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OLD MASTER THROUGH MODERN PRINTS

by Swann Auction Galleries

Platinum House

463 lots with images

October 30, 2013

Live Auction

104 East 25th Street

New York, NY, 10010 USA

Phone: 212.254.4710

Fax: 212 979 1017

Email: swann@swanngalleries.com

463 Lots
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MARTIN SCHONGAUER The Coronation of the Virgin.

Lot 1: MARTIN SCHONGAUER The Coronation of the Virgin.

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Description: MARTIN SCHONGAUER The Coronation of the Virgin. Engraving, circa 1490. 160x155 mm; 6 1/4x6 1/8 inches. Ex-collection Giuseppe Storck, Milan (Lugt 2318, verso). Trimmed on or just inside the plate mark. A very good impression of this extremely scarce, early engraving. We locate 4 impressions in North American public collections and have found only 4 impressions at auction in the past 25 years. Bartsch 72.

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MARTIN SCHONGAUER Christ before Pilate.

Lot 2: MARTIN SCHONGAUER Christ before Pilate.

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Description: MARTIN SCHONGAUER Christ before Pilate. Engraving, circa 1480. 162x116 mm; 6 3/8x4 5/8 inches. Gothic letter P watermark (similar to Briquet 8597, which dates to circa 1465). Trimmed on or just inside the plate mark, with part of the original black border line preserved on all four edges. A very good, well-inked and dark impression of this scarce engraving. Bartsch 14; Lehrs 24.

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ALBRECHT DÜRER The Holy Family with the Butterfly.

Lot 3: ALBRECHT DÜRER The Holy Family with the Butterfly.

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Description: ALBRECHT DÜRER The Holy Family with the Butterfly. Engraving, circa 1495. 236x187 mm; 9 1/4x7 3/8 inches. A superb, richly-inked Meder a-b impression with very strong contrasts, with all the fine lines distinct, with little to no sign of wear, with the delicate vertical wiping marks in the sky and the drypoint on the monogram showing and with the Virgin's face distinct. With thread margins or trimmed on the plate mark. Bartsch 44; Meder 42.

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ALBRECHT DÜRER Five Soldiers and a Turk on Horseback.

Lot 4: ALBRECHT DÜRER Five Soldiers and a Turk on Horseback.

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Description: ALBRECHT DÜRER Five Soldiers and a Turk on Horseback. Engraving, circa 1495-96. 131x148 mm; 5 1/8x5 7/8 inches. A superb, richly-inked and dark Meder a impression with very strong contrasts. Trimmed on the plate mark with the narrow black border line preserved on all four edges. Bartsch 88; Meder 81.

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ALBRECHT DÜRER The Prodigal Son.

Lot 5: ALBRECHT DÜRER The Prodigal Son.

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Description: ALBRECHT DÜRER The Prodigal Son. Engraving, circa 1496. 246x191 mm; 9 3/4x7 1/2 inches, narrow margins. A very good, dark and richly-inked Meder h impression with strong contrasts. Large city gate watermark (Meder 260). Bartsch 28; Meder 28.

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ALBRECHT DÜRER The Cook and his Wife.

Lot 6: ALBRECHT DÜRER The Cook and his Wife.

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Description: ALBRECHT DÜRER The Cook and his Wife. Engraving, circa 1496-97. 110x78 mm; 4 3/8x3 1/8 inches. A superb, dark and evenly-printed Meder a impression with strong contrasts and before the wiping scratches. Partial bull's head watermark (Meder 62). Bartsch 84; Meder 85.

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ALBRECHT DÜRER The Promenade.

Lot 7: ALBRECHT DÜRER The Promenade.

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Description: ALBRECHT DÜRER The Promenade. Engraving, circa 1496-97. 195x123 mm; 7 5/8x4 5/8 inches. A very good, dark and richly-inked Meder c impression, with the woman's neck and headdress distinct and with the delicate scratch from the man's chin onto his chest. With thread margins or trimmed on the plate mark, restored loss upper part of sheet, in the blank space above the figures' heads and the tree with additions in pen and ink. A superb, well-inked and evenly-printed impression with very strong contrasts. Bartsch 94; Meder 83.

