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Auction Description for Swann: FINE PHOTOGRAPHS & PHOTOBOOKS
Viewing Notes:
Exhibition & Sale Schedule: Sale 2311 - Fine Photographs & Photobooks - begins at 1:30pm in New York on Thurs, April 18. All material in Sale 2311 on display at our premises in New York City, 104 East 25th Street, as follows - Sat, April 13: Noon to 5pm - Mon, April 15: 10am to 6pm - Tues, April 16: 10am to 6pm - Wed, April 17: 10am to 6pm - Thurs, April 18: 10am to Noon.

FINE PHOTOGRAPHS & PHOTOBOOKS

by Swann Auction Galleries

Platinum House

301 lots | 292 with images

April 18, 2013

Live Auction

104 East 25th Street

New York, NY, 10010 USA

Phone: 212.254.4710

Fax: 212 979 1017

Email: swann@swanngalleries.com

301 Lots
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SALZMANN, AUGUSTE (1824-1872)

Lot 1: SALZMANN, AUGUSTE (1824-1872) "Jerusalem, Vallée de Hinnom, Ensemble du flane droit."

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Description: SALZMANN, AUGUSTE (1824-1872) "Jerusalem, Vallée de Hinnom, Ensemble du flane droit." Salted paper print from a calotype negative, 9 1/4x13 inches (23.5x33 cm.), on the original printed mount, with Salzmann's credit, title, and the Printer's and Publisher's credits on mount recto. 1854

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(CALOTYPE PAPER NEGATIVES) Group of 3 paper negatives depicting majestic examples of Indian architecture by John

Lot 2: (CALOTYPE PAPER NEGATIVES) Group of 3 paper negatives depicting majestic examples of Indian architecture by John

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Description: (CALOTYPE PAPER NEGATIVES) Group of 3 paper negatives depicting majestic examples of Indian architecture by John Murray (?), and a later photograph from one of the calotypes (circa 1890). Calotype paper negatives (3) and printing-out paper print (one), each measuring approximately 7x9 inches (17.8x22.9 cm.). 1850s

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FRITH, FRANCIS (1822-1898)

Lot 3: FRITH, FRANCIS (1822-1898) "Street View in Cairo."

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Description: FRITH, FRANCIS (1822-1898) "Street View in Cairo." Mammoth-plate albumen print, 19x15 inches (48.3x38.1 cm.), with Frith's signature and date in the negative; on the original mount, with a printed title on mount recto. 1858-1860

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BONFILS, FELIX; SEBAH, PASCAL, et alia Album with approximately 65 photographs of Egypt, Lebanon, and Palestine, with powerful

Lot 4: BONFILS, FELIX; SEBAH, PASCAL, et alia Album with approximately 65 photographs of Egypt, Lebanon, and Palestine, with powerful

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Description: BONFILS, FELIX; SEBAH, PASCAL, et alia Album with approximately 65 photographs of Egypt, Lebanon, and Palestine, with powerful portraits of Druse, Turkish, Lebanese and Syrian women, as well as a panorama of scenes, including the Tower of 40 Martyrs, the gardens in Jerusalem, the route to Bethlehem, Damascus Gate, Tower of David and Hippicus, The Wailing Wall, Bedouins in Jericho, Mt. of Olives, Hebron, Josaphat, Tomb of Elijah, Facade of the Holy Sepulchre, views of Beirut, and more; 46 are by Bonfils. Albumen prints, 11x8 3/4 inches (27.9x22.2 cm.), and the reverse, nearly all with a credit, caption and inventory number in the negative. Folio, morocco, cracked and scuffed; contents generally very good; all edges gilt. 1870s

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(HOLY LAND) Group of 30 largely 19th-century photographs and prints depicting Jerusalem as well as important sites in Palestine and Syr

Lot 5: (HOLY LAND) Group of 30 largely 19th-century photographs and prints depicting Jerusalem as well as important sites in Palestine and Syr

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Description: (HOLY LAND) Group of 30 largely 19th-century photographs and prints depicting Jerusalem as well as important sites in Palestine and Syria, with an Auguste Salzmann salted paper print of Jerusalem; 14 Bonfils photographs, including The Valley of Tombs of Jehosphaphat and the Porte doree exterieur, plus the Church of the Holy Sepulchre, the Mosque of Omar, Grotto of Jeremy, and the Damascus Gate, photochromes of the Via Dolorosa in Jerusalem and a shepherd; plus scenes by Bergheim, and others. Salted paper (one), albumen (23), photochromes (3), silver (2), and photogravure (one) prints, sizes ranging from 6 1/2x9 3/4 to 10 3/4x15 inches (16.5x24.8 to 27.3x38.1 cm.), 14 with Bonfils' signature and caption in the negative and 3 with Bergheim's. 1880s-1936

