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Auction Description for Swann: OLD MASTER THROUGH MODERN PRINTS
Viewing Notes:
Exhibition & Sale Schedule: Sale 2292 - Old Master Through Modern Prints - begins at 10:30am in New York on Wed, October 31. All material in Sale 2292 on display at our premises in New York City, 104 East 25th Street, as follows - Fri, Oct 26: 10am to 6pm - Sat, Oct 27: 10am to 4pm - Mon, Oct 29: 10am to 6pm - Tues, Oct 30: 10am to 6pm - No exhibition on day of sale.

OLD MASTER THROUGH MODERN PRINTS

by Swann Auction Galleries

Platinum House

493 lots with images

November 6, 2012

Live Auction

104 East 25th Street

New York, NY, 10010 USA

Phone: 212.254.4710

Fax: 212 979 1017

Email: swann@swanngalleries.com

493 Lots
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MARTIN SCHONGAUER Christ on the Mount of Olives.

Lot 1: MARTIN SCHONGAUER Christ on the Mount of Olives.

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Description: MARTIN SCHONGAUER Christ on the Mount of Olives. Engraving, circa 1480. 164x114 mm; 6 1/2x4 1/2 inches. Bull's head watermark. From the Passion. With thread margins or trimmed on the plate mark. A very good, dark impression of this scarce engraving, with strong contrasts. Bartsch 9; Lehrs 19.

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MARTIN SCHONGAUER The Crucifixion.

Lot 2: MARTIN SCHONGAUER The Crucifixion.

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Description: MARTIN SCHONGAUER The Crucifixion. Engraving, circa 1480. 164x113 mm; 6 5/8x4 1/2 inches. Small bull's head watermark (Briquet 15160, which he dates to Colmar circa 1475). Ex-collection the Albertina, Vienna (Lugt supplement 5, verso). From the Passion. With thread margins or trimmed on the plate mark, expertly repaired vertical tear right edge, through the figure of St. John, which is visible mainly on the verso. A very good, early impression of this scarce engraving. Bartsch 17; Lehrs 27.

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GERMAN SCHOOL, LATE 15TH-CENTURY St. Anthony.

Lot 3: GERMAN SCHOOL, LATE 15TH-CENTURY St. Anthony.

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Description: GERMAN SCHOOL, LATE 15TH-CENTURY St. Anthony. Engraving, after 1480. A reverse copy after the same-title engraving by Martin Schongauer (Bartsch 46). With--ALBRECHT DÜRER. The Virgin and Child with the Monkey, engraving, circa 1498 * HIERONYMUS HOPFER. A Satyr Playing a Viola with a Satyress and Child, etching. Bartsch 42 and 32. Various sizes and conditions.

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MASTER AG Christ in Limbo.

Lot 4: MASTER AG Christ in Limbo.

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Description: MASTER AG Christ in Limbo. Engraving, circa 1490. 151x110 mm; 6x4 3/8 inches, small margins. First state (of 3). Ex-collection unknown collector, violet ink stamp with the initials GP verso (not in Lugt). A strong impression of this early print. Bartsch 12; Lehrs 16.

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ANDREA MANTEGNA Bacchanal with Silenus.

Lot 5: ANDREA MANTEGNA Bacchanal with Silenus.

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Description: ANDREA MANTEGNA Bacchanal with Silenus. Engraving, circa 1475-80. 290x421 mm; 11 1/2x16 5/8 inches. Trimmed inside the plate mark with most of the composition and all of the figures preserved, scattered well-repaired tears. A good impression of this extremely scarce, early engraving. We have found only 5 other impressions at auction in the past 25 years. Hind 3.

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ANDREA MANTEGNA (school of) Four Women Dancing

Lot 6: ANDREA MANTEGNA (school of) Four Women Dancing

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Description: ANDREA MANTEGNA (school of) Four Women Dancing. Engraving, circa 1497. 223x338 mm; 8 3/4x13 1/4 inches. Small 4-leaf clover watermark. Trimmed inside the plate mark with nearly the enitre subject preserved. A very good impression of this extremely scarce, early engraving. The engraving is based in reverse on 4 of the 9 figures of women dancing, probably the Muses, in Mantegna's painting of Parnassus completed in 1497 and now in the Louvre, Paris. Hind 21.