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ALBRECHT DÜRER Virgin and Child with the Monkey.

Lot 8: ALBRECHT DÜRER Virgin and Child with the Monkey.

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Description: ALBRECHT DÜRER Virgin and Child with the Monkey. Engraving, circa 1498. 189x120 mm; 7 1/2x4 3/4 inches, narrow margins. A very good, evenly-printed Meder c impression, with the vertical scratch in the monogram but before the scratch on the child's arm and with all the fine lines in the clouds distinct. Bartsch 42; Meder 30.

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ALBRECHT DÜRER Samson Fighting with the Lion.

Lot 9: ALBRECHT DÜRER Samson Fighting with the Lion.

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Description: ALBRECHT DÜRER Samson Fighting with the Lion. Woodcut, circa 1496-97. 383x274 mm; 15 1/8x10 3/4 inches, small to narrow margins. A good, dark and evenly-printed Meder g impression. Crowned coat-of-arms watermark. Bartsch 2; Meder 107.

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ALBRECHT DÜRER St. Sebastian Bound to the Tree.

Lot 10: ALBRECHT DÜRER St. Sebastian Bound to the Tree.

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Description: ALBRECHT DÜRER St. Sebastian Bound to the Tree. Engraving, circa 1501. 116x71 mm; 4 1/2x2 3/4 inches. A very good, dark and evenly-printed Meder b-c impression of this very scarce engraving, with contrasts. Trimmed on the plate mark. Bartsch 55; Meder 62.

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ALBRECHT DÜRER The Visitation.

Lot 11: ALBRECHT DÜRER The Visitation.

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Description: ALBRECHT DÜRER The Visitation. Woodcut, 1503. 300x215 mm; 11 7/8x8 1/2 inches. A superb, well-inked and evenly-printed proof impression before the 1511 Latin text edition, with all the fine lines distinct and with strong contrasts. Bull's head watermark (Meder 62). Bartsch 84; Meder 196.

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ALBRECHT DÜRER The Birth of the Virgin.

Lot 12: ALBRECHT DÜRER The Birth of the Virgin.

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Description: ALBRECHT DÜRER The Birth of the Virgin. Woodcut, circa 1503. 298x212 mm; 11 3/4x8 3/8 inches. A brilliant, richly-inked and dark proof impression before the 1511 Latin text edition, with very strong contrasts and no sign of wear. Bull's head watermark (Meder 20a, which he dates from the late 1490s/early 1500s). Trimmed on the outside of the border line with the border line preserved on all four edges. Bartsch 80; Meder 192.

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ALBRECHT DÜRER Christ among the Doctors.

Lot 13: ALBRECHT DÜRER Christ among the Doctors.

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Description: ALBRECHT DÜRER Christ among the Doctors. Woodcut, circa 1503. 296x209 mm; 11 3/4x8 1/8 inches, thread margins. A brilliant, early, proof impression, before the 1511 Latin text edition, with very strong contrasts and no sign of wear. High crown watermark (Meder 20, which he dates from 1480 to 1525). Ex-collection Carl Schlösser (Lugt 636). Bartsch 91; Meder 203.

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ALBRECHT DÜRER The Large Horse.

Lot 14: ALBRECHT DÜRER The Large Horse.

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Description: ALBRECHT DÜRER The Large Horse. Engraving, 1505. 166x120 mm; 6 1/2x4 5/8 inches, narrow margins. A good, dark and well-inked Meder f impression with contrasts. Bartsch 97; Meder 94.

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ALBRECHT DÜRER The Betrayal of Christ.

Lot 15: ALBRECHT DÜRER The Betrayal of Christ.

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Description: ALBRECHT DÜRER The Betrayal of Christ. Engraving, 1508. 117x75 mm; 4 5/8x3 inches, thread margins. A superb, dark and richly-inked Meder a impression, with strong contrasts and no sign of wear. Bartsch 5; Meder 5.

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ALBRECHT DÜRER The Annunciation.

Lot 16: ALBRECHT DÜRER The Annunciation.

