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Auction Description for Doyle New York: Important English & Continental Furniture & Decorations/Old Master Paintings
Viewing Notes:
Saturday, January 25, 10am-5pm Sunday, January 26, Noon-5pm Monday, January 27, 10am-6pm Tuesday, January 28, 10am-2pm

Important English & Continental Furniture & Decorations/Old Master Paintings

by Doyle New York

Platinum House

626 lots | 625 with images

January 29, 2014

Live Auction

175 East 87th Street

New York, NY, 10128 USA

Phone: 212.427.2730

Fax: 212.427.7526

Email: BidLive@DoyleNewYork.com

626 Lots
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Flemish School 16th Century Christ and the Centurion

Lot 1: Flemish School 16th Century Christ and the Centurion

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Description: Flemish School 16th Century Christ and the Centurion Oil on panel 15 7/8 x 12 1/4 inches (45 x 31 cm) Unframed C 

Condition Report: Dense varnish, unable to detect further restoration under Uv light. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Follower of Martin Schongauer St. Boniface Kneeling, accompanied by St. John the Evangelist

Lot 2: Follower of Martin Schongauer St. Boniface Kneeling, accompanied by St. John the Evangelist

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Description: Follower of Martin Schongauer St. Boniface Kneeling, accompanied by St. John the Evangelist Brown ink and wash on paper 6 x 3 1/8 inches (15 x 8 cm) Unframed This drawing is probably the study for a donor panel of an Altarpiece. C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Follower of Fra Angelico Saint Jude: A Panel from an Altarpiece

Lot 3: Follower of Fra Angelico Saint Jude: A Panel from an Altarpiece

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Description: Follower of Fra Angelico Saint Jude: A Panel from an Altarpiece Oil on panel The complete panel 28 x 4 1/2 inches (71.1 x 11.4 cm) C Estate of Ernest Hartmann

Condition Report: Probably a 19th-century painting. Scattered losses; one horizontal crack below the waist; several long vertical cracks with corresponding losses. A large area of restoration, approximately 6 x 3/4 inches on the saint's robe, in the lower right quadrant; a few touches of restoration on the face. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Manner of Titian Head of a Boy

Lot 4: Manner of Titian Head of a Boy

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Description: Manner of Titian Head of a Boy Oil on canvas 16 x 14 1/8 inches (40.7 x 35.5 cm) Unframed C 

Condition Report: Glue relined. Frame rubbing, with corresponding inpaint. The collar and shoulder of the black velvet jacket restored. Areas of restoration on the forehead, cheeks and chin. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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After Raphael Self-Portrait with a Friend

Lot 5: After Raphael Self-Portrait with a Friend

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Description: After Raphael Self-Portrait with a Friend Oil on canvas 34 5/8 x 27 1/4 inches (88 x 69 cm) Provenance: E.W.M. Tomlinson, Esquire (according to an old label on the stretcher) The original of this composition, of which this is a truncated version, is in the Musee du Louvre, Paris. Raphael appears on the left with a second man traditionally identified as his fencing master, since in the Louvre portrait he is shown with his hand on the hilt of a sword. Art historians have suggested a host of other identifications, including Raphael's student Giulio Romano, his friend and patron Giovanni Branconio, the satryist Pietro Aretino, the architects Baldassarre Peruzzi and Antonio da Sangallo the Younger, and other painters such as Pordenone or Pontormo, most of whom seem unlikely. The original painting belonged to Francis I of France, passing to the Louvre from the Royal Collection after the Revolution of 1789. C Estate of Lorenzo Villasenor

Condition Report: Probably a 19th century work. Glue relined. Dark varnish revealing little under UV light. Scattered touches of restoration on the faces; a 3-inch mended tear to the left of Raphael's face. Some contours reinforced. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Jacopo Palma, called Il Giovane Italian, 1544-1628 A Study of Saint Giustina Kneeling with a Martyr's Palm

Lot 6: Jacopo Palma, called Il Giovane Italian, 1544-1628 A Study of Saint Giustina Kneeling with a Martyr's Palm

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Description: Jacopo Palma, called Il Giovane Italian, 1544-1628 A Study of Saint Giustina Kneeling with a Martyr's Palm Inscribed Palma (lr); also inscribed G.P. no. 302 on the verso Brown ink and wash over black chalk on paper, irregular shape 6 3/4 x 4 3/4 inches (17.2 x 12.1 cm) Provenance: Sale: Sotheby's New York, January 8 1991, lot 98 This drawing is a study for the figure of Saint Giustina (Justine of Padua; or possibly Saint Catherine) in Crucifixion with Angels, and Saints once in the church of San Girolamo in Venice, and now in the Pinacoteca Manfrediana in the Seminario Patriarcale there. C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Attributed to Jacopo da Ponte, called Bassano A Figure Climbing a Staircase

