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Auction Description for Swann: OLD MASTER THROUGH MODERN PRINTS
Auction Description:
OLD MASTER THROUGH MODERN PRINTS
Viewing Notes:
Exhibition & Sale Schedule: Sale 2277 - Old Master Through Modern Prints - begins at 10:30am in New York on Wed, April 25. All material in Sale 2277 on display at our premises in New York City, 104 East 25th Street, as follows - Fri, April 20: 10am to 6pm - Sat, April 21: 10am to 4pm - Mon, April 23: 10am to 6pm - Tues, April 24: 10am to 6pm - No exhibition on day of sale.

OLD MASTER THROUGH MODERN PRINTS

(440 Lots)

by Swann Auction Galleries

Platinum House

440 lots with images

April 25, 2012

Live Auction

104 East 25th Street

New York, NY, 10010 USA

Phone: 212.254.4710

Fax: 212 979 1017

Email: swann@swanngalleries.com

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GERMAN SCHOOL, LATE 15TH-CENTURY The Nativity.

Lot 1: GERMAN SCHOOL, LATE 15TH-CENTURY The Nativity.

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Description: GERMAN SCHOOL, LATE 15TH-CENTURY The Nativity. Engraving, circa 1500. 145x97 mm; 5 3/4x3 7/8 inches, narrow margins. A good, dark impression.

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GERMAN SCHOOL, LATE 15TH-CENTURY Christ on the Mount of Olives.

Lot 2: GERMAN SCHOOL, LATE 15TH-CENTURY Christ on the Mount of Olives.

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Description: GERMAN SCHOOL, LATE 15TH-CENTURY Christ on the Mount of Olives. Metalcut printed in black on cream laid paper, circa 1470-80. 129x91 mm; 5x3 5/8 inches, thread margins. A superb, dark impression of this extremely scarce, early print. Schreiber, Die Meister der Metallschneidekunst, 1927, VII (illustrated).

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MARTIN SCHONGAUER The Adoration of the Magi.

Lot 3: MARTIN SCHONGAUER The Adoration of the Magi.

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Description: MARTIN SCHONGAUER The Adoration of the Magi. Engraving, circa 1475. 254x168 mm; 10x6 5/8 inches, thread margins. First state (of 3), before the rework and the date. Bull's head watermark. Ex-collection Henri Verver (Lugt supplement 2491 bis, lower right recto). A brilliant, richly-inked impression of this extremely scarce print, with strong contrasts and little to no sign of wear. We have found only 5 other impressions at auction in the past 25 years. Bartsch 6; Lehrs 6.

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ALBRECHT DÜRER The Small Courier.

Lot 4: ALBRECHT DÜRER The Small Courier.

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Description: ALBRECHT DÜRER The Small Courier. Engraving, 1496. 110x80 mm; 4 3/8x2 3/4 inches, thread margins. A superb, richly-inked and evenly-printed Meder a impression of this very scarce engraving with strong contrasts. The lower part of a bull's head watermark (Meder 62, which he dates from the mid- to late-1400s). Ex-collection Karl Edouard von Liphart (Lugt 1687, verso). Bartsch 80; Meder 79.

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ALBRECHT DÜRER The Monstrous Pig of Landseer.

Lot 5: ALBRECHT DÜRER The Monstrous Pig of Landseer.

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Description: ALBRECHT DÜRER The Monstrous Pig of Landseer. Engraving, circa 1496. 120x126 mm; 4 3/4x4 7/8 inches. A very good, dark and well-inked Meder a-b impression, with strong contrasts, warm plate tone and the fine wiping scratches showing. Trimmed on or just inside the plate mark. Bartsch 95; Meder 82.

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ALBRECHT DÜRER The Penance of St. John Chrysostom.

Lot 6: ALBRECHT DÜRER The Penance of St. John Chrysostom.

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Description: ALBRECHT DÜRER The Penance of St. John Chrysostom. Engraving, circa 1497. 182x120 mm; 7 1/4x4 3/4 inches. A very good, dark Meder d impression with strong contrasts. Small city gate watermark (Meder 260, which he dates to the mid-1500s). With thread margins or trimmed on the plate mark. Bartsch 63; Meder 54.

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ALBRECHT DÜRER Hercules, or the Effects of Jealousy.

Lot 7: ALBRECHT DÜRER Hercules, or the Effects of Jealousy.