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Description: ALBRECHT DÜRER The Annunciation. Woodcut, 1509-1511. 128x97 mm; 5 1/8x3 7/8 inches, thread margins. A superb and evenly-printed proof impression, before the 1511 Latin text edition, with strong contrasts and no sign of wear. Bartsch 19; Meder 128.

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ALBRECHT DÜRER The Last Judgment.

Lot 17: ALBRECHT DÜRER The Last Judgment.

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Description: ALBRECHT DÜRER The Last Judgment. Woodcut, 1509-1511. 127x98 mm; 5 1/8x3 7/8 inches, thread margins. A very good, evenly-printed proof impression, before the 1511 Latin text edition, with strong contrasts and no sign of wear. Bartsch 52; Meder 161.

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ALBRECHT DÜRER The Assumption and Coronation of the Virgin.

Lot 18: ALBRECHT DÜRER The Assumption and Coronation of the Virgin.

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Description: ALBRECHT DÜRER The Assumption and Coronation of the Virgin. Woodcut, 1510. 290x205 mm; 11 1/4x8 inches (arched). A superb, evenly-printed proof impression, before the 1511 Latin text edition, with strong contrasts. High crown watermark (Meder 20). Trimmed in an arched-shape with most of the subject preserved. Bartsch 94; Meder 206.

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ALBRECHT DÜRER The Adoration of the Magi.

Lot 19: ALBRECHT DÜRER The Adoration of the Magi.

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Description: ALBRECHT DÜRER The Adoration of the Magi. Woodcut, 1511. 292x219 mm; 11 1/2x8 5/8 inches, narrow margins. A good, dark Meder i impression, with strong contrasts. Shield with a diagonal band watermark (Meder 245). Bartsch 3; Meder 208.

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ALBRECHT DÜRER The Kiss of Judas.

Lot 20: ALBRECHT DÜRER The Kiss of Judas.

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Description: ALBRECHT DÜRER The Kiss of Judas. Woodcut, 1510. 393x282 mm; 15 1/2x11 1/2 inches, thread margins. A very good impression from the 1511 Latin text edition with strong contrasts. Bartsch 7; Meder 116.

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ALBRECHT DÜRER Christ in Limbo.

Lot 21: ALBRECHT DÜRER Christ in Limbo.

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Description: ALBRECHT DÜRER Christ in Limbo. Woodcut, 1510. 396x285 mm; 15 5/8x11 3/8 inches. A very good impression from the 1511 Latin text edition, with strong contrasts. High crown watermark. Trimmed on the border line, with most of the border preserved all around. Bartsch 14; Meder 121.

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ALBRECHT DÜRER Melencolia I.

Lot 22: ALBRECHT DÜRER Melencolia I.

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Description: ALBRECHT DÜRER Melencolia I. Engraving, 1514. 240x187 mm; 9 1/2x7 3/8 inches. A very good, evenly-printed, dark Meder II c impression, with the number "9" corrected in the third row of the number square upper right, with strong contrasts and little to no sign of wear, with the face dark and all the details distinct, with the scratch on the white portion on the thigh but before the scratch across the tip of the comet. Trimmed on the plate mark with thread margins outside the narrow black border line. Bartsch 74; Meder 75.

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ALBRECHT DÜRER St. Thomas.

Lot 23: ALBRECHT DÜRER St. Thomas.

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Description: ALBRECHT DÜRER St. Thomas. Engraving, 1514. 118x70 mm; 4 1/2x2 3/4 inches, thread margins. A superb, well-inked and dark Meder a-b impression with strong contrasts and no sign of wear. Ex-collection Pierre Mariette (?), posthumous inscription with his name and dated 1775 in pencil verso (see Lugt 1852). Bartsch 48; Meder 50.

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ALBRECHT DÜRER St. Bartholomew.

Lot 24: ALBRECHT DÜRER St. Bartholomew.

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Description: ALBRECHT DÜRER St. Bartholomew. Engraving, 1523. 123x77 mm; 4 7/8x3 1/8 inches. A very good Meder c-d impression, with the fine wiping scratches visible in the right background and with contrast. Ex-collection Colnaghi, London, with their stock number in pencil, verso. Trimmed on the plate mark. Bartsch 47; Meder 45.

