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Auction Description for Auctionata Paddle8 AG: 750: Decorative Arts & Design
Auction Description:
This auction presents a varied selection of design and decorative art for connoisseurs and collectors. Offered are handcrafted pieces of furniture made of noble woods, richly detailed wall sconces, fine carpets, timeless porcelains, vases and much more. Let yourself be inspired, redesign your living space or set new accents!
Viewing Notes:
A preview at Auctionata only possible by prior appointment. Contact: Tel: +49 30 9832 0222, E-mail: preview@auctionata.com

750: Decorative Arts & Design (111 Lots)

by Auctionata Paddle8 AG


111 lots with images

January 23, 2017

Live Auction

Berlin, Berlin, Germany

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Emile Gallé, Vase with Dragon Flowers & Butterflies, c. 1900

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Description: Colorless glass as well as green and purple Glass, matted, etched, cutNancy, France, circa 1900Emile Gallé (1846-1904) – Best-known French exponent of Art Nouveau in the arts and crafts, designer of ceramic, glass and furniture in the style of historicism and Art NouveauOn the wall below signature in relief 'Gallé'Slightly tapered body on a retracted, short foot rimCircumferential overlaid with stilized violett dragon flowers and butterflies in cameo cut on a transparent green groundHeight: 27 cm Condition: Apart from minimal age-related scratch marks the vase is in very good condition. (kre) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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Emile Gallé, Cylindric Vase with Hydrangeas, c. 1900

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Description: Colorless glass with orange, violett, green and white, matted, etched, cutNancy, France, circa 1900Emile Gallé (1846-1904) – Best-known French exponent of Art Nouveau in the arts and crafts, designer of ceramic, glass and furniture in the style of Historicism and Art NouveauOn the wall signature in relief 'Gallé'Long, cylindrical body on a flat ball footCircumferential with stylized hydrangeas on a transparent groundHeight: 59.5 cm Condition:The vase is in very good condition with minor traces of age and usage like minimal scratch marks to the ball. Emile Gallé (1846-1904)French artist Emile Gallé (1846 – 1904) took over his family’s faience and crystal company in Nancy and specialized in art glassware. Flora fascinated him throughout his life and he used glassworks for experimentation, using new techniques of marbling, inclusion, bubbles and overlay. Emile Gallé’s oeuvre is renowned for uniting technical expertise and creative ingenuity. His glass artworks were reputed through international exhibitions and awards. He also opened further outlets in Paris, Frankfurt and London. The family business continued on into the 1930s. (kre) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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Emile Gallé, Cameo Vase with Oak Leaves, France, C. 1900

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Description: Colorless glass with orange and green meltings, etched, cut, polished Nancy, France, circa 1900Emile Gallé (1846-1904) – Best-known French exponent of Art Nouveau in the arts and crafts, designer of ceramic, glass and furniture in the style of historicism and Art NouveauOn the wall signature in relief 'Gallé'Spherical body circumferential overlaid with stylized oak leaves and acorns in cameo cut on matted ground Height: 12.5 cm Condition:The vase is in very good condition with minor traces of age and wear like minimal scratch marks. Emile Gallé (1846-1904)French artist Emile Gallé (1846 – 1904) took over his family’s faience and crystal company in Nancy and specialized in art glassware. Flora fascinated him throughout his life and he used glassworks for experimentation, using new techniques of marbling, inclusion, bubbles and overlay. Emile Gallé’s oeuvre is renowned for uniting technical expertise and creative ingenuity. His glass artworks were reputed through international exhibitions and awards. He also opened further outlets in Paris, Frankfurt and London. The family business continued on into the 1930s. (kre) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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A Green Loetz Witwe Papillon Vase, Bohemia, c. 1900

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Description: Green glass with blue-iridescent splashesBohemia, c. 1900Glass manufactory Loetz Witwe (est. 1836) – Bohemian glass manufactoryBaluster-shaped vase with circular base and slightly vaulted sidesBroad shoulder with high, slender and cylindrical neckSlightly protruding rimAll-over fine papillon décor, consisting of blue-iridescent splashesProvenance: private ownership, AustriaHeight: 23 cmVery good conditionSmall, very decorative glass vase in vernal colors in the style of Bohemia’s major glass manufactory of Art nouveau; the name of the décor is derived from the French word papillon meaning butterfly, since this kind of surface treatment resembles the delicate wings of butterflies Condition:The vase is in a very good condition with usual signs of age and wear. The surfaces are minimally rubbed. The height measures 23 cm.Loetz WitweThe products of the Bohemian glass manufactory Lötz Witwe constitute a highlight of Art Nouveau. In 1840, Johann Lötz bought the glassworks in Klostermühle, which were originally founded in 1836. After his death, the company was directed by his widow who eventually passed it on to her grandson Max Ritter von Spaun. Von Spaun modernized the operation and helped it in achieving world fame. The high-quality glass was sought after, especially because of its purity, intense colours and the metallic iridescent phenomenal decor. Lötz’ Witwe cooperated with important manufacturers such as J. & L. Lobmeyr, E. Bakalowits Söhne and Argentor-Werke and employed renowned artists like Josef Hoffmann, Koloman Moser and the Wiener Werkstätte. (nlu) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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Daum Nancy, Large Vase with Hazelnut Foliage, France, c. 1910

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Description: Colorless and green glass, etched, matted, cutFrance, c. 1910Glass Manufactory Daum, established in 1878 by Jean DaumOn the wall below signature in relief 'DAUM NANCY F'Long, tapering towards body with three lateral bulges, the mouth ending in a triangleCircumferential overlaid with stylized décor of hazelnut foliage with overlong inflorescences in cameo cutHeight: 49 cm Condition:The vase is in very good condition with only minimal, age-related scratch marks. Glass Manufactory Daum (established 1878) The glass manufactory Daum was established in 1878 by Jean Daum in Nancy. His sons Auguste and Antonin Daum continued the factory later on. Inspired by the famous Gallé glass, Daum became a leading glass manufacturer of Art Nouveau and Émile Gallé’s competitor. Daum was also known for the use of glass paste (pâte de verre). The factory referred to an ancient Egyptian method of glass casting, a process which is still in use today. (kre) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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Cactus in the Style of Napoleone Martinuzzi, Murano, 20th C.

