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Auction Description for Profiles in History: Drama, Action, Romance: The Hollywood Auction
Viewing Notes:
Please contact auction house for further details.
Sale Notes:
www.profilesinhistory.com

Drama, Action, Romance: The Hollywood Auction

by Profiles in History

Platinum House

464 lots with images

December 16, 2012

Live Auction

26901 Agoura Road

Suite 150

Calabasas Hills, CA, 91301 USA

Phone: 310-859-7701

Fax: 310-859-3842

Email: Info@profilesinhistory.com

464 Lots
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James Bond to Emma Peel collection of (19) secret-agent stills.

Lot 433: James Bond to Emma Peel collection of (19) secret-agent stills.

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Description: Collection of (19) gelatin-silver approx. 8 x 10 in. prints of film and television secret-agents; titles include Dr. No, The Avengers and Danger: Diabolik, and images range from Ursula Andress beautifully showcasing the legendary white bikini, to Diana Rigg modeling high '60s fashion, to John Philip Law with his 1967 Jaguar XKE. Very fine.

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James Bond collection of (60+) color and black-and-white stills and (150+) 35mm film frames.

Lot 434: James Bond collection of (60+) color and black-and-white stills and (150+) 35mm film frames.

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Description: Wide ranging James Bond film ephemera collection comprised of: Color (20+) and black & white (40+) approx. 8 x 10 in. stills (most studio originals, a few later dupes) together with numerous (150+) clipped individual 35mm film frames and publicity slides, all from various James Bond films, covering a majority of the Sean Connery titles and including some of the Roger Moore titles as well. An exceptional cross-section of the first two decades of Bond. Generally very fine.

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James Bond autographed still collection of (16).

Lot 435: James Bond autographed still collection of (16).

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Description: Wide ranging James Bond autographed still collection comprised of: (9) color and (7) black & white approx. 8 x 10 in. stills (most if not all are later prints) each hand-signed by one or more of the characters depicted. Includes: Roger Moore (2, one with Barbara Bach as well), George Lazenby (2), Diana Rigg (2), Shirley Eaton, Martine Beswick (2), Caroline Munroe, Virginia Hey, Madeline Smith, Maryam d'Abo (2), Eunice Gayson, and Michelle Yeoh. An exceptional range of autographs pertaining to James Bond, with an emphasis on 'Bond Girls'.Very fine.

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Vic Flick's Clifford Essex Paragon De Luxe guitar used for the James Bond theme in Dr. No.

Lot 436: Vic Flick's Clifford Essex Paragon De Luxe guitar used for the James Bond theme in Dr. No.

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Description: Guitarist Vic Flick's Clifford Essex Paragon electric/acoustic guitar (serial No. 1056), vintage ca. 1939, used to record the original James Bond theme for 1962's Dr. No. The Paragon was one of two guitars Flick was using on the road in the early 1960s, the other being a Fender Stratocaster. While being heckled and harassed while loading up his gear after a gig one night, he accidentally left the Strat behind, so the Paragon was his only instrument when he got the call to record the Dr. No theme. The rest is history.As Flick himself said: "The Paragon's sound was perfect for the riff. The combination of the way I played, the type of strings I used, the Vox 15 amplifier, the microphone and the studio set up all helped to give the guitar, on that particular session, an identity that has maintained its popularity for 50 years. Although no film was shown during the session there was a feeling of excitement at the music being for a spy film."Clifford Essex was a small guitar manufacturer in London, and the instruments - guitars, banjos and mandolins - were beautifully made and respected throughout the world. This guitar was on exhibit at the Rock & Roll Hall of Fame from 2005 to 2006, and then spent time touring with The National Guitar Museum traveling exhibit, "GUITAR: The Instrument that Rocked the World." The guitar, bought by Flick in 1958, was originally an acoustic instrument, but was later fitted a DeArmond pickup to transform it into an electric with a deep, unique tone. Shows minor signs of wear from years of use on the road, but is in fine shape for its age. Measures approx. 41 in. from headstock to strap peg, 17 in. across the body and 3 ½ in. deep. Comes in a non-original case; includes a signed letter of provenance from Vic Flick. Special shipping arrangements will apply.