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ALBRECHT DÜRER Virgin and Child Seated by the Wall.

Lot 25: ALBRECHT DÜRER Virgin and Child Seated by the Wall.

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Description: ALBRECHT DÜRER Virgin and Child Seated by the Wall. Engraving, 1514. 149x100 mm; 5 7/8x4 inches. First state (of 2). A superb, dark and evenly-printed Meder I b impression with strong contrasts and no sign of wear, with all the fine lines in the wall distinct. With thread margins or trimmed on the plate mark. Bartsch 40; Meder 36.

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ALBRECHT DÜRER The Virgin and Child Crowned by Two Angels.

Lot 26: ALBRECHT DÜRER The Virgin and Child Crowned by Two Angels.

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Description: ALBRECHT DÜRER The Virgin and Child Crowned by Two Angels. Engraving, 1518. 148x100 mm; 5 7/8x4 inches. A very good, dark and well-inked Meder a-b impression with the contours of the mountains upper left distinct and before the wiping scratches, with strong contrasts. With thread margins or trimmed on the plate mark. Bartsch 39; Meder 38.

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ALBRECHT DÜRER Philip Melanchthon.

Lot 27: ALBRECHT DÜRER Philip Melanchthon.

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Description: ALBRECHT DÜRER Philip Melanchthon. Engraving, 1526. 164x120 mm; 6 1/2x4 inches, thread margins. A good Meder d-e impression, with all the fine lines printing clearly. Bishop's hat watermark. Bartsch 105; Meder 104.

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ALBRECHT DÜRER Group of 5 woodcuts from Vier Bücher der Menschlichen Proportion.

Lot 28: ALBRECHT DÜRER Group of 5 woodcuts from Vier Bücher der Menschlichen Proportion.

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Description: ALBRECHT DÜRER Group of 5 woodcuts from Vier Bücher der Menschlichen Proportion. Group of 5 woodcuts on 3 sheets (2 double-sided), 1528. One sheet with a small high crown watermark (Meder 31, which he dates to the 1534 Latin text edition of this treatise). Very good impressions. Meder XXIX.

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LUCAS VAN LEYDEN Christ Appearing to St. Mary Magdalen as a Gardener.

Lot 29: LUCAS VAN LEYDEN Christ Appearing to St. Mary Magdalen as a Gardener.

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Description: LUCAS VAN LEYDEN Christ Appearing to St. Mary Magdalen as a Gardener. Engraving, 1519. 133x167 mm; 5 3/8x6 3/4 inches. First state (of 2). With thread margins or trimmed on the plate mark. A very good, dark impression of this very scarce engraving. Bartsch 77; Hollstein 77; Volbehr 71.

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LUCAS VAN LEYDEN The Promenade.

Lot 30: LUCAS VAN LEYDEN The Promenade.

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Description: LUCAS VAN LEYDEN The Promenade. Engraving, 1520. 115x73 mm; 4 1/2x2 7/8 inches. Trimmed on the plate mark, with the narrow black border line preserved all around. A very good impression of this extremely scarce engraving. Bartsch 144; Hollstein 144, Volbehr 142.

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LUCAS VAN LEYDEN Musicians

Lot 31: LUCAS VAN LEYDEN Musicians

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Description: LUCAS VAN LEYDEN Musicians Engraving, 1524. 116x75 mm; 4 1/2x3 inches, thread margins. Ex-collection Bernhard Keller (Lugt 384, verso) and Arthur Friederich Theodor Bohnenberger (Lugt 68, verso). A very good, dark impression of this extremely scarce engraving. We have found only 5 other impressions at auction in the past 25 years. Bartsch 155; Volbehr 153, Hollstein 155.

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LUCAS VAN LEYDEN Cain Killing Abel.

Lot 32: LUCAS VAN LEYDEN Cain Killing Abel.

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Description: LUCAS VAN LEYDEN Cain Killing Abel. Engraving, 1529. 164x117 mm; 6 1/2x4 5/8 inches, thread margins. A good impression of this scarce engraving. Bartsch 5; Volbehr 5; Hollstein 5.

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LUCAS VAN LEYDEN Two engravings.