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BEATO, FELICE (1832-1909) Folio containing 7 photographs relating to the aftermath of the

Lot 6: BEATO, FELICE (1832-1909) Folio containing 7 photographs relating to the aftermath of the "Pekin [sic] War,"

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Description: BEATO, FELICE (1832-1909) Folio containing 7 photographs relating to the aftermath of the "Pekin [sic] War," with two 2-part panoramas, including "View of the Imperial Winter Palace, Pekin Showing the Artificial Hill," and "Ft. Tangkoo," plus 3 picturesque views of China, including "Carved tomb at the depot near Pekin," "View of the Summer palace," and "Bridge of the Palichieaw, the scene of the fight with Imperial Chinese troops." Mounted albumen prints, the overall size of each panorama is 9x22 inches (22.9x55.9 cm), the single prints measure 9 1/2x11 inches (24.1x27.9 cm.), each with a handwritten caption and date, in ink, on mount recto. Folio, boards, worn; contents loose as issued. 1860

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BEATO, FELICE (1832-1909) Pair of two-part panoramic views of China relating to the Second Opium War, the first depicting

Lot 7: BEATO, FELICE (1832-1909) Pair of two-part panoramic views of China relating to the Second Opium War, the first depicting

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Description: BEATO, FELICE (1832-1909) Pair of two-part panoramic views of China relating to the Second Opium War, the first depicting "Tangkoo Fort, in Tianjin, China, after its capture, and showing the French and English entrance," and a variant two-part panorama of "North Tangkoo Fort." Unmounted albumen prints, each panel measures 10x13 inches (25.4x33 cm.), overall size 10x26 inches (25.4x66 cm.), the first with notations in the negative. 1860-1862

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BEATO, FELICE (1832-1909); HERING, HENRY (printer) A remarkable 4-part panorama of Odin Bay, China on June 21, 1860, with

Lot 8: BEATO, FELICE (1832-1909); HERING, HENRY (printer) A remarkable 4-part panorama of Odin Bay, China on June 21, 1860, with

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Description: BEATO, FELICE (1832-1909); HERING, HENRY (printer) A remarkable 4-part panorama of Odin Bay, China on June 21, 1860, with a military encampment in the foreground and clipper ships in the background. From the series of photographs made by Beato while accompanying the British Expeditionary Forces to China at the time of the Second Opium War. Unmounted albumen prints, each panel measures approximately 9 1/2x11 1/4 inches (24.1x28.6 cm.), overall size 9 1/2x45 inches (24.1x114.3 cm.). 1860; printed 1862

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(CANTON, CHINA) Suite of 9 photographs, comprising 7 of the city and topography of Canton, plus 2 hand-colored portraits.

Lot 9: (CANTON, CHINA) Suite of 9 photographs, comprising 7 of the city and topography of Canton, plus 2 hand-colored portraits.

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Description: (CANTON, CHINA) Suite of 9 photographs, comprising 7 of the city and topography of Canton, plus 2 hand-colored portraits. Albumen prints, sizes ranging from 6 1/4x8 1/2 to 7x9 1/2 inches (15.9x21.6 to 17.8x24.1 cm.), 8 are affixed to the original mounts, including the 2 portraits which are mounted, unidentified, and hand-colored, one may depict William Harry Coffman and his wife; 8 with caption information on mount recto, the unmounted print with caption information on verso. 1870s

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(CHINA & JAPAN) Group of 9 photographs of 19th-century Chinese figures and landscapes, the 3 of Japan were attributed to Beato

Lot 10: (CHINA & JAPAN) Group of 9 photographs of 19th-century Chinese figures and landscapes, the 3 of Japan were attributed to Beato

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Description: (CHINA & JAPAN) Group of 9 photographs of 19th-century Chinese figures and landscapes, the 3 of Japan were attributed to Beato by Bhupendra Karia. Mounted albumen prints, sizes ranging from 8 1/4x10 1/2 (21.0x26.7 cm.) to 9x11 1/4 inches (22.9x28.6 cm.), 4 of the smaller prints with a letterpress caption below the image area. Late 1860s

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(PEKING, CHINA) C.A. Killie and Fung Tai Group of 55 unmounted photographs of Peking, comprising at least 20 by

