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Warhol Etc... President's Day Sale in Aspen, CO

by Revolver Auctions


139 lots with images

February 16, 2014

Live Auction

315 E Dean St

Aspen, CO, 81611 USA

Phone: 310.786.7417

Fax: N/A

Email: info@revolverauctions.com

139 Lots
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Mr. Brainwash - The Champ

Lot 1: Mr. Brainwash - The Champ

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Description: Title: The Champ Medium: Screen print on Archival art paper Year: 2011 Size: 52 x 36" Edition: 95 Signed, numbered, and thumb printed by the artist

Condition Report: Available Upon Request

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Charles Bell - Curtain Call

Lot 2: Charles Bell - Curtain Call

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Description: Title: Curtain Call Medium: Silkscreen Size: 27 x 37 inches Edition: 59 of 200 Details: Estate stamp, lower right Condition Report Available upon request.

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Romero Britto-

Lot 3: Romero Britto-" What More Can I Give"

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Description: Description Title: Michael Jackson signed "What More Can I Give" Date: 2003 Medium: Canvas Size: 44" x 44 1/4" Edition: Signed by Romero Britto and Michael Jackson from edition of 250 ***SIGNED BY MICHAEL JACKSON*** Additional Information: GiclÌÎå©e print on canvas was given with the original invitation to Michael Jackson's 'Once in a Lifetime Event' at Neverland Ranch on September 13th, 2003. This print was used as the album cover for Michael Jackson's charity single, "What More Can I Give", to benefit the victims of the September 11th terrorist attacks. Romero Britto is a Brazilian-American Neo-Pop artist, painter, graphic artist and sculptor. His work, as described by the New York Times. "exudes warmth, optimism, and love" due to his combined influences of cubism with pop's, vibrant iconic style. Condition Report

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Alexander Calder - Untitled (Cow)

Lot 4: Alexander Calder - Untitled (Cow)

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Description: Title: Untitled (Cow) Medium: Original gouache on paper Size: 7 ½ x 10 inches Condition Report: Available Upon Request

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Marc Chagall - Le Songe du Peintre (Painter's Dream)

Lot 5: Marc Chagall - Le Songe du Peintre (Painter's Dream)

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Description: Artist: Marc Chagall Year: 1967 Medium: Original lithograph in colors on Arches paper. Edition: rare limited edition of 50. Size: 34 1/4 x 25 3/4 inches Signature: Hand-signed in pencil, lower right

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Marc Chagall - Concert In The Night

Lot 6: Marc Chagall - Concert In The Night

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Description: Title: Marc Chagall - Concert In The Night Artist: Marc Chagall Year: 1983 Medium: Original lithograph in colors on Arches paper. Edition:rare limited edition of 50. Size: 25 3/4x 19 inches Signature: Hand-signed in pencil. Lower Right Condition Report Upon Request

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Marc Chagall - St. Paul on Night

Lot 7: Marc Chagall - St. Paul on Night

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Description: Title: St. Paul on Night Artist: Marc Chagall Year: 1980 Medium: Original lithograph in colors on Arches paper. Edition: rare limited edition of 50. Size: 25 1/4x 18 3/4 inches Signature: Hand-signed in pencil Condition Report: Available Upon Request

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Chuck Close -  Self Portrait

Lot 8: Chuck Close - Self Portrait

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Description: Description Title: Self Portrait Date: 1993 Medium: Woven silk tapestry Size: 50 3/8 x 38 inches Edition: 6 of 150 Additional Information: Signed and dated. Condition Report: Available Upon Request

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Robert Cottingham - Fox

Lot 9: Robert Cottingham - Fox

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Description: Title: Fox Date: 2009 Medium: Silkscreen on paper Size: : 38 x 38 inches Edition: X of 100, signed and numbered by the artist

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Salvador Dali- Lincoln in Dalivision

Lot 10: Salvador Dali- Lincoln in Dalivision

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Description: Description Artist: Salvador Dali Title: Lincoln in Dalivision Year: 1974 Size: Relief - 28 x 19 x .5 inches; Case: 29.5 x 20.5 x 2 inches Details: Bronze relief in velour clamshell case. Provenance: Cedars-Sinai Medical Center Condition Report: Available Upon Request