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Description: ALBRECHT DÜRER Hercules, or the Effects of Jealousy. Engraving, 1498. 322x222 mm; 12 1/2x8 3/4 inches, thread margins. A very good, dark and evenly-inked Meder 2 a-b impression, with strong contrasts and little to no sign of wear. High crown watermark (Meder 29, which he dates from around 1485 to 1520). Bartsch 73; Meder 63.

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ALBRECHT DÜRER Samson Fighting with the Lion.

Lot 8: ALBRECHT DÜRER Samson Fighting with the Lion.

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Description: ALBRECHT DÜRER Samson Fighting with the Lion. Woodcut, circa 1496-97. 383x274 mm; 15 1/8x10 3/4 inches, narrow to thread margins. A good, dark and evenly-printed Meder g impression. Coat-of-arms with letters watermark. Bartsch 2; Meder 107.

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ALBRECHT DÜRER The Martyrdom of Saint Catherine.

Lot 9: ALBRECHT DÜRER The Martyrdom of Saint Catherine.

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Description: ALBRECHT DÜRER The Martyrdom of Saint Catherine. Woodcut, circa 1496-97. 393x290 mm; 15 1/2x11 1/2 inches, small margins. A very good, strong and evenly-printed Meder f impression with the relief from the wood block showing clearly on the verso. Bartsch 120; Meder 236.

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ALBRECHT DÜRER Hercules Conquering the Molionide Twins.

Lot 10: ALBRECHT DÜRER Hercules Conquering the Molionide Twins.

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Description: ALBRECHT DÜRER Hercules Conquering the Molionide Twins. Woodcut, circa 1496-98. 393x285 mm; 15 1/2x11 1/4 inches, narrow to thread margins. A good, dark and evenly-printed Meder IIIa impression, with strong contrasts, with 16 birds in the sky and the woman's right eye solid. Indiscernible watermark. Bartsch 127; Meder 238.

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ALBRECHT DÜRER The Four Angels Holding the Winds.

Lot 11: ALBRECHT DÜRER The Four Angels Holding the Winds.

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Description: ALBRECHT DÜRER The Four Angels Holding the Winds. Woodcut, 1498. 397x285 mm; 15 5/8x11 1/4 inches, small to narrow margins. A very good, dark and evenly-printed impression from the 1511 Latin text edition. From the Apocalypse. Bartsch 66; Meder 169.

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ALBRECHT DÜRER The Apocalyptic Woman.

Lot 12: ALBRECHT DÜRER The Apocalyptic Woman.

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Description: ALBRECHT DÜRER The Apocalyptic Woman. Woodcut, circa 1496-98. 391x280 mm; 15 3/8x11 inches, narrow to thread margins. A very good, dark and evenly-printed impression from the 1511 Latin text edition, with strong contrasts. From the Apocalypse. Bartsch 71; Meder 173.

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ALBRECHT DÜRER The Babylonian Whore.

Lot 13: ALBRECHT DÜRER The Babylonian Whore.

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Description: ALBRECHT DÜRER The Babylonian Whore. Woodcut, 1498. 390x280 mm; 15 3/8x11 1/8 inches, small to narrow margins. A brilliant, richly-inked proof impression before the text editions, with very strong contrasts. From the Apocalypse. Bartsch 73; Meder 177.

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ALBRECHT DÜRER Joachim and the Angel.

Lot 14: ALBRECHT DÜRER Joachim and the Angel.

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Description: ALBRECHT DÜRER Joachim and the Angel. Woodcut, 1504. 298x210 mm; 11 3/4x8 1/4 inches. A superb, dark and evenly-printed proof impression before the 1511 Latin text edition. Bull's head watermark (Meder 62). With thread margins or trimmed on the black border line. Bartsch 78; Meder 190.

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ALBRECHT DÜRER Joachim and Anna at the Golden Gate.

Lot 15: ALBRECHT DÜRER Joachim and Anna at the Golden Gate.

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Description: ALBRECHT DÜRER Joachim and Anna at the Golden Gate. Woodcut, 1504. 297x211 mm; 11 3/4x8 3/8 inches, narrow margins. A good, dark Meder f-g impression after the 1511 Latin text edition. Crowned coat-of-arms watermark. Bartsch 79; Meder 191.

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ALBRECHT DÜRER The Small Horse.

Lot 16: ALBRECHT DÜRER The Small Horse.

