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Auction Description for Swann: 19TH & 20TH CENTURY PRINTS & DRAWINGS
Terms and Conditions:
CONDITIONS OF SALE

The property described in this catalogue, as amended by any posted notices or oral announcements during the sale, will be sold by Swann Galleries, Inc. (Swann) as agent for various owners (the Consignors). These CONDITIONS OF SALE, and the LIMITED WARRANTY and ADVICE TO PROSPECTIVE BIDDERS set forth elsewhere in the catalogue are the complete and only terms and conditions on which all property is offered for sale. By bidding at auction (whether present in person or by agent, by written or telephone bid, or by any other means) the buyer agrees to be bound by these Conditions of Sale.

1. THE AUTHENTICITY OF PROPERTY LISTED IN THIS CATALOGUE IS WARRANTED TO THE EXTENT STATED IN THE "LIMITED WARRANTY" EXCEPT AS PROVIDED THEREIN. ALL PROPERTY IS SOLD "AS IS" AND NEITHER SWANN NOR THE CONSIGNOR MAKES ANY WARRANTIES OR REPRESENTATIONS OF ANY KIND OR NATURE WITH RESPECT TO THE PROPERTY OR ITS VALUE, AND IN NO EVENT SHALL THEY BE RESPONSIBLE FOR CORRECTNESS OF DESCRIPTION, GENUINENESS, ATTRIBUTION, PROVENANCE, AUTHENTICITY, AUTHORSHIP, COMPLETENESS, CONDITION OF THE PROPERTY OR ESTIMATE OF VALUE. NO STATEMENT (ORAL OR WRITTEN) IN THE CATALOGUE, AT THE SALE, OR ELSEWHERE SHALL BE DEEMED SUCH A WARRANTY OR REPRESENTATION, OR ANY ASSUMPTION OF RESPONSIBILITY.

2. All bids are to be per lot as numbered in the catalogue.

3. NEITHER SWANN NOR THE CONSIGNOR MAKES ANY REPRESENTATION THAT THE PURCHASER OF MANUSCRIPT MATERIAL, PHOTOGRAPHS, PRINTS, OR WORKS OF ART WILL ACQUIRE ANY COPYRIGHT OR REPRODUCTION RIGHTS THERETO.

4. Swann reserves the absolute right (a) to withdraw any property at any time before its actual final sale, including during the bidding, and (b) to refuse any bid from any bidder. The auctioneer is the sole judge as to the amount to be advanced by each succeeding bid.

5. Any right of the purchaser under this agreement or under the law shall not be assignable and shall be enforceable only by the original purchaser and not by any subsequent owner or any person who shall subsequently acquire any interest. No purchaser shall be entitled to any remedy, relief or damages beyond return of the property, rescission of the sale and refund of the purchase price; and without limitation, no purchaser shall be entitled to damages of any kind.

6. The highest bidder acknowledged by the auctioneer shall be the purchaser. In the event of any dispute between bidders, the auctioneer shall have the absolute discretion either to determine the successful bidder or to re-offer and resell the lot in dispute. If any dispute arises after the sale, Swann's sales records shall be conclusive as to the purchaser, amount of highest bid, and in all other respects.

7. The purchase price paid by a purchaser shall be the sum of the final bid and a buyer's premium of 25% of the hammer price up to and including $100,000; 20% of the portion of the hammer price above $100,000 up to and including $1,000,000; and 12% of the portion of the hammer price above $1,000,000 ("the Buyer's Premium"), plus all applicable sales tax. An additional buyer's premium may be charged on any purchase made through a live online auction as posted by Swann in accordance with such live online auction.

8. On the fall of the auctioneer's hammer, title to the offered lot or article will pass to the highest acknowledged bidder, who thereupon (a) immediately assumes full risk and responsibility therefor, (b) will immediately sign a confirmation of the purchase therefor, setting forth his name and address, and (c) will immediately pay the full purchase price therefor. If the foregoing conditions or any other applicable conditions herein are not complied with, in addition to other remedies available to Swann and the Consignor by law (including without limitation the right to hold the purchaser liable for the bid price), Swann, at its option, may either (a) cancel the sale, retaining as liquidated damages all payments made by the purchaser, or (b) resell the property, either publicly or privately, for the account and risk of the purchaser, and in such event the purchaser shall be liable for the payment of all deficiencies plus all costs, including warehousing, the expenses of both sales, and Swann's commission at its regular rates and all other charges due hereunder. Swann may also impose late charges of 1.5% per month (or the highest rate allowed under applicable law, whichever is lower) on any amounts unpaid.

9. All property shall be removed from Swann by the purchaser at his expense no later than five (5) days following its sale, and if not so removed may, at Swann's option, be sent by Swann to a public warehouse at the account, risk and expense of the purchaser. Whether sent to a warehouse or stored by Swann, the purchaser shall be liable for all actual expenses incurred plus a storage charge of 5% of the purchase price.

10. Except as noted in this paragraph, all lots in this sale are offered for the account of a third party, without any interest (direct or indirect) of the auctioneer or Swann. Where Swann or an affiliate of Swann is the sole or partial owner of the property it is noted by the symbol l next to the description of that lot. Under no circumstances will the Consignor receive any rebate commission. Under no circumstances may the Consignor bid upon or buy back his property.

11. Except as may be otherwise expressly provided herein, any and all claims of a purchaser shall be deemed to be waived and without validity unless delivered in writing by registered mail return receipt requested to Swann within thirty (30) days of the date of sale.

12. The rights and obligations of the parties shall be governed by the laws of the State of New York. All bidders and the purchaser submit to the personal jurisdiction of the New York State courts and their rules and procedures in the event of any dispute.

