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Auction Description for Waddington's: Joyner Canadian Fine Art Auction
Viewing Notes:
On View: Friday, November 23rd: 3 pm to 8 pm Saturday, November 24th: 11 am to 4 pm Sunday, November 25th: 11 am to 4 pm Monday, November 26th: 10 am to 12 noon
Sale Notes:
The November 26th 2012 Joyner Canadian Art Auction will feature approximately 200 lots from Important Canadian Artists.

Joyner Canadian Fine Art Auction

by Waddington's

Platinum House

208 lots | 206 with images

November 26, 2012

Live Auction

275 King Street E

2nd Floor

Toronto, ON, M5A 1K2 Canada

Phone: +1 416 504 9100

Fax: +1 416 504 0033

Email: info@waddingtons.ca

208 Lots
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ALFRED JOSEPH CASSON, O.S.A., P.R.C.A.RAIN, OXTONGUE LAKE, OCT. 1977, oil on board; signed 12 ins x 15 ins; 30 cms x 37.5 cms  Provenance: Roberts Gallery, Toronto.Pegasus Gallery of Canadian Art, British Columbia.Private Collection, Vancouver.

Lot 51: ALFRED JOSEPH CASSON, O.S.A., P.R.C.A.RAIN, OXTONGUE LAKE, OCT. 1977, oil on board; signed 12 ins x 15 ins; 30 cms x 37.5 cms Provenance: Roberts Gallery, Toronto.Pegasus Gallery of Canadian Art, British Columbia.Private Collection, Vancouver.

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Description: ALFRED JOSEPH CASSON, O.S.A., P.R.C.A.RAIN, OXTONGUE LAKE, OCT. 1977, oil on board; signed 12 ins x 15 ins; 30 cms x 37.5 cms $15,000-20,000Provenance: Roberts Gallery, Toronto.Pegasus Gallery of Canadian Art, British Columbia.Private Collection, Vancouver.

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HORTENSE MATTICE GORDON, R.C.A.ST. CATHERINES BAY, JERSEY, oil on canvas; signed 20 ins x 24 ins; 50 cms x 60 cms

Lot 52: HORTENSE MATTICE GORDON, R.C.A.ST. CATHERINES BAY, JERSEY, oil on canvas; signed 20 ins x 24 ins; 50 cms x 60 cms

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Description: HORTENSE MATTICE GORDON, R.C.A.ST. CATHERINES BAY, JERSEY, oil on canvas; signed 20 ins x 24 ins; 50 cms x 60 cms $2,000-3,000

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ALEXANDER YOUNG JACKSON, O.S.A., R.C.A.LAKE NEAR WAWA, AUGUST 1954, oil on board; signed, N.J.G. no.1542 10.5 ins x 13.5 ins; 26.3 cms x 33.8 cms

Lot 53: ALEXANDER YOUNG JACKSON, O.S.A., R.C.A.LAKE NEAR WAWA, AUGUST 1954, oil on board; signed, N.J.G. no.1542 10.5 ins x 13.5 ins; 26.3 cms x 33.8 cms

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Description: ALEXANDER YOUNG JACKSON, O.S.A., R.C.A.LAKE NEAR WAWA, AUGUST 1954, oil on board; signed, N.J.G. no.1542 10.5 ins x 13.5 ins; 26.3 cms x 33.8 cms $15,000-18,000

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NORA FRANCES ELISABETH COLLYERLAKE MEMPHREMAGOG, oil on board; signed and dated /76 16 ins x 19 ins; 40 cms x 47.5 cms

Lot 54: NORA FRANCES ELISABETH COLLYERLAKE MEMPHREMAGOG, oil on board; signed and dated /76 16 ins x 19 ins; 40 cms x 47.5 cms

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Description: NORA FRANCES ELISABETH COLLYERLAKE MEMPHREMAGOG, oil on board; signed and dated /76 16 ins x 19 ins; 40 cms x 47.5 cms $4,000-6,000

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JAMES EDWARD HERVEY MACDONALD, O.S.A., R.C.A.VIEW THROUGH THE TREES, AUTUMN, oil on board 8.5 ins x 6 ins; 21.3 cms x 15 cms  Provenance: Keith MacIver.By descent to the present owner, New Hampshire.

Lot 55: JAMES EDWARD HERVEY MACDONALD, O.S.A., R.C.A.VIEW THROUGH THE TREES, AUTUMN, oil on board 8.5 ins x 6 ins; 21.3 cms x 15 cms Provenance: Keith MacIver.By descent to the present owner, New Hampshire.

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Description: JAMES EDWARD HERVEY MACDONALD, O.S.A., R.C.A.VIEW THROUGH THE TREES, AUTUMN, oil on board 8.5 ins x 6 ins; 21.3 cms x 15 cms $15,000-18,000Provenance: Keith MacIver.By descent to the present owner, New Hampshire.

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JOHN WILLIAM BEATTY, O.S.A., R.C.A.AUTUMN LANDSCAPE, oil on canvas; signed and dated '25 28 ins x 34 ins; 70 cms x 85 cms

Lot 56: JOHN WILLIAM BEATTY, O.S.A., R.C.A.AUTUMN LANDSCAPE, oil on canvas; signed and dated '25 28 ins x 34 ins; 70 cms x 85 cms

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Description: JOHN WILLIAM BEATTY, O.S.A., R.C.A.AUTUMN LANDSCAPE, oil on canvas; signed and dated '25 28 ins x 34 ins; 70 cms x 85 cms $20,000-30,000

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KATHLEEN MOIR MORRIS A.R.C.A.SHEEP GRAZING, MARSHALL'S BAY, oil on panel; signed 10.25 ins x 14 ins; 25.6 cms x 35 cms Provenance: Galerie Walter Klinkhoff, Montreal.Private Collection, Toronto.Literature: Evelyn Walter,

Lot 57: KATHLEEN MOIR MORRIS A.R.C.A.SHEEP GRAZING, MARSHALL'S BAY, oil on panel; signed 10.25 ins x 14 ins; 25.6 cms x 35 cms Provenance: Galerie Walter Klinkhoff, Montreal.Private Collection, Toronto.Literature: Evelyn Walter, "The Women of Beaver

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Description: KATHLEEN MOIR MORRIS A.R.C.A.SHEEP GRAZING, MARSHALL'S BAY, oil on panel; signed 10.25 ins x 14 ins; 25.6 cms x 35 cms $8,000-12,000Provenance: Galerie Walter Klinkhoff, Montreal.Private Collection, Toronto.Literature: Evelyn Walter, "The Women of Beaver Hall", Toronto, 2005, pages 79-80.Note: Relating to the subject of this artwork, Evelyn Walter notes that "through her life, [Kathleen Morris] spent two months of every summer in Marshall's Bay near Arnprior, Ontario, at the small secluded cottage that had been in the family for over a hundred years. There she would paint the field and sunsets or indulge her love for animals by painting cows and sheep."

