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Auction Description for 25 Blythe Road: British & Continental Pictures & Prints - Photographs
Viewing Notes:
22 January 2017 12:00 to 16:00; 23 January 2017 10:00 to 20:00; 24 January 2017 10:00 to 17:00; 25 January 2017 10.00 to 12.00 (limited viewing)
Sale Notes:
www.invaluable.com/25BlytheRoad

British & Continental Pictures & Prints - Photographs (215 Lots)

by 25 Blythe Road


215 lots with images

January 25, 2017

Live Auction

London, United Kingdom

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Attributed to Henry Bright (1814-1873)  Coastal scene by moonlight

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Description: Attributed to Henry Bright (1814-1873) Coastal scene by moonlight oil on canvas 35.5 cm by 52 cm; 9 ¼ in by 20 ½ in

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Follower of JEAN RAOUX (1644-1734)  THE CONCERT  oil on canvas

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Description: Follower of JEAN RAOUX (1644-1734) THE CONCERT oil on canvas 99.5 cm by 81 cm; 39 in by 31 ½ in A work by Raoux of identical composition is recorded as being in a private collection in Béziers in 1967 and was exhibited at the Musée de Beaux-Arts de Béziers in the same year

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FOLLOWER OF THE BASSANO FAMILY (C. 1600)  PORTRAIT OF A MAN  in ela

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Description: FOLLOWER OF THE BASSANO FAMILY (C. 1600) PORTRAIT OF A MAN in elaborate frame oil on canvas 53 cm by 41 cm; 21 in by 16 in

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RICHARD BANKES HARRADEN (1778-1862)  VIEW OF KINGS PARADE, CAMBRIDGE, W

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Description: RICHARD BANKES HARRADEN (1778-1862) VIEW OF KINGS PARADE, CAMBRIDGE, WITH CORPUS CHRISTI COLLEGE signed and dated l.r.: R. B. Harraden/1842 oil on canvas 42cm by 60cm; 16 1/2in by 23 3/4in

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Circle of Sir George Hayter (1792-1871)  Studies of figures at a perfor

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Description: Circle of Sir George Hayter (1792-1871) Studies of figures at a performance oil on board laid to panel 33 cm by 42 cm; 13 in by 16 ½ in

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ITALIAN SCHOOL (17TH CENTURY)  A SCENE FROM THE LIFE OF MASSINISSA & SO

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Description: ITALIAN SCHOOL (17TH CENTURY) A SCENE FROM THE LIFE OF MASSINISSA & SOPHONISBA oil on canvas inscribed l.r.: Masinissa sofonisbe 47cm by 37cm; 18 1/2in by 14 1/2in

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ATTRIBUTED TO WILLIAM COLLINS R.A. (1788-1847)  HARBOUR SCENE  oil

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Description: ATTRIBUTED TO WILLIAM COLLINS R.A. (1788-1847) HARBOUR SCENE oil on panel bears signature and date l.r.: W. Collins 1840 22.5 cm by 30.5 cm; 9 in by 12 in

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AFTER CARLO DOLCI (1616-1686)  THE PENITENT MAGDALEN  oil on canvas

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Description: AFTER CARLO DOLCI (1616-1686) THE PENITENT MAGDALEN oil on canvas 118 cm by 91 cm; 46 ½ in by 35 in Provenance John Ashton Bostock (1815-95); By whom donated to the Chapel of Leavesden Hospital; Sold at the closure sale of the above, where acquired by the present owner. A copy after the signed and dated work by Dolci of 1670, commissioned by Sir John Finch (1626-82) for Catherine of Braganza, wife of Charles II, and in the English Royal Collection ever since. Literature See F. Baldassari, Carlo Dolci. Complete catalogue of the paintings, Florence 2015, p. 260, cat. no. 145, reproduced in colour p. 261.