13. No waiver or alteration of any of these Conditions of Sale, the Advice to Prospective Bidders, the Limited Warranty, the estimates, or any other matter in this catalogue or any other matter whatever (whether made by the auctioneer, or Consignor, or any representative of Swann) shall be effective unless it is in writing and signed by a representative of Swann.

14. THE "LIMITED WARRANTY" APPEARING BELOW AND THE "ADVICE TO PROSPECTIVE BIDDERS" APPEARING OVERLEAF FORM PART OF THESE CONDITIONS OF SALE.


LIMITED WARRANTY

We warrant the authenticity and condition of each lot catalogued herein on the terms and conditions set forth below.

1. Unless otherwise indicated in the respective catalogue descriptions (which are subject to amendment by oral or written notices or announcements made by Swann prior to sale), we warrant for a period of three (3) years from the date of sale the authenticity of each lot catalogued herein. (Please note Paragraphs 3 and 5 below.)

2. Except as noted above, or unless otherwise indicated in the respective catalogue description, we warrant for a period of thirty (30) days from the date of sale to the original buyer of record, that each book or manuscript is complete in text and illustration and generally is in such physical condition as may reasonably be expected considering the age and provenance. This warranty does not cover damages to binding, stains or foxing, wormholes, short leaves of text or plates or any defect not affecting the completeness of the text. Moreover, this warranty does not cover the lack of inserted advertisements, blank leaves, cancels or subsequently published volumes.

3. Serial publications, books in original parts, extra-illustrated books, made up "albums" and lots described as "sold as is," "sold not subject to return," "not collated," "collection of " or "group of," and any lot containing more than three (3) items, are sold as is and therefore not covered by these warranties.

4. The benefits of these warranties are not assignable and are applicable only to the original buyer of the lot, and are conditioned on the buyer returning the work in the same condition as at time of sale and in the time period specified.

5. (a) The buyer's sole remedy under these warranties shall be the rescission of the sale and refund of the original purchase price paid for the item, and this remedy shall be exclusive and in lieu of any other remedy which might otherwise be available to the buyer as a matter of law.

(b) In the event that a buyer claims that an item is not authentic, Swann shall have no obligation to rescind the sale unless the buyer has obtained, at the buyer's expense, the opinion of two recognized experts in the field, who are mutually agreeable to Swann and the buyer, that a lot or portion thereof is not authentic.


ADVICE TO PROSPECTIVE BIDDERS

1. ALL PROPERTY IS SOLD SUBJECT TO THIS ADVICE, THE CONDITIONS OF SALE, AND TERMS OF WARRANTY PRINTED IN THE CATALOGUE.

2. INSPECTION OF PROPERTY. Prospective bidders or their agents should inspect property prior to the auction. Swann staff are available to advise prospective bidders at all pre-sale exhibitions and by appointment.

3. BUYER'S PREMIUM. The purchase price payable on any lot purchased will be the total of the final bid plus the Buyer's Premium as defined in paragraph 7 of the Conditions of Sale, plus all applicable sales taxes.

4. SALES TAX. All items purchased are subject to payment of the New York City and State sales tax of 8.875% on the total purchase price (final bid plus the Buyer's Premium as defined in paragraph 7 of the Conditions of Sale) unless the purchaser presents proof of exemption therefrom. An exempt purchaser must provide a properly completed New York State Resale Certificate (Form ST-120) evidencing possession of a valid New York State Resale or, for non-New York State businesses, the equivalent resale authorization from another locale. Purchases will not be released unless all sales tax requirements are satisfied. Purchases shipped outside of New York State are not subject to sales tax.

5. BIDDING INCREMENTS. $10 up to $150; then $25 to $500; $50 to $1,000; $100 to $2,000; $200 to $6,000; $500 to $10,000; $1,000 to $20,000; $2,000 to $50,000; and approximately 10% of the current bid thereafter. However, the auctioneer may modify the increments at any time.

6. RESERVES. All lots are subject to a reserve, which is the confidential minimum price agreed to with the seller below which the lot will not be sold. The reserve will never be higher than the low pre-sale estimate, and will never be lower than half the low estimate. Swann may implement such reserve by opening the bidding on behalf of the seller and may bid up to the amount of the reserve by placing successive or consecutive bids for a lot in response to other bidders.

7. ESTIMATES. The estimates provided are intended as a guide to bidding. The figures are educated guesses, based on recent values. A bid between the listed figures would, in our opinion, have a chance of success (at the time the catalogue was prepared). The estimates are exclusive of the buyer's premium, and may be revised at any time prior to the auction.

8. BIDDING. All persons attending the auction must obtain a bidding number prior to bidding. If bids cannot be made in person or by an agent, they may be made by mail, fax, e-mail, or telephone and such bids will be executed without charge.

9. ABSENTEE BIDS will be executed by Swann on the bidder's behalf in competition with other absentee bids and bidding in the room. Every effort will be made to carry out the bidder's instructions, but Swann shall in no event be responsible for failing correctly to carry out instructions, and Swann reserves the right to decline to undertake such bids. Bids by mail should be made in U.S. dollars on the bid sheet found at the end of the catalogue and in accordance with the instructions on the bid sheet.

10. REMOVAL OF PROPERTY. All lots purchased shall be removed at the purchaser's risk and expense by the end of the fifth business day following the sale. Purchases not so removed will be treated as set forth in paragraph 9 of the Conditions of Sale.

11. SHIPMENT. Upon request, Swann will facilitate the shipping of purchases to out-of-town buyers at an additional charge for packing, postage and insurance, but will not be responsible for any loss, damage or delay resulting from the packing, handling and shipping thereof. Unless specific instructions are received, Swann is the sole judge of the method to be used for shipment.