Lot 7: Attributed to Jacopo da Ponte, called Bassano A Figure Climbing a Staircase

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Description: Attributed to Jacopo da Ponte, called Bassano A Figure Climbing a Staircase Black chalk and stumping on brown paper 15 x 9 1/4 inches (38 x 23.5 cm) Provenance: Sale: Sotheby's London, March 30, 1997, lot 138 C 

Condition Report: Sheet hinged to the backing with two pieces of white tape at upper left and upper right. Some staining near the upper left corner. Minor staining elsewhere. There are traces of a sketch on the verso. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Follower of Paul Brill Figures Near the Coliseum, Rome

Lot 8: Follower of Paul Brill Figures Near the Coliseum, Rome

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Description: Follower of Paul Brill Figures Near the Coliseum, Rome Oil on panel 5 7/8 x 8 3/8 inches (14.5 x 21.3 cm) Provenance: Dr. Hans Engel, Berlin Eva Engel Essex Arts, New York Private collection C 

Condition Report: A few minor losses; some scattered touches of restoration. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Flemish School 17th Century Stag Hunt

Lot 9: Flemish School 17th Century Stag Hunt

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Description: Flemish School 17th Century Stag Hunt Oil on canvas 23 x 46 3/4 inches (58.5 x 119 cm) C 

Condition Report: Wax relined. Frame rubbing, with corresponding losses. Tear in the canvas, with some loss, on the lower margin in the lower right margin. Several tears, with losses of canvas, along the upper right margin. Other tears around the edges. Scattered touches of restoration. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Continental School 17th Century Andromeda Chained to the Rock

Lot 10: Continental School 17th Century Andromeda Chained to the Rock

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Description: Continental School 17th Century Andromeda Chained to the Rock Oil on canvas 64 x 44 1/2 inches (163 x 113 cm) Unframed C 

Condition Report: Surface scuffing. Frame rubbing. Visible vertical stretcher marks. Inpaint in the contour of the figure, the folds of the drapery, figure's right shoulder, her chest and in the shadows of the figure's left eye. There are scattered touches elsewhere. There is a 4 inch repaired tear running across the figure's right knee. There is a 3 inch repaired tear below the figures left arm. There is a long area of inpaint running 16 inches across the upper left corner, possibly from the canvas folded. There is some repainted losses running along a canvas seam, approximately 36 inches to the left of the figure's. There is a 1 1/2 inch x 1 1/2 inch loss below the figure's cloak and another 1/2 x 1/2 inch loss by the figure's foot. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Antwerp School  17th Century The Entombment of Christ

Lot 11: Antwerp School 17th Century The Entombment of Christ

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Description: Antwerp School 17th Century The Entombment of Christ Oil on copper 10 7/8 x 8 3/4 inches (27.7 x 22 cm) The copper sheet on which this work was painted bears the mark of Peeter Stas (c. 1565-after 1616), a noted Antwerp coppersmith. He is known to have used this mark in the years 1602-1604. The original of the composition, an altarpiece by Federico Barocci, is in the Church of Santa Croce, Senigallia, Italy. C Estate of Ernest Hartmann

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Circle of Sir Anthony Van Dyck The Resurrection

Lot 12: Circle of Sir Anthony Van Dyck The Resurrection

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Description: Circle of Sir Anthony Van Dyck The Resurrection Brown ink with brown, gray and red wash heightened with white on light brown paper 11 1/2 x 8 3/4 inches (29.2 x 22.2 cm) C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Flemish School 17th/18th Century Portrait of a Young Girl as Flora

Lot 13: Flemish School 17th/18th Century Portrait of a Young Girl as Flora

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Description: Flemish School 17th/18th Century Portrait of a Young Girl as Flora Oil on canvas 28 3/4 x 24 1/4 inches (73 x 61.2 cm) C The Estate of Baron Pierre DeMenasce

Condition Report: Glue relined. Canvas buckling around the edges. Contours reinforced around the girls head, particularly along the right side, her arms, hands and shadows in her clothing. Scattered touches of inpaint in the background. Mended 3/4-square tear (3 1/2 xx 3 1/2 inches) patched from behind emcompassing the lower right quadrant of the sitter's face. Heavy surface grime. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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French School 17th Century Madonna and Child; Together with a Privincial European School

Lot 14: French School 17th Century Madonna and Child; Together with a Privincial European School