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Salvador Dali- Melting Clock

Lot 11: Salvador Dali- Melting Clock

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Description: Title: Melting Clock Date: 1970s Medium: paper Size: 17 x 22 x 26 inches Edition: Limited Edition of 500 Additional Information: Salvador Dali is one of the best-known surrealist artists. He began to explore his unfavored curiosity of Nazism around the 1930 when he moved to the United States (he did not return to Spain until after the war). His work was well-received in the United States as he addressed religious themes and his unique perception of popular images and subjects. Dali's lithographs are copies of his original artworks made from etchings on limestone. Produced by Dali, they are usually signed afterwards. He was influenced by the Master?ÌÝå»s during the Renaissance period, which is obvious when we look at his lithographs. Though he explored other medias such as sculpting or film, he preferred painting. It was common for him to combine his love of symbolism and science to form one image. In 1931, he produced The Persistence of Memory. This painting depicted melting clocks to show the relativity of time and space in his eyes. the lithograph Melting Clocks was produced after this famous painting.

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Salvador Dali - Philip (Knighting of Sir Galahad)

Lot 12: Salvador Dali - Philip (Knighting of Sir Galahad)

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Description: Artist: Salvador Dali Title: Philip (Knighting of Sir Galahad) Date: 1972 Medium: Original lithograph Size: 25 1/2 x 18 7/8 inches Edition: 430

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Savador Dali - Thomas (Lancelot Healing Sir Urre)

Lot 13: Savador Dali - Thomas (Lancelot Healing Sir Urre)

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Description: Title: Thomas (Lancelot Healing Sir Urre) Date: 1972 Medium: Original lithograph Size: 25 1/2 x 18 7/8 inches Edition: 430 Condition Report Upon Request.

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Savador Dali - John (Knight of the Sparrow-Hawk)

Lot 14: Savador Dali - John (Knight of the Sparrow-Hawk)

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Description: Title: John (Knight of the Sparrow-Hawk) Date: 1972 Medium: Original lithograph Size: 25 1/2 x 18 7/8 inches Edition: 430

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Savador Dali - Jude (Excalibur)

Lot 15: Savador Dali - Jude (Excalibur)

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Description: Title: Jude (Excalibur) Date: 1972 Medium: Original lithograph Size: 25 1/2 x 18 7/8 inches Edition: 430

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Salvador Dali - James the Lesser (Vicar of Britain)

Lot 16: Salvador Dali - James the Lesser (Vicar of Britain)

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Description: Title: James the Lesser (Vicar of Britain) Date: 1972 Medium: Original lithograph Size: 25 1/2 x 18 7/8 inches Edition: 430

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Savador Dali - Peter (Keeper of the Keys)

Lot 17: Savador Dali - Peter (Keeper of the Keys)

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Description: Title: Peter (Keeper of the Keys) Date: 1972 Medium: Original lithograph Size: 25 1/2 x 18 7/8 inches Edition: 430

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Jim Dine - The Garrity Necklace

Lot 18: Jim Dine - The Garrity Necklace

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Description: Description Title: The Garrity Necklace Date: 1986 Medium: Etching Size: 40 ½ x 53 ½ inches Edition: 25 of 30 Additional Information: Hand-signed with initials. Condition Report: Available Upon Request

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Jim Dine - Study for the rings on Dorian Gray's Hand

Lot 19: Jim Dine - Study for the rings on Dorian Gray's Hand

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Description: Description Title: Study for the rings on Dorian Gray's Hand from Picture of Dorian Gray Suite (Edition B) Date: 1968 Medium: Lithograph Size: 16 x 8 inches Edition: X of 200 Additional Information: Hand-signed Condition Report: Available Upon Request

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Ben Eine - Adventure

Lot 20: Ben Eine - Adventure

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Description: Description Title: Adventure Medium: Screen print Year: 2013 Size: 24 x 24 inches Edition: 100 Condition Report Available Upon Request

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Shepard Fairey - Keith Haring Canvas