12. PRICES REALIZED. A list of prices realized is published on our website www.swanngalleries.com at the conclusion of the sale. The Prices Realized is also available at Swann and will be mailed upon request.

13. CREDIT. Bidders whose credit is unknown to Swann should submit acceptable credit references or make prior arrangements for payment, failing which purchases will not be released until funds have cleared. Mail bidders should submit references or a deposit of 25% of their maximum bid. If successful, the deposit will be applied to the purchase; if unsuccessful, the deposit will be returned.

14. LOTS NOT RETURNABLE. Paragraph 3 of the Limited Warranty describes lots which are sold as is and not returnable. Books, manuscripts, prints, drawings, photographs, signatures, or any other property offered in a lot comprising more than 3 items, whether or not such items are individually named, constitute "Grouped Lots." Such "Grouped Lots" are not subject to return for any reason.


SUPPLEMENTAL ADVICE TO PROSPECTIVE BIDDERS WITH RESPECT TO SALES OF PRINTS, DRAWINGS, PAINTINGS, WATERCOLORS, SCULPTURES, AND MULTIPLES

GENERAL:

Dimensions are given in millimeters and inches, with height preceding width in both cases. Dimensions for prints are measured to the outside edges of the plate mark (for intaglio) or image (for planographic and relief); dimensions for drawings and other works are measured to the outside edges of the support (paper, canvas, etc.) For prints, if the margins are known or believed to be full this is stated.

References are cited using the author's surname and corresponding catalogue page number(s) or catalogue raisonne number at the end of each catalogue entry, preceding the estimate.

Whenever possible framed works are sold in the frames in which they have been received. However, we take no responsibility for frames.

Be advised that pursuant to paragraph 1(b) of the Limited Warranty, Swann does not warrant the condition of prints, drawings or watercolors unless specifically stated in the catalogue description. We attempt to characterize quality and gross defects in condition whenever possible as an aid to prospective bidders, but clients should satisfy themselves prior to the sale as to the condition of each lot and should exercise and rely on their own judgment as to whether the lot accords with its description. More detailed condition reports are available upon request.

Illustrations in the catalogue are for identification only and should not be used as a basis for determining the condition of the lot.


FOR UNIQUE WORKS, SUCH AS DRAWINGS AND WATERCOLORS:

Authorship for each lot is indicated using the following descriptions:

Guido Reni: In our opinion, a work by the artist. (When the artist's forename(s) is not known, a series of asterisks, followed by the surname of the artist indicates that in our opinion the work is by the artist named.)

Guido Reni (attributed to): In our opinion, probably a work by the artist but less certainty as to authorship is expressed than in the preceding category.

Guido Reni (studio of): In our opinion, a work by an unknown hand in the studio of the artist which may or may not have been executed under the direction of the artist.

Guido Reni (circle of): In our opinion, a work by an unknown hand closely associated with the named artist but not necessarily his student.

Guido Reni (style of) or (follower of): In our opinion, a work by an unknown, nearly contemporary or contemporary hand working in the artist's style but not necessarily his student.

Guido Reni (manner of): In our opinion, a work in the style of the artist and of a later date.

Guido Reni (after): In our opinion, a copy of a work of the artist.


FOR PRINTS AND MULTIPLES:

If there is a generally accepted title for the print, that title is given at the beginning of the lot description following the artist's name.

The primary medium is identified following the title. The terms used are intended only as a general description and may not include all the techniques employed by the artist.

Dates used in the catalogue entries refer to execution of the "master" or printing matrix. For prints made after 1949, it will be stated if the impression was pulled later than the execution of the master or matrix; for prints made prior to 1949, the impression may or may not be of a date contemporaneous with the execution of the master or matrix.

The term "signed" means that, in our opinion, the signature is by the artist and was made more or less contemporaneously with the creation of the print.

Whenever possible, we attempt to indicate the state of a print and will usually rely on information found in the relevant catalogue raisonne to determine this information.

For modern and contemporary prints, and for early prints when the data are available, every reasonable effort is made to identify relevant information concerning the extent of the edition. If the print is described as an "artist's proof" or an "hors commerce" impression, the size of the regular edition is usually provided.

In most cases, we describe the quality of the impression of the print, ranging in descending order from "brilliant" and "superb" to "very good," "good" and "fair." These descriptions are intended merely as a general guide and should not be taken as a statement of fact, nor do they represent any description of the condition of the print.
Payment Information:
Payment must be made by cash, check, certified check or money order. Purchases paid using personal checks may be held until payment has cleared. Swann does not accept credit cards or PayPal for purchases. Non-US purchasers must pay using a US-dollar denominated check drawn on a US bank, or by international money order or bank transfer.
Shipping Information:
Upon request, Swann will facilitate the shipping of purchases to out-of-town buyers at an additional charge for packing, shipping and insurance, but will not be responsible for any loss, damage or delay resulting from the packing, handling and shipping thereof. Unless specific instructions are received, Swann is the sole judge of the method to be used for shipment. Packing and shipping costs will be noted on the invoice mailed to successful bidders after the sale, and are based on the actual costs involved. Be advised that a full commercial invoice must accompany any purchase shipped outside the US.
Buyer's Premium:
Buyer's Premium is 25% of the hammer price up to and including $100,000; 20% of the portion of the hammer price above $100,000 up to and including $1,000,000; and 12% of the portion of the hammer price above $1,000,000.
Taxes on your purchase:
SALES TAX. All items purchased are subject to payment of the New York City and State sales tax of 8.875% on the total purchase price (final bid plus the Buyer's Premium as defined in paragraph 7 of the Conditions of Sale) unless the purchaser presents proof of exemption therefrom. An exempt purchaser must provide a properly completed New York State Resale Certificate (Form ST-120) evidencing possession of a valid New York State Resale or, for non-New York State businesses, the equivalent resale authorization from another locale. Purchases will not be released unless all sales tax requirements are satisfied. Purchases shipped outside of New York State are not subject to sales tax.
Condition Statement:
Available upon request.