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English School (mid 19th century)  The Colosseum, Rome  oil on boar

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Description: English School (mid 19th century) The Colosseum, Rome oil on board 30 cm by 24 cm; 12 in by 9 ½ in

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FOLLOWER OF RICHARD PARKES BONINGTON (1802-1828)  VENETIAN SCENE  o

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Description: FOLLOWER OF RICHARD PARKES BONINGTON (1802-1828) VENETIAN SCENE oil on board 9.5cm by 12cm; 3 ¾ in by 4 ¾ in

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Manner of Jacob Salomonsz van Ruysdael (1629-1681)  Figures in a wooded

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Description: Manner of Jacob Salomonsz van Ruysdael (1629-1681) Figures in a wooded riverine landscape oil on canvas 86.5 cm by 120 cm; 34 in by 47 ¼ in

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Manner of Mattia Preti (1613-1699)  Pope Saint Gregory I, called The Gr

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Description: Manner of Mattia Preti (1613-1699) Pope Saint Gregory I, called The Great oil on canvas 87 cm by 67 cm; 34 ¼ in by 26 ½ in

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THEODORE FOURMOIS (1814-1871)  WOODED LANDSCAPE WITH FARM BUILDINGS

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Description: THEODORE FOURMOIS (1814-1871) WOODED LANDSCAPE WITH FARM BUILDINGS signed l.r.: T Fourmois, oil on canvas 36.5cm by 50.5cm; 14 1/in by 20in

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Charles Leickert (1816-1907)  Dutch river landscape   signed l.r.:

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Description: Charles Leickert (1816-1907) Dutch river landscape signed l.r.: C.H. Leickert oil on panel unframed 27 cm by 37.5 cm; 10 ½ in by 14 ¾ in Provenance Acquired by the current owner's father, Bonhams, 26th February, 1970, lot 93

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JAN MORGHEN (FL. MID 19TH CENTURY)  WINTER LANDSCAPE  signed l.l.:

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Description: JAN MORGHEN (FL. MID 19TH CENTURY) WINTER LANDSCAPE signed l.l.: J. Morghen, oil on canvas 48cm by 69.5cm; 19in by 27in

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GIUSEPPE GOZZINI (FL. 1824-1870)  ROAD THROUGH A ROCKY LANDSCAPE  s

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Description: GIUSEPPE GOZZINI (FL. 1824-1870) ROAD THROUGH A ROCKY LANDSCAPE signed and dated l.l.: G. Gozzini 1844 oil on canvas 30 cm by 23 cm; 12 in by 9 in

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FLORAL PAINTED BOAT-SHAPED TRAY  oil on panel  64 cm by 29 cm; 25 i

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Description: FLORAL PAINTED BOAT-SHAPED TRAY oil on panel 64 cm by 29 cm; 25 in by 11 ½ in

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Henri-AimÉ Duhem (1860-1941)  Objects in an elegant interior  signe

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Description: Henri-AimÉ Duhem (1860-1941) Objects in an elegant interior signed l.l.: Henri Duhem oil on canvas 50 cm by 60 cm; 9 ¾ in by 23 in

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Ludek Alois Marold (1865-1898)  Anelegantwomanseatedbyastove  Signe

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Description: Ludek Alois Marold (1865-1898) Anelegantwomanseatedbyastove Signedl.l.:L.Marold watercolour 37.5cmby26cm;14½inby10¼in

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a group of four watercolours  including Cottages in the snow, East Angl

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Description: a group of four watercolours including Cottages in the snow, East Anglian costal scene, Cattle grazing in a landscape various sizes (4)

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ATTRIBUTED TO WILLIAM CROUCH (1817-1850)  CAPRICCIO LANDSCAPE  wate

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Description: ATTRIBUTED TO WILLIAM CROUCH (1817-1850) CAPRICCIO LANDSCAPE watercolour 7cm by 11.5cm; 3in by 4 1/2 in

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E.L. MCCLOY (19th CENTURY)  WIFE OF SAMUEL MCCLOY  signed l.r.: E.L

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Description: E.L. MCCLOY (19th CENTURY) WIFE OF SAMUEL MCCLOY signed l.r.: E.L. Mccloy watercolour 54cm by 41cm; 21in by 16in

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Attributed to Benjamin Williams Leader R.A. (1831-1923)  View near Bett