Lot 21: Shepard Fairey - Keith Haring Canvas

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Description: Artist: Shepard Fairey Title: Keith Haring Canvas Year: 2010 Size: 18x24 inches Details: Screenprint. Signed and Numbered Artist Proof (AP) More Information: From Shepard;s foreword to Keith Haring Journals (Penguin Classics Deluxe Edition): Anyone familiar with the career of Keith Haring knows he was a prolific artist with a distinct style that was simultaneously refined and primitive, deliberate yet lyrical and energetic. Clearly he aspired to create art with purity and integrity, but to do so in an accessible way so it could be shared with people. He was also widely known to pursue his art with a deeply personal vision, as a champion of social justice and a believer in the interconnectedness of humanity. The worlds Haring deftly navigated and the barriers he attempted to break down have been extensively noted by art critics. However, itÌÎå´s one thing to see an artist's work and hear critical analysis, and another altogether to hear an artist's own thoughts, ideas, hopes, fears, questions, and most profound philosophies in his own words. Haring, as viewed through the prism of success, cannot compare to the thoughts revealed in his journals as they follow his evolution as an artist and human being, his rise to fame, and his eventual diagnosis as HIV positive. One of the many insights Haring shares in his journals is that fame changes people's perception. In 1989, Haring wrote, People keep asking me how success has changed me. I always say that success has changed people's responses and behavior toward me and that has affected me, but it has not really changed me. I feel the same on the inside as I did 10 years ago. Through Haring's journals, one bypasses the detached academic evaluations of his work as art history and finds the artist's own documentation and catharsis as he develops his identity and philosophy. It's nothing short of remarkable how developed and sophisticated Keith Haring's worldview was at a very young age. Upon arriving at the School of Visual Arts in New York in 1978 at only 20 years old, Haring begins to lay out his ideas about art and life. Haring's populism is demonstrated early on, and eventually manifests in many forms. The public has a right to art and Art is for everybody are ideas that can be found in his journals from that time, and remained consistent throughout his career. Traveling the New York subways, Haring immediately took note of the surrounding visuals. The graffiti and advertising posters seen on and around the subways influenced Haring as not only aesthetic references but as accessible images in the public right-of-way. He engaged with the pervasive forces of advertising as repetitive and graphically engaging, and graffiti as free-spirited, fluid transgression, sometimes interacting with or commenting upon the advertising. Haring illuminated his transition from an observer of these visuals to a participant adding his own work into the negative area in ads and other spaces of opportunity in the public environment. He discusses his idea of his paintings as visual poems with hieroglyphics or pictograms open to interpretation by the viewer. His journals provide ample evidence that the visual language he developed was not simply justified by retroactive intellectualization, but evolved from a desire to fulfill a very clear vision. Shepard Fairey is a street Artist like Banksy and Mr. Brainwash.

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Shepard Fairey - George Harrison (Gold)

Lot 22: Shepard Fairey - George Harrison (Gold)

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Description: Description Title: Shepard Fairey - George Harrison (Gold) Artist: Shepard Fairey Medium: Screenprint on paper Year: 2011 Size: 18 x 24 inches Edition: Signed and Numbered edition of 450 More Information: From Obey Giant Website: ?ÌÝÌ?Today I am proud to honor the legacy of George Harrison and the very first major music concert for a cause "The Concert for Bangladesh". Join me in supporting the great work of the George Harrison Fund for UNICEF and their work with the children affected by the famine in Africa.?ÌÝ? - Shepard Fairey Shepard Fairey is a street artist like Retna, Banksy, and Mr. Brainwash. Condition Report Upon Request. Work comes un-framed unless otherwise noted.