Lot 33: LUCAS VAN LEYDEN Two engravings.

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Description: LUCAS VAN LEYDEN Two engravings. Coat-of-arms with a Mask Held by Two Genii, 1527. 76x111 mm; 3x4 1/4 inches * Mars, Venus and Cupid, 1530. 190x246 mm; 7 1/2x9 3/4 inches. Indiscernible watermark. Bartsch 167 and 137; Hollstein 167 and 137; Volbehr 161 and 122.

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ALBRECHT ALTDORFER St. Jerome in the Grotto.

Lot 34: ALBRECHT ALTDORFER St. Jerome in the Grotto.

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Description: ALBRECHT ALTDORFER St. Jerome in the Grotto. Engraving, circa 1515-20. 93x62 mm; 3 3/4x2 1/2 inches, thread margins. A very good impression of this extremely scarce, early engraving. Bartsch 21.

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HANS BALDUNG GRIEN Group of Six Wild Horses.

Lot 35: HANS BALDUNG GRIEN Group of Six Wild Horses.

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Description: HANS BALDUNG GRIEN Group of Six Wild Horses. Woodcut, 1534. 225x331 mm; 8 7/8x13 inches, small margins. A very good impression of this extremely scarce woodcut. We have found only one other impression at auction in the past 25 years. Bartsch 58; Hollstein 240; Mende 79.

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HANS BALDUNG GRIEN The Lamentation

Lot 36: HANS BALDUNG GRIEN The Lamentation

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Description: HANS BALDUNG GRIEN The Lamentation Woodcut, 1514. 223x157 mm; 8 3/4x6 1/4 inches. Trimmed on the border line. A very good, evenly-printed impression. Bartsch 5; Hollstein 53; Mende 40.

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LUCAS CRANACH St. John the Baptist Preaching in the Wilderness.

Lot 37: LUCAS CRANACH St. John the Baptist Preaching in the Wilderness.

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Description: LUCAS CRANACH St. John the Baptist Preaching in the Wilderness. Woodcut, 1516. 338x237 mm; 13 3/8x9 3/8 inches, thread margins. Indiscernible watermark. A good, dark impression of this very scarce woodcut. Bartsch 60.

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HANS SEBALD BEHAM St. Anthony the Hermit.

Lot 38: HANS SEBALD BEHAM St. Anthony the Hermit.

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Description: HANS SEBALD BEHAM St. Anthony the Hermit. Engraving, 1521. 91x63 mm; 3 1/2x2 1/2 inches. Trimmed on the plate mark. A very good impression of this extremely scarce engraving. Bartsch 64; Pauli 68.

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HANS SEBALD BEHAM Hercules Battling the Centaurs.

Lot 39: HANS SEBALD BEHAM Hercules Battling the Centaurs.

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Description: HANS SEBALD BEHAM Hercules Battling the Centaurs. Engraving, 1542. 51x80 mm; 2 1/8x3 1/4 inches. A superb, dark and well-inked impression. Bartsch 96; Pauli 98.

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HANS SEBALD BEHAM Genius with Alphabet.

Lot 40: HANS SEBALD BEHAM Genius with Alphabet.

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Description: HANS SEBALD BEHAM Genius with Alphabet. Engraving, 1542. 44x79 mm; 1 3/4x3 1/8 inches. Second state (of 3). Trimmed on the plate mark. A very good, dark impression of this extremely scarce engraving. Bartsch 229; Pauli 233.

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HANS SEBALD BEHAM Death and the Standing Nude Woman.

Lot 41: HANS SEBALD BEHAM Death and the Standing Nude Woman.

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Description: HANS SEBALD BEHAM Death and the Standing Nude Woman. Engraving, 1547. 79x55 mm; 3 1/8x2 1/8 inches. Third state (of 3). Trimmed on the plate mark. A good impression of this scarce engraving. Bartsch 150; Pauli 151.

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HANS SEBALD BEHAM Two engravings.

Lot 42: HANS SEBALD BEHAM Two engravings.