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Description: Green tinted bubble-glass, gold highlightsItaly, 20th centuryIn the style of Napoleone Martinuzzi (1892-1977) – Italian sculptor and artistRibbed, semicircular pot above torus-like footOutgrowing from this is a cactus with nine leavesIn reminiscence of Napoleone Martinuzzi’s ‘Pianta Grassa’, produced by VeniniManufactured in Pulegoso-technique, fully formedHeight: 34.5 cmGood condition Condition: The glass object is in a good condition with minor sings of age and wear. At the base, a chip can be seen. The height of the piece measures 34.5 cm. Glass from Murano Murano, a small group of islands in the Venetian Lagoon, is known worldwide for its high quality glass products. Due to fire-prevention reasons, all glass kilns of Venice were moved to the island in 1295. Here the glassmakers experimented with Roman glass techniques and in the late 15th century a method for producing multi-colored, flower-like patterned glass was developed, the so-called Millefioriglass. Even more significant, however, was the development of crystal glass (cristallo glas). This term first appeared in 1409. With this type of ultra-thin, feather-light and absolutely flawless and colorless crystal glass, glassmakers were able to create wonderfully elegant and sophisticated shapes. Thus in the Renaissance, those glass objects were the main source of income of the population of the lagoon city. Only a few pieces from this period have been preserved, but the variety of shapes and designs can for example be recreated by looking at still lifes. Despite the attempts of the Venetian Republic to keep the art of glassmaking a secret, some glassblowers were able to move across the Alps and establish glassworks in the countries north of the mountains. Thereby the enticement of King Louis XVI were decisively. As ‘glass à al façon de Venise’ the Venetian style circulated in Germany, the Netherlands and Flanders, where to this day rich collections have been preserved. Until today, Murano glass is famous worldwide because of its particular fineness; its production is exclusively mastered by the island’s glassblowers. Napoleone Martinuzzi (1892-1977) Napoleone Martinuzzi was a sculptor, designer and businessman in the glass sector who had studied at the Academy of Fine Arts in Venice. For his admirer D’Annunzio he created some works starting in 1917. Martinuzzi was the director of the Museo Vetrario in Murano from 1922 to 1931. He worked for the Succ. Andrea Rioda and founded the Vetri Soffiati Muranesi Venini & C. together with Paolo Venini and Francesco Zecchin. He was the artistic director of the company. After early works of blown glass influenced by his predecessor Vittorio Zecchin, Martinuzzi developed his own distinctive style based on his former experience as a sculptor. He left Venini in 1932 and founded the Zecchin-Martinuzzi Vetri Artistici together with Francesco Zecchin, where he produced refined opaque and pulegosi glasses with a great plastic effect. He took part at the Venice Biennales of 1932 and 1934, as well as at the Triennale in Milano in 1933. (bde) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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Paul Milet, Vase, Sèvres, France, c. 1900

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Description: Porcelain, polychrome enamel painting, gold foil groundPaul Milet, c. 1900Underglaze green manufacture mark in oval, as well as ‘144 D’The cracked gold ground contrasted with leaf and wisteria branchesThe turquoise-grounded neck with revolving leaf motifsHeight: 15.2 cmGood condition Condition: The vase is in good condition. The outer stand ring is slightly rubbed partial and shows a minimal chip. A small manufacture flaw can be found between the transition of shoulder and neck. The height of 15.2 cm. Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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Amphora, Large Handle Vase with Owls, c. 1905

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Description: Ceramics with polychrome glazeBohemia, c. 1905Amphora-Werke, K. K. priv. Keramische Werke Riessner, Stellmacher & Kessel, established in 1892 in Turn-TeplitzMarked with the manufacturer's mark and the number ‘590’ on the undersideHeight: 62 cm; diameter: 10 cmVery good conditionAn impressive and well-preserved Amphora vase Condition: The vase is in very good condition, showing only the lightest traces of usage. No evidence of restoration under UV light. The height is 62 cm, and the diameter at the mouth rim 10 cm. Amphora-Werke (est. 1892) The Amphora-Werke were founded under the name of Porcelain Manufactory Riessner, Stellmacher & Kessel in 1892 by Alfred Stellmacher in Turn-Teplitz. It soon became popular with the unique shapes and glazes of its products. Since the late 1890s, the manufactory marked its objects with the word ‘Amphora’ and became known by that name. As Teplice was a part of Austria until 1918, the manufactory also used the mark ‘Amphora Austria’. The Amphora-Werke have received many international awards. The Bröhan Museum in Berlin owns a very nice collection of Amphora objects, especially vases and bowls. (cko) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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Saint-Louis, Glass Set 'Thistle Gold', 78 Teile, 1908

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Description: Colorless crystal glass, cut, etched and gildedManufacturer: c. 1960, Verreries & Cristallerie Saint-Louis-lès-Bitche – established in the 16th centuryEach with etched manufaturer's signet on the bottomDrinking set consisting of 78 single piecesDiameter bowls: c. 22 cmThe 1908 designed glass service "Thistle" is a classic among the most valuable series produced by the Cristallerie Saint-Louis, it adorns the official dining tables of many heads of state The set consists of the following pieces:2 bowls1 whiskey glass11 dessert plates12 dessert bowls6 water glasses12 wine glasses12 sherry glasses12 champagne saucers10 schnaps cupsCondition:The drinking set is in very good age-related condition with minor traces of usage.Verreries & Cristalleries Saint-Louis-lès-BitcheThe manufactory Saint-Louis was already founded in the 16th century in Lorraine. In 1767, King Louis XV bestowed the glassworks with the title ‘Royal glass manufactory Saint-Louis’. At the end of the 18th century, François de Beaufort developed a method to produce crystal. Therefore, the glassworks were renamed ‘Royal Crystal Manufactory‘. Since 1829, Saint-Louis has been producing the finest crystal ware and employing some of the most skilled gaffers in France. Expertise acquired over several centuries and advanced modern technologies to color, engrave and cut the glass allow the manufacture of high-quality products. (kre) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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Saint Louis, Glass Set 'Thistle Gold', 95 Pieces, 1908

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Description: Colorless crystal glass, cut, etched and gildedManufacturer: c. 1980, Verreries & Cristallerie Saint-Louis-lès-Bitche – established in the 16th centuryEach with etched manufaturer's signet on the bottomDrinking set consisting of 95 single piecesThe 1908 designed glass service "Thistle" is a classic among the most valuable series produced by the Cristallerie Saint-Louis, it adorns the official dining tables of many heads of state The set consists of the following pieces:14 champagne flutes8 sherry glasses6 whiskey glsses 11 water glasses8 small white wine glasses19 white wine glasses7 red wine glasses1 large dessert bowl6 dessert bowls6 deep dessert bowls8 dessert platesCondition:The drinking set is in good age-related condition with slight traces of age and usage. 7 glasses with simal décor have been added. Verreries & Cristalleries Saint-Louis-lès-BitcheThe manufactory Saint-Louis was already founded in the 16th century in Lorraine. In 1767, King Louis XV bestowed the glassworks with the title ‘Royal glass manufactory Saint-Louis’. At the end of the 18th century, François de Beaufort developed a method to produce crystal. Therefore, the glassworks were renamed ‘Royal Crystal Manufactory‘. Since 1829, Saint-Louis has been producing the finest crystal ware and employing some of the most skilled gaffers in France. Expertise acquired over several centuries and advanced modern technologies to color, engrave and cut the glass allow the manufacture of high-quality products. (kre) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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WMF, 6-Armed Britannia Metal Art Nouveau Candelabra, c. 1900