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Description: French School 17th Century Madonna and Child Oil on copper 7 x 5 1/2 inches (17.8 x 14 cm); Together with a Provincial European School, 19th Century, A Roman Couple Having Dinner on a Rustic Terrace, oil on panel, 3 1/2 x 5 1/2 inches (9 x 14 cm) C 

Condition Report: Virgin: Frame rubbing, with corresponding inpaint. A few dents in the copper. The shadows on the virgin's clothing reinforced. European School: Dark varnish, showing very little under UV light. Some of the contours have been reinforced. Slight bowing to the panel. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Leyden School 17th/18th Century Rederijkers: Two

Lot 15: Leyden School 17th/18th Century Rederijkers: Two

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Description: Leyden School 17th/18th Century Rederijkers: Two Each oil on panel 8 1/2 x 6 7/8 inches (21.5 x 17.5 cm) Rederijkers, or "Rhetoricians," were amateur writers who met to declaim poetry and other pieces while drinking and enjoying each other's company. These gatherings were a common pastime in the 17th Century Netherlands. C 

Condition Report: Woman: Spot of restoration at the woman's waist. Some lines of her clothing reinforced. A few tiny losses along the right margin. The figure of the man and the woman: No visible restoration under UV light. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Follower of Hans Rottenhammer the Elder The Court of Heaven: two panels for the pediment of an altarpiece

Lot 16: Follower of Hans Rottenhammer the Elder The Court of Heaven: two panels for the pediment of an altarpiece

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Description: Follower of Hans Rottenhammer the Elder The Court of Heaven: two panels for the pediment of an altarpiece Each oil on copper Each 5 1/8 x 10 inches (13 x 25.5 cm) Provenance: Estate of a New York private collector C 

Condition Report: Both have frame rubbing. Left panel: There is a tiny loss to the left of Saint Margaret's Dragon and a tiny loss along the edge just below Saint Margarent's dragon. Some scattered touches of inpaint in the sky. Right panel: There is a tiny loss in the cloud below Saint Peter. Some scattered touches of inpaint in the sky. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Follower of Adam Elsheimer Christ Before Caiaphas and the Denial of Peter (Matthew 26:57-74)

Lot 17: Follower of Adam Elsheimer Christ Before Caiaphas and the Denial of Peter (Matthew 26:57-74)

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Description: Follower of Adam Elsheimer Christ Before Caiaphas and the Denial of Peter (Matthew 26:57-74) Oil on panel 11 1/2 x 13 3/4 inches (29.2 x 35 cm) Unframed Provenance: Property from a Midwestern private collection C 

Condition Report: Panel slightly bowed. Frame rubbing with corresponding losses around the edges. A few minor scratches ancd scuffs. No restoratoin visible under UV light. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Dutch School 17th Century A Town Beside an Estuary

Lot 18: Dutch School 17th Century A Town Beside an Estuary

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Description: Dutch School 17th Century A Town Beside an Estuary Bears inscription R. Roghman on the mount Brown ink and gray wash on paper 4 3/8 x 7 1/2 inches (11 x 19 cm) Provenance: R. Ederheimer Print Cabinet, New York C The Estate of Baron Pierre DeMenasce

Condition Report: Glued at all four corners to the backing. Some wear around the edges. Some minor staining and foxing. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Follower of Abraham Storck Dutch Harbor

Lot 19: Follower of Abraham Storck Dutch Harbor

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Description: Follower of Abraham Storck Dutch Harbor Oil on canvas 25 1/4 x 33 1/4 inches (65 x 84.5 cm) Unframed C 

Condition Report: Glue relined. Scattered restoration throughout. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Circle of Gerard ter Borch A Man Climbing a Step

Lot 20: Circle of Gerard ter Borch A Man Climbing a Step

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Description: Circle of Gerard ter Borch A Man Climbing a Step Black chalk on blue prepared paper 12 3/8 x 7 1/8 inches (31.2 x 18 cm) C 

Condition Report: Hinged to the backing with white tape at upper left and upper right. Nicks around the edges. Some creasing, in the upper right and upper left corners. Small paper loss on the step. Minor staining. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Circle of Francesco de Tatti The Baptism of Christ

Lot 21: Circle of Francesco de Tatti The Baptism of Christ

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Description: Circle of Francesco de Tatti The Baptism of Christ Oil on panel 13 1/4 x 18 7/8 inches (33.5 x 48 cm) Francesco de Tatti was active in Varese and Milan during the early sixteenth century. His paintings are rare; examples are a signed and dated (1512) altarpiece of the enthroned Virgin and Child with Angels in the Musee des Beaux-Arts in Nancy, France; and a polyptych of the Crucifixion in the Castello Sforzesco in Milan. C Estate of Elisabeth Sloan Riddle