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Shepard Fairey X Kai & Sunny - Collaborative Print - GOLD

Lot 23: Shepard Fairey X Kai & Sunny - Collaborative Print - GOLD

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Description: Title: Shepard Fairey X Kai & Sunny - Collaborative Print - GOLD Artist: Shepard Fairey X Kai & Sunny Size: 17" x 22" x 26" paper Edition: Limited Edition of 200 Medium: Black & Gold Stardust. Hand pulled 2 colour screen print Size: 57 x 76 cm (22.4 x 29.9 Inch) Condition Report: Upon Request. Additional Information: We are showingÌ´Ì_Kai & SunnyÌ´Ì_this weekend at Subliminal projects and their work is amazing. I was fortunate enough to do a print collaboration with them and it turned out very beautifully. There are two color ways in the screen print edition: black and silver, and black and light gold. The metallic is more luminous than most and has to be seen in person. The print is on premium rag paper withÌ´Ì_deckledÌ´Ì_edges and there is an embossed Kai & Sunny logo in the lower right. The prints are signed and numbered byÌ´Ì_Kai & Sunny and me. The wholeÌ´Ì_Kai & SunnyÌ´Ì_?ÌÝ?Caught By The Nest?ÌÝ? show is gorgeous and is a must see. I hope to see you Saturday!

Condition Report: Mint Condition. Purchased from Artist.

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Shepard Fairey - John & Yoko

Lot 24: Shepard Fairey - John & Yoko

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Description: 18 x 24 inches Screen Print on paper. Signed and Numbered Edition of 450. Photo by Iain Macmillan (c) Yoko Ono

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Jean Michel Folon - Souvenir D' Alice

Lot 25: Jean Michel Folon - Souvenir D' Alice

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Description: Description Title: Souvenir D'Alice Date: 1973 Medium: Original serigraph Size: 29 x 36 inches Edition: 178 of 200 Condition Report: Available Upon Request

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Carole Fuerman- Shower, Full Face

Lot 26: Carole Fuerman- Shower, Full Face

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Description: Title: Shower, Full Face Date:2012 Medium:Silkscreen on Canvas with Diamond Dust Size: 45 x 39 inches Edition: 3 of 25 Additional Information: signed on back

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Jerry Garcia - Garcia Grisman (Not For Kids Only)

Lot 27: Jerry Garcia - Garcia Grisman (Not For Kids Only)

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Description: Description Title: Garcia Grisman (Not For Kids Only) Date: 1993 Medium: Offset Lithograph Size: 14 x13 1/2 inches Edition: edition of 500; signed by Jerry Garcia Condition Report: Available Upon Request. Work comes unframed.

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Damien Hirst - Opium

Lot 28: Damien Hirst - Opium

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Description: Artist: Damien Hirst Title: Opium (2000). Medium: Lambda print in colors on Fujicolor Professional paper. Year: 2000. Size: 48.3 x 43.6 cm (image and paper). Edition: Signed in black ink lower right, numbered XXX/500 in pencil on the verso. Published by Eyestrom, London, in excellent condition. Framed.

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Damien Hirst - For the Love Of God Lenticular

Lot 29: Damien Hirst - For the Love Of God Lenticular

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Description: Medium: Digital print on PETG plastic Year: 2013 Size: 600 x 400 mm Edition: of 5000 - Signed ‘For the Love of God’, a platinum skull set with diamonds, is one of Hirst’s most important and widely recognised works. Its raw materials define it as an artwork of unprecedented scale. The 32 platinum plates making up ‘For the Love of God’ are set with 8,601 VVS to flawless pavé-set diamonds, weighing a massive 1,106.18 carats. The teeth inserted into the jaw are real and belong to the original skull. The skull from which ‘For the Love of God’ was cast, was purchased from a London taxidermist and subsequently subjected to intensive bioarchaeological analysis and radiocarbon dating. This research revealed it dated from around 1720 - 1810, and was likely to be that of a 35-year-old man of European/Mediterranean ancestry. The title originates from exclamations Hirst’s mother would make on hearing plans for new works when he was starting out as an artist. As he explains: “She used to say, ‘For the love of God, what are you going to do next!’” ‘For the Love of God’ acts as a reminder that our existence on earth is transient. Hirst combined the imagery of classic memento mori with inspiration drawn from Aztec skulls and the Mexican love of decoration and attitude towards death. He explains of death: “You don’t like it, so you disguise it or you decorate it to make it look like something bearable – to such an extent that it becomes something else.”[2] The incorporation of the large central stone was inspired by memories of the comic ‘2000 AD’, which Hirst used to read as a child. He relates how the comic, “used to have a character in it called Tharg the Mighty who had a circle on his forehead. He was like a kind of powerful, God-like figure who controlled the universe,” Hirst explains. “It kind of just looked like it needed something. A third eye; a connection to Jesus and his dad.”[3] Alongside their dazzling brilliance and “Eucharistic” beauty, Hirst’s fascination with diamonds results partly from the mutterings and uncertainty surrounding their inherent worth. In the face of the industry’s ability to establish their irreplaceable value, it becomes necessary to question whether they are “just a bit of glass, with accumulated metaphorical significance? Or [whether they] are genuine objects of supreme beauty connected with life.”[4] The cutthroat nature of the diamond industry, and the capitalist society which supports it, is central to the work’s concept. Hirst explains that the stones “bring out the best and the worst in people […] people kill for diamonds, they kill each other”.[5]