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Description: ALBRECHT DÜRER The Small Horse. Engraving, 1505. 165x109 mm; 6 3/8x4 1/4 inches, thread margins. A brilliant, richly-inked and dark Meder a impression, with strong contrasts and no sign of wear. Bull's head watermark (Meder 62, which he dates from the mid- to late- 1400s). Bartsch 96; Meder 93.

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ALBRECHT DÜRER Saint George on Foot.

Lot 17: ALBRECHT DÜRER Saint George on Foot.

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Description: ALBRECHT DÜRER Saint George on Foot. Engraving, circa 1507-8. 110x69 mm; 4 3/8x2 3/4 inches, thread margins. A very good, well-inked and clear Meder b impression. Bartsch 53; Meder 55.

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ALBRECHT DÜRER Three Genii.

Lot 18: ALBRECHT DÜRER Three Genii.

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Description: ALBRECHT DÜRER Three Genii. Engraving, circa 1505. 114x72 mm; 4 1/2x3 inches. A very good, dark and evenly-printed Meder Ia impression with strong contrasts. Trimmed on the plate mark. Bartsch 66; Meder 99.

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ALBRECHT DÜRER Christ on the Mount of Olives.

Lot 19: ALBRECHT DÜRER Christ on the Mount of Olives.

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Description: ALBRECHT DÜRER Christ on the Mount of Olives. Engraving, 1508. 115x70 mm; 4 5/8x2 3/4 inches. A very good, dark Meder b-c impression, with strong contrasts and with the tiny dot scratches on St. Peter's left leg still showing. Trimmed on the plate mark. With--The Flagellation, engraving 1512. 118x75 mm; 4 5/8x3 inches. A good, evenly-printed Meder c-d impression. With thread margins or trimmed on the plate mark. Bartsch 4 and 8; Meder 4 and 8.

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ALBRECHT DÜRER The Mocking of Christ.

Lot 20: ALBRECHT DÜRER The Mocking of Christ.

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Description: ALBRECHT DÜRER The Mocking of Christ. Woodcut, 1509-11. 126x98 mm; 5x3 7/8 inches. A good Meder a impression after the 1511 Latin text edition. Bartsch 30; Meder 139.

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ALBRECHT DÜRER The Man of Sorrows Mocked by a Soldier.

Lot 21: ALBRECHT DÜRER The Man of Sorrows Mocked by a Soldier.

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Description: ALBRECHT DÜRER The Man of Sorrows Mocked by a Soldier. Woodcut, 1511. 200x195 mm; 7 7/8x7 5/8 inches, small margins. A very good, dark and evenly-inked Meder b impression after the 1511 Latin text edition, with the breaks in the block in the lower clouds but before the worm hole on the soldier's knee. Bartsch 4; Meder 113.

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ALBRECHT DÜRER Pilate Washing his Hands.

Lot 22: ALBRECHT DÜRER Pilate Washing his Hands.

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Description: ALBRECHT DÜRER Pilate Washing his Hands. Engraving, 1512. 117x74 mm; 4 5/8x3 inches. A brilliant, dark and richly-inked Meder a impression with great clarity, strong contrasts and no sign of wear. With thread margins or trimmed on the plate mark. Bartsch 11; Meder 11.

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ALBRECHT DÜRER Melancolia I.

Lot 23: ALBRECHT DÜRER Melancolia I.

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Description: ALBRECHT DÜRER Melancolia I. Engraving, 1514. 242x189 mm; 9 1/2x7 1/2 inches. A very good, early and evenly-printed Meder a-b impression of this important print. Trimmed on the plate mark, scattered well-restored losses and tears. Bartsch 74; Meder 75.

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ALBRECHT DÜRER The Desperate Man.

Lot 24: ALBRECHT DÜRER The Desperate Man.

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Description: ALBRECHT DÜRER The Desperate Man. Etching, circa 1515. 187x139 mm; 7 1/2x5 1/2 inches, thread margins. A very good Meder I b-c impression, before the rust marks, with strong contrasts particularly in the center of the composition, and crisp, partially inky plate edges. A very scarce subject; we have found fewer than 20 impressions at auction in the past 25 years. Bartsch 70; Meder 95.

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ALBRECHT DÜRER The Virgin Surrounded by Many Angels.

Lot 25: ALBRECHT DÜRER The Virgin Surrounded by Many Angels.