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Description: HANS SEBALD BEHAM Two engravings. Coat of Arms of Hans Sebald Beham * Coat of Arms with a Lion. Both 1544. Both approximately 70x60 mm; 2 3/4x2 3/8 inches (hexongonal), narrow margins. Both ex-collection Albert W. Blum (Lugt 79b, versos). Both superb, early impressions with no sign of wear. Bartsch 254 and 255; Pauli 265 and 266.

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HANS SEBALD BEHAM Three prints.

Lot 43: HANS SEBALD BEHAM Three prints.

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Description: HANS SEBALD BEHAM Three prints. Standard Bearer, Drummer and Piper, engraving, 1543 * Cimon and Pero, engraving, 1544 * Christ Carrying the Cross, woodcut, circa 1520. Various sizes and conditions. Very good impressions. Bartsch 198, 75 and 89; Pauli 201, 79 and 823.

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DANIEL HOPFER A Soldier and his Wife, II.

Lot 44: DANIEL HOPFER A Soldier and his Wife, II.

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Description: DANIEL HOPFER A Soldier and his Wife, II. Etching, 1530. 197x148 mm; 7 3/4x5 3/4 inches, narrow to thread margins. Second state (of 3). A very good, dark impression. Bartsch 63.

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PETER MAES Hercules and Cerberus.

Lot 45: PETER MAES Hercules and Cerberus.

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Description: PETER MAES Hercules and Cerberus. Etching, 1577. 91x56 mm; 3 5/8x2 1/4 inches. Ex-collection unknown collector, initials EPR (Lugt 895a, verso). A very good, dark impression of this extremely scarce etching. Based on the same-title engraving by Heinrich Aldegrever from 1550 (Bartsch 87). Hollstein 12.

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MARCANTONIO RAIMONDI Mars, Venus and Cupid.

Lot 46: MARCANTONIO RAIMONDI Mars, Venus and Cupid.

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Description: MARCANTONIO RAIMONDI Mars, Venus and Cupid. Engraving, 1508. 301x213 mm; 12x8 1/2 inches, narrow margins. A good, evenly-printed impression. Bartsch 345.

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MARCANTONIO RAIMONDI Allegory of a Young Man with a Torch.

Lot 47: MARCANTONIO RAIMONDI Allegory of a Young Man with a Torch.

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Description: MARCANTONIO RAIMONDI Allegory of a Young Man with a Torch. Engraving, circa 1515. 276x375 mm; 10 7/8x14 3/4 inches. With thread margins or trimmed on the plate mark. A good impression of this extremely scarce, early engraving. We have found only one other impression at auction in the past 25 years. Bartsch 360.

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MARCANTONIO RAIMONDI (after Raphael) The Plague

Lot 48: MARCANTONIO RAIMONDI (after Raphael) The Plague

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Description: MARCANTONIO RAIMONDI (after Raphael) The Plague. Engraving, circa 1515-16. 202x257 mm; 8x10 1/8 inches, narrow to thread margins. Second state (of 5), before the address of Salamanca. A good, early impression of this scarce engraving with strong contrasts on thin, cream laid paper. Bartsch 417.

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RAPHAEL SANZIO DA URBINO (after) Two engravings

Lot 49: RAPHAEL SANZIO DA URBINO (after) Two engravings

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Description: RAPHAEL SANZIO DA URBINO (after) Two engravings. Venus and Psyche. Engraved by Lambert Suavius III * Bathhouse. Engraved by Gregorius after an earlier engraving by Bonasone. With--MICHELANGELO BUONARROTI (after). Archers Shooting at a Target, engraving. Engraved by Beatrizet and published by Lafreri. Various sizes and conditions.

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AGOSTINO VENEZIANO (after Michelangelo) Soldiers Bathing in the Arno (Climbers)

Lot 50: AGOSTINO VENEZIANO (after Michelangelo) Soldiers Bathing in the Arno (Climbers)

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Description: AGOSTINO VENEZIANO (after Michelangelo) Soldiers Bathing in the Arno (Climbers). Engraving, 1524. 324x446 mm; 12 3/4x17 1/2 inches. Trimmed on or just inside the plate mark, expertly-repaired tears. A good and nearly complete impression of this very scarce, important Italian Reniassance engraving. Bartsch 423.

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