Condition Report: Scattered inpaint throughout, especially in the sky; contours and shadows on the figures of Christ and St. John the Baptist have been reinforced; the clouds appear to have been restored. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Bartolomeo di Giovanni Italian, Active 1488-d. 1501 Saint John the Evangelist in Prayer

Lot 22: Bartolomeo di Giovanni Italian, Active 1488-d. 1501 Saint John the Evangelist in Prayer

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Description: Bartolomeo di Giovanni Italian, Active 1488-d. 1501 Saint John the Evangelist in Prayer Tempera on panel, within a painted tondo Image diameter 3 1/2 inches (9 cm); panel 3 1/2 x 3 3/4 inches (9 x 9.5 cm) Provenance: Alexis Francois Artaud de Montor collection, by 1811 Thomas Jefferson Bryan, New York, 1867 The New York Historical Society Sale: Parke-Bernet Galleries, Inc., New York, December 2, 1971, lot 7, as Christ in the Garden of Gethsemane, Florentine School, late 15th century Ira Spanierman, New York Private collection Literature: Catalogue of the Gallery of the New-York Historical Society, 1915, cat. no. B.15 (as by Andrea del Castagno) Primitifs: Collection de Tableaux Rapportée d'Italie, published by Le Chevalier Artaud de Montor (1811; 1825 edition), no. 128 as "Par André del Castagno, Jesus dans le jardin de la Montagne des Oliviers, esquisse d'un grand tableau," illus. pl. 48. Richard Grant White, Companion to the Bryan Gallery of Christian Art Containing Critical Descriptions of the Pictures, and the Biographical Sketches of the Painters (New York, 1853), 13 (no. 19, as Castagno, Christ in the Garden of Gethesemane). This painting was listed as Jesus dans le jardin de la Montagne des Oliviers, esquisse d'un grand tableau by Andrea del Castagno in the 1811 catalogue of the notable collection of Italian Renaissance painting belonging to the French diplomat and historian Alexis-François Artaud De Montor (1772-1849). This attribution was maintained after the painting entered the collection of Thomas Jefferson Bryan (1802-1870), a connoisseur of European paintings who opened the Bryan Gallery of Christian Art in his New York residence in 1852. Among his holdings were works by Guido Reni, Cimabue, Giotto, Botticelli, Perugino, Da Vinci, Titian, Fra Bartolomeo, Mantegna, Memling, Le Brun, Gainsborough, Correggio, Vernet, and Hogarth. The following description appeared in the 1853 companion guide to Bryan's gallery: "This little picture is evidently a sketch for a larger composition. It has sufficient merit, both of color and form, to make it not difficult of belief that tradition does not misrepresent RAPHAEL in attributing to him a fondness for the works of the master." (p. 13) In 1867, Bryan transferred his collection, along with this painting, to the New-York Historical Society, where it remained in the collection until 1971. In the 1990s, the Renaissance scholar Dr. Everett Fahy (then chair of the department of European paintings at the Metropolitan Museum of Art) reattributed the painting to Bartolomeo di Giovanni (active ca. 1488 until his death in 1501) and re-identified its subject as an image of Saint John the Evangelist Praying, noting that the painting "would be included in the new edition of his Some Followers of Domenico Ghirlandaio (in preparation) as by Bartolomeo di Giovanni." C The Spanierman Gallery, LLC

Condition Report: A few touches of restoration to the cloak and in the sky. No other restoration visibe under black light. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Paolo Piazza Italian, 1557-1621 Susanna at Her Bath

Lot 23: Paolo Piazza Italian, 1557-1621 Susanna at Her Bath

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Description: Paolo Piazza Italian, 1557-1621 Susanna at Her Bath Oil on canvas 39 x 34 1/4 inches (99 x 86.5 cm) We are grateful to Professor Ugo Ruggieri for his attribution of this work. C 

Condition Report: Glue relined. The locks of hair to the left of Susanna's face has been restored. There is also restoration around her left eye and some touches on her face. Some touches of restoraton also on the face and arms of her attendent and on the face of the elder to the left. The shadows on Susanna's breasts, lower chest, abdomen, and legs have been reinforced. Some touches on the architecture at right. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Attributed to Pietro Faccini Madonna and Child

Lot 24: Attributed to Pietro Faccini Madonna and Child

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Description: Attributed to Pietro Faccini Madonna and Child Oil on canvas 10 1/2 x 8 inches (28.8 x 20.3 cm) C 