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Description: ALBRECHT DÜRER The Virgin Surrounded by Many Angels. Woodcut, 1518. 302x216 mm; 12x8 1/2 inches, thread margins. A very good, well-inked Meder II b-c impression, with strong contrasts. Shield with a band watermark (Meder 246, which he dates to around 1590). Bartsch 101; Meder 211.

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LUCAS CRANACH The Temptation of St. Anthony.

Lot 26: LUCAS CRANACH The Temptation of St. Anthony.

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Description: LUCAS CRANACH The Temptation of St. Anthony. Woodcut, 1506. 401x277 mm; 15 7/8x11 inches, thread margins. Small crowned coat-of-arms watermark. Ex-collection Pierre Mariette, dated 1660 in ink (Lugt 1790, verso). A very good, well-inked impression of this extremely scarce woodcut. Bartsch 56.

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HANS BALDUNG GRIEN Saint Jerome in the Desert.

Lot 27: HANS BALDUNG GRIEN Saint Jerome in the Desert.

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Description: HANS BALDUNG GRIEN Saint Jerome in the Desert. Woodcut, 1511. 221x150 mm; 8 3/4x6 inches, thread margins. A good impression of this extremely scarce woodcut. We have found only 2 other impressions at auction in the past 25 years. Bartsch 35.

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JOHANNES WIERICX (after Dürer) Melancolia I

Lot 28: JOHANNES WIERICX (after Dürer) Melancolia I

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Description: JOHANNES WIERICX (after Dürer) Melancolia I. Engraving, 1602. 235x186 mm; 9 1/4x7 3/8 inches, narrow margins. A very good, evenly-printed impression of this scarce print. Mauquoy-Hendrickx 1556.

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HIERONYMUS HOPFER (after Dürer) The Abduction of Proserpine

Lot 29: HIERONYMUS HOPFER (after Dürer) The Abduction of Proserpine

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Description: HIERONYMUS HOPFER (after Dürer) The Abduction of Proserpine. Etching, after 1516. 290x212 mm; 11 1/2x8 3/8 inches, thread margins. First state (of 2), before the Funck number lower center. A very good, dark, early and evenly-printed impression. Bartsch 42.

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DANIEL HOPFER Two etchings.

Lot 30: DANIEL HOPFER Two etchings.

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Description: DANIEL HOPFER Two etchings. Jesus Disputing with the Pharisees and Scholars * Jesus Sending the Apostles Out. Both approximately 300x397 mm; 11 3/4x15 5/8 inches, small to narrow margins. Both in the second state (of 2), with the Funck numbers. Very good impressions of these scarce etchings. Bartsch 31 and 32.

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LUCAS VAN LEYDEN Two Naked Children Supporting a Blank Shield.

Lot 31: LUCAS VAN LEYDEN Two Naked Children Supporting a Blank Shield.

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Description: LUCAS VAN LEYDEN Two Naked Children Supporting a Blank Shield. Engraving, circa 1519. 85x106 mm; 3 3/8x4 1/8 inches. Ex-collection Johann Karl Brönner (Lugt 307, verso); and Staedelsches Kunst-Institut, Frankfurt (Lugt 2396, verso). A very good impression. Bartsch 166. With--STEFANO DELLA BELLA. Head of a Child and Bust of a Woman, etching. DeVesme 442.

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LUCAS VAN LEYDEN The Fall of Man.

Lot 32: LUCAS VAN LEYDEN The Fall of Man.

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Description: LUCAS VAN LEYDEN The Fall of Man. Engraving, 1529. 162x117 mm; 6 3/8x4 5/8 inches, thread margins. First state (of 2). Small unicorn watermark (Hollstein 22, which dates to the late 1520's). A very good, evenly-printed and early impression of this scarce engraving. Bartsch 4.

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HANS SEBALD BEHAM The Peasants' Wedding Procession.

Lot 33: HANS SEBALD BEHAM The Peasants' Wedding Procession.

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Description: HANS SEBALD BEHAM The Peasants' Wedding Procession. Complete set of 8 engravings, circa 1540. Each approximately 48x35 mm; 1 7/8x1 3/8 inches, narrow to thread margins. Very good, well-inked impressions, extremely scarce as a complete set. Bartsch 178-85; Pauli 167-74.

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HANS SEBALD BEHAM The Labors of Hercules.