Lot 11: (PEKING, CHINA) C.A. Killie and Fung Tai Group of 55 unmounted photographs of Peking, comprising at least 20 by

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Description: (PEKING, CHINA) C.A. Killie and Fung Tai/span Group of 55 unmounted photographs of Peking, comprising at least 20 by Presbyterian minister-cum-photographer C.A. Killie, with scenes of pre-historic temples, Christian cemeteries, reconstruction projects of local buildings and forts, and western and Asian citizens strolling throughout the city, as well as 7 prints by Fung Tai of ancient temples, street scenes and more. Printing-out paper prints, sizes ranging from approximately 3 1/4 inches square to 8 1/2x11 1/4 inches (8.3 cm. square to 21.6x29.8 cm.), 19 with Killie's caption and copyright in the negative and 7 with Fung Tai's hand stamp on verso.1890s

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(JAPAN) Exquisite album with 87 hand-colored photographs of scenes from Japan,

Lot 12: (JAPAN) Exquisite album with 87 hand-colored photographs of scenes from Japan,

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Description: (JAPAN) Exquisite album with 87 hand-colored photographs of scenes from Japan, including temples, landscapes, gardens, Tokyo, cherry blossoms, architecture, and occupational scenes with beautiful geishas, tradespeople, and wrestlers. Hand-colored albumen prints, each measuring approximately 7 3/4x10 1/2 inches (19.7x26.7 cm.), and the reverse, about 10 with a caption, in English, in the negative, and more with a number, also in the negative; with the original tissue guards, creased and torn (there are 7 blank boards at the rear). Oblong folio, beautiful black lacquer covers, the front with an unusual image of a man and a monkey with ivory and mother-of-pearl inlay and gilt highlights; leather backstrip; all edges gilt; in the original cloth box. 1890s

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180OGAWA, KAZUMASA (1860-1929) & KASHIMA, SEIBEI (1866-1924) Album containing 50 delicately hand-colored Japanese photographs by Ogawa

Lot 13: 180OGAWA, KAZUMASA (1860-1929) & KASHIMA, SEIBEI (1866-1924) Album containing 50 delicately hand-colored Japanese photographs by Ogawa

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Description: 180OGAWA, KAZUMASA (1860-1929) & KASHIMA, SEIBEI (1866-1924) Album containing 50 delicately hand-colored Japanese photographs by Ogawa and Kashima, with compelling views of street tradesmen, lovely studies of geishas, multiple views of flower gardens (including the Iris Garden in Kyoto and Milo Garden in Tokyo), plus jugglers, temples, the Imperial Gate in Tokyo, picturesque scenes of boatmen, and more. Albumen prints, 8x10 3/4 inches (20.3x26.9 cm.), nearly all with an inventory number and caption, in English, in the plate. Folio, red lacquer boards with gilt-highlighed pictorial fans (one with a scene of Mt. Fuji) and a vertical band showing a bird alighting onto a branch; in the original box, with patterned cloth covers (one panel detached). Late 1880s

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KIMBEI, KUSAKABE (1841-1934) Accordion-fold album containing an assortment of 50 colored- and non-colored

Lot 14: KIMBEI, KUSAKABE (1841-1934) Accordion-fold album containing an assortment of 50 colored- and non-colored

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Description: KIMBEI, KUSAKABE (1841-1934) Accordion-fold album containing an assortment of 50 colored- and non-colored Japanese photographs by Kimbei of Kobe, Osaka, Yokohama, Hakone, Odawara, Tokyo, as well as views of small village, including serene landscapes, handsome occupational portraits, beautiful geishas, picturesque harbor scenes, religious statuary, and more. Albumen prints, 8x10 1/2 inches (20.3x26.7 cm.), many with a numeric notation in the negative, and most with a printed caption label, in English, pasted below the photograph. Oblong folio, leatherette; front cover partially detailed. 1880s

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(CHINA) Box containing 45 small-format photographic portraits and scenes,

Lot 15: (CHINA) Box containing 45 small-format photographic portraits and scenes,

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Description: (CHINA) Box containing 45 small-format photographic portraits and scenes, comprising 2 cabinet card portraits of Chinese-Americans, 11 cartes-de-visite portraits, including 7 from France (the Exposition Universelle of 1867), 3 of Chinese-Americans, including Che-Mah (by Eisenmann), and one from Shanghai; as well as 32 cdv's depicting tombs, street scenes, landscapes and pagodas (22 of which are "from life"). Mounted albumen prints, many with the photographer's calligraphic imprint, in Chinese, on mounts recto and/or verso; two with period handwritten captions, in English. 1867-1870s