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MARCANTONIO RAIMONDI (after Raphael) Young Man with a Lantern

Lot 7: MARCANTONIO RAIMONDI (after Raphael) Young Man with a Lantern

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Description: MARCANTONIO RAIMONDI (after Raphael) Young Man with a Lantern. Engraving, circa 1510. 183x130 mm; 7 1/4x5 1/8 inches, thread margins. Ex-collection Dr. Friedrich Andreas Lieberg (Lugt supplement 1681 bis, verso). A very good impression of this extremely scarce, early engraving. Bartsch 384.

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MARCANTONIO RAIMONDI Mars, Venus and Cupid.

Lot 8: MARCANTONIO RAIMONDI Mars, Venus and Cupid.

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Description: MARCANTONIO RAIMONDI Mars, Venus and Cupid. Engraving, 1508. 302x214 mm; 12x8 1/2 inches. Trimmed on the plate mark, with small to thread margins outside the border line. A very good, dark and evenly-printed impression with strong contrasts. Bartsch 345.

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ALBRECHT DÜRER The Holy Family with the Butterfly.

Lot 9: ALBRECHT DÜRER The Holy Family with the Butterfly.

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Description: ALBRECHT DÜRER The Holy Family with the Butterfly. Engraving, circa 1495. 236x187 mm; 9 1/4x7 3/8 inches. A superb, richly-inked Meder b-c impression with very strong contrasts, with all the finest lines printing clearly, with little to no sign of wear, with the delicate vertical wiping marks in the sky and the drypoint on the monogram showing and with the scratch above the Virgin's head distinct. Ex-collection Giuseppe Storck, dated 1798 in ink (Lugt 2318, verso); and J. B. E. Gallice, dated 1870 in ink (Lugt 1063, verso). With thread margins or trimmed on the plate mark. Bartsch 44; Meder 42.

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ALBRECHT DÜRER Five Soldiers and a Turk on Horseback.

Lot 10: ALBRECHT DÜRER Five Soldiers and a Turk on Horseback.

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Description: ALBRECHT DÜRER Five Soldiers and a Turk on Horseback. Engraving, circa 1495-96. 131x148 mm; 5 1/8x5 7/8 inches, small margins. A very good Meder b impression. Partial bull's head watermark (Meder 62). Ex-collection Fritz Rumpf (Lugt 2161, verso), Abraham G. Gerson (Lugt supplement 1156a, verso) and Hirschler (Lugt Supplement 633a, verso). A very good, evenly-printed early impression with strong contrasts. Bartsch 88; Meder 81.

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ALBRECHT DÜRER The Prodigal Son.

Lot 11: ALBRECHT DÜRER The Prodigal Son.

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Description: ALBRECHT DÜRER The Prodigal Son. Engraving, circa 1496. 246x191 mm; 9 3/4x7 1/2 inches. A superb, dark and richly-inked Meder d impression with strong contrasts and with all the delicate lines distinct, printed with great clarity overall and still with the vertical scratches on the pig in the right foreground. With thread margins or trimmed on the plate mark. Bartsch 28; Meder 28.

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ALBRECHT DÜRER The Martyrdom of St. John.

Lot 12: ALBRECHT DÜRER The Martyrdom of St. John.

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Description: ALBRECHT DÜRER The Martyrdom of St. John. Woodcut, 1498. 392x282 mm; 15 1/2x11 1/8 inches. A very good, dark impression from the 1511 Latin text edition. From the Apocalypse. Trimmed on the border line. Bartsch 61; Meder 164.

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ALBRECHT DÜRER The Vision of the Seven Candlesticks.

Lot 13: ALBRECHT DÜRER The Vision of the Seven Candlesticks.

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Description: ALBRECHT DÜRER The Vision of the Seven Candlesticks. Woodcut, circa 1497. 395x285 mm; 15 1/2x11 5/8 inches, small margins. A superb, evenly-printed and dark impression from the 1511 Latin text edition, with strong contrasts and little to no sign of wear overall. Tower with a flower watermark (Meder 259). Bartsch 62; Meder 164.

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ALBRECHT DÜRER Christ on the Mount of Olives.

Lot 14: ALBRECHT DÜRER Christ on the Mount of Olives.

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Description: ALBRECHT DÜRER Christ on the Mount of Olives. Woodcut, circa 1497-1500. 385x275 mm; 15 1/4x10 7/8 inches, thread margins. A very good, well-inked impression from the 1511 Latin text edition with contrasts. Bartsch 6; Meder 115.

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ALBRECHT DÜRER Christ on the Mount of Olives.

Lot 15: ALBRECHT DÜRER Christ on the Mount of Olives.