Lot 34: HANS SEBALD BEHAM The Labors of Hercules.

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Description: HANS SEBALD BEHAM The Labors of Hercules. Group of 4 (of 12) engravings, 1542-48. Each approximately 53x78 mm; 2 1/8x3 1/8 inches. Three ex-collection unknown collector, beehive ink stamp (Lugt 2732, verso). Very good, richly-inked impressions. Bartsch 99, 102, 104 and 106; Pauli 107, 100, 102 and 99.

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MARCANTONIO RAIMONDI The Massacre of the Innocents.

Lot 35: MARCANTONIO RAIMONDI The Massacre of the Innocents.

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Description: MARCANTONIO RAIMONDI The Massacre of the Innocents. Engraving, circa 1513-15. 276x422 mm; 10 7/8x16 5/8 inches. Scissors watermark (Briquet 3668, which he dates to Rome circa 1450s). Trimmed on the plate mark. A good, early impression of this very scarce engraving. Bartsch 20; Shoemaker 26.

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MARCANTONIO RAIMONDI (after Raphael) Galatea

Lot 36: MARCANTONIO RAIMONDI (after Raphael) Galatea

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Description: MARCANTONIO RAIMONDI (after Raphael) Galatea. Engraving, circa 1515-16. 408x290 mm; 16 1/8x11 1/2 inches. Scissors watermark. With thread margins outside the black border line. A superb, richly-inked impression of this scarce engraving, with strong contrasts and little to no sign of wear. Bartsch 350.

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UGO DA CARPI (after Raphael) Christ in the House of Simon the Pharisee

Lot 37: UGO DA CARPI (after Raphael) Christ in the House of Simon the Pharisee

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Description: UGO DA CARPI (after Raphael) Christ in the House of Simon the Pharisee. Chiaroscuro woodcut printed in light grayish brown, greenish brown and dark greenish brown on cream laid paper, circa 1520. 250x370 mm; 9 7/8x14 1/2 inches. Ex-collection Karl Ewald Hasse (Lugt 860, verso). Published by Andrea Andreani, 1609. A superb impression of this extremely scarce color woodcut. Bartsch 17.

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GIORGIO GHISI Allegory of the Hunt.

Lot 38: GIORGIO GHISI Allegory of the Hunt.

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Description: GIORGIO GHISI Allegory of the Hunt. Engraving, 1556. 367x255 mm; 14 1/2x10 1/8 inches, small margins. Second state (of 4), before the publisher's address lower right. A good impression of this scarce engraving. Lewis 21.

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GIORGIO GHISI (after Primaticcio) Group of 5 engravings

Lot 39: GIORGIO GHISI (after Primaticcio) Group of 5 engravings

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Description: GIORGIO GHISI (after Primaticcio) Group of 5 engravings. Three Muses and a Putto with a Lyre * Three Muses and a Gesturing Putto. Both 1560s. Both in the penultimate state, before the addition of the fig leaf over the putto * Hercules, Bacchus, Pan, and Another God * Venus and Two Other Goddesses * Two Putti; Juno and Other Goddesses. Various sizes and conditions. Lewis 30, 31, 32, 36 and 37.

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FEDERICO BAROCCI Saint Francis Receiving the Stigmata.

Lot 40: FEDERICO BAROCCI Saint Francis Receiving the Stigmata.

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Description: FEDERICO BAROCCI Saint Francis Receiving the Stigmata. Etching and engraving, circa 1581. 232x153 mm; 9 1/4x6 1/8 inches, thread margins. A very good impression of this extremely scarce etching. According to Reed, "The etched lines of the plate were underbitten, did not hold sufficient ink, and printed pale and gray . . . In order to salvage the plate, Barocci used a burin to engrave deeper lines and dots that held more ink and printed more darkly. Almost the entire figure of the saint was reworked this way," (Reed/Wallace, Italian Etchers of the Renaissance & Baroque, Boston, 1989, p. 93). Bartsch 3.

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GUIDO RENI The Christ Child with the Infant St. John the Baptist.

Lot 41: GUIDO RENI The Christ Child with the Infant St. John the Baptist.

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Description: GUIDO RENI The Christ Child with the Infant St. John the Baptist. Etching, circa 1595-1600. 119x168 mm; 4 5/8x6 5/8 inches, narrow to thread margins. A good impression of this extremely scarce etching. Bartsch 13.