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(CHINA) Album containing 39 photographs, comprising 26 mounted prints of Hong Kong,

Lot 16: (CHINA) Album containing 39 photographs, comprising 26 mounted prints of Hong Kong,

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Description: (CHINA) Album containing 39 photographs, comprising 26 mounted prints of Hong Kong, with bustling street scenes of Queens Road, Wellington Street, the beautiful Glenealy gardens, the tramway, picturesque views of the harbor, plus an assortment of 13 small-format portraits and landcapes laid in. Albumen and cyanotype (one) prints, sizes ranging from 5 1/2x3 3/4 to 8x10 3/4 inches (14x9.5 cm. to 20.3x27.3 cm.), the mounted photographs with a handwritten caption below the image area; with an index card containing Fong Chow's handwritten penciled notations. Oblong 4to, 1/4 morocco, spine defective. 1881

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(CHINA) Group of more than 25 compelling portraits primarily of native women,

Lot 17: (CHINA) Group of more than 25 compelling portraits primarily of native women,

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Description: (CHINA) Group of more than 25 compelling portraits primarily of native women, including a study of a woman's (bound) foot, another depicting "Chinese woman with small feet," a pair of oval-shaped prints of ladies riding in a rickshaw (one is hand-colored), 4 beautifully hand-colored studies of young women in fashionable Chinese costumes, groups of female musicians, a Mongol princess, and miscellaneous views depicting the hardscrabble life of a woman vendor, rickshaw drivers, criminals, a cabinet card of Chinese-Americans in San Francisco's Chinatown by Carleton Watkins, and more. Albumen prints, sizes ranging from 5 1/4x4 to 10 3/4x8 inches (13.3x10.2 to 27.3x20.3 cm.), several with handwritten captions on mounts recto that are dated 1876. 1870s

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(CHINA AND JAPAN) Portfolio entitled

Lot 18: (CHINA AND JAPAN) Portfolio entitled "H.V.K., Views of China - Japan," with a total of 50 photographs,

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Description: (CHINA AND JAPAN) Portfolio entitled "H.V.K., Views of China - Japan," with a total of 50 photographs, comprising 42 of Hong Kong and Canton, and 8 of Yokohama, Japan. With scenes of the Government House, Hong Kong Club, City Hall, View on the Praya, Parsee Cemetery, Race Course, Happy Valley, From the Cliffs, Distellery and Sugar House, Joss House, View from Albany, Botanical Garden, General view of the harbor, German Club and much more. Albumen prints, 7 3/4x9 3/4 inches (19.7x24.8 cm.), several with a caption in the negative, all but two with a letterpress title and number on mount recto. Folio-size box, gilt-lettered cloth, soiled, backstrip split; contents loose, as issued. 1890s

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(CAMBODIA, THAILAND, and VIETNAM) Far East album containing 49 rare photographs of Cambodia, Thailand, and Vietnam,

Lot 19: (CAMBODIA, THAILAND, and VIETNAM) Far East album containing 49 rare photographs of Cambodia, Thailand, and Vietnam,

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Description: (CAMBODIA, THAILAND, and VIETNAM) Far East album containing 49 rare photographs of Cambodia, Thailand, and Vietnam, with a view of the Royal Palace in Phnom Penh, miscellaneous portraits of monks, royal figures, children, statuary, plus harbor views, street scenes, and rural views. Comprising 16 of Cambodian people and places, mainly in Phnom Penh, 3 of Thailand (including a royal figure), and one apparently of Saigon; many with 3 or more pictures per page. Albumen prints, sizes ranging from 3 3/4x2 to 7x11 inches (9.5x5.1 to 7x27.9 cm.), with "Henri Viernot, Saigon, 1884," on the front pastedown and 18 with his florid notations, in ink, on mount recto. Oblong small folio, gilt-lettered boards, loss on backstrip, edgewear. 1876-1884

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(ASIA AND THE AMERICAS) Travel album with more than 180 exotic cartes-de-visite portraits and landscapes of the Philippines, Japan,

Lot 20: (ASIA AND THE AMERICAS) Travel album with more than 180 exotic cartes-de-visite portraits and landscapes of the Philippines, Japan,

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Description: (ASIA AND THE AMERICAS) Travel album with more than 180 exotic cartes-de-visite portraits and landscapes of the Philippines, Japan, China, Malaysia, Hong Kong, Singapore, Thailand, Java, and India in addition to approximately 10 of South Africa and Brazil plus copies of racist illustrations and texts. Most of the pictures with handwritten or letterpress captions below the window mounts. With 16 portraits of Chinese figures (in China and in India), and 48 of Japanese subjects, many of the Japanese studies are hand-colored. Folio, red morroco, worn, single brass clasp (second is missing); all edges gilt. 1870s