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EFA PRUDENCE HEWARDLAKE WONISH, QUEBEC, oil on panel 8 ins x 9 ins; 20 cms x 22.5 cms Provenance: Continental Galleries, Montreal.Kastel Gallery Inc., Montreal.Galerie Walter Klinkhoff Inc., Montreal.Private Collection, Toronto.Exhibited:

Lot 58: EFA PRUDENCE HEWARDLAKE WONISH, QUEBEC, oil on panel 8 ins x 9 ins; 20 cms x 22.5 cms Provenance: Continental Galleries, Montreal.Kastel Gallery Inc., Montreal.Galerie Walter Klinkhoff Inc., Montreal.Private Collection, Toronto.Exhibited:

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Description: EFA PRUDENCE HEWARDLAKE WONISH, QUEBEC, oil on panel 8 ins x 9 ins; 20 cms x 22.5 cms $7,000-9,000Provenance: Continental Galleries, Montreal.Kastel Gallery Inc., Montreal.Galerie Walter Klinkhoff Inc., Montreal.Private Collection, Toronto.Exhibited: Prudence Heward Retrospective Exhibition, Galerie Walter Klinkhoff, Montreal, September 1980, no.41.

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HENRIETTA MABEL MAY, A.R.C.A.LAKE IN THE HILLS, LAURENTIANS, oil on panel; signed 6 ins x 8.5 ins; 15 cms x 21.3 cms Provenance: Canadian Fine Arts, Toronto.Galerie Walter Klinkhoff Inc., Montreal.Private Collection, Toronto.Note: Painted circa 1924.

Lot 59: HENRIETTA MABEL MAY, A.R.C.A.LAKE IN THE HILLS, LAURENTIANS, oil on panel; signed 6 ins x 8.5 ins; 15 cms x 21.3 cms Provenance: Canadian Fine Arts, Toronto.Galerie Walter Klinkhoff Inc., Montreal.Private Collection, Toronto.Note: Painted circa 1924.

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Description: HENRIETTA MABEL MAY, A.R.C.A.LAKE IN THE HILLS, LAURENTIANS, oil on panel; signed 6 ins x 8.5 ins; 15 cms x 21.3 cms $7,000-9,000Provenance: Canadian Fine Arts, Toronto.Galerie Walter Klinkhoff Inc., Montreal.Private Collection, Toronto.Note: Painted circa 1924.

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ALFRED JOSEPH CASSON, O.S.A., P.R.C.A.NEAR CREDIT FALLS, watercolour; signed and dated 1929 9.5 ins x 11 ins; 23.8 cms x 27.5 cms  Provenance: Mayberry Fine Art, Winnipeg.Private Collection, Winnipeg.

Lot 60: ALFRED JOSEPH CASSON, O.S.A., P.R.C.A.NEAR CREDIT FALLS, watercolour; signed and dated 1929 9.5 ins x 11 ins; 23.8 cms x 27.5 cms Provenance: Mayberry Fine Art, Winnipeg.Private Collection, Winnipeg.

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Description: ALFRED JOSEPH CASSON, O.S.A., P.R.C.A.NEAR CREDIT FALLS, watercolour; signed and dated 1929 9.5 ins x 11 ins; 23.8 cms x 27.5 cms $25,000-30,000Provenance: Mayberry Fine Art, Winnipeg.Private Collection, Winnipeg.

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LIONEL LEMOINE FITZGERALDPRAIRIE LANDSCAPE, oil on canvas; signed and dated 1921 9.75 ins x 11.75 ins; 24.4 cms x 29.4 cms Literature: Ferdinand Eckhardt,

Lot 61: LIONEL LEMOINE FITZGERALDPRAIRIE LANDSCAPE, oil on canvas; signed and dated 1921 9.75 ins x 11.75 ins; 24.4 cms x 29.4 cms Literature: Ferdinand Eckhardt, "L.L. FitzGerald (1890-1956) A Memorial Exhibition", The National Gallery of Canada,

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Description: LIONEL LEMOINE FITZGERALDPRAIRIE LANDSCAPE, oil on canvas; signed and dated 1921 9.75 ins x 11.75 ins; 24.4 cms x 29.4 cms $10,000-15,000Literature: Ferdinand Eckhardt, "L.L. FitzGerald (1890-1956) A Memorial Exhibition", The National Gallery of Canada, Ottawa, 1958, n.p.Note: FitzGerald's first one-man exhibition was held at Winnipeg Art Gallery in 1921. This work displays one of the artist's favourite subjects; the light of a warm summer day with the expansive view of the prairie under a blue sky dappled with clouds. FitzGerald once remarked how, "the prairie has many aspects, but intense light and the feeling of great space are dominating characteristics."

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FRANK HANS JOHNSTON, O.S.A., A.R.C.A.ADVANCING SPRING, oil on board; signed 17 ins x 19 ins; 42.5 cms x 47.5 cms

Lot 62: FRANK HANS JOHNSTON, O.S.A., A.R.C.A.ADVANCING SPRING, oil on board; signed 17 ins x 19 ins; 42.5 cms x 47.5 cms

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Description: FRANK HANS JOHNSTON, O.S.A., A.R.C.A.ADVANCING SPRING, oil on board; signed 17 ins x 19 ins; 42.5 cms x 47.5 cms $20,000-25,000

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RANDOLPH STANLEY HEWTON, R.C.A.WINTER LANDSCAPE, QUEBEC, oil on canvas; signed 20 ins x 24 ins; 50 cms x 60 cms  Provenance: Private Collection, Calgary.

Lot 63: RANDOLPH STANLEY HEWTON, R.C.A.WINTER LANDSCAPE, QUEBEC, oil on canvas; signed 20 ins x 24 ins; 50 cms x 60 cms Provenance: Private Collection, Calgary.

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Description: RANDOLPH STANLEY HEWTON, R.C.A.WINTER LANDSCAPE, QUEBEC, oil on canvas; signed 20 ins x 24 ins; 50 cms x 60 cms $8,000-10,000Provenance: Private Collection, Calgary.