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Damien Hirst - The Souls II - Silver Gloss

Lot 30: Damien Hirst - The Souls II - Silver Gloss

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Description: Artist: Damien Hirst Title: The Souls II - Silver Gloss - Westminster Blue - Blind Impression Suite: The Souls II Year: 2010 Medium: Original foilblock print on 300gsm Arches 88 archival paper Edition: Limited edition of only 15 Size: 28 3/8" x 20 1/8" Publisher: Paul Stolper and Other Criteria Signature: Hand signed by the artist in pencil Condition Report Upon Request. All works come unframed unless otherwise noted.

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Dennis Hopper - Venice

Lot 31: Dennis Hopper - Venice

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Description: Signed 'For Tom Freston your the Best Man Thanks + Love Dennis Hopper'

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 Louis Icart - Le Sofa

Lot 32: Louis Icart - Le Sofa

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Description: Artist:Louis Icart Work:Sofa Medium:Original dry point etching on paper with hand water coloring. Edition:Limited to approximately 250 impressions. Signed in pencil in lower margin Size:17 x 25 3/4 inches Year: 1937 Catalogue:Fig. 467, The Complete Etchings.

Condition Report: Upon Request. All works unframed unless otherwise noted.

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Yaacov Agam - Agamograph #16/199

Lot 33: Yaacov Agam - Agamograph #16/199

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Description: Signed: Agam Agam is one of the pioneer creators of the kinetic movement in art as well as its most outstanding contemporary representative. Agam was born in 1928 a son of a Rabbi of Rishon LeZion (Israel), who devoted his life to the study of Jewish religious matters and wrote books. Agam considers himself somehow as a visual continuation of his father's quest for spirituality. Agam studied at the Bezalel Academy of Art in Jerusalem, and in Switzerland at the Eidgenossische Technische Hochschule and the Zurich University. After arriving to Paris in 1951, Agam held his first one man exhibition with a great success in 1953 This exhibition consisted totally of kinetic, movable and transformable paintings, which actually was the first one-man show in art history exclusively devoted to kinetic art.

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Alex Katz - Night: William Dunas Dance (set of 4), 1981

Lot 34: Alex Katz - Night: William Dunas Dance (set of 4), 1981

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Description: Name: Night: William Dunas Dance (set of 4) Date: 1981 Medium: Lithographs in colors Size: 25 x 31-1/4 inches (63.5 x 79.4 cm) Edition: 24/100 Each signed and numbered in pencil. Total of (4) works. Published: Jackie Fine Arts Inc.

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Steve Kaufman - Double Mickey Mouse

Lot 35: Steve Kaufman - Double Mickey Mouse

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Description: Description Title: Double Mickey Mouse Date: 2000 Medium:Hand-embellished screenprint on canvas Size: 33 x 47 inches Edition:Original work of art. Hand-signed in initials, verso. Condition Report: Available Upon Request

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Steve Kaufman- Elvis I

Lot 36: Steve Kaufman- Elvis I

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Description: Description Title: Steve Kaufman- Elvis I Artist: Steve Kaufman Work: Elvis I Medium: Oil and Silkscreen on canvas Edition: 430 Size: 38 x 38 inches Year: 1996