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Description: Britannia metalWMF (est. 1853) – Württembergische Metallwarenfabrik [German metal ware factory in Württemberg], c. 1900Hardly legible hallmarked with the maker’s mark, ‘B’ for Britannia metal, numbered ‘245/6’ and further illegible marks6-armed Art Nouveau candelabra featuring style typical ornamentsHeight: 44.4 cmProvenance: private property Berlin Condition:The chandel holder is in good condition, consistent with age and bearing minor signs of wear.WMF (est. 1853)WMF has been producing high-quality household metal ware since 1853. WMF was founded under the name Straub & Schweizer and won the first gold medal at the World Fair in London in 1862. The company merged with Ritter & Co. in 1880 and emerged as the ‘Württembergische Metallwaren Fabrik AG’ with headquarters in Geislingen. Since then, WMF has been producing worldwide known quality products of leading designs. (nlu) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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Lutz & Weiß, Pair of 5-Flame Silver Candlesticks, circa 1920

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Description: Auction announcements 12th January 2017 Lot 12: The candlestick is made of 835 silver. Sterlingsilver 925, cast, hollow worked, foot weightedPforzheim, Germany, circa 1920Silver Manufactory Lutz & Weiß, Pforzheim, founded in 1882Hallmarked with standard, crescent & crown as well as manufaturer's markPair of candlesticks in curved-shape Polygonal foot with balustre shaft, on top a 5-flame, removeable candle mounting Total weight: c. 2400 gTotal height: c. 40 cm Condition:The candlesticks are in age-related condition with usual signs of usage and traces of wax. One plug insert is loose, both shafts are slight crooked, one with a minor dented part, the other one with a minimal open fin. The height measures c. 40 cm each. (kre) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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Fordham & Faulkner, Silver Candlesticks, Sheffield, 1904

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Description: Sterling silver, green feltFordham & Faulkner, Sheffield (1896-1916) – British silverware producer, 1904Hallmarked on the base with the silver standard mark, a city mark for Sheffield, a date letter, and the maker’s mark ‚ W.F / A.F’One-flamed baroque-shaped candlestick each on a squared curved, profiled base, and with squared curved drip trayDimensions: 23.9 x 11.3 x 11.3 cm eachTotal weight: c. 1195 g Condition:The candlesticks are in good condition with minimal signs of wear. (ala) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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3-Piece Candlestick Set, Silver, Germany, circa 1900

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Description: 800 silver, cast, wroughtGermany, circa 1900Each base hallmarked with fineness '800', crescent and crown as well as illegible maker's markSet of a pair of candlestick and another similar candlestickEach three-armed with removable, partially screwed spouts on a bulging, multi curved base, partially additional on four feetFloral décor with rocailles as well as partially decorated with puttiHeight: each c. 18 cmTotal weight: c. 1272 g Condition:The candlesticks are in good, age related condition with usual traces of wear and oxidation. The dripping pans respectively spouts are partially slightly bent. (kre) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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Goberg, Hugo Berger, Pair of Art Nouveau Candle Sticks, Iron

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Description: Wrought ironSchmalkalden, Germany, circa 1910Goberg, Metallwarenfabrik Hugo BergerBottom with manufacturer's mark 'GOBERG GES.GESCH'Height: c. 19 cm eachPair of candle sticks in geometrical design with rivets and hammered décor Condition:The candle sticks are in age-related condition with according traces of usage, age and corrosion. The bases are slightly bent. (kre) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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A Sauce Boat with Stand & Ladle, Ricci Argentieri, 20th C.

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Description: 800 silverItaly, Alessandria, 2nd half 20th centuryRicci Argentieri (est. in 1927) – manufacturer of silver hollow- and flatware, part of the company GREGGIO established by Rino Greggio in 1948Each stamped with fineness 800 and maker’s mark with star and varying registration numbers as well as jeweler’s brand ‘R’ and ‘Ricci’Neoclassical sauce boat with swan handle and stylized acanthus leaves at the borders with matching ladleDimensions: 17 x 22 x 17 cmWeight: approx. 628 gramsVery good condition Rino Greggio includes various silverware manufacturers such Greggio Argento, CESA 1882 as well RICCI Argentieri, the latter joined to the Greggio group in 1995. Condition: Overall very good condition with minimal signs of wear. The sauce boat is screwed to an oval stand. The dimensions are 17 x 22 x 17 cm. The weight is approximately 628 grams. Ricci Argentieri Company (est. 1840) Ricci Argientieri was established in 1840 in a guild house in Alessandria near Milan and is now a world renowned silver manufacturer. Today, the company produces a wide range of products made of sterling silver, stainless steel, crystal, gold-plated cutlery and wooden gift items. The pieces are worked in the craft tradition of the 19th century. (cru) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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A George III Style Silver Tea Set, England, 1897 & 1912/13

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Description: Sterling silver, ebonized woodEngland, Chester and Birmingham, 1897 & 1912/13Tea pot hallmarked by George Nathan & Ridley Hayes, sterling standard, town mark Chester, date letter o 1897, Creamer and sugar pot with makers mark Charles Turmann Burrows & Sons, sterling standard, town mark Birmingham and date letters 1912 u. 1913Oval shape with gadrooned wall and edged handle, partly made of ebonized woodThe pot decorated fluted border and curved spout, the hinged lid with fluted wooden knobThe pot engraved on the side with initial ‘T’ with date ‘1898’ Height: 7,5 - 11,5 cmWeight: approx. 734 gramsGood ConditionAssorted 3-piece tea set consisting of teapot, creamer and sugar in the style of George III Condition: The set is in good condition with only a few signs of age and wear, otherwise overall of very good impression. The height ranges from 7.5 to 11.5 cm. The total weight is approx. 734 grams. Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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Viner’s Ltd., 5-pcs. Service, Sterling Silver, England, 1940/50

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Description: Sterling silver, wroughted, ivoryViner’s Ltd (1901-1985), SheffieldEach hallmarked with the silver standard mark for sterling silver, the maker’s mark ‘E.V’, the city mark for Sheffield, the date letters ‘E’, ‘G’, ‘I’ and ‘K’, hallmarked with ‘MADE IN Sheffield ENGLAND’ and ‘STERLING MADE IN ENGLAND’, as well as different numbered and inscribed5-pieces service, consisting of one coffee pot, one tea pot, one sugar bowl, one creamer and one trayHeight of the coffee pot (incl. lid): 15.4 cm, dimensions of the tray: 5.3 x 54 x 32.7 cmTotal weight: c. 3822 gExcellent manufactured service with fine details from the time of the Art Deco Condition:The service is in good condition with age-related traces of wear. Minimal due to usage scratches can be scattered found on the surface. The edges of the mouths and lids as well as the foot rims with a few small bumpings. The coffee pot shows one small dent immediately below the lateral hallmark. The knob of the coffee pot and the handle of the tea pot are slight lose. (ala) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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Karl Hagenauer, 3-Piece Service, Vienna, circa 1950