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Description: ALBRECHT DÜRER Christ on the Mount of Olives. Woodcut, circa 1497-1500. 385x280 mm; 15 1/4x11 inches. A very good, richly-inked Meder a-b impression after the 1511 Latin text edition, with strong contrasts. Ex-collection Heinrich Füssli (Lugt 1008, verso). Trimmed on the border line. Bartsch 6; Meder 115.

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ALBRECHT DÜRER The Crucifixion.

Lot 16: ALBRECHT DÜRER The Crucifixion.

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Description: ALBRECHT DÜRER The Crucifixion. Woodcut, 1497-1500. 390x278 mm; 15 3/8x11 inches. A very good, dark impression from the 1511 Latin text edition, with strong contrasts. Trimmed on the border line, with the border line preserved all around. Bartsch 11; Meder 120.

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ALBRECHT DÜRER The Cruxification.

Lot 17: ALBRECHT DÜRER The Cruxification.

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Description: ALBRECHT DÜRER The Cruxification. Woodcut, 1497-1500. 390x278 mm; 15 3/8x11 inches. A superb, dark, richly-inked Meder c-d impression after the 1511 Latin text edition, with very strong contrasts and little to no sign of wear. Augsburg shield watermark (Meder 177; which he dates to between 1563 and 1600). With thread margins or trimmed on the outside of the border line, with the border line preserved all around. Bartsch 11; Meder 120.

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ALBRECHT DÜRER Sampson Fighting with the Lion.

Lot 18: ALBRECHT DÜRER Sampson Fighting with the Lion.

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Description: ALBRECHT DÜRER Sampson Fighting with the Lion. Woodcut, circa 1496-97. 378x276 mm; 15x11 inches, small margins. A very good Meder f-g impression, with contrasts, with the breaks at the border line but much of the composition in tact and with the relief from the wood block distinct on the verso. Bartsch 2; Meder 107.

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ALBRECHT DÜRER The Martyrdom of St. Catherine.

Lot 19: ALBRECHT DÜRER The Martyrdom of St. Catherine.

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Description: ALBRECHT DÜRER The Martyrdom of St. Catherine. Woodcut, 1498. 395x291 mm; 15 5/8x11 1/2 inches, thread margins. A good Meder g impression, with the loss in the block upper right corner. Bartsch 120; Meder 236.

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ALBRECHT DÜRER The Martyrdom of the Ten Thousand.

Lot 20: ALBRECHT DÜRER The Martyrdom of the Ten Thousand.

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Description: ALBRECHT DÜRER The Martyrdom of the Ten Thousand. Woodcut, 1497. 385x280 mm; 15 1/4x11 1/8 inches, narrow to thread margins. A good, evenly-printed Meder g impression. Bartsch 117; Meder 218.

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ALBRECHT DÜRER Hercules Conquering the Molionide Twins.

Lot 21: ALBRECHT DÜRER Hercules Conquering the Molionide Twins.

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Description: ALBRECHT DÜRER Hercules Conquering the Molionide Twins. Woodcut, 1496-98. 390x283 mm; 15 3/8x11 1/4 inches, small margins. A good Meder III impression. Bartsch 127; Meder 238.

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ALBRECHT DÜRER The Virgin on the Crescent.

Lot 22: ALBRECHT DÜRER The Virgin on the Crescent.

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Description: ALBRECHT DÜRER The Virgin on the Crescent. Engraving, circa 1498. 108x78 mm; 4 1/4x3 inches, narrow margins. A good, dark and evenly-printed Meder c impression of this scarce print. Ex-collection unknown collectors, ink stamps verso (not in Lugt). According to Meder, a scarce engraving. We have found only 15 other impressions at auction in the past 25 years. Bartsch 30; Meder 29.

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AUGSBURG SCHOOL, LATE 15TH/EARLY 16TH CENTURY The Virgin and Child on the Crescent.

Lot 23: AUGSBURG SCHOOL, LATE 15TH/EARLY 16TH CENTURY The Virgin and Child on the Crescent.

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Description: AUGSBURG SCHOOL, LATE 15TH/EARLY 16TH CENTURY The Virgin and Child on the Crescent. Metal cut. 153x95 mm; 6x3 3/4 inches, narrow margins. Ex-collection Henry Howard (Lugt 1318, verso). Partial high crown watermark. With--The Four Evangelists , group of 4 metals cuts. Each 40 mm; 1 1/2 inches (diameter). Very good impressions.