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ALEXANDER YOUNG JACKSON, O.S.A., R.C.A.JUNE, BANCROFT, ONT., 1935, oil on panel; signed, with a sketch of a landscape with a figure and houses on the reverse 8.5 ins x 10.5 ins; 21.3 cms x 26.3 cms

Lot 64: ALEXANDER YOUNG JACKSON, O.S.A., R.C.A.JUNE, BANCROFT, ONT., 1935, oil on panel; signed, with a sketch of a landscape with a figure and houses on the reverse 8.5 ins x 10.5 ins; 21.3 cms x 26.3 cms

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Description: ALEXANDER YOUNG JACKSON, O.S.A., R.C.A.JUNE, BANCROFT, ONT., 1935, oil on panel; signed, with a sketch of a landscape with a figure and houses on the reverse 8.5 ins x 10.5 ins; 21.3 cms x 26.3 cms $20,000-30,000

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FRANK HANS JOHNSTON, O.S.A., A.R.C.A.GLEAM OF GOLD, YORK MILLS, oil on board; signed 24 ins x 30 ins; 60 cms x 75 cms

Lot 65: FRANK HANS JOHNSTON, O.S.A., A.R.C.A.GLEAM OF GOLD, YORK MILLS, oil on board; signed 24 ins x 30 ins; 60 cms x 75 cms

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Description: FRANK HANS JOHNSTON, O.S.A., A.R.C.A.GLEAM OF GOLD, YORK MILLS, oil on board; signed 24 ins x 30 ins; 60 cms x 75 cms $7,000-9,000

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FRANK HANS JOHNSTON, O.S.A., A.R.C.A.QUIET DAWN, oil on board; signed 10 ins x 12 ins; 25 cms x 30 cms  Provenance: J. Merritt Malloney's Gallery, Toronto.Private Collection, Ontario.

Lot 66: FRANK HANS JOHNSTON, O.S.A., A.R.C.A.QUIET DAWN, oil on board; signed 10 ins x 12 ins; 25 cms x 30 cms Provenance: J. Merritt Malloney's Gallery, Toronto.Private Collection, Ontario.

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Description: FRANK HANS JOHNSTON, O.S.A., A.R.C.A.QUIET DAWN, oil on board; signed 10 ins x 12 ins; 25 cms x 30 cms $2,000-3,000Provenance: J. Merritt Malloney's Gallery, Toronto.Private Collection, Ontario.

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ALFRED JOSEPH CASSON, O.S.A., P.R.C.A.WOODED LANDSCAPE WITH A HOUSE BEYOND A FENCE, oil on board 9 ins x 11 ins; 22.5 cms x 27.5 cms  Provenance: Isabel Hardy (cousin of the artist).Private Collection, Michigan.Private Collection, Ontario.

Lot 67: ALFRED JOSEPH CASSON, O.S.A., P.R.C.A.WOODED LANDSCAPE WITH A HOUSE BEYOND A FENCE, oil on board 9 ins x 11 ins; 22.5 cms x 27.5 cms Provenance: Isabel Hardy (cousin of the artist).Private Collection, Michigan.Private Collection, Ontario.

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Description: ALFRED JOSEPH CASSON, O.S.A., P.R.C.A.WOODED LANDSCAPE WITH A HOUSE BEYOND A FENCE, oil on board 9 ins x 11 ins; 22.5 cms x 27.5 cms $12,000-15,000Provenance: Isabel Hardy (cousin of the artist).Private Collection, Michigan.Private Collection, Ontario.

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JAMES EDWARD HERVEY MACDONALD, O.S.A., R.C.A.HUMBER RIVER, watercolour 7.5 ins x 5.25 ins; 18.8 cms x 13.1 cms  Provenance: Thoreau MacDonald, Thornhill.John W. MacDonald (nephew of the artist), Thornhill.Note: Painted circa 1906.

Lot 68: JAMES EDWARD HERVEY MACDONALD, O.S.A., R.C.A.HUMBER RIVER, watercolour 7.5 ins x 5.25 ins; 18.8 cms x 13.1 cms Provenance: Thoreau MacDonald, Thornhill.John W. MacDonald (nephew of the artist), Thornhill.Note: Painted circa 1906.

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Description: JAMES EDWARD HERVEY MACDONALD, O.S.A., R.C.A.HUMBER RIVER, watercolour 7.5 ins x 5.25 ins; 18.8 cms x 13.1 cms $3,000-4,000Provenance: Thoreau MacDonald, Thornhill.John W. MacDonald (nephew of the artist), Thornhill.Note: Painted circa 1906.

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ALFRED JOSEPH CASSON, O.S.A., P.R.C.A.THE BAY, OXTONGUE LAKE, JULY 1982, oil on board; signed 12 ins x 15 ins; 30 cms x 37.5 cms Provenance: Roberts Gallery, Toronto.Private Collection, British Columbia.Literature: Margaret Gray et al.,

Lot 69: ALFRED JOSEPH CASSON, O.S.A., P.R.C.A.THE BAY, OXTONGUE LAKE, JULY 1982, oil on board; signed 12 ins x 15 ins; 30 cms x 37.5 cms Provenance: Roberts Gallery, Toronto.Private Collection, British Columbia.Literature: Margaret Gray et al., "A.J.

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Description: ALFRED JOSEPH CASSON, O.S.A., P.R.C.A.THE BAY, OXTONGUE LAKE, JULY 1982, oil on board; signed 12 ins x 15 ins; 30 cms x 37.5 cms $15,000-20,000Provenance: Roberts Gallery, Toronto.Private Collection, British Columbia.Literature: Margaret Gray et al., "A.J. Casson", Agincourt, 1976, page 50.Note: Situated slightly south west of Algonquin Park, Oxtongue Lake was visited frequently by the artist. When asked what his favourite painting place was, Casson named Oxtongue Lake as one of the few. This lot was painted from the north end of the lake near Blue Spruce Resort at the highway 60 bridge. Never needing a photograph to recall a landscape, Casson's memory of Oxtongue Lake was engrained in his mind; "If you ask me to paint a picture of Oxtongue Lake with one of the islands, I could sit down and do it right now". The family of the owner of this painting once owned the property in the centre of the composition. Meeting with Casson in Toronto in the spring of 1991, the owner discussed the depicted area with the painter, Casson recalling vividly the details of the setting and recollecting many of exact details of the location which are included in the previous paragraph. During the meeting, the artist posed for a photograph with the painting.