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Description: Copper sheet, tinned inside; brass; wrought, cast and polished; various woods; stained; tulipwoodAustria, circa 1950Service consisting of 2 coffee pots and 1 teapotDesign: Karl Hagenauer (1898-1956) - Austrian designer and sculptorManufacture: Hagenauer Werkstätte Wien (1898-1987) - Manufactory for arts and design objectsEach piece stamped ‘KARL / WERKSTÄTTEN HAGENAUER WIEN / MADE IN AUSTRIA’ and marked with the company’s logo on the undersideHeight of coffee pots: 18 cm; teapot: 11cmWith matching tray from an unknown manufacturerDimensions of the tray: 28 x 36 cmGood conditionTypical Art Deco style objects of utility designed by Karl Hagenauer Condition: The service is overall in good condition, showing some wear marks, especially to to the tray. The height of the coffee pots is about 18 cm, and the teapot is 11 cm in height. The tray measures 28 x 36 cm. Hagenauer Werkstätte The Hagenauer Werkstätte was established in 1898 by Carl Hagenauer (1871-1928) in Vienna. In the beginning, it focused on the production of classic Viennese bronzes. After the turn of the century, the design was based on the new art movement of Art Nouveau. In particular, the community of the Wiener Werkstätte along with Josef Hoffmann and Koloman Moser exerted a strong influence on the works of the Hagenauer Werkstätte. Furthermore, the family business was strongly coined by the sons Karl (1898-1956) and Franz (1906-1986). (cko) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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Romeo Miracoli, 800 Silver-Ewer and Présentoir, Italy, c. 1915

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Description: 800 silver, cast and chasedRomeo Miracoli – Silver manufactory based in Milano, established in 1912 by Romeo MiracoliEach hallmarked with fineness, maker’s and figurative marksBulbous ewer with wide spout and dragon handleCurved, flower-shaped stand with florally decorated rimHeight of ewer: 25.7 cmDiameter of stand: 21.5 cmTotal weight: c. 700 gProvenance: private property Hamburg, Germany Condition:Both silverwares are in a very good condition bearing barely any signs of age and wear. Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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Gayer & Krauss, Silver Tray, Germany, 2nd H. 20th C.

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Description: Sterling Silver, wrought, chasedGermany, second half of the 20th centuryGayer and Kraus Silversmith (1919-1999), Schwäbisch GmündMakers mark ‘G + K Meistersilber’, sterling standard as well as crescent moon and crownSmooth body on oval outlineCurved rim and handles with decorative rocaille motifsDimensions: 52.5 x 32.5 cmWeight: c. 946 gGood condition Condition: The tray is in good condition. Several scratches can be found in the well and to the stand. The dimensions are 52.5 x 32.5 cm. The weight is approx. 946 g. (bed) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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A Chased Silver-Lidded Box with Ivory Knob, Austria, c. 1910

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Description: 935 silver, chased, ivory, carvedAustria, Vienna, c. 1910Hallmarked with ‘Sterling’, control stamp, purity and further hallmark ‘BF’Cylindrical box with a decorative hammered finishConcentric wavy lid with multiply curved edgeTwo lateral curved and wavy knobsCarved ivory knob in the shape of a budProvenance: private ownership, AustriaHeight: 13.5 cmDiameter: 21 cmTotal weight: c. 1200 gVery good conditionElegant Art Deco box and cover, the modest décor is restricted to the most important function points like handles or lid Condition:The lidded box is in very good condition with minor signs of age and wear. The upper rim of the box is dented. The height measures 13.5 cm, the diameter is 21 cm and the total weight is c. 1200 g. (nlu) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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105-Piece Silver Flatware, Rococo Style, Gorham, USA, c. 1905

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Description: 925 sterling silver, steelGorham Silver, USA c 1905Marked with silver standard, city mark, fineness, manufacturer monogram G and ‘PATENT 1900’Partly engraved with ‘R’Included are 12 knives, 12 butter knives, 11 forks, 12 pastry forks, 12 fruit forks, 12 spoons, 28 teaspoons, another spoon, a cake server, 2-piece serving cutlery and 2-piece fish cutleryThe handles with floral elements in reliefTotal weight including steel blades: c. 3.6 kgLength: c. 14 to 25.5 cm Condition:The cutlery is in good condition with normal, slight signs of age and wear. Partly small scratches and the silver is tarnished in places. (lvp) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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A 114-Piece Silver Flatware Set, Morini, Bologna, 1944-1968

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Description: 800 silver, steelItaly, Mid 20th C.Fabrica Posateria Argento Banco Metalli Preziosi di Morini Maria – Italian silversmiths, active today under the name of . Morini Cacciari SRLEach hallmarked with fineness and Italian national mark; blade inscribed ‘Inoxid’114-piece silver cutlery set suitable for 12 peopleTips of stems and handles decorated with anthemiaDimensions: see descriptionTotal weight (including steel blades): c. 6900 gProvenance: private property Munich, Germany The extensive set comprises following pieces:12 dinner knives, lengths: 23,3 cm12 dinner spoons, lengths: 20,2 cm24 dinner forks, lengths: 20,2 cm12 fish knives, lengths: 21 cm12 fish forks, lengths: 17,3 cm12 cake forks, lengths: 14,1 cm12 dessert forks, lengths: 17,4 cm12 fruit knives, lengths: 20,4 cm1 soup ladle, length: 31 cmFish serving fork und -knife, lengths: 24 cm and 27 cm1 pie knife, length: 27 cm1 sauce spoon, length: 17,5 cm1 cake lifter, length: 25,5 cmCondition:The cutlery is in very good condition consistent with age and wear. Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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Ernst Wahliss, Bust of Daphne, Faïence, Vienna, c. 1900