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(ASIA) china An accordion fold-out album containing 44 photographs, many of China, as well as Burma and Formosa (Taiwan), including the

Lot 21: (ASIA) china An accordion fold-out album containing 44 photographs, many of China, as well as Burma and Formosa (Taiwan), including the

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Description: (ASIA) china/span An accordion fold-out album containing 44 photographs, many of China, as well as Burma and Formosa (Taiwan), including the cities Amoy, Hong Kong, Peking, and Singapore; with images of Western missionaries posing with school students, portraits of locals, street scenes, sacred sites, landscapes, and a wrecked boat. Albumen prints, sizes ranging from 4 1/2x3 1/4 to 8x10 3/4 inches (11.4x8.3 to 20.3x27.3 cm.), and the reverse, all but 11 mounted recto/verso, 4 pages with 2 images per page, and all but one with a caption, in ink, on mount recto. Oblong folio, yellow silk with a floral pattern, worn at the edges; one of the seams of the accordion, near the rear, starting. 1880s

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(PARIS EXPOSITION.) Les Merveilles et les Originalités Architecturales à l'Exposition 1900.

Lot 22: (PARIS EXPOSITION.) Les Merveilles et les Originalités Architecturales à l'Exposition 1900.

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Description: (PARIS EXPOSITION.) Les Merveilles et les Originalités Architecturales à l'Exposition 1900. With 100 cyanotypes (bound in sequence), attributed to Albert Levy, and a Table of Contents. Cyanotypes, 11 1/4x9 1/4 inches (28.6x23.5 cm.), with a number in the plate. Folio, 1/4 morocco, worn, lacks backstrip; hinge split, partially disbound. Paris, 1900

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(CASED IMAGES) Group of 12 daguerreotype portraits,

Lot 23: (CASED IMAGES) Group of 12 daguerreotype portraits,

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Description: WITH A BRADY WHOLE-PLATE AMBRO (CASED IMAGES) Group of 12 daguerreotype portraits, with 2 quarter-plates comprising a handsome gent and another of a woman knitting; and 10 sixth-plates including a male cross-dresser, 6 studies of children (among which are a boy and his dog, a girl holding a doll, a third holding a cased image, and a post-mortem), a mother holding infant twins (?), and miscellaneous portraits of well-dressed men and women; a few are hand-tinted; 8 in full cases. 1850s

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VANCE, ROBERT H., attributed to Lightly tinted sixth-plate daguerreotype of a proud gold miner

Lot 24: VANCE, ROBERT H., attributed to Lightly tinted sixth-plate daguerreotype of a proud gold miner

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Description: VANCE, ROBERT H., attributed to Lightly tinted sixth-plate daguerreotype of a proud gold miner who is apparently sporting gold nugget earrings; in a leather case, separated at hinge, with "R. H. Vance's Premium Daguerreian Galleries, San Francisco, Sacramento, Marysville" stamped in the red velvet lining. Circa 1850

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(PETER COOPER) Half-plate daguerreotype of Peter Cooper * Half-plate daguerreotype of an engraving of

Lot 25: (PETER COOPER) Half-plate daguerreotype of Peter Cooper * Half-plate daguerreotype of an engraving of "The [Cooper] Union,"

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Description: (PETER COOPER) Half-plate daguerreotype of Peter Cooper * Half-plate daguerreotype of an engraving of "The [Cooper] Union," by Samuel Root. Together, 2 photographs, the first with gilt-tinting in Cooper's eyeglasses, and the second with Root's imprint on the mat; each is in a leather case, separated at hinge. Circa 1850

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SOUTHWORTH, ALBERT SANDS (1811–1894) & HAWES, JOSIAH (1808–1901) Oversized vignetted daguerreotype portrait of a blue-eyed woman, who i

Lot 26: SOUTHWORTH, ALBERT SANDS (1811–1894) & HAWES, JOSIAH (1808–1901) Oversized vignetted daguerreotype portrait of a blue-eyed woman, who i

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Description: SOUTHWORTH, ALBERT SANDS (1811–1894) & HAWES, JOSIAH (1808–1901) Oversized vignetted daguerreotype portrait of a blue-eyed woman, who is dressed in a delicate off-the-shoulder dress with lace trim, and whose features are beautifully hand-tinted; overall size 9 1/4x7 1/4 inches(23.5x18.4 cm.); in a leather case. Circa 1850