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FREDERICK ARTHUR VERNER, O.S.A., A.R.C.A.INDIANS PADDLING WEST COAST CANOES, oil on canvas; signed and dated 1889 20 ins x 40 ins; 50 cms x 100 cms Provenance: Private Collection, Ontario.Literature: Dennis Reid,

Lot 70: FREDERICK ARTHUR VERNER, O.S.A., A.R.C.A.INDIANS PADDLING WEST COAST CANOES, oil on canvas; signed and dated 1889 20 ins x 40 ins; 50 cms x 100 cms Provenance: Private Collection, Ontario.Literature: Dennis Reid, "Our Own Country Canada, 1860-1890",

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Description: FREDERICK ARTHUR VERNER, O.S.A., A.R.C.A.INDIANS PADDLING WEST COAST CANOES, oil on canvas; signed and dated 1889 20 ins x 40 ins; 50 cms x 100 cms $60,000-80,000Provenance: Private Collection, Ontario.Literature: Dennis Reid, "Our Own Country Canada, 1860-1890", National Gallery of Canada, Ottawa, 1979, sub-heading "F.A. Verner", pages 346-350.Joan Murray, "The Last Buffalo, The Story of Frederick Arthur Verner, Painter of the Canadian West", Pagurian Press, Toronto, 1984, page 22.Note: In the early 1880s, Verner settled in London and travelled through England and Europe, during which time he continued to send paintings back to various exhibitions in Canada. In 1884 the reviewer in "The Week" (1 May, pages 344-345) wrote: "Mr. Verner is well known for his prairies, canoes and buffaloes, which attract special attention. It is said that he astounds the 'natives' in England who now take an interest in the wonders and inhabitants of the great 'Lone Land' of a past generation."Reid mentions that Verner periodically returned to Canada and "...seems to have enjoyed some prominence again from late 1888 until the summer of 1892." Murray records Verner as having visited British Columbia during this time. With mountains and water blending together in a haze, the focus of the painting is on the vividly painted groups of figures on canoes in the foreground. Verner's use of fog in many of his canoe scenes reflect his artistic training in Europe, at the peak of Romanticism, when a perpetual fixation with Canadian First Nations had prevailed in Europe.

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ARTHUR LISMER, O.S.A., R.C.A.LITTLE POOLS, GEORGIAN BAY, oil on canvas, laid down on board; signed and dated /43 17.5 ins x 21.5 ins; 43.8 cms x 53.8 cms Provenance: Walter Klinkhoff Gallery, Montreal.Private Collection, Ontario.Literature: Marjorie

Lot 71: ARTHUR LISMER, O.S.A., R.C.A.LITTLE POOLS, GEORGIAN BAY, oil on canvas, laid down on board; signed and dated /43 17.5 ins x 21.5 ins; 43.8 cms x 53.8 cms Provenance: Walter Klinkhoff Gallery, Montreal.Private Collection, Ontario.Literature: Marjorie

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Description: ARTHUR LISMER, O.S.A., R.C.A.LITTLE POOLS, GEORGIAN BAY, oil on canvas, laid down on board; signed and dated /43 17.5 ins x 21.5 ins; 43.8 cms x 53.8 cms $30,000-40,000Provenance: Walter Klinkhoff Gallery, Montreal.Private Collection, Ontario.Literature: Marjorie Lismer Bridges, "A Border of Beauty", Toronto, 1977, page 28.Lois Darroch, "Bright Land, A Warm Look at Arthur Lismer", Toronto, 1981, page 15.Note: Although Lismer had moved to Montreal in 1940 to teach at the Art Association of Montreal, he continued to paint Georgian Bay. Lismer had an ongoing affair with the rock-laden body of water and once described his fascination: "Georgian Bay! Thousands of islands, little and big some of them mere rocks just breaking the surface of the waters of the Bay-other with great high rocks tumbled in confused masses and cowed with leaning pines, turned away in ragged disarray from the west wind presenting a strange pattern against the sky and water. Some of the trees are like miniatures in an oriental garden, their roots seeking tenacious hold in the cracks in the rocks. The undergrowth is tangled and in the spring the wild iris a cherry blossoms cluster round little pools in the hollows...Georgian Bay-the happy isles, all different, but bound together in a common unity of form, colour and design. It is a paradise for painters". A paradise it must have been; Lismer had painted Georgian Bay for many years before he composed "Little Pools". His first visit was in 1913, when he received an invitation from friend and art patron, Dr. James MacCallum. It is on MacCallum's island cottage near Beausoleil Island that Lismer was first inspired. Lois Darroch addresses this deep inspiration: "Only one who has been freshly introduced to Georgian Bay, not raised beside it, can appreciate the impact of that glorious landscape on a newcomer...It was a Canada Lismer never dreamed could exist. He was shaken by the revelation of the new and wonderful landscape."

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ALEXANDER YOUNG JACKSON, O.S.A., R.C.A.GEORGIAN BAY, oil on panel; signed 10.5 ins x 13.5 ins; 26.3 cms x 33.8 cms  $15,000-20,000

Lot 72: ALEXANDER YOUNG JACKSON, O.S.A., R.C.A.GEORGIAN BAY, oil on panel; signed 10.5 ins x 13.5 ins; 26.3 cms x 33.8 cms $15,000-20,000

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Description: ALEXANDER YOUNG JACKSON, O.S.A., R.C.A.GEORGIAN BAY, oil on panel; signed 10.5 ins x 13.5 ins; 26.3 cms x 33.8 cms $15,000-20,000

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FRANK HANS JOHNSTON, O.S.A., A.R.C.A.SPRUCE POINT, GEORGIAN BAY, oil on board; signed 10.5 ins x 13.5 ins; 26.3 cms x 33.8 cms

Lot 73: FRANK HANS JOHNSTON, O.S.A., A.R.C.A.SPRUCE POINT, GEORGIAN BAY, oil on board; signed 10.5 ins x 13.5 ins; 26.3 cms x 33.8 cms

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Description: FRANK HANS JOHNSTON, O.S.A., A.R.C.A.SPRUCE POINT, GEORGIAN BAY, oil on board; signed 10.5 ins x 13.5 ins; 26.3 cms x 33.8 cms $10,000-12,000

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CLARENCE ALPHONSE GAGNON, R.C.A.HIVER, BAIE ST. PAUL (CIRCA 1920), oil on panel; certified by Lucile Rodier Gagnon (No.486) on the reverse 6.5 ins x 9 ins; 16.3 cms x 22.5 cms

Lot 74: CLARENCE ALPHONSE GAGNON, R.C.A.HIVER, BAIE ST. PAUL (CIRCA 1920), oil on panel; certified by Lucile Rodier Gagnon (No.486) on the reverse 6.5 ins x 9 ins; 16.3 cms x 22.5 cms

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Description: CLARENCE ALPHONSE GAGNON, R.C.A.HIVER, BAIE ST. PAUL (CIRCA 1920), oil on panel; certified by Lucile Rodier Gagnon (No.486) on the reverse 6.5 ins x 9 ins; 16.3 cms x 22.5 cms $20,000-30,000

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JAMES EDWARD HERVEY MACDONALD, O.S.A., R.C.A.NEAR HIGH PARK, 1909, oil on board 6.25 ins x 9.5 ins; 15.6 cms x 23.8 cms  Provenance: Roberts Gallery, Toronto.Private Collection, Vancouver.