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Description: Attributed to Benjamin Williams Leader R.A. (1831-1923) View near Bettws-y-Coed, North Wales bears signature l.l.: B.W. Leader watercolour 22 cm by 33 cm; 18 ½ in by 13 in

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CHARLES SIM MOTTRAM (worked 1876-1903)  FROM THE BEACH  signed and

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Description: CHARLES SIM MOTTRAM (worked 1876-1903) FROM THE BEACH signed and dated l.r.:Che.S.Mottram/'93 watercolour 30 cm by 45.5 cm; 11 3/4 in by 18 in Mottram was a painter of marine and coastal scenes. Born in Rotherham, Yorkshire he moved to London at an early age, living in Stoke Newington and Hampstead. He began exhibiting Cornish subjects in 1880s and in 1901 he and his wife and young family moved to Cornwall, taking up residence in St Ives.

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WILLIAM MOORE, JNR (1817-1909)  ARDCHONNEL CASTLE, LOCH AWE  signed

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Description: WILLIAM MOORE, JNR (1817-1909) ARDCHONNEL CASTLE, LOCH AWE signed and indistinctly dated; signed and inscribed with title and the artist's address on a label on the backboard watercolour 10 cm by 16.5 cm; 3 3/4 in by 6 1/2 in The son of the York artist William Moore, Snr and brother of the artists Albert Joseph Moore, Edwin Moore, Henry Moore and John Collingham Moore. He was taught by his father and Henry Barlow Carter and mainly painted watercolour landscapes and exhibited at the Royal Academy, Royal Watercolour Society and elsewhere.

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James Ward, RA (1769-1859)  Mrs Macnab of Inversnaid at her Spinning Wh

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Description: James Ward, RA (1769-1859) Mrs Macnab of Inversnaid at her Spinning Wheel signed with initials: JWD/RA inscribed: Mrs McNab, Inversnaid and dated: August 24 pencil 16 cm by 23 cm; 6 ¼ in by 9 in

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Albert Goodwin, RWS (1845-1932)  Lake Maggiore  signed with monogra

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Description: Albert Goodwin, RWS (1845-1932) Lake Maggiore signed with monogram l.l.: AG and inscribed l.r. Lago Maggiore watercolour 12.5 cm by 21.5 cm; 5 in by 8 1/2 in

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Edward Lear (1812-1888)  Valmontone, near Tivoli  inscribed and dat

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Description: Edward Lear (1812-1888) Valmontone, near Tivoli inscribed and dated: Lampezza (?)/8 May 1840 pencil 21.5 cm by 41.5 cm; 8 1/2 in by 16 1/4 in sold together with a framed lithograph after Edward Lear, "Bracciano" from Views of Rome and its Environs of 1841 Provenance (drawing of Valmontone): Sir Robin Darwin, RA; with Agnew's (2) The drawing forms part of a group of sketches of the area around Rome from the late 1830s and early 1840s which culminated in Lear's great set of travel prints of the area Views of Rome and its Environs, a lithograph from which is also sold with this lot. The sketch of the figures on horseback (top right in this image) may indeed be a study for the figures at the centre of a lithograph from this celebrated set. A more complete view of Valmontone, dating from 1841, also appeared in the collection of the painter Sir Robin Darwin and was exhibited at the 1986 Royal Academy Edward Lear Exhibition.

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After James Ward, RA (1769-1859)  Study for

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Description: After James Ward, RA (1769-1859) Study for "A Poultry Market" bearing initials l.l.: JWD/RA with a landscape study in pencil attributed to James Ward (verso) watercolour over pencil 30 cm by 21.5 cm; 11 ¾ in by 8 ½ in Provenance Peter Cochrane This watercolour appears to be based on the central figure in James Ward's major subject picture, A Poultry Market, which was engraved as a popular mezzotint by Ward's brother William in 1803. It has been suggested that this copy has been made on the verso of an original pencil landscape drawing by James Ward.