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Mark Kostabi - Need for Speed

Lot 37: Mark Kostabi - Need for Speed

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Description: Description Title: Need For Speed Date: 2013 Medium: Mixed media Size: 45.7 x 61 cm

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Walter Lantz - Untitled (Panda Bear)

Lot 38: Walter Lantz - Untitled (Panda Bear)

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Description: Description Title: Untitled (Panda Bear) Medium: Original ink drawing Size: 3 x 5 inches. Additional Information: Original. Hand-signed. Condition Report: Available Upon Request

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Roy Liechtenstein -

Lot 39: Roy Liechtenstein -"Jobs...Not Cheese! Moffett for Senator"

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Description: Work: Jobs...Not Cheese! Moffett for Senator" Artist: Roy Liechtenstein Size: 33 x 23 inches Edition: Signed/numbered work of edition of 300 Medium: Offset Color Lithograph Year: 1977 Condition Report:Upon Request. Additional Information: Connecticut politician and Democrat Anthony John "Toby" Moffett (born 1944) unsuccessfully challanged the incumbent Republican Connecticut U.S. Senator Lowell Weicker in the 1982 election. In support of Moffett's senatorial run, this poster responds to then President Ronald Reagan's infamous, "Let them eat cheese," quote reffering to his stance on welfare recipients.Often, this offset lithograph is mistaken for being a 1977 print, but is in fact, a work printed in 1982. Underneath the image on the right side is an explanation of a 1977 copyright. This image was created in 1977. It was then used for a poster for an exhibition at ACE Gallery for Surrealist Paintings in 1978. Subsequently, it was used for Moffetts senatorial run in 1982, in which the text was then printed for his campaign. Condition Report Upon Request

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Roy Liechtenstein  - Girl from One Cent Life Portfolio

Lot 40: Roy Liechtenstein - Girl from One Cent Life Portfolio

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Description: Description Title: Girl from One Cent Life Portfolio Date: 1964 Medium: Lithograph Size: 16 x 11.5 inches Edition: X of 2,000 Condition Report Upon Request.

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Robert Longo - Frank & Glen, 1991

Lot 41: Robert Longo - Frank & Glen, 1991

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Description: Medium: Lithograph Year: 1991 Size: 37.5 x 55.0 inches Medium: Color lithograph Details: Signed, dated, and numbered by the artist. Condition Report: Available Upon Request Frame not included. Acquired directly from Publisher.

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Henri Matisse - Apollinaire book, 1952

Lot 42: Henri Matisse - Apollinaire book, 1952

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Description: Work: Apollinaire book, 1952 (Does not include Rene Leriche Lithograph) Description: Apollinaire with seven lithographs, one aquatint, three linoleumcut lettrines printed in red and lithographic cover in colors, on Velin d'Arches, text by Andr? Rouveyre. pollinaire numbered 55 on the justification (of 350 total copies), signed and dated in ink on the title page by Rouveyre and inscribed ? Madame Andr? Rasse, parce que: Art, Po?sie..cher Docteur; et ? vous-m?me, parce que: Art, Po?sie, Amiti?..En souvenir de votre, affectieusement fraternel by Rouveyre. This is lacking the slip case. Size: 7 5/8 x 8 1/4 inches (19.4 x 21 cm) Year: 1952

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JOAN MIRÓ, LA MELODIE ACIDE 1980- (1) Lithograph

Lot 43: JOAN MIRÓ, LA MELODIE ACIDE 1980- (1) Lithograph

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Description: Title: JOAN MIRÓ, LA MELODIE ACIDE, PARIS, GALERIE LUCIE WELL, 1980 Work:LA MELODIE ACIDE, PARIS, GALERIE LUCIE WELL Artist: JOAN MIRÓ Year: 1980 Size: 337 x 258 mm Edition: Edition of 1500 Additional Information: From a set of 14 lithographs signed at the plate. Numbered. Complete set up for auction individually. This is only (1) of the lithographs. From a complete set, on Arches paper, including justification and 14 lithographs, hors-texte, each plate numbered 0 (there was also an early edition of 145 signed and numbered copies), the full sheet. Joan Miro was a Spanish painter and sculptor. Miro created this lithograph to connect his love for music and dance, leaving to our imagination the possible stories they create. The images proposed by the artist are alive figures that speak and move by themselves, it is up to us to connect them together in a scene of dance and music. Condition Report Available Upon Request