Lot 75: JAMES EDWARD HERVEY MACDONALD, O.S.A., R.C.A.NEAR HIGH PARK, 1909, oil on board 6.25 ins x 9.5 ins; 15.6 cms x 23.8 cms Provenance: Roberts Gallery, Toronto.Private Collection, Vancouver.

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Description: JAMES EDWARD HERVEY MACDONALD, O.S.A., R.C.A.NEAR HIGH PARK, 1909, oil on board 6.25 ins x 9.5 ins; 15.6 cms x 23.8 cms $4,000-6,000Provenance: Roberts Gallery, Toronto.Private Collection, Vancouver.

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ALEXANDER YOUNG JACKSON, O.S.A., R.C.A.HOUSES, FOX RIVER, GASPE, 1927, oil on board; signed 8.5 ins x 10.5 ins; 21.3 cms x 26.3 cms

Lot 76: ALEXANDER YOUNG JACKSON, O.S.A., R.C.A.HOUSES, FOX RIVER, GASPE, 1927, oil on board; signed 8.5 ins x 10.5 ins; 21.3 cms x 26.3 cms

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Description: ALEXANDER YOUNG JACKSON, O.S.A., R.C.A.HOUSES, FOX RIVER, GASPE, 1927, oil on board; signed 8.5 ins x 10.5 ins; 21.3 cms x 26.3 cms $20,000-30,000

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REGINA SEIDENVILLAGE STREET WITH FIGURES, FRANCE, oil on panel; signed and dated 1923 9 ins x 12.25 ins; 22.5 cms x 30.6 cms

Lot 77: REGINA SEIDENVILLAGE STREET WITH FIGURES, FRANCE, oil on panel; signed and dated 1923 9 ins x 12.25 ins; 22.5 cms x 30.6 cms

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Description: REGINA SEIDENVILLAGE STREET WITH FIGURES, FRANCE, oil on panel; signed and dated 1923 9 ins x 12.25 ins; 22.5 cms x 30.6 cms $3,000-4,000

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WILLIAM JOHN WOODCHILDREN ON THE BEACH, oil on canvas, laid down on board; signed and dated 1915 9.75 ins x 8.5 ins; 24.4 cms x 21.3 cms Provenance: Private Collection, Toronto.Exhibited: W.J. Wood, Paintings and Etchings, The Society of the Four

Lot 78: WILLIAM JOHN WOODCHILDREN ON THE BEACH, oil on canvas, laid down on board; signed and dated 1915 9.75 ins x 8.5 ins; 24.4 cms x 21.3 cms Provenance: Private Collection, Toronto.Exhibited: W.J. Wood, Paintings and Etchings, The Society of the Four

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Description: WILLIAM JOHN WOODCHILDREN ON THE BEACH, oil on canvas, laid down on board; signed and dated 1915 9.75 ins x 8.5 ins; 24.4 cms x 21.3 cms $9,000-12,000Provenance: Private Collection, Toronto.Exhibited: W.J. Wood, Paintings and Etchings, The Society of the Four Arts, Palm Beach, 7 January - 5 February, 1989, no.24.

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WILLIAM JOHN WOODWEEKEND BATHERS, oil on board; signed 9 ins x 6 ins; 22.5 cms x 15 cms Provenance: Private Collection, Toronto.Exhibited: W.J. Wood, Paintings and Etchings, The Society of the Four Arts, Palm Beach, 7 January - 5 February,

Lot 79: WILLIAM JOHN WOODWEEKEND BATHERS, oil on board; signed 9 ins x 6 ins; 22.5 cms x 15 cms Provenance: Private Collection, Toronto.Exhibited: W.J. Wood, Paintings and Etchings, The Society of the Four Arts, Palm Beach, 7 January - 5 February,

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Description: WILLIAM JOHN WOODWEEKEND BATHERS, oil on board; signed 9 ins x 6 ins; 22.5 cms x 15 cms $4,000-6,000Provenance: Private Collection, Toronto.Exhibited: W.J. Wood, Paintings and Etchings, The Society of the Four Arts, Palm Beach, 7 January - 5 February, 1989, no.24.

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FREDERICK SPROSTON CHALLENER, O.S.A., R.C.A.RED CROSS KNIGHT, oil on board; signed, framed in an oval Literature: Literature: Joan Murray,

Lot 80: FREDERICK SPROSTON CHALLENER, O.S.A., R.C.A.RED CROSS KNIGHT, oil on board; signed, framed in an oval Literature: Literature: Joan Murray, "Northern Lights: Masterpieces of Tom Thomson and the Group of Seven", Toronto, 1997, page 34, reproduced.Note:

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Description: FREDERICK SPROSTON CHALLENER, O.S.A., R.C.A.RED CROSS KNIGHT, oil on board; signed, framed in an oval $3,000-5,000Literature: Literature: Joan Murray, "Northern Lights: Masterpieces of Tom Thomson and the Group of Seven", Toronto, 1997, page 34, reproduced.Note: Painted circa 1910.In his wide-ranging contribution to Canadian art, Challener included many memorable mural paintings as well as striking genre paintings, often portrayals of childhood and women, landscapes, still-lifes and portraits, all painted with a perceptive attitude toward composition and subject. A member of a number of clubs devoted to drawing, and to the creation of congenial groups of mutually supportive artists, such as the Toronto Art Students' League (1888-1904) and its successor The Mahlstick Club (1904-08), the Graphic Arts Club and the Arts and Letters Club, Toronto, of which he was a founder, he provided the Group of Seven with an example of an artist who enjoyed working in the open to record the effects of light and atmosphere. His commercial work also reveals his solid knowledge of draughtsmanship and the figure. There is a curious ambiguity about Challener's beautifully painted "Red Cross Knight". You can see it as a straightforward portrait of the subject, a knight "in shining armour," complete to the appropriate armour and trappings on the horse. But there is also something subtly humorous about the way Challener represented the knight firmly planting his lance point down, with an elaborate penant on the other end, in front of a giant red cross. The patient look to the horse adds a delicate expressive balance to the sense of romance and Challener doesn't let the balance tip the wrong way.So this painting isn't really about the time when knighthood was in flower; it's about the way artists allude to the past and put it into the context of the present. Challener's considerable virtue was to create effects which are both meditative and full of the mood of the period. His "Red Cross Knight" brilliantly does what art does best: open the eyes of the viewer to the power of the creative imagination in action.We would like to thank art historian, Joan Murray, for her assistance in cataloguing this lot.