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Constantin Guys (1802-1892)  A sheet of studies from the Crimean War

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Description: Constantin Guys (1802-1892) A sheet of studies from the Crimean War Numbered l.l.: 109 Wash over pen and ink, 25.5cm by 42cm; 10in by 16 1/2 in Provenance Bruno Streiff, Zurich Although a French painter, Guys did much of his most interesting and historically important work as an illustrator for the Illustrated London News in the mid 1850s. Baudelaire described Guys as "the painter of modern life", a title that is fully justified by the originality and fidelity of his powers as an illustrator, whether in his depictions of lavish Paris society in the Second Empire or in the heat of war. The studies on this sheet relate to a number of finished drawings Guys executed for the Illustrated London News during the Crimean War, a role he undertook as an equivalent to today's war photographer. His ability to capture his subject with a swift but poetic flourish deeply influenced his contemporaries, particularly Honore Daumier, as well as Gautier and his biographer, Baudelaire.

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Attributed to James Holland, O.W.S. (1799-1870)  A venetian scene

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Description: Attributed to James Holland, O.W.S. (1799-1870) A venetian scene watercolour and gouache over pencil 23 cm by 29 cm; 9 in by 11 ½ in

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RICHARD HENRY NIBBS (1816-1893)  TWO LONDON VIEWS  including Scene

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Description: RICHARD HENRY NIBBS (1816-1893) TWO LONDON VIEWS including Scene on the Thames and Greenhithe Pier the first signed and dated l.r.: J.H. Nibbs/86, the second signed l.r.: J.H. Nibbs and inscribed and dated l.r.: Greenhithe Pier, April 1841; the first watercolour with bodycolour, the second pen and sepia ink 50.5cm by 29cm; 20in by 11 1/2in 21cm by 27cm; 8 1/3in by 10 2/3in

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THE HOOD FAMILY (19TH CENTURY)  A FOLIO OF LANDSCAPE WATERCOLOURS

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Description: THE HOOD FAMILY (19TH CENTURY) A FOLIO OF LANDSCAPE WATERCOLOURS including views of the Alps, Capri, South Coast, Lowestoft, and Navirino Bay, some copies of other artists including after Callow and Robertson, watercolour various sizes (29)

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J. VAN ORNBLOOR (ACTIVE C. 1750)  FLOWERS IN AN ORNAMENTAL URN IN A LAN

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Description: J. VAN ORNBLOOR (ACTIVE C. 1750) FLOWERS IN AN ORNAMENTAL URN IN A LANDSCAPE watercolour signed and inscribed indistinctly l.l. 33.5cm by 26cm; 13in by10in

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GEORGE CATTERMOLE, OWS (1800-1868)  MONKS READING IN A MEDIEVAL INTERIO

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Description: GEORGE CATTERMOLE, OWS (1800-1868) MONKS READING IN A MEDIEVAL INTERIOR watercolour, in an exceptional antique carved-gilt frame 49cm by 64.5cm; 19 1/4in by 25 1/4in Exhibited London, Old Watercolour Society, 1850, no. 377 George Cattermole was born at Dickleburgh, in Norfolk. When he was fourteen he began working as an architectural and topographical designer for the antiquary John Britton. He became an associate of the Royal Watercolour Society in 1822 and a full member in 1833. In 1850 he abandoned the society, dedicating his attention to painting in oil. At the Paris Exhibition of 1855 George Cattermole was honoured with one of the five first-class gold medals awarded to British painters. He also received professional artistic honours in Amsterdam and in Belgium. Among his leading works are The Murder of the Bishop of Liege, The Armourer (relating the Story of the Sword) and The Assassination of the Regent Murray by Hamilton of Bothwellhaugh. He was strongly influenced by the writing of Walter Scott whose work he also illustrated. The present work is a major exhibition piece from his final years as a watercolour painter.