Condition Report: Glue relined. Frame rubbing, corresponding restoration around the edges. Inpainted cracks on the child and the Virgin's face and hands. Contours and shadows have restoration. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Attributed to Bernardo Castello The Crucifixion with Mary Magdalene

Lot 25: Attributed to Bernardo Castello The Crucifixion with Mary Magdalene

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Description: Attributed to Bernardo Castello The Crucifixion with Mary Magdalene Oil on canvas 24 x 18 3/4 inches (61 x 47.7 cm) Unframed C 

Condition Report: Glue relined. Dark varnish; some scratches around the edges. Some touches of old restoration, especially reinforced contours of the cross and of Christ's body; a shadow on Christ's left cheek; a touch on Christ's left shoulder. There is a very small filled-in hole in the shadows of her dress near the Magdalene's left knee; scattered touches of restoration in the back ground and on the rocks at lower right. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Follower of Luca Giordano  Moses Sustained by Aaron and Hur (Exodus 17:12)

Lot 26: Follower of Luca Giordano Moses Sustained by Aaron and Hur (Exodus 17:12)

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Description: Follower of Luca Giordano Moses Sustained by Aaron and Hur (Exodus 17:12) Brown ink and wash on paper Sight 14 1/8 x 11 1/4 inches (36 x 28.5 cm) According to Exodus, as the Israelites traveled from Egypt toward the land of Canaan, they were attacked at a place called Rephidim by the Amalekites. Joshua led the Israelite army into battle, which, as long as Moses held up his arms, had the upper hand. When Moses's arms grew tired and he lowered them, the battle would go against them. To ensure that the Israelite army would win the day, Moses's brother Aaron and their friend Hur supported Moses's arms until sunset, when the battle was finally won. C Estate of Ernest Hartmann

Condition Report: Paper toned; glued down to a second sheet of paper. Several restored holes in the upper right corner and in the background near Moses's face. Some minor staining. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Attributed to Pietro Liberi Penitent Magdalene

Lot 27: Attributed to Pietro Liberi Penitent Magdalene

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Description: Attributed to Pietro Liberi Penitent Magdalene Oil on canvas 32 x 26 inches (81.3 x 66 cm) C 

Condition Report: Glue relined. Scattered touches of inpaint on the face, hair and body. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Central Italian School 17th Century Madonna and Child with St. Francis

Lot 28: Central Italian School 17th Century Madonna and Child with St. Francis

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Description: Central Italian School 17th Century Madonna and Child with St. Francis Oil on canvas 27 x 22 inches (68.5 x 56 cm) C 

Condition Report: Glue relined. Frame rubbing, with losses along the edges. A ridge marking the canvas join, 2 1/2 inches below the upper margin. Area of inpainting on the Virgin's forehead and at the base of her neck. Inpainting on the neck and eyes of St. Francis and the shadow of the Christ child's chin and forehead. Scattered touches of inpaint elsewhere. Some areas of paint lifting on the Virgin's clothing in the lower right quadrant. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Attributed to Giovanni Romanelli The Apotheosis of Saint Francis Xavier

Lot 29: Attributed to Giovanni Romanelli The Apotheosis of Saint Francis Xavier

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Description: Attributed to Giovanni Romanelli The Apotheosis of Saint Francis Xavier Inscribed Romanelli (lr) and Francisco (ll); inscribed Francisco Romaneli on the verso Brown ink and wash on paper 14 1/4 x 8 1/8 inches (35.7 x 20.5 cm) Unframed C 

Condition Report: Hinged to the mount with white tape in the upper left and upper right. Lower left corner lost. Grid for transfer. Scattered staining and some minor foxing. Restored tear, approximately 1 inch long vertical rising from the lower margin left of center. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Follower of Annibale Carracci Caricature of an Old Woman

Lot 30: Follower of Annibale Carracci Caricature of an Old Woman

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Description: Follower of Annibale Carracci Caricature of an Old Woman Inscribed Callot on the verso of the mount Brown ink on paper 2 1/8 x 3 1/4 inches (5.4 x 8.2 cm) Provenance: Graf Zubov Kusminov, St. Petersburg, Russia Sale: Sotheby's, New York, January 20, 1982, lot 70 (as Circle of Jacques Callot) C 

Condition Report: Laid down to a second sheet; paper lightly toned a few very minor spots and stains Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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After Guercino The Persian Sibyl

Lot 31: After Guercino The Persian Sibyl

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Description: After Guercino The Persian Sibyl Oil on canvas laid to Masonite 43 1/2 x 33 inches (110.5 x 83.8 cm) The original of this composition belongs to the collection of the Capitoline Museums, Rome. C 