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HENRIETTA MABEL MAY, A.R.C.A.AMM, oil on canvas board; signed 16 ins x 12 ins; 40 cms x 30 cms  Provenance: Private Collection, British Columbia.Note: The sitter of this portrait was Ann Scott whose great aunt was Mabel May.

Lot 81: HENRIETTA MABEL MAY, A.R.C.A.AMM, oil on canvas board; signed 16 ins x 12 ins; 40 cms x 30 cms Provenance: Private Collection, British Columbia.Note: The sitter of this portrait was Ann Scott whose great aunt was Mabel May.

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Description: HENRIETTA MABEL MAY, A.R.C.A.AMM, oil on canvas board; signed 16 ins x 12 ins; 40 cms x 30 cms $5,000-7,000Provenance: Private Collection, British Columbia.Note: The sitter of this portrait was Ann Scott whose great aunt was Mabel May.

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MAURICE GALBRAITH CULLEN, R.C.A.EARLY MARCH ON THE CACHE RIVER, pastel; signed, Cullen Inventory No.1584 30 ins x 40 ins; 75 cms x 100 cms Provenance: Watson Art Galleries, Montreal.Exhibited: 11th Annual Exhibition of Oil Paintings and Pastels by

Lot 82: MAURICE GALBRAITH CULLEN, R.C.A.EARLY MARCH ON THE CACHE RIVER, pastel; signed, Cullen Inventory No.1584 30 ins x 40 ins; 75 cms x 100 cms Provenance: Watson Art Galleries, Montreal.Exhibited: 11th Annual Exhibition of Oil Paintings and Pastels by

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Description: MAURICE GALBRAITH CULLEN, R.C.A.EARLY MARCH ON THE CACHE RIVER, pastel; signed, Cullen Inventory No.1584 30 ins x 40 ins; 75 cms x 100 cms $25,000-30,000Provenance: Watson Art Galleries, Montreal.Exhibited: 11th Annual Exhibition of Oil Paintings and Pastels by Maurice Cullen, RCA, Watson Art Galleries, Montreal, 14-24 January, 1933 (as "The Cache River in Early March").Literature: William R. Watson, "Retrospective: Recollections of a Montreal Art Dealer", Toronto, 1974, chapter 4 (Maurice Cullen), pages 30-39. Sylvia Antoniou, "Maurice Cullen", Kingston, 1982.Note: Cullen and William Watson, the art dealer, developed a rather special relationship combining friendship and business. Watson's support and promotion of the artist's Laurentian landscapes played an important role in Cullen's career. Cullen often confessed his pleasure in the flexibility of pastels and, as Watson writes, he explored the wide subtleties of tone attainable only in this medium.It is probably in his depictions of the Laurentians that Cullen achieved his greatest success. Watson points out that the artist made a long and special study of ice formation and ice colour: "There is the steel-blue of mid-winter ice...Cullen loved the joyous flashes of sunlight, the glow of snow, the gleam of ice, the tumult of the freed river in the springtime...He taught us to see beauty where we had only thought of cold."

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ALEXANDER YOUNG JACKSON, O.S.A., R.C.A.VILLAGE IN WINTER, oil on panel; signed 8.5 ins x 10.5 ins; 21.3 cms x 26.3 cms

Lot 83: ALEXANDER YOUNG JACKSON, O.S.A., R.C.A.VILLAGE IN WINTER, oil on panel; signed 8.5 ins x 10.5 ins; 21.3 cms x 26.3 cms

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Description: ALEXANDER YOUNG JACKSON, O.S.A., R.C.A.VILLAGE IN WINTER, oil on panel; signed 8.5 ins x 10.5 ins; 21.3 cms x 26.3 cms $15,000-20,000

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FREDERIC MARLETT BELL-SMITH, O.S.A., R.C.A.FEEDING CHICKENS, oil on board; signed 9 ins x 12 ins; 22.5 cms x 30 cms  Provenance: Laing Galleries, Toronto.Private Collection, Vancouver.

Lot 84: FREDERIC MARLETT BELL-SMITH, O.S.A., R.C.A.FEEDING CHICKENS, oil on board; signed 9 ins x 12 ins; 22.5 cms x 30 cms Provenance: Laing Galleries, Toronto.Private Collection, Vancouver.

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Description: FREDERIC MARLETT BELL-SMITH, O.S.A., R.C.A.FEEDING CHICKENS, oil on board; signed 9 ins x 12 ins; 22.5 cms x 30 cms $3,000-4,000Provenance: Laing Galleries, Toronto.Private Collection, Vancouver.

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ADOLPHUS GEORGE BROOMFIELD, O.S.A., R.C.A.WORKING ON A 143 TYPHOON FIGHTER, EINDHOVEN, HOLLAND, 1944, oil on canvas; signed 16 ins x 22 ins; 40 cms x 55 cms Note: As a Squadron Leader, George Broomfield served with 143 Wing RCAF Second

Lot 85: ADOLPHUS GEORGE BROOMFIELD, O.S.A., R.C.A.WORKING ON A 143 TYPHOON FIGHTER, EINDHOVEN, HOLLAND, 1944, oil on canvas; signed 16 ins x 22 ins; 40 cms x 55 cms Note: As a Squadron Leader, George Broomfield served with 143 Wing RCAF Second

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Description: ADOLPHUS GEORGE BROOMFIELD, O.S.A., R.C.A.WORKING ON A 143 TYPHOON FIGHTER, EINDHOVEN, HOLLAND, 1944, oil on canvas; signed 16 ins x 22 ins; 40 cms x 55 cms $3,000-4,000Note: As a Squadron Leader, George Broomfield served with 143 Wing RCAF Second Tactical Air Force 83 Group between 1943 and 1945. This group was created to support the Second Army from the D-Day June 6th,1944 invasion through the advance to Germany. From March 26th to D-Day, they performed pre-invasion strikes and on June 6th, provided first close support aircraft over the invasion beaches. The ground party of the unit landed on the beaches on D-Day, faced heavy shelling and moved to set up a forward base at Lantheuil, Normandy. With enemy forces usually as close as four to five miles from the base, take-offs were often "hot" and enemy shelling was constant. Typhoon aircraft performed the bulk of the missions and ran over two thousand sorties over the six week period. During this time, personnel slept very seldom, due to the constant noise of shelling, anti-aircraft firing and aircraft engines.