19TH & 20TH CENTURY PRINTS & DRAWINGS (634 Lots)

by Swann Auction Galleries

March 2, 2017, 10:30 AM EST

Live Auction

New York, NY, USA

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Decorative Art (4)
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Fine Art (630)
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  Abstract Prints (35)
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EUGÈNE DELACROIX Un homme d''armes.

Estimate: $1,000 - $1,500

Description: EUGÈNE DELACROIX Un homme d''armes. Etching, 1833. 108x67 mm; 4 1/4x2 3/4 inches, full margins. First state (of 4). Ex-collection Henri M. Petiet, Paris, with the ink stamp (see Lugt 2021a). A superb, early impression of this very scarce etching. Delteil 17.

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Starting bid: $750 (0 bids)

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EUGÈNE DELACROIX (ATTRIBUTED TO) 2 lithographs.

Estimate: $1,500 - $2,500

Description: EUGÈNE DELACROIX (ATTRIBUTED TO) 2 lithographs. De Mes foibles attraits le roi parut frappé, circa 1821. 140x102 mm; 5 1/2x4 inches, full margins. Titled in pen and brown ink, lower margin. Ex-collection Alfred Beurdeley, Paris, with ink stamp (Lugt 421, lower right recto) * Soleil, je te viens voir pour la dernière fois!, circa 1821. 178x153 mm; 7x6 inches, full margins. Titled in pen and brown ink, lower margin. Extremely scarce. Delteil (doubtful) 8 and 9.

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RODOLPHE BRESDIN Two etchings.

Estimate: $2,000 - $3,000

Description: RODOLPHE BRESDIN Two etchings. La Maison à la façade courbée, on light tan Chine collé, 1861. 107x90 mm; 4 1/4x3 1/2 inches, full margins. From Revue Fantasiste * Mon Rêve, 1883. 220x138 mm; 8 5/8x5 1/2 inches, full margins. A proof before letters. Printed by Bizolier, Paris. Published by L''Arte Moderne, Paris. Both very good, dark impressions. Van Gelder 105 and 150.

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Starting bid: $1,500 (0 bids)

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RODOLPHE BRESDIN La République.

Estimate: $3,000 - $5,000

Description: RODOLPHE BRESDIN La République. Lithograph on cream wove paper, 1883. 198x149 mm; 7 3/4x5 7/8 inches, full margins. Edition of approximately only 12. Ex-collection Henri M. Petiet, Paris, with the ink stamp (see Lught 2021a, verso). A very good impression of this extremely scarce lithograph. We have found only 4 other impressions at auction in the past 30 years. Van Gelder 152.

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Starting bid: $2,250 (0 bids)

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PAUL SIGNAC Les Démolisseurs.

Estimate: $3,000 - $5,000

Description: PAUL SIGNAC Les Démolisseurs. Lithograph, 1896. 470x305 mm; 18 1/2x12 inches, full margins. The very scarce second state (of 4), before the printer''s address. Signed in pencil, lower right. A superb, dark and richly-inked impression of this scarce lithograph. Kornfeld 15.

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Starting bid: $2,250 (0 bids)

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HENRI FANTIN-LATOUR Les Brodeuses (3eme planche).

Estimate: $1,000 - $1,500

Description: HENRI FANTIN-LATOUR Les Brodeuses (3eme planche). Lithograph on Chine appliqué, 1898. 165x211 mm; 6 1/2x8 1/8 inches, full margins. From L''Estampe et l''Affiche, with the blind stamp lower right. A superb, dark impression.

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Starting bid: $750 (0 bids)

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PIERRE PUVIS DE CHAVANNES Two lithographs.

Estimate: $1,000 - $1,500

Description: PIERRE PUVIS DE CHAVANNES Two lithographs. La Normandie, lithograph printed in dark brown on Chine appliqué on laid paper, 1893. 456x388 mm; 18x15 1/4 inches, full margins. Edition of 100. Signed and numbered "59" in pencil, lower right. Published in L''Estampe Originale, Paris, with the blind stamp (Lugt 819, lower center) * Etude de Femme, lithograph printed in dark brown on Japan paper, 1895. 317x153 mm; 12 1/2x6 inches, full margins. Edition of 100. Signed and numbered "18" in pencil, lower right. Ex-collection Alfred Beurdeley, Paris, with the ink stamp (Lugt 421, lower left recto). Published in L''Estampe Originale, Paris. Very good impressions.

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HENRI TOULOUSE-LAUTREC Mélodies de Désiré Dihau.

Estimate: $30,000 - $50,000

Description: HENRI TOULOUSE-LAUTREC Mélodies de Désiré Dihau. Complete set of 14 lithographs, 1895. 384x283 mm; 15 1/8x11 1/8 inches (sheets), full margins, loose as issued. Edition of only 20 in the first state, before text and before the several subsequent editions. Each print numbered in pencil and stamped with the artist''s orange-red monogram (Lugt 1338, lower margin). Published by Joubert, Paris. Superb impressions of these extremely scarce lithographs. We have not found another complete set in the first state at auction in the past 30 years. Delteil 129-142; Adhémar 151-159 and 161-165; Adriani 145-158.

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Starting bid: $22,500 (0 bids)

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PAUL GAUGUIN La Orana Maria.