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Collection of (5) ephemeral James Bond posters.

Lot 437: Collection of (5) ephemeral James Bond posters.

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Description: Collection of various ephemeral James Bond themed posters for music score albums and performances, German exhibition, Sean Connery newspaper promotion, and film-poster image reference guide. (4) are double-crown or A1 size, and (1) is 39 x 59 in., and though most are rolled, condition varies significantly from fair to fine.

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Dr. No Special advance silkscreen U.K. double-crown Poster.

Lot 438: Dr. No Special advance silkscreen U.K. double-crown Poster.

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Description: (Eon Productions, 1962) Sean Connery as James Bond. U.K. 20 x 30 in. day-glo silkscreen advance "Double-Crown" (style A) poster. Arguably the very first James Bond/007 film poster to appear to the public, as a teaser promoting the pending release of the first film in this perennial franchise, now passing a half-century of popularity. Exceedingly rare, and without question a "holy grail" of film poster collecting. Very fine on linen, with only minimal routine retouching.

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Dr. No first-release U.K quad poster.

Lot 439: Dr. No first-release U.K quad poster.

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Description: (Eon Productions, 1962) U.K. 30 x 40 in. "Quad" poster. The gold standard for "James Bond/007" original poster collecting has long been considered the U.K. quad posters, especially so for the earlier films in the franchise, as the films are not only British productions, but also very British in style and sentiment. Very good on linen, with slight title fading, and moderate routine retouching.

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Dr. No first-release U.K exhibitors' campaign book.

Lot 440: Dr. No first-release U.K exhibitors' campaign book.

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Description: (Eon Productions, 1962) U.K. 9 3/4 x 14 1/4 in. exhibitors' campaign book, 12pp with 2-color cover (to resemble the U.K. quad poster). Complete with no cuts; filled with promotional images and text not found in any other country's campaign material. Fine, with faint horizontal fold.

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Dr. No cutting-continuity script.

Lot 441: Dr. No cutting-continuity script.

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Description: (Eon Productions, 1962) Dated 12/62, 56pp legal-size dialogue cutting continuity, used primarily in foreign-language dubbing to maintain correct timing of dialogue to screen action. Front and back pages detached though present, else fine.

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Dr. No U.S. 1-sheet poster.

Lot 442: Dr. No U.S. 1-sheet poster.

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Description: (Eon Productions, 1962) First U.S. release 27 x 41 in. 1-sheet poster, very fine on linen, with only trace retouching.

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(3) Dr. No foreign-release posters.

Lot 443: (3) Dr. No foreign-release posters.

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Description: (Eon Productions, 1962) Trio of foreign-release posters for "Dr. No", including Danish original A-0 size (24 1/4 x 33 1/2 in.), French affiche (23 1/2 x 31 1/2 in.; R' 1970) and French R'70s petit-affiche (15 1/2 x 22 in.); all in fine folded condition.

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(3) Dr. No U.S. and U.K. pressbooks.

Lot 444: (3) Dr. No U.S. and U.K. pressbooks.

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Description: (Eon Productions, 1962, R' 1965) (3) pressbooks from two different releases of Dr. No: original (U.S. consolidated version) and together with From Russia With Love (U.K., with one small cut, and U.S.) all 6pp, generally fine.

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Dr. No unused U.S. lobby card set of (8).

Lot 445: Dr. No unused U.S. lobby card set of (8).

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Description: (Eon Productions, 1962) Complete unused, unrestored set of (8) U.S. 11 x 14 in. lobby cards for the first entry in the 50-year cycle of James Bond films. Due to its immediate and unprecedented popularity, advertising material was re-used to death, resulting in an extreme scarcity of paper in this near-pristine condition. Original condition of this impressive set is preserved even to the degree that corners remain sharp, indicating only a trace of handling through its 50-year lifespan. Very fine.

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Dr. No Italian foto-busta poster.

Lot 446: Dr. No Italian foto-busta poster.