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ADOLPHUS GEORGE BROOMFIELD, O.S.A., R.C.A.GERMAN 1/2 TRACK TROOP CARRIER GETTING READY FOR WINTER AT EINDHOVEN, HOLLAND, 1944, oil on canvas, laid down on board 16 ins x 21 ins; 40 cms x 52.5 cms Exhibited: 71st Annual Exhibition, Ontario

Lot 86: ADOLPHUS GEORGE BROOMFIELD, O.S.A., R.C.A.GERMAN 1/2 TRACK TROOP CARRIER GETTING READY FOR WINTER AT EINDHOVEN, HOLLAND, 1944, oil on canvas, laid down on board 16 ins x 21 ins; 40 cms x 52.5 cms Exhibited: 71st Annual Exhibition, Ontario

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Description: ADOLPHUS GEORGE BROOMFIELD, O.S.A., R.C.A.GERMAN 1/2 TRACK TROOP CARRIER GETTING READY FOR WINTER AT EINDHOVEN, HOLLAND, 1944, oil on canvas, laid down on board 16 ins x 21 ins; 40 cms x 52.5 cms $3,000-4,000Exhibited: 71st Annual Exhibition, Ontario Society of Artists, Wartime Section, 1943.Note: After becoming a commissioned officer, rather than applying for war artist accreditation and lose his posting to Europe, George Broomfield sought and received special permission to paint and sketch in the field of operations during the war. Broomfield was one of three RCAF members that arrived in Caen, France after the German evacuation and witnessed the devastation first-hand. The painter survived lengthy bombing raids at Eindhoven as well as multiple "close calls" from sniper fire while sketching. Broomfield's artwork from the second world war stretches from 1941 to 1945, providing a visual record of events in Normandy, Holland, Belgium and Germany. George Broomfield was awarded the 1939/45 Star, the France and Germany Star and the Defense Medal, CVSM & Clasp. In 1965, the artist gifted 35 war drawings to the National Gallery of Canada which are now in the collection of the Canadian War Museum in Ottawa.

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JAMES WILSON MORRICE, R.C.A.QUAI DE LA SEINE; PARISIENNE, both graphite drawings each 4 ins x 6 ins; 10 cms x 15 cms  Provenance: The Right Honourable Vincent Massey.Walter Klinkhoff Gallery, Montreal.Private Collection, Montreal.

Lot 87: JAMES WILSON MORRICE, R.C.A.QUAI DE LA SEINE; PARISIENNE, both graphite drawings each 4 ins x 6 ins; 10 cms x 15 cms Provenance: The Right Honourable Vincent Massey.Walter Klinkhoff Gallery, Montreal.Private Collection, Montreal.

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Description: JAMES WILSON MORRICE, R.C.A.QUAI DE LA SEINE; PARISIENNE, both graphite drawings each 4 ins x 6 ins; 10 cms x 15 cms $1,500-2,000Provenance: The Right Honourable Vincent Massey.Walter Klinkhoff Gallery, Montreal.Private Collection, Montreal.

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FREDERIC MARLETT BELL-SMITH, O.S.A., R.C.A.LOW TIDE, LONDON, oil on board; signed 6.5 ins x 8 ins; 16.3 cms x 20 cms

Lot 88: FREDERIC MARLETT BELL-SMITH, O.S.A., R.C.A.LOW TIDE, LONDON, oil on board; signed 6.5 ins x 8 ins; 16.3 cms x 20 cms

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Description: FREDERIC MARLETT BELL-SMITH, O.S.A., R.C.A.LOW TIDE, LONDON, oil on board; signed 6.5 ins x 8 ins; 16.3 cms x 20 cms $3,000-5,000

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ALFRED JOSEPH CASSON, O.S.A., P.R.C.A.HALFWAY LAKE, 1968, oil on board; signed 9.25 ins x 11.25 ins; 23.1 cms x 28.1 cms

Lot 89: ALFRED JOSEPH CASSON, O.S.A., P.R.C.A.HALFWAY LAKE, 1968, oil on board; signed 9.25 ins x 11.25 ins; 23.1 cms x 28.1 cms

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Description: ALFRED JOSEPH CASSON, O.S.A., P.R.C.A.HALFWAY LAKE, 1968, oil on board; signed 9.25 ins x 11.25 ins; 23.1 cms x 28.1 cms $20,000-25,000

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MARC-AURELE DE FOY SUZOR-COTE, R.C.A.ARTHABASKA, QUE., CIRCA 1930, oil on board; signed 5.5 ins x 7 ins; 13.8 cms x 17.5 cms  Provenance: Galerie L'Art francais, Montreal.Zwicker's Gallery, Halifax.Private Collection, Nova Scotia.

Lot 90: MARC-AURELE DE FOY SUZOR-COTE, R.C.A.ARTHABASKA, QUE., CIRCA 1930, oil on board; signed 5.5 ins x 7 ins; 13.8 cms x 17.5 cms Provenance: Galerie L'Art francais, Montreal.Zwicker's Gallery, Halifax.Private Collection, Nova Scotia.

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Description: MARC-AURELE DE FOY SUZOR-COTE, R.C.A.ARTHABASKA, QUE., CIRCA 1930, oil on board; signed 5.5 ins x 7 ins; 13.8 cms x 17.5 cms $4,000-6,000Provenance: Galerie L'Art francais, Montreal.Zwicker's Gallery, Halifax.Private Collection, Nova Scotia.

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FRANKLIN CARMICHAEL, O.S.A., R.C.A.SUMMER LANDSCAPE, oil on board; inscribed

Lot 91: FRANKLIN CARMICHAEL, O.S.A., R.C.A.SUMMER LANDSCAPE, oil on board; inscribed "An original sketch by Franklin Carmichael" and signed by the artist's wife on the reverse 10 ins x 12 ins; 25 cms x 30 cms Provenance: Private Collection,

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Description: FRANKLIN CARMICHAEL, O.S.A., R.C.A.SUMMER LANDSCAPE, oil on board; inscribed "An original sketch by Franklin Carmichael" and signed by the artist's wife on the reverse 10 ins x 12 ins; 25 cms x 30 cms $125,000-175,000Provenance: Private Collection, Ontario.Literature: Megan Bice, "Light and Shadow: The Work of Franklin Carmichael", McMichael Canadian Art Collection, Kleinburg, 1990, page 64, cat. no.74, for a graphite sketch entitled "La Cloche Mountain Tops", circa 1934.Note: The period during which this work was painted was a significant one for Carmichael. A year earlier he was elected to the Royal Canadian Academy. He also designed and built his La Cloche cottage on Cranberry Lake that same year. In 1937, he became President of the Ontario Society of Artists.This lot could have been based on Carmichael's studies such as his graphite sketch of "La Cloche Mountain Tops" (circa 1934), which bears a close resemblance to "Summer Landscape".

