenigsberg ? November 1814 grey wash over pen and ink 9 cm by 14 cm; 3 ½ in by 5 ½ in (unframed)

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Starting bid: £30 (0 bids)

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Thomas Uwins, R.A. (1782-1857)  The statue of the Duke of Bedford in Ru

Estimate: £100 - £150

Description: Thomas Uwins, R.A. (1782-1857) The statue of the Duke of Bedford in Russell square signed l.l.: Drawn by T.Uwins and inscribed with title under mount sepia wash over pencil 26.5 cm by 16 cm; 10 ½ in by 6 ¼ in (unframed)

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James Holland, O.W.S. (1800-1870)  The marketplace in Rouen and A boat,

Estimate: £120 - £180

Description: James Holland, O.W.S. (1800-1870) The marketplace in Rouen and A boat, Rouen (a pair of drawings) one inscribed and dated: Augst 26th/Rouen the other dated: Augst 25th pencil the largest 17.5 cm by 25 cm; 7 in by 10 in (unframed)

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Starting bid: £60 (0 bids)

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Edward Swinburne (1765-1847)  Portland Harbour  inscribed with titl

Estimate: £120 - £180

Description: Edward Swinburne (1765-1847) Portland Harbour inscribed with title verso pencil and pen and ink heightened with grey wash and white 28 cm by 35 cm; 11 in by 13 ¾ in (unframed)

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Starting bid: £60 (0 bids)

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John Linnell (1792-1882)  A cart on a country lane, Balcombe  signe

Estimate: £150 - £200

Description: John Linnell (1792-1882) A cart on a country lane, Balcombe signed inscribed and dated l.r.: J. Linnell/ Balcombe/ 48 pencil heightened with white and green crayon 43 cm by 30 cm; 17 in by 11 ¾ in (unframed)

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Starting bid: £70 (0 bids)

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Rev. Horace Pechell (1792-after 1881)  Rectory House, Bix, Henley-on-Th

Estimate: £60 - £80

Description: Rev. Horace Pechell (1792-after 1881) Rectory House, Bix, Henley-on-Thames inscribed with title on old mount watercolour over pen and ink 22 cm by 17 cm; 8 ½ in by 6 ¾ in Pechell was the Rector at Bix from 1832 to 1879

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Starting bid: £30 (0 bids)

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English school (early 19th century)  Witney parish church  watercol

Estimate: £60 - £80

Description: English school (early 19th century) Witney parish church watercolour over pen and ink 19.5 cm by 27 cm; 7 ¾ in by 10 ½

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Starting bid: £30 (0 bids)

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Charles Marshall (1806-1890)  A View of Rochester  signed with mono

Estimate: £1,000 - £1,500

Description: Charles Marshall (1806-1890) A View of Rochester signed with monogram l.l.: C.M watercolour 31 cm by 46 cm; 12 ¼ in by 18 in

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Starting bid: £500 (0 bids)

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Robert Hills, O.W.S. (1769-1844)  Cattle-droving on a country lane

Estimate: £600 - £800

Description: Robert Hills, O.W.S. (1769-1844) Cattle-droving on a country lane watercolour over pen and ink 46 cm by 59.5 cm; 18 in by 23 ½ in

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Starting bid: £300 (0 bids)

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