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Description: Faience, polychrome glazedVienna, Austria, circa 1900Ernst Wahliss Porcelain ManufactoryVerso on the base stamped ‘Made in Austria. Ernst Wahliss. Tuch Wien.‘Front on the base embossed title ‘Daphne’Embossed number underneath ‘4278 21’Dimensions: 37.7 x 26 x 13 cmVery good conditionDaphne, the mountain nymph in Greek mythology as ceramic bust A ceramic bust of Daphne by Ernst Wahliss Porcelain Manufactory from Vienna. With a soft expression the bust is executed with ivory-colored skin, the glaze heightened with shiny accents, on a brown square plinth. Her hair adorns a big laurel wreath and she is dressed in a gown with rich drapery. Condition: The ceramic bust is in very good condition. The dimensions are 37.7 x 26 x 13 cm. Ernst Wahliss Porcelain Manufactory The Ernst Wahliss Porcelain Manufactory was founded in 1862 in Trnovany in the Czech Republic. The company had retail positions in London and Vienna, selling Bohemian porcelain. In 1895, Ernst Wahliss bought the Alfred Stellmacher Imperial and Royal Porcelain Manufactory, which existed since 1859. Ernst Wahliss died in 1900 and two years later, his sons Erich and Hans, purchased 600 moulds from the Royal and Imperial Porcelain Manufactory Vienna and began making reproductions of the porcelain. In 1905, Hans and Erich renamed the company in Alexandra Porcelain Works Ernst Wahliss. Since 1910, their focus increasingly moved to the design and production of faience pieces. Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance. Auctionata charges the resale rights tax pursuant to Section 26 of the German Copyright Act (UrhG) towards the buyer in case of the sale of an original work of art or photography prior to 70 years having lapsed since the death of their creator. Therefore, Auctionata charges when purchasing a good – if a protection as an original work of art or photography is given – starting from a hammer price of EUR 400 an additional amount, which is calculated according to Section 26 (2) German Copyright Act (UrhG) and which does not exceed the amount of EUR 12,500. You can find more information about resale rights tax in Auctionata´s table of fees and T&C.

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Goldscheider, Female Bust, Vienna, 1930s

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Description: Earthenware, polychrome painted and glazedVienna, 1930s Goldscheider Porcelain Factory and Majolica Factory (est. 1885) – Vienna ceramic factoryManufacturer’s mark, inscribed “MADE IN AUSTRIA”, model number 7604Female head with tanned skin and blonde locks, right hand held to the sideRed accented lipsGood conditionHeight: 30 cm Condition: The bust is in good condition. One of the corners of the plinth has sustained a knock. Friedrich Goldscheider (1845-1897) Friedrich Goldscheider is one of the most successful entrepreneurs in the history of European ceramics. He founded his manufactory in Vienna under the name ‘Manufaktur Friedrich Goldscheider’ in 1885. His pieces matched the spirit of the time during the period of around 1900 and particularly in the 1920s. His pieces were well known internationally; they were made of faience, terracotta, bronze and alabaster and represented historicist, art nouveau, art deco and orientalist styles. The Goldscheider family emigrated to England and to the US in 1938 and started new ceramic manufactories there. Friedrich’s son, Walter Goldscheider, returned to Vienna in 1950. He had to shut down the manufactory for economic reasons. He sold the license to a German company called ‘Carstens’. In 1987, Friedrich’s grandchild restarted the family business under the name ‘Stoob’. Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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Meissen, Horse 'Maestoso', Böttger Stoneware, E. Oehme, 20th C

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Description: brown Böttger stonewareMeissen, Germany, second Half 20th CPorcelain manufactory Meissen, founded in 1710Model: Erich Oehme (1898-1970) - German Sculptor, 1949Base verso with incised crossed sword mark, artists signature and dating, bottom also with incised crossed sword mark, model number 'S. 206' another numbering as well as embossed 'BÖTTGER STEINZEUG'Sculptural and naturalistically worked depiction of a rising horse on an oval, stylized grass base Height: 53 cm Condition:The horse is in very good and age-related condition with slight traces of age and minimal scratch marks on the base. Sword Marks with one cancellation markErich Oehme (1898-1970)Erich Oehme was born in Berthelsdorf at Freiberg in 1998 and studied at the Dresden Academy. From 1912, he worked for the Meissen Porcelain Manufactory, after he had previously been working for the manufactory in Nymphenburg. In 1936, he was named artistic director of the Meissen Porcelain Manufactory. In addition, he also worked with Böttger stoneware and created designs for medals. In 1948, he changed his occupation and became artistic director of the ‘VVB Ceramics Erfurt’. The designs for his expressive porcelain figurines that made him famous, were produced by Meissen, Volkstedt and Lichte. Oehme died in 1970 in Meissen.Porcelain Manufactory MeissenPorcelain has been known in Europe since the 13th century, but always had to be imported from China. Thus it was mostly of lower quality – the Chinese rarely gave their best ware to the foreigners – and extremely expensive. As demand for porcelain became greater, European alchemists tried to discover the formula to create hard-paste porcelain. The production of the first European hard-paste porcelain was the result of a collaboration between the alchemist Johann Friedrich Böttger and the scientist Ehrenfried Walther Graf von Tschirnhaus at the court of Augustus the Strong, Elector of Saxony, in Dresden. As a matter of fact, it was finally achieved for the first time in Europe in 1708 to produce a white hard paste porcelain and in 1710 Augustus established Europe’s first hard-paste porcelain factory in the Albrechtsburg, a palace in Meissen. The so-called ‘Böttgerporzellan’ actually had more of a stoneware quality and it was not until the year 1713 that white porcelain was available for purchase. Initially unmarked, the motif of the ‘crossed swords’ was developed in the early 1720s and used from 1723 onwards. Since then, beautifully modelled and painted figures and table services were produced at Meissen, establishing its reputation as the pre-eminent porcelain factory in Europe. Outstanding potters, modelers and painters, e.g. Johann Joachim Kändler (1706-1775), Johann Gottlieb Klinger (1701-1781) and Count Camillo Marcolini (1739-1814), were employed at the factory, which dominated the 18th century style of porcelain, and Meissen wares and figurines were imitated by craftsmen at other porcelain factories throughout Europe. Meissen celebrated its 300 years of existence in 2008. Until today, Meissen porcelain is known for highest quality and originality and greatly appreciated. (kre) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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Large Clock Face of a Clock Tower, France, c. 1900

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Description: Metal, partial painted, woodFrance, c. 1900Large, of single metal pieces tacked together clock face with painted Roman numbers in black; mounted on a circular rear panel consisting of single wood bars One small and one large clockhand, which are moved by three cogwheelsDiameter: 174 cmLarge clock face from the time around 1900, which indicated the time from a clock tower in France Condition:The clock face is in age-related condition with strong traces of age and wear. The clock face and the frame show strong surface abrasions, scratches, cracks, bumpings and flash rust in places. The number painting as well as the area of the clockhands mounting are strongly rubbed. A larger hole with a restoration in places can be found in the middle area of the clock face. The frame is strong splitted off from the wood rear panel in places. The rear panel with partial slight spots, bumpings, cracks and losses. The cogwheels show areas of rust. Both clockhands with strong color abrasion, scratches and bumpings in places. (ala) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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Taxidermy of a Small Sawfish, c. 1900

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Description: Latin: PristidaeWith 37 teethLength: 63.2 cm Condition:The sawfish is in good condition with minor traces of age and wear. Three teeth are missing. There are three holes for the mounting. (ala) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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6 Models of Vertebrates Brains and one Fungal-Model, 20th C.