Estimate: $3,000 - $5,000

Description: PAUL GAUGUIN La Orana Maria. Lithograph printed in bluish black on imitation Japan paper, 1894-95. 282x194 mm; 11 1/8x7 3/4 inches, full margins. Edition of 200. From L''Epreuve. A very good impression of this scarce lithograph. Kornfeld 27.

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Starting bid: $2,250 (0 bids)

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EUGÈNE DELÂTRE Portrait de Huysmans.

Estimate: $2,000 - $3,000

Description: EUGÈNE DELÂTRE Portrait de Huysmans. Color etching, aquatint and roulette printed in violet, gray, yellow and black, 1894. 323x241 mm; 12 3/4x9 1/2 inches, full margins. Edition of 100. Signed and inscribed "no. 74" in blue crayon, lower right. Published in L''Estampe Originale, Paris, with the blind stamp (Lugt 819, lower left). A superb impression. With--Group of 6 prints from L''Estampe Originale and 1 lithograph from Les Temps Nouveaux. Includes prints by ROCHE, IBELS, DUEZ, MEUNIER and ANQUETIN.

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Starting bid: $1,500 (0 bids)

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MAXIMILIEN LUCE Auguste Delâtre sur sa presse.

Estimate: $1,200 - $1,800

Description: MAXIMILIEN LUCE Auguste Delâtre sur sa presse. Lithograph, circa 1889. 184x134 mm; 7 1/4x5 1/4 inches (sheet). Printed by Lemercier, Paris. With--Three lithograph portraits of men resting, on 2 sheets (2 of the lithographs printed on the same sheet). Both signed in pencil, lower right. Very good impressions.

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Starting bid: $900 (0 bids)

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ALFREDO MÜLLER Au Moulin Rouge.

Estimate: $2,000 - $3,000

Description: ALFREDO MÜLLER Au Moulin Rouge. Color aquatint and etching with hand coloring in watercolor, circa 1898. 662x412 mm; 26x16 1/4 inches, full margins. Signed in pencil, lower right. A superb, dark impression.

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Starting bid: $1,500 (0 bids)

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RICHARD RANFT Trottins.

Estimate: $1,500 - $2,500

Description: RICHARD RANFT Trottins. Etching and aquatint printed in dark brown, 1894. 400x260 mm; 15 3/4x10 1/4 inches, full margins. Edition of 100. Signed and inscribed "No 38" in pencil, lower right. Published in L''Estampe Originale, Paris, with the blind stamp (Lugt 819, lower left). A superb impression. With--ARMAND RASSENFOSSE. La Lyre, color etching. 235x160 mm; 9 1/4x6 1/4 inches, full margins. Signed and titled in red pencil, lower margin * CHARLES GUÉRIN. Femme assise, color lithograph. 222x168 mm; 8 3/4x6 5/8 inches, full margins. Signed in pencil, lower right, and titled and inscribed "25 Ep" in pencil, lower margin.

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Starting bid: $1,125 (0 bids)

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LOUIS VALTAT Femme au Chapeau.

Estimate: $1,000 - $1,500

Description: LOUIS VALTAT Femme au Chapeau. Woodcut, 2 impressions on one sheet of thin wove paper. 67x63 mm; 2 5/8x2 1/2 inches, wide margins. With the artist''s initials violet ink stamp twice (Lugt 1771bis, center recto). Very good proof impressions of this scarce woodcut.

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Starting bid: $750 (0 bids)

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CHARLES MAURIN Three etchings.

Estimate: $1,000 - $1,500

Description: CHARLES MAURIN Three etchings. Orchestre, 1893. Edition of 100. Signed and numbered "No. 7" in blue crayon, lower right. Gounot 59 * Bain de pieds, signed in pencil, lower right * Bain de pieds, printed in colors. Various sizes and conditions. Very good impressions.

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MAURICE DELCOURT La Coiffure.

Estimate: $1,500 - $2,500

Description: MAURICE DELCOURT La Coiffure. Color woodcut printed in the manner of a monotype on imitation Japan paper, 1899. Edition of 100. With the artist''s ink stamp (Lugt 743, lower right recto). With--La famille du graveur, color woodcut, 2 impressions, 1898. One an artist''s proof mounted on card by the artist; the other published in L''Estampe et l''Affiche. Various sizes and conditions. Very good impressions. Bibliothèque Nationale 4 and 2.

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MAXIMILIEN LUCE Femme se coiffant.

Estimate: $1,000 - $1,500

Description: MAXIMILIEN LUCE Femme se coiffant. Lithograph on Chine appliqué, 1894. 430x308 mm; 17x12 1/8 inches, full margins. Edition of 100. Signed in pencil, lower right. Published in L''Estampe Originale, Paris, with the blind stamp (Lugt 819, lower left). Stein/Karshan 42. With--Femme couture, etching on cream wove paper. 135x99 mm; 5 1/4x3 7/8 inches, full margins. Signed and dedicated in pencil, lower right. Very good impressions.

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PAUL F. GACHET Chien.

Estimate: $1,000 - $1,500

Description: PAUL F. GACHET Chien. Etching. 105x130 mm; 4 1/8x5 1/8 inches, full margins. With the artist''s monogram ink stamp (Lugt 1195c, lower left recto). Based on a design by the artist''s son, Dr. Paul L. L. Gachet. Dr. Paul F. Gachet (1828-1909) was a patron, friend and physician to many prominent French artists, including Meryon, Renoir, Cézanne and Manet. He most famously treated Van Gogh during his last weeks in Auvers-sur-Oise and was the subject for Van Gogh''s only portrait etching as well as an oil portrait in 1890. Gachet was born in Lille and, as an amateur etcher, signed his works P.V[an] Ryssel: in Dutch van (from) Ryssel or Rijssel, the Dutch name for Lille.