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(CIVIL WAR) Group of 7 period portraits, comprising a whole-plate, hand-painted tintype of a

Lot 27: (CIVIL WAR) Group of 7 period portraits, comprising a whole-plate, hand-painted tintype of a

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Description: (CIVIL WAR) Group of 7 period portraits, comprising a whole-plate, hand-painted tintype of a Union soldier posing with a rifle (and housed in a period walnut frame); 5 hard images of infantrymen, including 2 sixth-plate ambrotypes (one of a figure in full uniform holding a sabre), and 2 sixth-plate tintypes (gilt-highlighted, with soldiers holding sabres), and a ninth-plate tin; and a hand-colored carte-de-visite; one is cased. 1861-1865

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(CIVIL WAR) Group of more than 30 photographs and portraits, comprising 10 cartes-de-visite of

Lot 28: (CIVIL WAR) Group of more than 30 photographs and portraits, comprising 10 cartes-de-visite of

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Description: WITH MESERVE'S PHOTOGRAPHICALLY ILLUSTRATED "LINCOLN" (CIVIL WAR) Group of more than 30 photographs and portraits, comprising 10 cartes-de-visite of Abraham Lincoln and his family (7 are "from life"), and 24 other cdv's, including Union Generals Sherman, Grant, and Sheridan, an American eagle, infantrymen, a drummer boy, a period copy print of Union Capt. D.K. Smith, 3 stereo views, the "last portrait of U.S. Grant" and more; several with the photographer's imprint on mount verso. 1861-1890

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(CIVIL WAR) Portrait of 3 Union officers in full uniform, including sabres and sashes, with the young officer

Lot 29: (CIVIL WAR) Portrait of 3 Union officers in full uniform, including sabres and sashes, with the young officer

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Description: (CIVIL WAR) Portrait of 3 Union officers in full uniform, including sabres and sashes, with the young officer at far right with a hand-applied beard. Oversized, hand-painted salted paper print, 21x16 3/4 inches (53.3x42.5 cm.), on the original mount; in a period walnut frame. Circa 1864

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BARNARD, GEORGE N. (1819-1902)

Lot 30: BARNARD, GEORGE N. (1819-1902) "Destruction of Hood's Ordinance Train" * "City of Atlanta, Ga. No. 1."

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Description: BARNARD, GEORGE N. (1819-1902) "Destruction of Hood's Ordinance Train" * "City of Atlanta, Ga. No. 1." Together, 2 photographs. Gold-toned albumen prints, 10x14 inches (25.4x35.6 cm.), on the original two-toned printed mounts, with Barnard's printed credit, "photo from nature," and title on mounts recto. 1866

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(AMERICAN TINTYPES) Collection of 179 unique and marvelous studio and

Lot 31: (AMERICAN TINTYPES) Collection of 179 unique and marvelous studio and "en plein air" tintype photographs.

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Description: (AMERICAN TINTYPES) Collection of 179 unique and marvelous studio and "en plein air" tintype photographs. With pictures of a professional photographer posing with a camera, occupational tradesmen (including a salesman), outdoor scenes, humorous pictures made on vacations, military men, commercial images, studies with curious props (including a crocodile and a bear), musicians, children with toys, an African-American subject, a copy image, a view of a photographer's tent, and more. Approximately 25 are whole-plate and half-plates, 15 are quarter-plates, 105 are sixth-plates, and 5 are ninth-plates; 5 are in full cases; 5 are in half cases, 5 are in brass preservers, and 2 are housed in Eastlake frames. 1860s-1890s

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(AMERICAN INDUSTRY)

Lot 32: (AMERICAN INDUSTRY) "F.S. Dale's Silk Mill, Paterson, New Jersey."

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Description: (AMERICAN INDUSTRY) "F.S. Dale's Silk Mill, Paterson, New Jersey." Albumen print, 12 1/4x16 inches (31.1x40.6 cm.), mounted onto a piece of silk measuring 12 1/2x17 inches (31.8x43.2 cm.), with two handwritten titles, in ink, on recto. Circa 1870

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KNEELAND, SAMUEL. Wonders of the Yosemite Valley.

Lot 33: KNEELAND, SAMUEL. Wonders of the Yosemite Valley.