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Description: Wood, polychrome paintedCzechoslovakia, mid-20th centurySix anatomical models of the 'Zieglerschen Serie' after Prof. Dr. A. Wiedersheim (1848–1923)Each mounted loosely on a base and numberedTotal heights: from 20 to 23 cmIn addition an extraordinary presumably fungal-model of gypsumHeight: c. 26 cm, dimensions of then plate: c. 17 x 26 cm Six of a series of alltogether eight anatomical models comprising of the following single pieces: 1. Petromyzon fluvialtilis, lamprey2. Scyllium canicula, school shark3. Salmo faria, trout5. Alligator mississippiensis, alligator7. Lepus cuniculus, rabbit8. Canis familiaris, dogCondition:The anatomical models are in good age-related condition with partial slight abrasion of color. The fungal-model is slightly damaged. (kre) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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Jaeger-LeCoultre, Atmos Embassy (Red), Switzerland, 1967-70

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Description: Brass, glassJaeger-LeCoultre – Manufacturer of luxury watches since 1833Model: Embassy, Reference: 5904; caliber 528/1Torsion pendulum movement with automatic wind-up via temperature differencesBrass ring with Roman numerals and brass clock handsHigh-rectangular brass case with a hinged glass door, lacquered sides (red marble)Level compensation via the characteristic lateral adjusting screws at the sides of the baseAn original instruction manual is enclosedDimensions: 22 x 17.7 x 12.8 cm The table clock Atmos was invented by the Swiss engineer Jean-Lêon Reutter around 1928. The Swiss clock manufactory Jaeger-LeCoultre acquired and patented the design in the 1930s. This model Embassy is equipped with a red-marbled case and is made of a simple elegance.Condition:The clock is in good condition, consistent with minimal traces of age. During in house testing the clock was functional. No guarantee on long term precision and regularity.Jaeger-LeCoultre (since 1833)Jaeger-LeCoultre was established in 1833 by the brothers Charles Antoine and Ulysse LeCoultre in the Vallée de Joux in the Swiss Canton of Vaud. The Swiss luxury watch manufactory belongs to the Richemont holding company and is based in Le Sentier, Switzerland. The best-known watches include ladies’ watches with the smallest caliber in the world (K101, since 1929), the skeletonized pocket watch Grande Complication Email Bleu caliber 17JSSCCRVQ with minute repetition, two-hand chronograph and perpetual calendar (since 1928), the ‘Reverso’ with swivel case (since 1931), the Memovox alarm watch (since 1956, also with automatic winding from 1956), the automatic watch Futurematic (automatic alarm watch for divers, Deep Sea Automatic Alarm, since 1959) and the ‘Grand Réveil with alarm, perpetual calendar and automatic winding (since 1989). Table clocks are also produced to this day, such as the ‘Atmos’ (since 1931), whose mechanical movement is wound up through changes in temperature. (ala) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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Maison Charles, Pair of Table Lamps with Foliate Head, 1970s

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Description: Brass, synthetic material, lacqueredMaison Charles Paris, established in 1908Each with single-light fixtureDimensions: 43.5 x 26 x 12 cm eachPair of table lamps in the ‘Charles-style’, a mixture of neoclassicism, precision and modern elements that represented a new approach to lighting and furnishing, which was developed in the 1960s by Maison Charles Condition:Both lamps are in good condition, consistent with age and bearing usual signs of wear like slight surface abrasion, scratches and smaller bumps. One socket with small blemish. One cable with repaired area. During in house testing, both lamps were fully functional; no guarantee on permanent functionality. (nlu) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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A Geometric Brass Table Lamp, pres. France, 1970s

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Description: Brass, metal, synthetic materialRectangular plinthShaft with geometric, adjustable elementsSingle-light fixtureHeight: 47 cm Condition:The lamp shows signs of age and wear. The surfaces are partially rubbed, scratched and tarnished. The lamp was not functional; electric circuit and cables are in need of inspection. Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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James Mont, Table Lamp, USA, 1950s

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Description: Wood, carved, red grounded, silver painted, mirror glass, lamp mountingUSA, 1950sDesign: James Mont (1904-1978), US American Designer of the midcenturyHight lamp foot in rectangular ground shape on a flat base with retracted edgesOpenworked, bamboo-shaped sides mounted on mirror glass Two-light fixtureHeight: ca. 71 cmThis asian-inspired table lamp is a typical example of the flamboyant and exotic style of the US American midcentury designer James Mont Condition:The lamp is in age-related condition with usual traces of usage and minor lost of wood on the neck. Some edges are slightliy rubbed. Nevertheless the piece is visually appealing and showing a beautiful patina. Without lampshade. The function has not been tested, so we cannot guarantee the functionality. The height measures c. 71 cm. (kre)James Mont (1904-1978)James Mont was a man shroud in mystery, one whose life details were often sketchy. Presumably, he was born Demetrios Pecintoglu in Istanbul in 1904, he may have studied art and architecture in France and Spain and moved with his family to the United States in the early 1920s. From the early 1930s and into the 1960s, Mont was one of the most prominent designers and decorators on the East Coast. His forte was creating furniture that offered a stylish and dramatic, yet modern, take on historical forms and details—most of his designs drew on Asian influences, though he often employed classical elements in his pieces. (kre) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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Table Lamp with Brass and Glass, Italy, c. 1970

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Description: Glass, brass, metal, textile, synthetic materialProduced by: Fratelli Martini, c. 1970Circular stand with elegant glass-brass shaftRectangular lamp shade with beige textile liningDouble-light fixtureHeight: 72.5 cm Condition: The table lamp is in good condition, consistent with age and bearing usual signs of wear. In places surface abrasion, scratches and tiny bumps. During in house testing, the timepiece was fully functional; no guarantee on permanent functionality. (nlu) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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Ceiling Lamp, Glass, Italy, 1960s

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Description: Glass, brass, wood, silver paintedThree-light ceiling lamp with slim, spiral-shaped curved shaft and circular plateAbove with removable stylized glass leavesUnderneath with a removable curved, semispherical glass bowl with polished diamonds patternHeight: 76 cm, diameter: c. 60 cmObject is regular taxed. 19% VAT is added to the purchase price for deliveries within the EU. Condition:The ceiling lamp is in very good condition. The mounting of the bowl shows usual chips. The edge of the glass bowl shows two cracks. Three bulbs are enclosed. The functionality of the lamp has not been tested and thus cannot be guaranteed. (ala) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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Poul Henningsen, A Pair of PH 4/3 Wall Sconces, Denmark, 1927 