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GUIDO RENI The Madonna and Child in the Round.

Lot 42: GUIDO RENI The Madonna and Child in the Round.

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Description: GUIDO RENI The Madonna and Child in the Round. Etching. 156x160 mm; 6 1/8x6 1/4 inches, small margins. A very good impression of this scarce etching. With--GIOVANNI B. CASTIGLIONE. Man with a Beard and Mustache, Wearing a Cap with a Large Plume, etching. 190x136 mm; 7 1/2x5 3/8 inches, narrow to thread margins. Bartsch 3 and 53.

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ANNIBALE CARRACCI Jupiter and Antiope.

Lot 43: ANNIBALE CARRACCI Jupiter and Antiope.

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Description: ANNIBALE CARRACCI Jupiter and Antiope. Etching and engraving, 1592. 155x227 mm; 6 1/8x9 inches, narrow to thread margins. A superb, dark and well-inked impression of this very scarce print. We have found fewer than 10 impressions at auction in the past 25 years. Bartsch 17; Bohlin 17.

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ANNIBALE CARRACCI Omnia vincit Amor.

Lot 44: ANNIBALE CARRACCI Omnia vincit Amor.

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Description: ANNIBALE CARRACCI Omnia vincit Amor. Engraving, 1599. 126x187 mm; 5x7 3/8 inches, small margins. Circle watermark. Ex-collection Emanuel Levy (Lugt 876, verso). A very good, evenly-printed impression of this scarce engraving. Bartsch 116; Bohlin 210.

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ANNIBALE CARRACCI Christ Crowned with Thorns.

Lot 45: ANNIBALE CARRACCI Christ Crowned with Thorns.

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Description: ANNIBALE CARRACCI Christ Crowned with Thorns. Etching, 1606. 178x132 mm; 7x5 3/8 inches. Third state (of 4), with the address of Van Aelst. Trimmed on the plate mark. A very good, dark impression of this scarce etching. Bartsch 3; Bohlin 21.

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HIERONYMOUS COCK The Flight into Egypt.

Lot 46: HIERONYMOUS COCK The Flight into Egypt.

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Description: HIERONYMOUS COCK The Flight into Egypt. Etching, 1558.220x306 mm; 8 5/8x12 inches, small margins. A very good impression of this scarce, early etching. Hollstein 11.

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HIERONYMOUS COCK Three etchings.

Lot 47: HIERONYMOUS COCK Three etchings.

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Description: HIERONYMOUS COCK Three etchings. Praecipa Aliquot Romanae Antiquitatis Ruinarum (title page) * Ruinarum Palatii * Ruinarum Palatii. Each 1550. The second with a high crown watermark; the third with a circle watermark. Various sizes and conditions. Very good impressions. Hollstein 22, 32 and 35.

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GIOVANNI BATTISTA PITTONI (after Hieronymus Cock) Praecipua aliquot Romanae Antiquitatis Ruinarum Monimenta

Lot 48: GIOVANNI BATTISTA PITTONI (after Hieronymus Cock) Praecipua aliquot Romanae Antiquitatis Ruinarum Monimenta

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Description: GIOVANNI BATTISTA PITTONI (after Hieronymus Cock) Praecipua aliquot Romanae Antiquitatis Ruinarum Monimenta. Set of 17 etchings. Each approximately 215x315 mm; 8 1/2x12 1/2 inches. Superb, dark impressions of these very scarce etchings of idealized Roman views. Nagler 2.

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PHILIP GALLE (after Heemskerck) The Story of Samson

Lot 49: PHILIP GALLE (after Heemskerck) The Story of Samson

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Description: PHILIP GALLE (after Heemskerck) The Story of Samson. Group of 5 engravings, circa 1560. Each approximately 267 mm; 10 1/2 inches (diameter). Good impressions of these scarce engravings.

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HENDRICK GOLTZIUS Philip Galle.

Lot 50: HENDRICK GOLTZIUS Philip Galle.

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Description: HENDRICK GOLTZIUS Philip Galle. Engraving, 1582. 212x137 mm; 8 1/2x5 1/4 inches. Second state (of 3). Trimmed on or just inside the plate mark with narrow margins outside the border line. A very good impression of this scarce print. Philip Galle (1537-1612) was a native of Haarlem and among the most successful print publishers of his day as well as an accomplished engraver himself. Bartsch 170.

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