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Description: KNEELAND, SAMUEL. Wonders of the Yosemite Valley. With 10 mounted albumen prints by John P. Soule, on the original red-ruled leaves, with the original tissue guards. 4to, original plum gilt-lettered cloth, covers and spine faded; one leaf detached, handwritten notations on front free endpaper; all edges gilt; photographs in excellent condition. first edition./span Boston: Alexander Moore, 1871

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(VERNACULAR) Group of 14 full sheets entitled

Lot 34: (VERNACULAR) Group of 14 full sheets entitled "Rider's and Driver's License, The National

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Description: (VERNACULAR) Group of 14 full sheets entitled "Rider's and Driver's License, The National Trotting Association," containing a total of 52 licenses, with small-format portraits of riders. Printing-out paper and silver prints, each approximately 3 1/4x2 1/2 inches (8.9x5.7 cm.), overall size of sheets 12 1/2x8 3/4 inches (31.8x22.2 cm.), with handwritten notations reflecting the name of the rider, location, and a printed date and license number. 1898

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(POP PHOTOGRAPHICA) Group of 4 objects, comprising a salesman's sample traveling case with 2 hand tinted photographs (circa 1930);

Lot 35: (POP PHOTOGRAPHICA) Group of 4 objects, comprising a salesman's sample traveling case with 2 hand tinted photographs (circa 1930);

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Description: (POP PHOTOGRAPHICA) Group of 4 objects, comprising a salesman's sample traveling case with 2 hand tinted photographs (circa 1930); 2 unique marriage certificates, one with albumen prints of the betrothed (1874) and the other with tintype (1868) portraits, in a period Adirondack frame. AND--A rare, late Victorian celluloid album that's both a music box and repository for family photographs, and a Japanese fan. 1868-1930

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EAKINS, THOMAS (1844-1916) (or circle of) Studio at the Pennsylvania Academy with female and male students.

Lot 36: EAKINS, THOMAS (1844-1916) (or circle of) Studio at the Pennsylvania Academy with female and male students.

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Description: EAKINS, THOMAS (1844-1916) (or circle of) Studio at the Pennsylvania Academy with female and male students. Albumen print, 3 3/4x4 1/2 inches (8.3x11.4 cm.), on the original mount. 1882-1883

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MUYBRIDGE, EADWEARD (1830-1904) Walking man, from

Lot 37: MUYBRIDGE, EADWEARD (1830-1904) Walking man, from "Animal Locomotion."

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Description: MUYBRIDGE, EADWEARD (1830-1904) Walking man, from "Animal Locomotion." Collotype, 10 5/8x10 inches (27x25.4 cm.), on the two-toned sheet, overall size 19x23 1/2 inches (48.3x60.3 cm.), with Muybridge's printed credit, title, date, and plate number 49. 1887

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MUYBRIDGE, EADWEARD (1830-1904) Equestrian * Lion and mate. Together, 2 plates from

Lot 38: MUYBRIDGE, EADWEARD (1830-1904) Equestrian * Lion and mate. Together, 2 plates from "Animal Locomotion."

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Description: MUYBRIDGE, EADWEARD (1830-1904) Equestrian * Lion and mate. Together, 2 plates from "Animal Locomotion." Collotypes,7 1/4x15 1/4 inches (18.4x38.7 cm.), on the two-toned sheets, overall size 19x23 3/4 inches (48.3x60.3 cm.), with a printed title, plate number, copyright, date, and credit on recto. 1887

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HINE, LEWIS W. (1874-1940) Pawtucket, Rhode Island cotton mill.

Lot 39: HINE, LEWIS W. (1874-1940) Pawtucket, Rhode Island cotton mill.

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Description: HINE, LEWIS W. (1874-1940) Pawtucket, Rhode Island cotton mill. Silver print, 4 3/8x6 3/8 inches (11.1x16.2 cm.), with Hine's numeric notation 3212, in pencil, on verso. 1912

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HINE, LEWIS W. (1874-1940)

Lot 40: HINE, LEWIS W. (1874-1940) "Weaver Carolina cotton mill."

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Description: HINE, LEWIS W. (1874-1940) "Weaver Carolina cotton mill." Silver print, 4 3/4x6 3/8 inches (12.1x16.2 cm.), with Hine's title and numeric notation 220, in pencil, on verso. Circa 1910

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HINE, LEWIS W. (1874-1940)

Lot 41: HINE, LEWIS W. (1874-1940) "Wilbur Gold, Western Union messenger #14."

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Description: HINE, LEWIS W. (1874-1940) "Wilbur Gold, Western Union messenger #14." Silver print, 4 1/2x5 1/4 inches (11.4x13.3 cm.), with Hine's numeric notation 1483 in the negative and with the notation again, in pencil, and the typed N.C.L.C. label with Hine's credit, caption, and date, on verso. 1911

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HINE, LEWIS W. (1874-1940) Group of 9 photographs, comprising 3 of child laborers, and 6 of immigrant home workers in New York City.