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Description: (Eon Productions, 1962) Italy 19 x 26 3/4 in. 'foto-busta' size poster (these are what Italy uses the way U.S. uses lobby cards, but in a much larger format). The famous scene of Sean Connery meeting Ursula Andress on the beach is complemented by sexy, stylish border art. Linen-backed with a minimum of professional retouching; fine.

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Dr. No Italian foto-busta poster.

Lot 447: Dr. No Italian foto-busta poster.

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Description: (Eon Productions, 1962) Italy 19 x 26 3/4 in. 'foto-busta' size poster (these are what Italy uses the way U.S. uses lobby cards, but in a much larger format). A smiling Sean Connery is surrounded here by three of his "Bond Girls". Linen-backed with a minimum of professional retouching; fine.

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Dr. No Japanese

Lot 448: Dr. No Japanese "B2" 1-panel poster.

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Description: (Eon Productions, 1962) Japan 20 1/8 x 28 5/8 in. 'B2' size 1-panel poster with a creative montage of action scenes from the film. Essentially unused rolled condition; very fine.

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Viva James Bond festival Dr. No 1970 French grande poster.

Lot 449: Viva James Bond festival Dr. No 1970 French grande poster.

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Description: French 47 x 63 in. grande-format poster for the 1970 reissue festival of many previous James Bond films; same design exists for each of the different individual films, this being "Dr. No". Small tears and minor handling throughout, generally very good.

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Asian-style bent bamboo folding screen from

Lot 450: Asian-style bent bamboo folding screen from "Miss Taro's" bedroom in Dr No.

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Description: (Eon Productions, 1962) In Dr. No, from the Ken Adam-designed bedroom set of what is technically James Bond's second screen-conquest of a Bond girl (the first being the rich gambler near film's beginning who visits his room for "a little night-putting") comes this wonderful Asian bent-bamboo three-panel folding screen. Measuring 70 in. high by 60 in. long, the only noticeable variance from its prominent appearance behind "Miss Taro's" bed, (where James takes the upper hand this time unlike his earlier boudoir encounter) is replacement of the fragile cane ties with screwed-in-place brass hinges. According to the Pinewood Studio technician who purchased this prop post-production, there were originally three such screens on set, but that this is almost certainly the only one to survive. A totally practical daily-use complement to the decor of any modern-day bachelor (or bachelorette) pad, as well as an immediately identifiable set-piece from the first (and one of the best) James Bond films of all time. A few loose bamboo curls, though otherwise in remarkable state of preservation. Fine. Special shipping arragnements will apply.

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Dr. No/ From Russia With Love Combo Release U.S. 1-sheet poster.

Lot 451: Dr. No/ From Russia With Love Combo Release U.S. 1-sheet poster.

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Description: (Eon Productions, R' 1965) U.S. 27 x 41 in. 1-sheet poster. To capitalize on the release of the third James Bond film, Goldfinger, the first two films were re-released as a special double feature, ensuring the swelling worldwide tide of Bond-mania. Both very fine folded condition.

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United Artists Archive File Prints (25) of Ursula Andress from Dr. No by Bunny Yeager.

Lot 452: United Artists Archive File Prints (25) of Ursula Andress from Dr. No by Bunny Yeager.

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Description: (Eon Productions, 1962) A set of (24) United Artists archive 8 x 10 in. black-and-white prints of 1960s sex symbol Ursula Andress and Sean Connery during production of the original James Bond film, Dr. No, shot by famed photographer of the day, Bunny Yeager.

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From Russia With Love world-premiere advance U.K. quad poster.

Lot 453: From Russia With Love world-premiere advance U.K. quad poster.

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Description: (Eon Productions, 1963) Sean Connery as James Bond. U.K. 30 x 40 in. special advance Leicester Square world-premiere quad poster. Quite possibly the rarest of all theatrical-release James Bond posters, with very few originally printed for the premiere screenings, and less than a handful believed extant. Artwork by Renato Fratini. Linen-backed, with routine fold touchup and airbrushing in the titles; fine.

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From Russia With Love U.K. quad poster.

Lot 454: From Russia With Love U.K. quad poster.