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THOMAS SEWELL ROBINS, N.W.S. (1810-1880)  STUDY OF A FISHERWOMAN  s

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Description: THOMAS SEWELL ROBINS, N.W.S. (1810-1880) STUDY OF A FISHERWOMAN signed with initals and dated l.r.:TSR 50 watercolour 31cm by 18.5cm;12 1/4in by 7 1/4in

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THOMAS DANIELL, R.A. (1749-1840)   AUBDAUR,WATER COOLER  pencil

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Description: THOMAS DANIELL, R.A. (1749-1840) AUBDAUR,WATER COOLER pencil 20cm by 16cm; 8in by 6 1/4in

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John Laporte (1761-1839)  Lakeside scene with approaching boat  wat

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Description: John Laporte (1761-1839) Lakeside scene with approaching boat watercolour and gouache 41 cm by 35 cm; 16 in by 13 ¾ in

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Henry William Burgess (c. 1792-1839)  Whitstable Harbour  inscribed

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Description: Henry William Burgess (c. 1792-1839) Whitstable Harbour inscribed with title l.r. pencil 25.5 cm by 34 cm; 10 in by 13 ½ in

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Thomas Rowlandson (1756-1827)  The Cortege  watercolour over pen an

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Description: Thomas Rowlandson (1756-1827) The Cortege watercolour over pen and ink 14 cm by 20.5 cm; 5 ½ in by 8 in

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Thomas Hosmer Shepherd (1793-1864)  a folio of london views  includ

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Description: Thomas Hosmer Shepherd (1793-1864) a folio of london views including Whittington's college, College Hill; and Physicians college, Warwick lane four watercolours on two mounts sepia wash approx. 13 cm by 17 cm; 5 in by 6 ¾ in (when mounted as pair) (unframed) (2)

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Georg Greis (fl. 1814)  The Brandenburg Gate, Berlin  signed dated

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Description: Georg Greis (fl. 1814) The Brandenburg Gate, Berlin signed dated and extensively inscribed (and verso):Von deinem guten freunde. Georg Greis Koenigsberg ? November 1814 grey wash over pen and ink 9 cm by 14 cm; 3 ½ in by 5 ½ in (unframed)

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Thomas Uwins, R.A. (1782-1857)  The statue of the Duke of Bedford in Ru

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Description: Thomas Uwins, R.A. (1782-1857) The statue of the Duke of Bedford in Russell square signed l.l.: Drawn by T.Uwins and inscribed with title under mount sepia wash over pencil 26.5 cm by 16 cm; 10 ½ in by 6 ¼ in (unframed)

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James Holland, O.W.S. (1800-1870)  The marketplace in Rouen and A boat,

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Description: James Holland, O.W.S. (1800-1870) The marketplace in Rouen and A boat, Rouen (a pair of drawings) one inscribed and dated: Augst 26th/Rouen the other dated: Augst 25th pencil the largest 17.5 cm by 25 cm; 7 in by 10 in (unframed)

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Edward Swinburne (1765-1847)  Portland Harbour  inscribed with titl

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Description: Edward Swinburne (1765-1847) Portland Harbour inscribed with title verso pencil and pen and ink heightened with grey wash and white 28 cm by 35 cm; 11 in by 13 ¾ in (unframed)

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John Linnell (1792-1882)  A cart on a country lane, Balcombe  signe

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Description: John Linnell (1792-1882) A cart on a country lane, Balcombe signed inscribed and dated l.r.: J. Linnell/ Balcombe/ 48 pencil heightened with white and green crayon 43 cm by 30 cm; 17 in by 11 ¾ in (unframed)

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Rev. Horace Pechell (1792-after 1881)  Rectory House, Bix, Henley-on-Th

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Description: Rev. Horace Pechell (1792-after 1881) Rectory House, Bix, Henley-on-Thames inscribed with title on old mount watercolour over pen and ink 22 cm by 17 cm; 8 ½ in by 6 ¾ in Pechell was the Rector at Bix from 1832 to 1879

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English school (early 19th century)  Witney parish church  watercol

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Description: English school (early 19th century) Witney parish church watercolour over pen and ink 19.5 cm by 27 cm; 7 ¾ in by 10 ½

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Charles Marshall (1806-1890)  A View of Rochester  signed with mono

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Description: Charles Marshall (1806-1890) A View of Rochester signed with monogram l.l.: C.M watercolour 31 cm by 46 cm; 12 ¼ in by 18 in

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Robert Hills, O.W.S. (1769-1844)  Cattle-droving on a country lane

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Description: Robert Hills, O.W.S. (1769-1844) Cattle-droving on a country lane watercolour over pen and ink 46 cm by 59.5 cm; 18 in by 23 ½ in

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