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Current bid: $750 (1 bid)

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EUGÈNE DELÂTRE Mr. Ginguelino.

Estimate: $1,500 - $2,500

Description: EUGÈNE DELÂTRE Mr. Ginguelino. Color etching. 222x152 mm; 8 3/4x6 inches, full margins. Signed and annotated in pencil, lower right. A very good impression.

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Starting bid: $1,125 (0 bids)

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FERDINAND-JEAN LUIGINI Chat en repos.

Estimate: $1,000 - $1,500

Description: FERDINAND-JEAN LUIGINI Chat en repos. Color soft-ground etching on cream laid Japan paper. 126x154 mm; 5x6 inches, wide margins. Signed and numbered 3/25 in pencil, lower margin. A very good impression of this scarce print.

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Starting bid: $750 (0 bids)

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JACQUES BELTRAND La Place Saint-Michel.

Estimate: $1,500 - $2,500

Description: JACQUES BELTRAND La Place Saint-Michel. Color woodcut, 3 impressions (with one additional impression printed in black), all on Japan paper, 1903. 235x260 mm; 9 1/4x10 1/4 inches, wide to full margins. One signed and inscribed "epreuve d''essai-état" in pencil, lower right; one signed and inscribed "tirage à l''eau-45 eps" and "ep. I" in pencil, lower right; one signed, titled and inscribed "ep. no 1" and "tirage à l''eau-35 eps" in ink, lower margin; and one signed in pencil, lower right. Superb impressions.

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Starting bid: $1,125 (0 bids)

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AUGUSTE-LOUIS LEPÈRE Collection of 21 prints.

Estimate: $3,000 - $5,000

Description: AUGUSTE-LOUIS LEPÈRE Collection of 21 prints. Color woodcuts, etchings, and lithographs. Many signed, titled, dated, numbered and/or annotated, mainly in pencil, lower margin. Various collectors'' ink stamps, including Henri M. Petiet, Paris (see Lugt 2021a) and Roger Marx, Paris (Lugt 2229). Various sizes and conditions. Very good impressions.

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Starting bid: $2,250 (0 bids)

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JEAN-ÉMILE LABOUREUR L''Employé des Pompes Funèbres.

Estimate: $1,200 - $1,800

Description: JEAN-ÉMILE LABOUREUR L''Employé des Pompes Funèbres. Color etching, 1902. 198x228 mm; 7 3/4x9 inches, full margins. Edition of approximately only 20. Signed and annotated in pencil, lower margin. Ex-collection Alfred Beurdeley, Paris, with the ink stamp (Lugt 421, lower right recto). A superb impression of this very scarce color etching. Laboureur 29.

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Starting bid: $900 (0 bids)

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JEAN-ÉMILE LABOUREUR Les Matelots Ivres.

Estimate: $1,500 - $2,500

Description: JEAN-ÉMILE LABOUREUR Les Matelots Ivres. Woodcut on thin, cream laid Japan paper, 1912. 353x350 mm; 14x13 3/4 inches, wide margins. Second state (of 2). Edition of approximately only 5, from an intended edition of 40 and before the edition of 135 published in Quatre Images Bretonnes. Signed and numbered 2/40 in blue pencil, lower margin. A superb impression of this large, extrtemely scarce woodcut. Laboureur 681.

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Starting bid: $1,125 (0 bids)

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JEAN-ÉMILE LABOUREUR Group of 4 woodcuts.

Estimate: $1,500 - $2,500

Description: JEAN-ÉMILE LABOUREUR Group of 4 woodcuts. Portrait de l''Artiste, 1896. Signed, titled and dated in pencil, lower left * New York Le Soir, 2 impressions, 1905 (printed 1921). Both signed and numbered "14/40 ép" or "34/40 ép" in pencil, lower margin * Le Jeune Homme et Les Cavaliers, 1913. Second state (of 2). Signed and numbered 3/35 in pencil, lower right. Various sizes, very good impressions. Laboureur 548, 619 and 697.

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Starting bid: $1,125 (0 bids)

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JEAN-ÉMILE LABOUREUR Le Bal Bullier.

Estimate: $1,200 - $1,800

Description: JEAN-ÉMILE LABOUREUR Le Bal Bullier. Woodcut on cream laid paper, 1898. 220x288 mm; 8 5/8x11 3/8 inches, full margins. Signed and numbered "25/60 ép." in pencil, lower margin. A very good impression. Laboureur 579.

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Starting bid: $900 (0 bids)

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JEAN-ÉMILE LABOUREUR Le Régiment qui Passe.

Estimate: $1,000 - $1,500

Description: JEAN-ÉMILE LABOUREUR Le Régiment qui Passe. Woodcut on cream laid paper, 1900. 229x297 mm; 9x11 3/4 inches, full margins. Signed and numbered "18/60 ép." in pencil, lower margin. A superb, very well-inked impression of this scarce, early woodcut. Laboureur 605.

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Starting bid: $750 (0 bids)

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JEAN-ÉMILE LABOUREUR Le Vin Blanc.

Estimate: $1,500 - $2,500

Description: JEAN-ÉMILE LABOUREUR Le Vin Blanc. Woodcut, 1913. 159x200 mm; 6 1/4x7 7/8 inches, full margins. Edition of only 15, from an intended edition of 30. Signed and numbered 5/30 in pencil, lower margin. A very good, evenly-printed impression. Laboureur 694. With--Le Vin Blanc, brush and ink and wash over pencil on thin wove paper, preparatory drawing for the woodcut, 1913. 200x261 mm; 7 7/8x10 1/4 inches. Signed, dated and annotated in pencil, lower left recto.

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Starting bid: $1,125 (0 bids)

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FÉLIX VALLOTTON Zola (Émile).