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ALBRECHT DÜRER St. Sebastian Bound to the Tree.

Lot 24: ALBRECHT DÜRER St. Sebastian Bound to the Tree.

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Description: ALBRECHT DÜRER St. Sebastian Bound to the Tree. Engraving, circa 1501. 116x70 mm; 4 1/2x2 3/4 inches. A superb, dark and evenly-printed Meder a impression of this very scarce print, with strong contrasts. Partial bull's head watermark (Meder 62, which he dates from the late 1400s to around 1515). Trimmed on the plate mark. Bartsch 55; Meder 62.

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ALBRECHT DÜRER The Nemesis.

Lot 25: ALBRECHT DÜRER The Nemesis.

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Description: ALBRECHT DÜRER The Nemesis. Engraving, circa 1501-2. 330x231 mm; 13 1/8x9 1/4 inches. A superb, dark, richly-inked and evenly-printed Meder II a impression, with the short vertical scratch under the bridge, with strong contrasts and no sign of wear. High crown watermark (Meder 20, which he dates from 1480 to 1525). Trimmed on or just inside the plate mark. Bartsch 77; Meder 72.

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ALBRECHT DÜRER The Nemesis.

Lot 26: ALBRECHT DÜRER The Nemesis.

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Description: ALBRECHT DÜRER The Nemesis. Engraving, circa 1501-2. 330x231 mm; 13x9 1/4 inches. A good, dark Meder II f impression. Trimmed on or just inside the plate mark, repaired central horizontal tear, restorations upper and right sheet edges. Bartsch 77; Meder 72.

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ALBRECHT DÜRER Calvary with the Three Crosses.

Lot 27: ALBRECHT DÜRER Calvary with the Three Crosses.

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Description: ALBRECHT DÜRER Calvary with the Three Crosses. Woodcut, after 1500. 215x148 mm; 8 1/2x5 7/8 inches, thread margins. A very good, dark and well-inked Meder b impression with strong contrasts and little to no sign of wear. Bartsch 59; Meder 180.

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ALBRECHT DÜRER St. Francis Receiving the Stigmata.

Lot 28: ALBRECHT DÜRER St. Francis Receiving the Stigmata.

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Description: ALBRECHT DÜRER St. Francis Receiving the Stigmata. Woodcut printed on laid paper, circa 1503-5. 221x146 mm; 8 5/8x5 3/4 inches, small margins. A superb Meder b impression with strong contrasts, little to no sign of wear and the relief from the wood block showing on the verso. According to Meder, a very scarce woodcut. Bartsch 110; Meder 224.

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ALBRECHT DÜRER Adam and Eve.

Lot 29: ALBRECHT DÜRER Adam and Eve.

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Description: ALBRECHT DÜRER Adam and Eve. Engraving 1504. 251x193 mm; 9 7/8x7 5/8 inches. A brilliant, dark Meder II a impression with strong contrasts and little to no sign of wear, after the corrected date on the plaque but before the split in the tree under Adam's left arm and with the faint scratch on Eve's left thigh. Trimmed on the plate mark, backed with cream wove paper. Bartsch 1; Meder 1.

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ALBRECHT DÜRER The Birth of the Virgin.

Lot 30: ALBRECHT DÜRER The Birth of the Virgin.

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Description: ALBRECHT DÜRER The Birth of the Virgin. Woodcut, circa 1503. 298x212 mm; 11 3/4x8 3/8 inches. A superb, evenly-printed and dark proof impression before the 1511 Latin text edition, with strong contrasts and with the relief from the wood block distinct on the verso. Bull's head watermark (Meder 62). Bartsch 80; Meder 192.

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ALBRECHT DÜRER Joachim and Anna at the Golden Gate.

Lot 31: ALBRECHT DÜRER Joachim and Anna at the Golden Gate.

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Description: ALBRECHT DÜRER Joachim and Anna at the Golden Gate. Woodcut, 1504. 297x211 mm; 11 3/4x8 3/8 inches. A very good Meder c impression after the 1511 Latin text edition, with strong contrasts and little to no sign of wear. Small city gate watermark (Meder 273, which he dates from 1570 to 1585). Trimmed on the border line. Bartsch 79; Meder 191.

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ALBRECHT DÜRER The Betrothal of the Virgin.

Lot 32: ALBRECHT DÜRER The Betrothal of the Virgin.