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Description: Copper, painted white and red, metalDenmark, 1927Design: Poul Henningsen (1894-1967) - Danish designer, architect and authorExecution: Louis Poulsen - Danish lighting manufacturer, founded in 1874A pair of wall lamps 'PH 4/3'Circular wall mounting with long, cylindrical armThreefold lampshade consisting of three different sized segmentsSingle-light fixtureDimensions: c. 29 x 52.5 x 46 cmGood conditonAbsolute design classics: the 'PH' lamp was Poul Henningsen's most famous lamp design Condition:Both wall lamps are in a good condition with ususal signs of wear, age and weathering like partial surface abrasion and minimal bumps. The functionality has not been tested and thus cannot be guaranteed. The dimensions measure c. 29 x 52.5 x 46 cm.Poul Henningsen (1894-1967)The Danish architect and designer Poul Henningsen is not only famous for his popular lamp designs, he was also an important figure of Danish cultural life during the interwar period. He studied architecture from 1911 until 1917. He designed the legendary PH lamp in 1925, which created exceedingly glare-free and smooth light. Famous designs like the Artichoke and PH5 followed in 1958. Henningsen was also a successful author.Louis Poulsen (founded 1874)Originally founded in 1874 by Ludvig R. Poulsen as a wine import company, the firm was re-established after a failure, specializing in tool production and sales of electrical engineering. In 1896, Louis Poulsen joined the company of his uncle and took over the presidency 10 years later. At the Exposition Internationale des Arts Décoratifs & Industriels Modernes in Paris, Poulsen was attentive to the drafts of his compatriot Poul Henningsen. Through close cooperation between Henningsen and Poulsen, the legendary PH-lamp went into production only two years later. In addition to the expansion of the Henningsen lamp range, Poulsen produced further lamp classics in collaboration with renowned designers such as Arne Jacobsen and Verner Panton in the following decades. Functionality and straight lines characterize the lamps, which were manufactured under the logo Louis Poulsen. Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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Floor Lamp in the Shape of Flowers, Italy, 1970s

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Description: Metal, polychrome lacqueredItaly, 1970s7-light fixtureSculptural shaped lamp as tall bush with multilayered foliage and 7 blossomsDimensions: 131.5 x 62 x 55 cm Condition: The floor lamp shows heavier traces of aging, like rust. All lamps were working during a short in-house test. Auctionata does not guarantee functionality. The lamp is 131.5 cm on height and measures c. 62 x 55 cm. (tm) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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A Floral Table Lamp ‘Calla’, Italy, Late 20th Century

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Description: White opaque and colorless glass with yellow and white powder meltings; bronze with green patination; marbleFlorence/Italy, late 20th centuryMarble base engraved ‘L'Originale’; moreover, labels with the inscription ‘L'Originale / Sesto F.No / Made in Italy’ on the undersideElectrified with two bulbsHeight: 94 cmVery good workingA decorative table lamp with a typical Italian flower motifObject is regular taxed. 19% VAT is added to the purchase price for deliveries within the EU. Condition: The lamp is in very good condition, showing only minor abrasion of the patination. During a short-term test, it was in working order, but long-term functionality cannot be guaranteed. The height is 94 cm. (cko) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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J.T. Kalmar, Floor Lamp, Dornstab, Vienna, 1947

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Description: Teakwood, brass, textile, porcelain, plasticVienna, Austria, 1947Design: Julius Theodor Kalmar (1884–1968) – Austrian architect and designerProducer: J.T. Kalmar, Wien (established 1880)Saber-shaped lamp shaft on a V-shaped standThreefold height adjustable lamp shade with a threading for the cableHeight: 150 cmGood conditionProvenience: German private property Condition: The lamp is in a good condition with partial traces of wear. The shaft shows scattered bumping marks. A crack can be found underneath the lamp mounting. The shade was presumably added. The lamp is not functional. The electrification need to be renewed. The height measures 150 cm. The shade has not been replaced, but is the original one. Kalmar (est. 1880) The company was founded in 1880 by Julius August Kalmar and was first specialized in the production of bronze objects. Around the turn of the century, the founder's son Julius Theodor Kalmar began to study under the guidance of the renowned architect and designer Josef Hofmann, as well as at the Birmingham School of Art and Design. Influenced by the Arts and Crafts movement, Kalmar Junior led the company into a new direction in the field of modern Austrian interior design with a focus on lightings. (ala) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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Table Lamp in Meiping Shape, Pottery, Mid-20th C.

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Description: Pottery, glazed, metal and synthetic, gilt, textileMid-20th centuryHeight of the lamp: 56 cm, diameter of the lamp shade: 50.1 cmGood conditionOne-flame table lamp with anthracite colored, -stand foot in meiping shape and gold painting ball decorationElegant, flat lampshade Condition:The lamp is in a good condition and shows partial minimal traces of wear. One small old restoration on the lower border of the stand can be found. The gold dècor is partial minimal rubbed and shows small cracks. The lamp shade is new and was subsequent complemented. The lamp is electrified and fully functional. There is no guarantee on functionality. The height of the lamp measures 56 cm. The diameter of the lamp shade is 50.1 cm. (ala) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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Seal Table Lamp, Pottery, France, 1st H. 20th C.

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Description: Pottery, glazed, brass, textileFrance, first half 20th centuryOn the plinth of the seal figure inscribed ‘SCI France – 968’Height of the lamp: 53.5 cm, dimensions of the lamp shade: 15.5 x 48.3 x 22.7 cmGood conditionTwo-flame table lamp with stylized blue glazed porcelain seal as stand decoration Condition: The lamp is in good condition. The brass shows partial minimal abrasions. The pottery figure with partial minimal abrasions on the edges and borders as well as slight manufacturer flaws and slight craquelure in places. The lamp shade is new and was subsequent complemented. The lamp is electrified and fully functional. There is no guarantee on functionality. The height of the lamp measures 53.5. The dimensions of the lamp shade are 15.5 x 48.3 x 22.7 cm. (ala) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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Sculpture of a Seahorse as Lamp Base, Ceramic, 1960/70ies 

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Description: Ceramic, polychrome glazedFrance, 1960/70sSculptural worked fantasy figure of a stylized horse head and a fishtailMounted as lamp base on a rectangular black socket  With electrification and bulbholderHeight (without socket): c. 43.5 cm; total height: c. 59 cmGood condition Condition:The seahorse is overall in good, age-related condition. There is a minor, almost invisible restoration on the left ear and the socket is slightly demaged. The height without socket measures c. 43.5 cm, the total height is c. 59 cm. The function has not been tested, so we cannot guarantee the functionality. Without lampshade (kre) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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Gordon and Jane Martz, Pair of Table Lamps, USA, 1950s

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Description: TeakVeedersburg, Indiana, USADesign: Gordon and Jane Martz, US American Designers1950s for Marshall StudiosSolid cylindrical lamp feet made from teakwoodVisible lamp mountings with a small wooden finalElectrifiedHeight: each c. 75 cmGood condition Condition: The lamps are in good condition consitent with age showing minor traces of usage and minimal scratch mark on the wood. The function has not been tested, so we can not guarantee the functionality. The height of the lamps measures c. 75 cm each. (kre) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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Argentor, Table Lamp with an Oriental Lady, Austria, c. 1900