Estimate: $1,000 - $1,500

Description: FÉLIX VALLOTTON Zola (Émile). Lithograph, 1893. 257x162 mm; 10 1/8x6 3/8 inches, full margins. Published by L. Joly, Paris. From Immortels passés, présents ou futurs. A very good impression. Vallotton/Goerg 31.

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Starting bid: $750 (0 bids)

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FÉLIX VALLOTTON Two woodcuts.

Estimate: $1,500 - $2,500

Description: FÉLIX VALLOTTON Two woodcuts. A Schumann, 1895 * A Stendhal, 1897. Both 153x124 mm; 6x4 7/8 inches, full margins. Both signed in blue pencil, lower right. Very good impressions. Vallotton/Goerg 131 and 182.

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Starting bid: $1,125 (0 bids)

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FÉLIX VALLOTTON Les trois Baigneuses.

Estimate: $1,000 - $1,500

Description: FÉLIX VALLOTTON Les trois Baigneuses. Woodcut on beige wove paper, 1894. 180x110 mm; 7 1/8x4 3/8 inches, full margins. From La Revue Blanche. A very good impression. Vallotton/Goerg 133.

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Starting bid: $750 (0 bids)

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FÉLIX VALLOTTON Le Mauvais Pas.

Estimate: $1,500 - $2,500

Description: FÉLIX VALLOTTON Le Mauvais Pas. Woodcut printed in black on light tan wove paper, 1893. 225x180 mm; 8 7/8x7 1/8inches, full margins. Edition of 50. Signed in pencil, lower right. A superb, dark impression. Vallotton/Goerg 130. With--An additional posthumous impression on Japan paper, with the artist''s ink stamp signature and numbered 10/25 in pencil, lower left.

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Starting bid: $1,125 (0 bids)

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FÉLIX VALLOTTON L''Assassinat.

Estimate: $2,000 - $3,000

Description: FÉLIX VALLOTTON L''Assassinat. Woodcut, 1893. 146x245 mm; 5 3/4x9 3/4 inches, full margins. Edition of 75. Signed and numbered "18" in blue pencil, lower right. A very good impression. Vallotton/Goerg 113.

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Starting bid: $1,500 (0 bids)

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FÉLIX VALLOTTON Three woodcuts.

Estimate: $1,500 - $2,500

Description: FÉLIX VALLOTTON Three woodcuts. Le Graveur Félix Jasinski, on tissue-thin buff paper, 1892. Initialed and numbered 7/25 in pencil, lower left * Caesar, Socrate, Jesus, Neron, 1892. Signed and numbered "30" in blue pencil and dedicated in pencil, lower right * Romain Coolus, 1894. One of only several lifetime impressions. Signed in pencil, lower right. Very good impressions. Vallotton/Goerg 95, 109 and 132.

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Starting bid: $1,125 (0 bids)

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BERNARD BOUTET DE MONVEL Portrait de Maurice G.H.

Estimate: $1,000 - $1,500

Description: BERNARD BOUTET DE MONVEL Portrait de Maurice G.H. Color aquatint and etching, circa 1910. 305x248 mm; 12x9 3/4 inches, full margins. Edition of 60. Signed, titled and inscribed "tiré a 60-18" in pencil, lower margin. A superb impression with strong colors.

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Starting bid: $750 (0 bids)

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GEORGES LEMMEN Femme assise.

Estimate: $1,000 - $1,500

Description: GEORGES LEMMEN Femme assise. Lithograph printed in dark green, 2 impressions, 1899. 305x190 mm; 12x7 1/2 inches, wide margins. Published by Insel Verlag, with the ink stamp (Lugt 2861a, verso).

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WALTER RICHARD SICKERT The Camden Town Murder (The Small Plate).

Estimate: $1,000 - $1,500

Description: WALTER RICHARD SICKERT The Camden Town Murder (The Small Plate). Etching and aquatint, 1908. 125x101 mm; 4 7/8x4 inches, full margins. Unicorn watermark. A very good impression of this extremely scarce etching. We have not found another impression at auction in the past 30 years. Bromberg 133.

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Starting bid: $750 (0 bids)

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AUGUSTUS JOHN The Little Grotto.

Estimate: $1,000 - $1,500

Description: AUGUSTUS JOHN The Little Grotto. Etching, 1906. 80x77 mm; 3 1/8x3 inches, full margins. Signed in pencil and titled, inscribed "No. 5" and numbered "Imp. No. 15/25" in ink, lower margin. A very good impression with rich plate tone. Dodgson 116.

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Starting bid: $750 (0 bids)

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ARISTIDE MAILLOL Femme étendue sur une draperie.

Estimate: $1,500 - $2,500

Description: ARISTIDE MAILLOL Femme étendue sur une draperie. Woodcut on cream wove Japan paper, 1894-95. 78x221 mm; 3x8 3/4 inches, wide margins. Signed with the artist''s monogram and numbered 23/75 in pencil, lower margin. Published by Henri M. Petiet, Paris, with the ink stamp (see Lugt 2021a, lower right recto). Ex-collection the publisher, with the ink stamp (verso). A very good impression of this extremely scarce, early woodcut. Guérin 6.

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Starting bid: $1,125 (0 bids)

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ARISTIDE MAILLOL La Vieille a la Jarre.

Estimate: $1,000 - $1,500

Description: ARISTIDE MAILLOL La Vieille a la Jarre. Woodcut on cream laid Japan paper, 1892. 189x156 mm; 7 1/2x6 1/8 inches, wide (full ?) margins. Guérin lists only a few known proofs. Signed with the artist''s monogram in pencil, lower left. Published by Henri M. Petiet, Paris, with the ink stamp (see Lught 2012a, verso). A very good impression of this extremely scarce, early woodcut. The artist''s first print, which he made as an aspiring artist, under Gauguin''s influence. We have found only 4 other impressions at auction in the past 30 years. Guérin 1.