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Description: ALBRECHT DÜRER The Betrothal of the Virgin. Woodcut, 1504-5. 297x212 mm; 11 3/4x8 3/8 inches, narrow margins. A very good, dark Meder e-f impression after the 1511 Latin text edition, before the worm holes, with strong contrasts and with the relief from the wood block showing on the verso. Bartsch 82; Meder 194.

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ALBRECHT DÜRER Christ among the Doctors.

Lot 33: ALBRECHT DÜRER Christ among the Doctors.

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Description: ALBRECHT DÜRER Christ among the Doctors. Woodcut, circa 1503. 296x209 mm; 11 3/4x8 1/8 inches, thread margins. A brilliant, early, proof impression before the 1511 Latin text edition with very strong contrasts and no sign of wear. High crown watermark (Meder 20, which he dates from 1480 to 1525). Bartsch 91; Meder 203.

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ALBRECHT DÜRER The Circumcision.

Lot 34: ALBRECHT DÜRER The Circumcision.

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Description: ALBRECHT DÜRER The Circumcision. Woodcut, circa 1505. 296x211 mm; 11 3/4x8 3/8 inches, wide margins. A very good, dark impression from the 1511 Latin text edition. Bartsch 86; Meder 198.

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ALBRECHT DÜRER Christ Taking Leave from his Mother.

Lot 35: ALBRECHT DÜRER Christ Taking Leave from his Mother.

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Description: ALBRECHT DÜRER Christ Taking Leave from his Mother. Woodcut, after 1507. 297x210 mm; 11 3/4x8 1/4 inches. A very good, well-inked impression from the 1511 Latin text edition with strong contrasts. Trimmed on or just outside the border line, with portions of the border line all around. Bartsch 92; Meder 204.

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ALBRECHT DÜRER The Glorification of the Virgin.

Lot 36: ALBRECHT DÜRER The Glorification of the Virgin.

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Description: ALBRECHT DÜRER The Glorification of the Virgin. Woodcut, circa 1504. 302x212 mm; 12x8 3/8 inches, thread margins. A good, evenly-printed Meder II f impression with the 2 fine vertical cracks in the block, upper center to the right of Moses and center to the left of the Virgin's head. Ex-collection André-Jean Hachette (Lugt 132, verso). Bartsch 95; Meder 207.

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ALBRECHT DÜRER St.John the Baptist and St.Onuphrius.

Lot 37: ALBRECHT DÜRER St.John the Baptist and St.Onuphrius.

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Description: ALBRECHT DÜRER St.John the Baptist and St.Onuphrius. Woodcut, circa 1504. 214x145 mm; 8 1/2x5 3/4 inches. A good, dark, evenly-printed Meder f impression. Trimmed on the border line with part of the border line preserved all around. Bartsch 112; Meder 230.

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ALBRECHT DÜRER Christ before Pilate.

Lot 38: ALBRECHT DÜRER Christ before Pilate.

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Description: ALBRECHT DÜRER Christ before Pilate. Woodcut, 1509-11. 129x96 mm; 5 1/8x3 3/4 inches. A very good proof impression before the 1511 Latin text edition, with strong contrasts and no signs of wear. With thread margins or trimmed on the border line Bartsch 31; Meder 140.

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ALBRECHT DÜRER Pilate Washing his Hands.

Lot 39: ALBRECHT DÜRER Pilate Washing his Hands.

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Description: ALBRECHT DÜRER Pilate Washing his Hands. Woodcut, 1509-11. 129x96 mm; 5 1/8x3 3/4 inches, thread margins. A superb, richly-inked proof impression before the 1511 Latin text edition, with strong contrasts and no sign of wear. Bartsch 36; Meder 145.

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ALBRECHT DÜRER Christ Crowned with Thorns.

Lot 40: ALBRECHT DÜRER Christ Crowned with Thorns.

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Description: ALBRECHT DÜRER Christ Crowned with Thorns. Woodcut, 1509-11. 130x103 mm; 5x4 inches, thread margins. A superb, richly-inked impression from the 1511 Latin text edition with very strong contrasts and no sign of wear. Bartsch 34; Meder 143.

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ALBRECHT DÜRER The Crucifixion.

Lot 41: ALBRECHT DÜRER The Crucifixion.

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Description: ALBRECHT DÜRER The Crucifixion. Woodcut, 1509-11. 126x100 mm; 5x4 inches. A very good, well-inked impression after the 1511 Latin text edition, with strong contrasts. Bartsch 40; Meder 149.