Condition Report: Face and neck heavily restored; some restoration to the neck and throat as well; some touches elsewhere. Some scratcvhes and scuffs. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Follower of Annibale Carracci Hercules, after a Figure from the Farnese Ceiling

Lot 32: Follower of Annibale Carracci Hercules, after a Figure from the Farnese Ceiling

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Description: Follower of Annibale Carracci Hercules, after a Figure from the Farnese Ceiling Inscribed Molosso (lc) Gray chalk on paper, irregularly shaped 14 3/4 x 5 3/4 inches (37.5 x 14.5 cm) Provenance: Anthony P. Collins This figure may represent Molossus, in Greek mythology the son of the warrior Neoptolemus and Andromache, widow of the Trojan prince Hector. Molossos was the eponymous ancestor of the Molossians, a Greek people who lived in Epirus, in Northwestern Greece. C 

Condition Report: Affixed to the backing atlong the upper margin and at the bottom center. Minor staining. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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German School 16th Century The Baptism of Christ: a panel from an altarpiece

Lot 33: German School 16th Century The Baptism of Christ: a panel from an altarpiece

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Description: German School 16th Century The Baptism of Christ: a panel from an altarpiece Oil and gold leaf on panel Image 29 1/2 x 16 1/4 inches (75 x 41.2 cm) Unframed Provenance: Collection of Bayard Rustin, New York C Collection of Bayard Rustin

Condition Report: Vertical split in the panel, approximately 8 1/2 inches, to the right of center. Minor 2 1/2 inch crack, 2 1/2 inches to the left of the previous crack. 1 1/2 inch diameter loss to the rocks at the upper left quadrant, from the loss of a knot hole. Scattered scrapes throughout, especially around the edges. Damage to the eyes of all figures. There is a long scratch running from John the Baptist's arm down to his left knee. Dark varnish showing little under UV light. Contours appear to be reinforced. Considerable surface grime. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Circle of Francesco Solimena Christ and John the Baptist

Lot 34: Circle of Francesco Solimena Christ and John the Baptist

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Description: Circle of Francesco Solimena Christ and John the Baptist Oil on canvas 17 x 13 3/8 inches (43.2 x 34 cm) Provenance: Collection of Bayard Rustin, New York C 

Condition Report: Glue relined. Some surface scrapes and surface grime. Some scattered touches in the sky. Dense varnish, unable to detect further restoration under UV light. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Roman School 17th Century Saint John the Baptist

Lot 35: Roman School 17th Century Saint John the Baptist

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Description: Roman School 17th Century Saint John the Baptist Oil on canvas, within a painted oval 38 3/8 x 29 inches (97.5 x 75.2 cm) Provenance: Collection of Bayard Rustin, New York Exhibited: Union, NJ, James Howe Gallery of Kean College (now Kean University), 1990 Sewanee, TN, University of the South in Sewanee, 1992 Literature: "Icons, Gods and Christ," The Daily Journal (NJ), Jan. 29, 1990 Bayard Rustin As Art Collector, Kean College, 1990, color illus., p. 22 C 

Condition Report: Glue relined. The pupils of the eyes are restored. Dense varnish unable to detect further restoration under UV light. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Attributed to Sir Godfrey Kneller Portrait of Ellis Cunliffe

Lot 36: Attributed to Sir Godfrey Kneller Portrait of Ellis Cunliffe

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Description: Attributed to Sir Godfrey Kneller Portrait of Ellis Cunliffe Inscribed A Painting by Sir Godfrey Kneller of Ellis Cunliffe 17../...Alderman of the City of London/.../...in the background on an old label affixed to the stretcher Oil on canvas 35 x 28 inches (89 x 71 cm) Provenance: Bobby Langston Antiques, Inc., Wilson, NC Private collection C 

Condition Report: Glue relined. Dense varnish layer reveals little under UV light; some contours reinforced, particularly the back of the jacket, the edge of the hair, the cuff of the sleeve at the lower right, and some of the lines of the castle in the background. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Manner of Caspar Netscher Girl in Festive Dress Holding a Spaniel

Lot 37: Manner of Caspar Netscher Girl in Festive Dress Holding a Spaniel

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Description: Manner of Caspar Netscher Girl in Festive Dress Holding a Spaniel Oil on canvas 42 x 33 1/4 inches (106.8 x 84.3 cm) C 

Condition Report: Glue relined. Inpanted cracks on the girl's face, neck and arms; also on her dress. Line of very careful restoration to restore a repaired tear begining three inches below the dog and running 10 inches in an arch curving to the right. Contours of the head have been reinforced. Some shadows reinforced. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Circle of Jakob Ferdinand Voet Portrait of a Lady Thought to be Lucrezia Piccolomini