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JOAN MIRÓ, LA MELODIE ACIDE - (1) Lithograph

Lot 44: JOAN MIRÓ, LA MELODIE ACIDE - (1) Lithograph

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Description: Title: JOAN MIRÓ, LA MELODIE ACIDE, PARIS, GALERIE LUCIE WELL, 1980 Work:LA MELODIE ACIDE, PARIS, GALERIE LUCIE WELL Artist: JOAN MIRÓ Year: 1980 Size: 337 x 258 mm Edition: Edition of 1500 Additional Information: From a set of 14 lithographs signed at the plate. Numbered. Complete set up for auction individually. This is only (1) of the lithographs. From a complete set, on Arches paper, including justification and 14 lithographs, hors-texte, each plate numbered 0 (there was also an early edition of 145 signed and numbered copies), the full sheet. Joan Miro was a Spanish painter and sculptor. Miro created this lithograph to connect his love for music and dance, leaving to our imagination the possible stories they create. The images proposed by the artist are alive figures that speak and move by themselves, it is up to us to connect them together in a scene of dance and music.

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JOAN MIRÓ, LA MELODIE ACIDE - (1) Lithograph

Lot 45: JOAN MIRÓ, LA MELODIE ACIDE - (1) Lithograph

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Description: Title: JOAN MIRÓ, LA MELODIE ACIDE, PARIS, GALERIE LUCIE WELL, 1980 Work:LA MELODIE ACIDE, PARIS, GALERIE LUCIE WELL Artist: JOAN MIRÓ Year: 1980 Size: 337 x 258 mm Edition: Edition of 1500 Additional Information: From a set of 14 lithographs signed at the plate. Numbered. Complete set up for auction individually. This is only (1) of the lithographs. From a complete set, on Arches paper, including justification and 14 lithographs, hors-texte, each plate numbered 0 (there was also an early edition of 145 signed and numbered copies), the full sheet. Joan Miro was a Spanish painter and sculptor. Miro created this lithograph to connect his love for music and dance, leaving to our imagination the possible stories they create. The images proposed by the artist are alive figures that speak and move by themselves, it is up to us to connect them together in a scene of dance and music. Condition Report: Available Upon Request

Condition Report: Available Upon Request

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JOAN MIRÓ, LA MELODIE ACIDE - (1) Lithograph

Lot 46: JOAN MIRÓ, LA MELODIE ACIDE - (1) Lithograph

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Description: Title: JOAN MIRÓ, LA MELODIE ACIDE, PARIS, GALERIE LUCIE WELL, 1980 Work:LA MELODIE ACIDE, PARIS, GALERIE LUCIE WELL Artist: JOAN MIRÓ Year: 1980 Size: 337 x 258 mm Edition: Edition of 1500 Additional Information: From a set of 14 lithographs signed at the plate. Numbered. Complete set up for auction individually. This is only (1) of the lithographs. From a complete set, on Arches paper, including justification and 14 lithographs, hors-texte, each plate numbered 0 (there was also an early edition of 145 signed and numbered copies), the full sheet. Joan Miro was a Spanish painter and sculptor. Miro created this lithograph to connect his love for music and dance, leaving to our imagination the possible stories they create. The images proposed by the artist are alive figures that speak and move by themselves, it is up to us to connect them together in a scene of dance and music. Condition Report Upon Request

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JOAN MIRÓ, LA MELODIE ACIDE - (1) Lithograph