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ALBRECHT DÜRER The Entombment.

Lot 42: ALBRECHT DÜRER The Entombment.

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Description: ALBRECHT DÜRER The Entombment. Woodcut, 1509-11. 127x100 mm; 5x4 inches, thread margins. A very good, well-inked impresion from the 1511 Latin text edition with little to no sign of wear. Ex-collection Fürst Karl Paar (Lugt 2009, verso). Bartsch 44, Meder 153.

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ALBRECHT DÜRER Salome Receiving the Head of Saint John the Baptist.

Lot 43: ALBRECHT DÜRER Salome Receiving the Head of Saint John the Baptist.

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Description: ALBRECHT DÜRER Salome Receiving the Head of Saint John the Baptist. Woodcut, 1511. 195x131 mm; 7 3/4x5 1/8 inches, small margins. A very good, dark and well-inked Meder c-d impression with strong contrasts. Ex-collection unknown collector, indiscernible ink stamp verso. Bartsch 126; Meder 232.

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ALBRECHT DÜRER Pilate Washing his Hands.

Lot 44: ALBRECHT DÜRER Pilate Washing his Hands.

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Description: ALBRECHT DÜRER Pilate Washing his Hands. Engraving, 1512. 117x74 mm; 4 5/8x3 inches. A brilliant, dark and richly-inked Meder a impression with great clarity, strong contrasts and no sign of wear. With thread margins or trimmed on the plate mark. Bartsch 11; Meder 11.

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ALBRECHT DÜRER St. Peter and St. John at the Gate of the Temple.

Lot 45: ALBRECHT DÜRER St. Peter and St. John at the Gate of the Temple.

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Description: ALBRECHT DÜRER St. Peter and St. John at the Gate of the Temple. Engraving, 1513. 116x73 mm; 4 5/8x2 7/8 inches, thread margins. A good, dark, crisp and evenly-printed Meder a-b impression with strong contrasts. Bartsch 18; Meder 18.

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ALBRECHT DÜRER Knight, Death and the Devil.

Lot 46: ALBRECHT DÜRER Knight, Death and the Devil.

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Description: ALBRECHT DÜRER Knight, Death and the Devil. Engraving, 1513. 246x189 mm; 9 3/4x7 1/2 inches, small margins. A very good, dark, crisp and evenly-printed Meder e impression with strong contrasts and great clarity, printed with sharp, partially inky plate edges. Bartsch 98; Meder 74.

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ALBRECHT DÜRER Melancolia I.

Lot 47: ALBRECHT DÜRER Melancolia I.

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Description: ALBRECHT DÜRER Melancolia I. Engraving, 1514. 242x189 mm; 9 1/2x7 1/2 inches. A very good, well-inked and evenly-printed Meder a-b impression with strong contrasts and little to no sign of wear. Trimmed on or just inside the plate mark, very small restored loss extreme lower right corner with additions in pen and ink. Bartsch 74; Meder 75.

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ALBRECHT DÜRER Peasant Couple Dancing.

Lot 48: ALBRECHT DÜRER Peasant Couple Dancing.

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Description: ALBRECHT DÜRER Peasant Couple Dancing. Engraving, 1514. 116x76 mm; 4 5/8x3 inches. A good Meder b-c impression with contrast of this extremely scarce engraving. Trimmed on the plate mark, scattered restorations. We have found only 10 other impressions at auction in the past 25 years. Bartsch 90; Meder 88.

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ALBRECHT DÜRER Christ on the Mount of Olives.

Lot 49: ALBRECHT DÜRER Christ on the Mount of Olives.

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Description: ALBRECHT DÜRER Christ on the Mount of Olives. Etching, 1515. 220x156 mm; 8 3/4x6 1/4 inches, narrow to thread margins. A very good, clearly-printed and dark Meder II b impression, with strong contrasts and traces of the rust marks on thin, cream laid paper. Ex-collection unknown collector (Lugt 899, verso); and Kunsthalle, Bremen (Lugt 292 and 293, verso). Bartsch 19; Meder 19.

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ALBRECHT DÜRER St. Thomas.

Lot 50: ALBRECHT DÜRER St. Thomas.

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Description: ALBRECHT DÜRER St. Thomas. Engraving, 1514. 118x70 mm; 4 1/2x2 3/4 inches. A good, dark Meder c impression. Ex-collection unknown collector, ink stamp verso (not in Lugt). Trimmed on or just inside the plate mark. Bartsch 48; Meder 50.

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