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ALEXANDER YOUNG JACKSON, O.S.A., R.C.A.SUMMER, GEORGIAN BAY, oil on panel; signed, N.J.G. Inventory no.2075 12 ins x 16 ins; 30 cms x 40 cms

Lot 92: ALEXANDER YOUNG JACKSON, O.S.A., R.C.A.SUMMER, GEORGIAN BAY, oil on panel; signed, N.J.G. Inventory no.2075 12 ins x 16 ins; 30 cms x 40 cms

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Description: ALEXANDER YOUNG JACKSON, O.S.A., R.C.A.SUMMER, GEORGIAN BAY, oil on panel; signed, N.J.G. Inventory no.2075 12 ins x 16 ins; 30 cms x 40 cms $15,000-20,000

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EFA PRUDENCE HEWARDRAILWAY TRACKS, BROCKVILLE, oil on panel; with a sketch of a house and yard on the reverse 10.5 ins x 13.5 ins; 26.3 cms x 33.8 cms  Provenance: Canadian Fine Arts, Toronto.Private Collection, Toronto.

Lot 93: EFA PRUDENCE HEWARDRAILWAY TRACKS, BROCKVILLE, oil on panel; with a sketch of a house and yard on the reverse 10.5 ins x 13.5 ins; 26.3 cms x 33.8 cms Provenance: Canadian Fine Arts, Toronto.Private Collection, Toronto.

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Description: EFA PRUDENCE HEWARDRAILWAY TRACKS, BROCKVILLE, oil on panel; with a sketch of a house and yard on the reverse 10.5 ins x 13.5 ins; 26.3 cms x 33.8 cms $25,000-30,000Provenance: Canadian Fine Arts, Toronto.Private Collection, Toronto.

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ROBERT WAKEHAM PILOT, P.R.C.A.DUFFERIN TERRACE AND THE CITADEL, oil on canvas; signed indistinctly 16 ins x 20 ins; 40 cms x 50 cms

Lot 94: ROBERT WAKEHAM PILOT, P.R.C.A.DUFFERIN TERRACE AND THE CITADEL, oil on canvas; signed indistinctly 16 ins x 20 ins; 40 cms x 50 cms

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Description: ROBERT WAKEHAM PILOT, P.R.C.A.DUFFERIN TERRACE AND THE CITADEL, oil on canvas; signed indistinctly 16 ins x 20 ins; 40 cms x 50 cms $20,000-25,000

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Lot 95: ROBERT WAKEHAM PILOT, P.R.C.A.MARCH, MONTREAL LAKE, oil on canvas; signed and dated /40 18 ins x 24 ins; 45 cms x 60 cms Provenance: Private Collection, British Columbia.

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Description: ROBERT WAKEHAM PILOT, P.R.C.A.MARCH, MONTREAL LAKE, oil on canvas; signed and dated /40 18 ins x 24 ins; 45 cms x 60 cms $20,000-25,000Provenance: Private Collection, British Columbia.

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MAURICE GALBRAITH CULLEN, R.C.A.SUNGLOW, CACHE RIVER, pastel; Cullen Inventory No.1582, an authentication by Robert Pilot on the reverse 7.5 ins x 9 ins; 18.8 cms x 22.5 cms Provenance: Robert Pilot, Montreal.Canadian Fine Arts, Toronto.Private

Lot 96: MAURICE GALBRAITH CULLEN, R.C.A.SUNGLOW, CACHE RIVER, pastel; Cullen Inventory No.1582, an authentication by Robert Pilot on the reverse 7.5 ins x 9 ins; 18.8 cms x 22.5 cms Provenance: Robert Pilot, Montreal.Canadian Fine Arts, Toronto.Private

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Description: MAURICE GALBRAITH CULLEN, R.C.A.SUNGLOW, CACHE RIVER, pastel; Cullen Inventory No.1582, an authentication by Robert Pilot on the reverse 7.5 ins x 9 ins; 18.8 cms x 22.5 cms $8,000-10,000Provenance: Robert Pilot, Montreal.Canadian Fine Arts, Toronto.Private Collection, Toronto.Note: Painted circa 1928.

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ALFRED JOSEPH CASSON, O.S.A., P.R.C.A.NIGHT FALL, MOOSE LAKE, 1967, oil on board; signed 12 ins x 15 ins; 30 cms x 37.5 cms  Provenance: Roberts Gallery, Toronto.Private Collection, Calgary.

Lot 97: ALFRED JOSEPH CASSON, O.S.A., P.R.C.A.NIGHT FALL, MOOSE LAKE, 1967, oil on board; signed 12 ins x 15 ins; 30 cms x 37.5 cms Provenance: Roberts Gallery, Toronto.Private Collection, Calgary.

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Description: ALFRED JOSEPH CASSON, O.S.A., P.R.C.A.NIGHT FALL, MOOSE LAKE, 1967, oil on board; signed 12 ins x 15 ins; 30 cms x 37.5 cms $15,000-20,000Provenance: Roberts Gallery, Toronto.Private Collection, Calgary.

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JOHN YOUNG JOHNSTONE, A.R.C.A.STE-ANNE DE BEAUPRE, 1920, oil on panel; signed 10 ins x 13 ins; 25 cms x 32.5 cms

Lot 98: JOHN YOUNG JOHNSTONE, A.R.C.A.STE-ANNE DE BEAUPRE, 1920, oil on panel; signed 10 ins x 13 ins; 25 cms x 32.5 cms

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Description: JOHN YOUNG JOHNSTONE, A.R.C.A.STE-ANNE DE BEAUPRE, 1920, oil on panel; signed 10 ins x 13 ins; 25 cms x 32.5 cms $5,000-7,000

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ALEXANDER YOUNG JACKSON, O.S.A., R.C.A.THE BEACH, WAWA, ONT., JULY 1966, oil on panel; signed 10.5 ins x 13.5 ins; 26.3 cms x 33.8 cms

Lot 99: ALEXANDER YOUNG JACKSON, O.S.A., R.C.A.THE BEACH, WAWA, ONT., JULY 1966, oil on panel; signed 10.5 ins x 13.5 ins; 26.3 cms x 33.8 cms

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Description: ALEXANDER YOUNG JACKSON, O.S.A., R.C.A.THE BEACH, WAWA, ONT., JULY 1966, oil on panel; signed 10.5 ins x 13.5 ins; 26.3 cms x 33.8 cms $15,000-18,000

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RENE RICHARDCOASTAL LANDSCAPE, oil on board; signed 28 ins x 34.5 ins; 70 cms x 85.6 cms

Lot 100: RENE RICHARDCOASTAL LANDSCAPE, oil on board; signed 28 ins x 34.5 ins; 70 cms x 85.6 cms

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Description: RENE RICHARDCOASTAL LANDSCAPE, oil on board; signed 28 ins x 34.5 ins; 70 cms x 85.6 cms $8,000-12,000

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