Lot 47: JOAN MIRÓ, LA MELODIE ACIDE - (1) Lithograph

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Description: Description Title: JOAN MIRÓ, LA MELODIE ACIDE, PARIS, GALERIE LUCIE WELL, 1980 Work:LA MELODIE ACIDE, PARIS, GALERIE LUCIE WELL Artist: JOAN MIRÓ Year: 1980 Size: 337 x 258 mm Edition: Edition of 1500 Additional Information: From a set of 14 lithographs signed at the plate. Numbered. Complete set up for auction individually. This is only (1) of the lithographs. From a complete set, on Arches paper, including justification and 14 lithographs, hors-texte, each plate numbered 0 (there was also an early edition of 145 signed and numbered copies), the full sheet. Joan Miro was a Spanish painter and sculptor. Miro created this lithograph to connect his love for music and dance, leaving to our imagination the possible stories they create. The images proposed by the artist are alive figures that speak and move by themselves, it is up to us to connect them together in a scene of dance and music. Condition Report Upon Request

Condition Report: Upon Request

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JOAN MIRÓ, LA MELODIE ACIDE - (1) Lithograph

Lot 48A: JOAN MIRÓ, LA MELODIE ACIDE - (1) Lithograph

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Description: Description Title: JOAN MIRÓ, LA MELODIE ACIDE, PARIS, GALERIE LUCIE WELL, 1980 Work:LA MELODIE ACIDE, PARIS, GALERIE LUCIE WELL Artist: JOAN MIRÓ Year: 1980 Size: 337 x 258 mm Edition: Edition of 1500 Additional Information: From a set of 14 lithographs signed at the plate. Numbered. Complete set up for auction individually. This is only (1) of the lithographs. From a complete set, on Arches paper, including justification and 14 lithographs, hors-texte, each plate numbered 0 (there was also an early edition of 145 signed and numbered copies), the full sheet. Joan Miro was a Spanish painter and sculptor. Miro created this lithograph to connect his love for music and dance, leaving to our imagination the possible stories they create. The images proposed by the artist are alive figures that speak and move by themselves, it is up to us to connect them together in a scene of dance and music. Condition Report: Available Upon Request

Condition Report: Available Upon Request

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JOAN MIRÓ, LA MELODIE ACIDE - (1) Lithograph

Lot 49: JOAN MIRÓ, LA MELODIE ACIDE - (1) Lithograph

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Description: Description Title: JOAN MIRÓ, LA MELODIE ACIDE, PARIS, GALERIE LUCIE WELL, 1980 Work: LA MELODIE ACIDE, PARIS, GALERIE LUCIE WELL Artist: JOAN MIRÓ Year: 1980 Size: 337 x 258 mm Edition: Edition of 1500 Additional Information: From a set of 14 lithographs signed at the plate. Numbered. Complete set up for auction individually. This is only (1) of the lithographs. From a complete set, on Arches paper, including justification and 14 lithographs, hors-texte, each plate numbered 0 (there was also an early edition of 145 signed and numbered copies), the full sheet. Joan Miro was a Spanish painter and sculptor. Miro created this lithograph to connect his love for music and dance, leaving to our imagination the possible stories they create. The images proposed by the artist are alive figures that speak and move by themselves, it is up to us to connect them together in a scene of dance and music. Condition Report Upon Request

Condition Report: Available Upon Request

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JOAN MIRÓ, LA MELODIE ACIDE - (1) Lithograph

Lot 50A: JOAN MIRÓ, LA MELODIE ACIDE - (1) Lithograph

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Description: Description Title:JOAN MIRÓ, LA MELODIE ACIDE, PARIS, GALERIE LUCIE WELL, 1980 Work:LA MELODIE ACIDE, PARIS, GALERIE LUCIE WELL Artist: JOAN MIRÓ Year: 1980 Size: 337 x 258 mm Edition: Edition of 1500 Additional Information: From a set of 14 lithographs signed at the plate. Numbered. Complete set up for auction individually. This is only (1) of the lithographs. From a complete set, on Arches paper, including justification and 14 lithographs, hors-texte, each plate numbered 0 (there was also an early edition of 145 signed and numbered copies), the full sheet. Joan Miro was a Spanish painter and sculptor. Miro created this lithograph to connect his love for music and dance, leaving to our imagination the possible stories they create. The images proposed by the artist are alive figures that speak and move by themselves, it is up to us to connect them together in a scene of dance and music. Condition Report Upon Request

Condition Report: Available Upon Request

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