Lot 42: HINE, LEWIS W. (1874-1940) Group of 9 photographs, comprising 3 of child laborers, and 6 of immigrant home workers in New York City.

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Description: HINE, LEWIS W. (1874-1940) Group of 9 photographs, comprising 3 of child laborers, and 6 of immigrant home workers in New York City. Silver prints, 4 3/4x6 3/4 inches (11.4x16.5 cm.) and smaller, most with numeric notations, in pencil, on verso and one with a photostatic copy of a caption label laid in. 1909-1917

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BENTLEY, WILSON A. (1865-1931) Suite of 4 photographs of snow crystals.

Lot 43: BENTLEY, WILSON A. (1865-1931) Suite of 4 photographs of snow crystals.

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Description: BENTLEY, WILSON A. (1865-1931) Suite of 4 photographs of snow crystals. Gold-toned silver prints, image area measures approximately 3 inches (7.6 cm.) in diameter, sheet size 4x3 inches (10.2x7.6 cm.). Circa 1903-1910

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HAVILAND, PAUL (1880-1950) Stands at a race course.

Lot 44: HAVILAND, PAUL (1880-1950) Stands at a race course.

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Description: HAVILAND, PAUL (1880-1950) Stands at a race course. Platinum print, 6 1/2x8 1/4 inches (16.5x21 cm.). 1908-1915

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LINCOLN, EDWIN HALE (1848-1938)

Lot 45: LINCOLN, EDWIN HALE (1848-1938) "Wild Flowers of New England," Part X.

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Description: LINCOLN, EDWIN HALE (1848-1938) "Wild Flowers of New England," Part X. With 23 (of 25?) plates. Platinum prints, 9 1/4x7 1/4 inches (23.5x18.4 cm.), each tipped to a mount with Lincoln's letterpress credit, plate number, and title; two are framed. Small folio, gilt-lettered brown folding case; with the accompanying colophon; contents loose as issued. library edition./span 1904

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MONSEN, FREDERICK (1865-1929) Native-American figure and horse in a canyon.

Lot 46: MONSEN, FREDERICK (1865-1929) Native-American figure and horse in a canyon.

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Description: MONSEN, FREDERICK (1865-1929) Native-American figure and horse in a canyon. Sepia-toned silver print, 12x16 1/4 inches (30.5x41.3 cm.), double mounted, with Monsen's signature, in ink, on mount recto. Circa 1905

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CURTIS, EDWARD S. (1868-1952)

Lot 47: CURTIS, EDWARD S. (1868-1952) "Sunset Trail."

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Description: CURTIS, EDWARD S. (1868-1952) "Sunset Trail." Blue-toned silver print, 9 7/8x7 7/8 inches (25.1x20 cm.), with Curtis' signature, copyright, and "L.A.," in the negative. Circa 1922

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CURTIS, EDWARD S. (1868-1952)

Lot 48: CURTIS, EDWARD S. (1868-1952) "Before the Storm -- Apache."

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Description: CURTIS, EDWARD S. (1868-1952) "Before the Storm -- Apache." Platinum print, 5 1/2x8 inches (14.x20.3 cm.), with Curtis' signature, in ink, and debossed blind stamp on recto and his inventory number in the negative; in the original frame. 1906

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CURTIS, EDWARD S. (1868-1952)

Lot 49: CURTIS, EDWARD S. (1868-1952) "The Piki Maker."

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Description: CURTIS, EDWARD S. (1868-1952) "The Piki Maker." Oversized platinum-palladium print, 16 1/4x12 1/4 inches (41.3x31.1 cm.), with Curtis' signature, in ink, on recto and notations, in an unknown hand, on verso. 1906

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MORTENSEN, WILLIAM (1897-1965) Portfolio entitled

Lot 50: MORTENSEN, WILLIAM (1897-1965) Portfolio entitled "Compositions," with 7 kitschy studies of the female form.

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Description: MORTENSEN, WILLIAM (1897-1965) Portfolio entitled "Compositions," with 7 kitschy studies of the female form. Silver prints on gevelux paper, each approximately 12 3/4x10 1/2 inches (32.4x26.7 cm.), and the reverse, sheet size 15x12 1/2 inches (38.1x31.8 cm.), 4 with Mortensen's handwritten title and each with his signature, in ink, on recto. Folio-size pictorial wrappers, worn; contents loose as issued. Circa 1938

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