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Description: (Eon Productions, 1963) U.K. 30 x 40 in. first general-release quad poster. Arguably the most attractive artwork (by Renato Fratini) of the U.K. quads for any of the James Bond films. Images of the figures are slightly larger here than on the Leicester Square premiere poster with same basic art design (offered elsewhere in this auction). Acid-free paper backed, with no airbrushing whatsoever and only trace archival retouching to folds, making this one of the finest examples extant; very fine.

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From Russia With Love U.K. quad alternate poster.

Lot 455: From Russia With Love U.K. quad alternate poster.

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Description: (Eon Productions, 1963) U.K. 30 x 40 in. alternate general-release quad poster. Simple, screen-printed design used to fulfill shortages in studio-produced posters due to film's extended general release and growing popularity. Linen-backed with only trace fold retouching; very fine.

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From Russia With Love U.K. exhibitors' campaign book.

Lot 456: From Russia With Love U.K. exhibitors' campaign book.

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Description: (Eon Productions, 1963) U.K. first-release Exhibitors' Campaign Book (pressbook) 14pp, 9 5/8 x 14 1/2 in.; includes many images and information not found in any other release material. Full-color cover features Renato Fratini art used for the great U.K. posters. Also contained within are (1) ad supplement, plus sample postcard-type herald. Spine separating, minor horizontal fold, but no cuts; very good to fine.

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From Russia With Love U.S. 1-sheet poster style

Lot 457: From Russia With Love U.S. 1-sheet poster style "A".

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Description: (Eon Productions, 1963) U.S. 27 x 41 in. 1-sheet poster style 'A' in folded unrestored condition. This style features smaller images and larger text. Very fine.

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From Russia With Love U.S. exhibitors' pressbook.

Lot 458: From Russia With Love U.S. exhibitors' pressbook.

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Description: (Eon Productions, 1963) U.S. first-release Exhibitors' Campaign Book (pressbook) 12pp, 13 x 18 in.; includes features on all the players, a Hirschfeld cartoon of Connery finding Bianchi in his bed, plus poster images like the rare door-panels. No cuts, light horizontal fold; overall fine.

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From Russia With Love U.S. 1-sheet poster style

Lot 459: From Russia With Love U.S. 1-sheet poster style "B".

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Description: (Eon Productions, 1963) U.S. 27 x 41 in. 1-sheet poster style 'B' in folded unrestored condition. This style features larger images and smaller text. Some separation at folds, with (3) small pieces packing tape on verso for reinforcement. Very good.

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From Russia With Love French petit-affiche poster.

Lot 460: From Russia With Love French petit-affiche poster.

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Description: (Eon Productions, 1963) French original-release 15 x 20 1/2 in. Petit-Affiche poster with art by Grinsson. Single faint horizontal fold; very fine.

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From Russia With Love Japanese

Lot 461: From Russia With Love Japanese "B2" 1-panel poster.

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Description: (Eon Productions, 1963) Japan 20 1/8 x 28 5/8 in. 'B2' size 1-panel poster with a montage of action scenes from the film set into a "007" template. Essentially unused rolled condition; very fine.

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From Russia With Love U.K. cutting-continuity script.

Lot 462: From Russia With Love U.K. cutting-continuity script.

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Description: (Eon Productions, 1963) Printed in England, dated 11/27/63, 190pp+ legal-size international dialogue cutting continuity with rainbow corrections. Used primarily in foreign-language dubbing to maintain correct timing of dialogue to screen action. Front and back pages detached though present; dampstain to upper left cover; minor tanning and chipping to some page edges; jagged tears to last (3) pages at binder clasp; very good overall.

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From Russia With Love publicity photo signed by Sean Connery and Martine Beswick.

Lot 463: From Russia With Love publicity photo signed by Sean Connery and Martine Beswick.

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Description: (Eon Productions, 1963) Gelatin-silver 8 in. x 10 in. publicity portrait (printed later) of Sean Connery and Martine Beswick (as "Zora") signed neatly and boldly by each in sharpie. Set into archival double-weight mat; very fine.