Lot 38: Circle of Jakob Ferdinand Voet Portrait of a Lady Thought to be Lucrezia Piccolomini

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Description: Circle of Jakob Ferdinand Voet Portrait of a Lady Thought to be Lucrezia Piccolomini Oil on canvas 28 1/4 x 22 1/4 inches (71.7 x 56.5 cm) Lucrezia Piccolomini was the daughter of Girolamo Piccolomini, a Signore of the Val d'Orcia near Siena, who married her kinsman Giacomo Piccolomini in 1673. This work bears a strong resemblance to a portrait from about that time by Voet, which was formerly in the Palazzo Chigi in Ariccia, Italy. Another version of the Ariccia portrait was sold at Christie's London on July 22, 1989 as lot 139. C 

Condition Report: Glue relined; frame rubbing around edges, with some small losses. Dense old varnish layer showing little under UV light; two filled-in losses on the bodice; some touches of irestoraton on the sitter's chest and in the background. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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English School 17th/18th Century Portrait of a Nobleman in a Red Jacket

Lot 39: English School 17th/18th Century Portrait of a Nobleman in a Red Jacket

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Description: English School 17th/18th Century Portrait of a Nobleman in a Red Jacket Oil on canvas 32 1/2 x 25 1/2 inches (82.5 x 64.8 cm) Provenance: Bobby Langston Antiques, Inc., Wilson, NC C 

Condition Report: Wax relined. Frame rubbing with corresponding touches of restoration. Scattered inpaint on the face, hair and the lace at the neck. Some shadows of the jacket reinforced. A number of repaired tears in the upper right quadrant. Heavy craquelure, especially in the wig, possibly resulting from pressure during the wax relining. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Attributed to Sir Godfrey Kneller The Duchess of Portsmouth with an Attendant Carrying a Jewel Box

Lot 40: Attributed to Sir Godfrey Kneller The Duchess of Portsmouth with an Attendant Carrying a Jewel Box

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Description: Attributed to Sir Godfrey Kneller The Duchess of Portsmouth with an Attendant Carrying a Jewel Box Oil on canvas 51 x 38 3/8 inches (129.5 x 97.5 cm) C 

Condition Report: Glue relined. Several long repaired tears in the upper left quadrant. Scattered touches of restoration on the faces, the Duchess's arm and and in her clothing. Some contours reinforced. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Leyden School Circa 1630 Simeon with the Christ Child   Oil on panel 33 1/4 x 27 1/2 inches (84.5 x 70 cm)...

Lot 41: Leyden School Circa 1630 Simeon with the Christ Child Oil on panel 33 1/4 x 27 1/2 inches (84.5 x 70 cm)...

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Description: Leyden School Circa 1630 Simeon with the Christ Child Oil on panel 33 1/4 x 27 1/2 inches (84.5 x 70 cm) This painting is accompanied by a photocertificate written by Dr. Kurt Riedler, dated Zurich, January 31, 1971, which suggests that it is a work by Jacob Jordaens. C 

Condition Report: The panel has been mounted onto a second panel. Some touches of restoration on the old lady's face. Some of the lines of the architecture have been reinforced. Dense varnish, unable to detect further restoration under UV light. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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After Rembrandt van Rijn Old Man with a Walking Stick

Lot 42: After Rembrandt van Rijn Old Man with a Walking Stick

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Description: After Rembrandt van Rijn Old Man with a Walking Stick Oil on canvas 37 3/4 x 30 inches (96 x 76 cm) The original of this composition is in the Hermitage, St. Petersburg C 

Condition Report: Glue relined. Dense varnish, revealing very little under UV light. Visible stretcher marks. U-shaped tear, approximately 1 inch across on the sitter's right hand near his sleeve. A few scuffs elsewhere. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Circle of Jan Lievens Portrait of a Man in a White Collar

Lot 43: Circle of Jan Lievens Portrait of a Man in a White Collar

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Description: Circle of Jan Lievens Portrait of a Man in a White Collar Oil on panel 18 7/8 x 15 3/8 inches (48 x 39 cm) Unframed C 

Condition Report: Frame rubbing, some scratching and scuffing. Conjoined panel with some lifing along the join and in a few spots elsewhere. Some small losses. One vertical 1 1/2 -inch line of inpaint below the sitters right eye. No other restoration visible under UV light. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Attributed to Benjamin von Block Portrait of the Holy Roman Emperor Leopold I (1640-1705) in Armor

Lot 44: Attributed to Benjamin von Block Portrait of the Holy Roman Emperor Leopold I (1640-1705) in Armor