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Starting bid: $750 (0 bids)

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STANLEY W. HAYTER Untitled.

Estimate: $1,500 - $2,500

Description: STANLEY W. HAYTER Untitled. Wood engraving, 1927. 37x96 mm; 1 1/2x3 3/4 inches, full margins. Only one recorded trial proof. Signed in pencil, lower right. A very good impression of this extremely scarce, early wood engraving. According to Black/Moorhead, this print is known in only a single impression, formerly in the artist''s collection. Hayter (1901-1988) began his illustrious career as a printmaker in 1926 in Paris, after studying both art and chemistry in London the previous decade. His earliest printed works, woodcuts and engravings, evince the influence of some of the main avant-garde movements of the era, from the Fauves to German Expressionism, as well as the hand of his mentor, the Polish-born, German trained printmaker Joseph Hecht, with whom Hayter would found the immensely influential and important printmaking studio Atelier 17. Black/Moorhead 11.

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Starting bid: $1,125 (0 bids)

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ANDRÉ DEVAMBEZ Douze Eaux-fortes.

Estimate: $1,500 - $2,500

Description: ANDRÉ DEVAMBEZ Douze Eaux-fortes. Complete set of 12 etchings with aquatint on vellum of World War I subjects, 1915. 480x365 mm; 18 7/8x14 3/8 inches (sheets), full margins, loose as issued. A proof set on vellum, aside from the edition of 150. Signed and numbered 16/20 on the front cover, each etching signed and numbered 16/20 in pencil, lower margin. Superb impressions of these very scarce etchings.

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Starting bid: $1,125 (0 bids)

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ARTHUR WESLEY DOW Nabby''s Point (Ipswich).

Estimate: $1,500 - $2,500

Description: ARTHUR WESLEY DOW Nabby''s Point (Ipswich). Color woodcut, circa 1913. 55x103 mm; 2 3/8x4 inches, wide margins. A superb impression of this scarce woodcut with vibrant colors.

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Starting bid: $1,125 (0 bids)

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Two color etchings.

Estimate: $1,200 - $1,800

Description: Two color etchings. ALFRED HARTLEY. Hay Balers. 225x302 mm; 8 7/8x11 7/8 inches, full margins. Signed in pencil, lower left * CLARENCE CARTER. Olive Trees, Capri, 1932. 143x175 mm; 5 5/8x6 7/8 inches, full margins. Signed, titled and dated in pencil, lower margin. Very good impressions.

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Starting bid: $900 (0 bids)

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EMIL ORLIK Pascin, Drawing.

Estimate: $1,000 - $1,500

Description: EMIL ORLIK Pascin, Drawing. Etching, drypoint and roulette, 1911. 98x122 mm; 3 7/8x4 3/4 inches, full margins. Signed and numbered 91/100 in pencil, lower margin. A superb, dark impression of this scarce etching. A scarce portrait of the artist Jules Pascin (1885-1930, see lots 421 and 422). Glauckner 110.

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Current bid: $750 (1 bid)

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ANDRÉ DERAIN Autoportrait à la Pipe.

Estimate: $1,000 - $1,500

Description: ANDRÉ DERAIN Autoportrait à la Pipe. Etching and drypoint on cream laid paper, circa 1913. 83x57 mm; 3 1/4x 2 1/4 inches, wide margins. A superb impression with all the fine details distinct. Adhémar 44.

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Starting bid: $750 (0 bids)

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ANDRÉ DERAIN Group of 4 prints.

Estimate: $1,500 - $2,500

Description: ANDRÉ DERAIN Group of 4 prints. Tête de femme, etching, 1920. Edition of approximately 13. Adhémar 56 * Nu couché, etching * Venus, etching * Visage de Femme, lithograph. Numbered 17/25 in pencil, lower left corner. Various sizes and conditions. Very good impressions.

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Starting bid: $1,125 (0 bids)

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LÉOPOLD SURVAGE Set of Three woodcuts.

Estimate: $1,500 - $2,500

Description: LÉOPOLD SURVAGE Set of Three woodcuts. La Naissance de la Conscience * Rapport de chaque chose avec son essence * La Connaissance. Each 1935. Each signed, dated, inscribed "I-III," "II-III" or "III-III" and numbered 17/20 in pencil, lower margin. Very good impressions; scarce as a complete set.

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Starting bid: $1,125 (0 bids)

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JACQUES VILLON Buste de Baudelaire.

Estimate: $3,000 - $5,000

Description: JACQUES VILLON Buste de Baudelaire. Color monotype on thick, beige wove paper, 1942. 302x215 mm; 11 7/8x8 1/2 inches. Signed and dated in blue ink, lower right. A same-titled monotype, also dating from 1942, is in the collection of the Clark Art Institute, Williamstown, MA, accession number 2005.11.3. Both relate to the artist''s same-titled 1920 etchings (see Ginestet/Pouillon 290 and 291), which in turn were based on Villon''s brother''s, Raymond Duchamp-Villon, Cubist sculpture fron 1911.

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Starting bid: $2,250 (0 bids)

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MARC CHAGALL La femme moineau.

Estimate: $2,000 - $3,000

Description: MARC CHAGALL La femme moineau. Etching on cream wove paper, 1927. 278x210 mm; 11x8 1/4 inches, full margins. Edition of 335. Signed in pencil, lower right. Commissioned by Vollard, Paris, and published by Tériade, Paris, 1949. From Les Âmes Mortes. A very good impression of this early etching. Vollard 56.

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Starting bid: $1,500 (0 bids)

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