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Italian Locandini posters (3) for Sean Connery/Bond Titles.

Lot 464: Italian Locandini posters (3) for Sean Connery/Bond Titles.

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Description: (Eon Productions, 1963-71) Italian 13 x 27 1/2 in. Locandini posters (3) for "From Russia With Love" (R'1970s), Thunderball (R'1970s), and Diamonds Are Forever (original, 1971). Faint horizontal fold in each; all very fine.

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United Artists archive file prints (26) of Sean Connery with villains and Bond girls from (3) Films.

Lot 465: United Artists archive file prints (26) of Sean Connery with villains and Bond girls from (3) Films.

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Description: (Eon Productions) A set of 26 United Artists archive 8 x 10 in. black-and-white prints of Sean Connery, as well as various early Bond girls and villains, mostly behind-the-scenes images from 1964's Goldfinger, including shots of actress Shirley Eaton being painted gold from head to toe for her iconic death scene as "Jill Masterson" in the third James Bond film.

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Goldfinger U.K. advance double-crown poster style

Lot 466: Goldfinger U.K. advance double-crown poster style "A".

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Description: (Eon Productions, 1964) Sean Connery as James Bond. U.K. 20 x 30 in. special advance Double-Crown poster style "A" (printed without titles as a teaser); considered one of the great rarities of James Bond poster collecting. Linen-backed with only trace retouching; very fine.

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Goldfinger U.K. advance double-crown poster style

Lot 467: Goldfinger U.K. advance double-crown poster style "B".

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Description: (Eon Productions, 1964) U.K. 20 x 30 in. special advance Double-Crown poster style 'B' (screen-printed with titles only as a teaser); considered one of the great rarities of James Bond poster collecting. Linen-backed with only trace retouching; very fine.

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Goldfinger U.K. quad poster style

Lot 468: Goldfinger U.K. quad poster style "A".

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Description: (Eon Productions, 1964) U.K. 30 x 40 in. first-release quad poster style "A". Linen-backed with minimal retouching; generally fine.

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Goldfinger French grande and petite posters.

Lot 469: Goldfinger French grande and petite posters.

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Description: (Eon Productions, 1964) French 46 x 62 in. Grande-format (R' ca. 1970) and 17 x 24 in. Petite (original bookstore tie-in) both folded as issued with minor handling; fine.

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Goldfinger Swedish 1-sheet poster.

Lot 470: Goldfinger Swedish 1-sheet poster.

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Description: (Eon Productions, 1964) Swedish 27 x 39 in. 1-sheet poster in rolled, unused, unrestored condition. Offers unique art not found on other countries' material. Very fine.

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Goldfinger Swedish stolpe daybill poster.

Lot 471: Goldfinger Swedish stolpe daybill poster.

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Description: (Eon Productions, 1964) Swedish 12 1/2 x 25 in. "stolpe" size daybill poster. Offers unique art not found on other countries' material. Linen-backed with only trace retouching; very fine.

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Goldfinger U.S. 1-sheet poster.

Lot 472: Goldfinger U.S. 1-sheet poster.

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Description: (Eon Productions, 1964) U.S. 27 x 41 in. 1-sheet poster in exceptional condition. This is arguably the most attractive of all the U.S. James Bond 1-sheets. Linen-backed with only a trace of professional retouching; very fine.

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Goldfinger and Thunderball U.K. reissue double-crown posters.

Lot 473: Goldfinger and Thunderball U.K. reissue double-crown posters.

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Description: (Eon Productions, ca. 1970) U.K. 20 x 30 in. Double-Crown posters (2) for the ca. 1970 reissues of Goldfinger (folded, very fine) and Thunderball (linen-backed with minimal retouching).

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Goldfinger Signed Sean Connery color photo with Aston-Martin.

Lot 474: Goldfinger Signed Sean Connery color photo with Aston-Martin.

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Description: Color 8 x 10 in. contemporary print, signed boldly and neatly by Sean Connery. Depicts Connery in pose with the Aston-Martin DB5 from Goldfinger. Set into archival, double-weight mat; Very fine.