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Description: Attributed to Benjamin von Block Portrait of the Holy Roman Emperor Leopold I (1640-1705) in Armor Oil on canvas 29 x 23 3/4 inches (73.7 x 60.5 cm) C 

Condition Report: Glue relined. Frame rubbing. Background is extensively restored. Area of restoration roughly 3 x 3 inches in the center left, mostly in the background but intruding slightly on the hair. 3 1/2 inch repaired tear in the hair at the upper left of the sitter's face. Shadows in the cloak and armor reinforced. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Circle of David Ryckaert 17th Century Asleep at the Table

Lot 45: Circle of David Ryckaert 17th Century Asleep at the Table

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Description: Circle of David Ryckaert 17th Century Asleep at the Table Oil on panel 22 x 29 1/2 inches (56 x 75 cm) C 

Condition Report: Frame rubbing with corresponding losses along the edges. Panel cradled. Dark varnish, reveals little under UV light. Some touches of restoration on the faces, on the shadow underneath the cat and on the drapery shadows throughout. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Manner of Gerard ter Borch A Conversation Over a Plate of Oysters

Lot 46: Manner of Gerard ter Borch A Conversation Over a Plate of Oysters

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Description: Manner of Gerard ter Borch A Conversation Over a Plate of Oysters Oil on canvas laid to panel 14 5/8 x 11 7/8 inches (37 x 30 cm) C 

Condition Report: Repaired tear running vertically the length of the painting, three inches in from the right margin. Frame rubbing, with corresponding losses around the edges and some inpainting. Scattered small dents in the canvas. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Manner of Gabriel Metsu A Woman Seated at a Table and a Man Tuning a Violin (The Music Lesson)

Lot 47: Manner of Gabriel Metsu A Woman Seated at a Table and a Man Tuning a Violin (The Music Lesson)

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Description: Manner of Gabriel Metsu A Woman Seated at a Table and a Man Tuning a Violin (The Music Lesson) Oil on panel 19 x 16 inches (48.2 x 40.6 cm) Provenance: Eugene Benjamin, Importer of Works of Art, London Purchased by Albert Kaskel, June 4th, 1894 (£20) By descent in the family to the present estate This composition relates to a work of the same subject now in the National Gallery, London C The Estate of Baron Pierre DeMenasce

Condition Report: Heavy surface grime. Panel is cradled. Dense varnish layer reveals no restoration under UV light. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Circle of Gerard ter Borch 17th Century A Family in a Luxurious Interior

Lot 48: Circle of Gerard ter Borch 17th Century A Family in a Luxurious Interior

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Description: Circle of Gerard ter Borch 17th Century A Family in a Luxurious Interior Inscribed Cardinal Fech/Malmaison on the stretcher Oil on canvas 24 x 29 1/4 inches (61 x 74 cm) C 

Condition Report: Glue relined. Frame rubbing with corresponding inpaint. Small hole at the lower center, 3/4 of an inch above the lower margin. A hole in the upper right quadrant near the left of the doorjam. Small loss in the lower left corner. Other small losses and scuffs elsewhere. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Attributed to Peter Wouwerman A Pause on a Falcon Hunt

Lot 49: Attributed to Peter Wouwerman A Pause on a Falcon Hunt

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Description: Attributed to Peter Wouwerman A Pause on a Falcon Hunt Bears monogram PW (ll) Oil on panel 11 x 14 inches (28 x 35.5 cm) C 

Condition Report: Frame rubbing, with some losses along the upper and center left margins. Area 1 x 1 inch of restoration in the landscape in the lower left corner. Restoration in the shadows of the horses belly and to his rump. There are scattered touches elsewhere. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Dutch School 18th Century Waakt en Bid (Watch and Pray) and Vigilantia (Vigilance): two trompe l'oeil drawings

Lot 50: Dutch School 18th Century Waakt en Bid (Watch and Pray) and Vigilantia (Vigilance): two trompe l'oeil drawings

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Description: Dutch School 18th Century Waakt en Bid (Watch and Pray) and Vigilantia (Vigilance): two trompe l'oeil drawings The second signed Hindrik [sic] Kremer and dated 17 7D/5M 82 (May 7, 1782) within a cartouche (lc) Black, red and brown ink on paper Sight of each 12 1/2 x 15 1/2 inches (31.5 x 39.5 cm) Provenance: Serge Landeau C 

Condition Report: Vigiiliantia: Paper toned Some nicks at the edges; a few small lholes along the top margiin Waakt en Bid: some toning; several small holes along the top margin. A small hole in one of the trompe l'oeil sheets in the lower left quadrant. Some minor staining. Paper rippling. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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