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Description: Bronze, patinated, polychrome painting, red painted glassAustria, around 1900Argentor-Workshop Rust & Hetzel (est. 1860) – Manufacturer of Vienna Bronzes and crafts metal objectsInscribed at the rear plinth with ‘ARGENTOR – VIENNA –‘Small orientalic architecture with stylized brickwork, two windows on the sides and a window rosette on the frontA relief of an arcade entry with fountain in the inside of the architectureTwo bulb sockets hidden behind the rosetteOriental dressed young lady sitting on a pillowDimensions of the architecture: 18.5 x 10.4 x 12.7 cm, Height of the figure: 6.2 cmGood conditionFancy table lamp with removable figure from the Vienna manufactory Argentor Condition:The bronze is in a good condition with partial traces of age and wear.  The lamp is electrified; a bulb is enclosed. The function has not been tested. No guarantee on functionality. The dimensions of the architecture are 18.5 x 10.4 x 12.7 cm. The height of the figure measures 6.2 cm.Vienna BronzeThe term ‘Vienna Bronze’ refers to very fine cast bronzes from the period of around 1880 to 1930. The naturalistic small sculptures depict human figures, often with exotic features, humans and animals, humorous illustrations as well as erotica. The bronzes were so fashionable that there were 80 companies in Vienna which concentrated on these products. A large number of significant artistic works was melted during the world wars to meet the metal needs of the artillery, thus the bronzes are now not only treasures but also rare collectibles. The most famous manufacturer of Vienna Bronzes was the Manufactory Bergmann. (ala) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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Pair of Large Empire-Style Wall Lamps, Pres. Italy, 20th C.

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Description: Copper, cast, giltPresumably Italy, mid-20th centuryPair of wall appliques with three electrified lightsExecuted with Empire-style elementsHeight: 67.5 cmGood condition Condition: The wall applications are in good condition. The surfaces are partially slightly abraded. One with repairs to the back. The lamp’s functionality has not been tested. We provide no guarantee of functionality. Each are 67.5 cm tall. Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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Second Empire, Pair of Wall Lights with Herms, c 1900

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Description: Yellow cast, partially with iridescent patina, Presumably France, c. 1900A pair of four-armed wall lights of the Second EmpireWinged female figures in the style of Greek herms, sculpted in the round, positioned with bare feet on hemisphereEach four curved, fluted arms with acanthus leaf nozzlesElectrified, each with four light bulb mountingsDimensions: c. 53 x 34 x 17.5 cm.Very good condition The Empire is a variety of French classicism, which expanded under the influence of Napoleon I in parts of Europe since the early 19th century. Especially in the fields of applied arts, such as interior, furniture as well as fashion, the style was reflected. Design elements of Greek and Roman antiquity also Egyptian motifs dominated the appearances of furniture and interiors. Empire is a straight, austere style that should illustrated solemnity. Condition: Both wall lights are in a very good, age-related condition with minimal signs of age and wear. In places the surfaces are partially rubbed. The wall lights have been electrified later. The candelabras have not been tested on functionality, thus this cannot be guaranteed. The dimensions measure c. 53 x 34 x 17.5 cm. Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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Table Lamp with Papillon Décor, Pres. Austria, 1H. 20th C.

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Description: White sheet metal, brass plated, partly open work, blue glass with melted oxidesPresumably Austria, 1st half of the 20th centuryGeometrically designed cube lamp of the Art DecoSquare stand with flat baseSquare shank tapering towards the topFour-strut bracket for the upper, cube-shaped lampshade, top with cover plateDecorated glass inserts at the four sides of the cube, ornate with Papillon décorStand, shaft and top plate with open workMounting with a bulb, electrifiedHeight: 30 cmGood condition Condition: The table lamp is in very good condition with minimal signs of age and wear. Surfaces are partly slightly rubbed. Glass inlays at the lower, inner edge with small chips. Plugs and cables are not present, therefore the lamp has not been tested of functionality; no guarantee. The height is 30 cm. Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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Wall Luminaire, Patinated Bronze, 2nd H. 20th C.

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Description: Patinated bronze, and painted in redEurope, second half 20th centuryWall appliqué with integrated lamp in shape of a row of spines, the lower bracket plate propped by a phoenixDimensions: 25.5 x 30 x 12 cmGood condition; fully functional Condition: The wall lamp is in good condition with normal traces of wear. It is electrified and fully functional. There is no guarantee on functionality. The dimensions are 25.5 x 30 x 12 cm. (bde) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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Wall Appliqué with Putto, Meissen, 1972

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Description: Porcelain, polychrome on-glaze painting, accents in pastel green, parcel-giltGermany, 1972After a model of Johann Joachim Kändler (1706-1775), 1768/70Meissen Porcelain Factory, established in 1710Underglaze blue sword marks, model number, repairers number and date codeModel No. C 32 aThe center of the appliqué contrasted with with a flower bouquetSideways, two botanical-shaped arms with electrified candlesHeight: 38 cmGood condition Condition:The appliqué is in good condition. The painting and the gilt accents are minimal rubbed in places. The flower bouquets in the hands of the putto with small chips. The function has not been tested. No guarantee on functionality. The height of the appliqué measures 38 cm. (bde)Porcelain Manufactory MeissenPorcelain has been known in Europe since the 13th century, but always had to be imported from China. Thus it was mostly of lower quality – the Chinese rarely gave their best ware to the foreigners – and extremely expensive. As demand for porcelain became greater, European alchemists tried to discover the formula to create hard-paste porcelain. The production of the first European hard-paste porcelain was the result of a collaboration between the alchemist Johann Friedrich Böttger and the scientist Ehrenfried Walther Graf von Tschirnhaus at the court of Augustus the Strong, Elector of Saxony, in Dresden. As a matter of fact, it was finally achieved for the first time in Europe in 1708 to produce a white hard paste porcelain and in 1710 Augustus established Europe’s first hard-paste porcelain factory in the Albrechtsburg, a palace in Meissen. The so-called ‘Böttgerporzellan’ actually had more of a stoneware quality and it was not until the year 1713 that white porcelain was available for purchase. Initially unmarked, the motif of the ‘crossed swords’ was developed in the early 1720s and used from 1723 onwards. Since then, beautifully modelled and painted figures and table services were produced at Meissen, establishing its reputation as the pre-eminent porcelain factory in Europe. Outstanding potters, modelers and painters, e.g. Johann Joachim Kändler (1706-1775), Johann Gottlieb Klinger (1701-1781) and Count Camillo Marcolini (1739-1814), were employed at the factory, which dominated the 18th century style of porcelain, and Meissen wares and figurines were imitated by craftsmen at other porcelain factories throughout Europe. Meissen celebrated its 300 years of existence in 2008. Until today, Meissen porcelain is known for highest quality and originality and greatly appreciated. Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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