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Goldfinger Sean Connery and Honor Blackman publicity photo signed by both.

Lot 475: Goldfinger Sean Connery and Honor Blackman publicity photo signed by both.

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Description: Gelatin-silver 8 x 10 in. contemporary print, signed boldly and neatly by Sean Connery and Honor Blackman. Depicts Connery in candid pose with the character better known as "Pussy Galore" from Goldfinger. Set into archival, double-weight mat; very fine.

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Goldfinger U.K. exhibitors' campaign book.

Lot 476: Goldfinger U.K. exhibitors' campaign book.

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Description: (Eon Productions, 1964) U.K. first-release Exhibitors' Campaign Book (pressbook) 14pp, 9 ⅝ x 14 ½ in.; includes many images and information not found in any other release material, like special promotions of the Aston Martin DB5 in its first (of many to come) Bond film appearances, and the 1964 1/2 Ford Mustang convertible. Full-color cover features the art used for the great U.K. posters. Generally well-handled with minor horizontal fold and other wear, but no cuts; overall very good.

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Goldfinger Gert Fröbe costume. Worn by Fröbe in scenes cut from movie.

Lot 477: Goldfinger Gert Fröbe costume. Worn by Fröbe in scenes cut from movie.

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Description: (Eon Productions, 1964) A production-used two-piece suit worn by Gert Fröbe, as protagonist Auric Goldfinger, in the third James Bond movie of the franchise, Goldfinger. Though it was worn by Fröbe in front of the camera, that particular scene was left on the editing-room floor. Composed of green wool, with a polyester inner liner and faux 1859 ¼ Florin reproduction coins. for a front closure on the jacket, and the pants feature a zipper and hook closure system. Production tag on the jacket inner pocket is handwritten "G FROBE". In very fine condition. Comes with a letter of authenticity.

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Goldfinger complete original second-draft screenplay.

Lot 478: Goldfinger complete original second-draft screenplay.

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Description: (Eon Productions, 1964) Early production second-draft screenplay dated September 23, 1963; written by Richard Maibaum and Berkely Mather, 136pp plus title page (no covers, as issued). General foxing and bumping to external surfaces, interior relatively fine.

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Goldfinger U.K. cutting-continuity script.

Lot 479: Goldfinger U.K. cutting-continuity script.

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Description: (Eon Productions, 1964) Printed in England by Mai Harris Secretarial, undated final draft, 130pp+ legal-size international dialogue cutting continuity. Used primarily in foreign-language dubbing to maintain correct timing of dialogue to screen action. Back page detached and worn, though present; two cat footprints on front cover; minor tanning to covers and edges; generally near fine overall.

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Goldfinger U.S. exhibitors' pressbook.

Lot 480: Goldfinger U.S. exhibitors' pressbook.

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Description: (Eon Productions, 1964) U.S. first-release Exhibitors' campaign book (pressbook) 12pp, 13 x 18 in.; includes features on all the players, plus poster images like the rare door-panels. No cuts, light horizontal fold; overall very fine.

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Goldfinger 1965 Gilbert action figure of

Lot 481: Goldfinger 1965 Gilbert action figure of "Oddjob" complete in original box.

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Description: A.C. Gilbert & Co. 1965 authorized Harold Sakata "Oddjob" functional action figure commemorating the release in the U.S. of Goldfinger the previous year. Standing 10 ½ in. high and dressed in full Karate costume, the figure retains its derby hat and both of its original action functions. Housed in original (well-worn and handled, though complete) illustrated box, including instructional sheet. Figure rates fine, and box fair to good, though extreme rarity trumps condition without question.

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Thunderball U.K. quad poster.

Lot 482: Thunderball U.K. quad poster.

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Description: (Eon Productions, 1965) Sean Connery as James Bond. U.K. 30 x 40 in. Quad poster, first issue with sea-foam green background (later printings exist with white background). Along with From Russia With Love (by Renato Fratini), this art illustration by Robert McGinnis is arguably the other most attractive and desirable for any of the U.K. poster designs. Linen-backed with routine retouching to background at corners and a trace at fold-lines; fine.

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