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Auction Description for Sotheby's: Prints & Multiples

Prints & Multiples (60 Lots)

by Sotheby's


60 lots with images

October 27, 2016

Live Auction

New York, NY, USA

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SYBIL ANDREWS | The New Cable (Coppel SA17)

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Description: Linoleum cut printed in colors, 1931, the second state without the blue background, signed in pencil, titled, inscribed '(2nd State)', numbered 23/60, on buff oriental laid tissue, framed

Condition Report: The print is in good condition, the full sheet with wide margins. With faint light-stain and tack holes in all four corners. Verso only partially examined. (Top right corner squared off.)In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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RODOLPHE BRESDIN | Le Bon Samaritan (Van Gelder 100)

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Description: Lithograph, 1861, a brilliant impression, one of the few known impressions of the very rare first edition, on cream chine appliqué with the Arches mount, printed by Lemercier, Paris, framed

Condition Report: The print is in good condition, with full margins. The lower sheet edge with damp-staining and soiling, some small insect losses and tears in the lower part of the margins at right and left. Insect damage repaired with japan. A few other tears in the margins, no larger than one inch. Another tear in the right margin corner, approximately two inches. Some soiling in the margins.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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JOAN MIRÓ | Les Trois Soeurs (Dupin 25)

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Description: Drypoint and etching with extensive handcoloring in crayon by the artist, 1938, signed in red brush, numbered 2/4, one of only four handcolored impressions on parchment (aside from the regular edition of 30), on Arches wove, engraved at Marcoussis' Studio, printed at the Atelier Lacourière, Paris, framed

Condition Report: The print is in good condition, with full margins. Verso not examined.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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JOAN MIRÓ | Manoletina (D. 509)

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Description: Aquatint and carborundum printed in colors, 1969, signed in pencil, numbered 44/75, on Mandeure rag paper, printed by Arte Adrien Maeght, published by Maeght éditeur, Paris, framed

Condition Report: The print is in good condition, the full sheet. (The sheet inconspicuously darkened.). Three small handling creases at bottom edge. One paper fault at top left edge. The upper right corner slightly soft. A slight undulation to the sheet overall. A few miniscule fox marks visible at left edge. The verso in good condition with a few traces of ink and surface dirt. Titled in pencil lower center.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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JOAN MIRÓ | La Meneuse de Lune (Mourlot 1029)

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Description: Lithograph printed in colors, 1975, signed in pencil, numbered 23/30 (total edition includes five hors commerce impressions), on Arches wove paper, printed and published by Maeght, Paris, framed

Condition Report: The print is in good condition, with margins. The sheet is slightly toned. Areas of faint creasing and a few faint scattered marks of stray ink along the right edge of the sheet. A faint horizontal crease in the margin at lower center edge and one small spot of discoloration in the margin. The lower left edge of the sheet with a few inconspicuous soft creases in the margin. Not examined out of the frame.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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LÁSZLÓ MOHOLY-NAGY | Segments of a Circle with Cross (see Passuth 132)

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Description: Linoleum cut, 1923, signed in pencil, dated, inscribed 'A27', from the small edition of unknown size, on wove paper, framed

Condition Report: With large margins. Several tears in the margins, one into the image at lower center. Horizontal crease in margin at upper center. Most of the margins covered over with Japan and backed with wove.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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GIORGIO MORANDI | Il giardino di via fondazza (Vitali 25)

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Description: Etching, 1924, Vitali's third state of four, signed in pencil, dated, numbered 52/55, on cream wove paper, framed

Condition Report: The print is in good condition, with large margins. Minor discoloration and soiling in the margins. A small rust fleck in the lower left margin corner. Faint graphite marks, 1/4 inch beyond the plate. The verso with old hinge stains (slightly showing through) and associated skinning in the corners.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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GIORGIO MORANDI | Natura morta con compostiera, bottiglia lunga e bottiglia scannellata (V. 50)

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Description: Etching, 1928, Vitali's first state of two, signed in pencil, dated, numbered 12/50, on India collé mounted on wove paper, framed

Condition Report: The print is in good condition, with full margins. The margins with minor soiling and traces of printers ink.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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GIORGIO MORANDI | Natura morta con quattro oggetti (V. 114)

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Description: Etching, 1947, signed in pencil, dated '1946', inscribed 'prova di stampa', a proof aside from the numbered edition of 50, on wove paper, framed

Condition Report: The print is in good condition, with large margins (recto and verso).In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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OTTO MÜLLER | Zwei Mädchen-Halbakte (Karsch 121.b)

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Description: Lithograph, 1920, initialed in pencil with the artist's monogram, from the edition of 60 (total edition includes 30 on Japan paper), on handmade wove paper, with the blindstamp of the publisher, Euphorion-Verlag, Berlin, framed

Condition Report: The print is in good condition. Mat- and light-stain to the sheet. A three inch diagonal soft crease visible in the lower left margin. Small nicks to the sheet in lower left corner. All four corners of the sheet are slightly soft. Faint handling creases along upper edge. (One minute nick at center right edge of sheet). The verso in good condition with slight discoloration and surface soiling. Remnants of previous hinging tape adhered at three corners. Occassional faint scattered fox marks.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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EDVARD MUNCH | Angst (Woll 63; Schiefler 61)

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Description: Lithograph printed in red and black, 1896, signed in pencil, numbered 50, from the edition of 100 included in Ambroise Vollard's Album des Peintres-Graveurs, printed by Clot, on cream wove paper, framed

Condition Report: The print is in good condition, with margins. Three repaired tears at left edge, one extending 1.5 inches into the image at lower left, the other two in the margin. A small unrepaired tear in the upper margin at center. A tiny nick in the sheet at upper left between black and red ink. A few pale water stains and creases. One soft diagonal crease through the lower left part of the image. Faint mat-stain, and some small losses in the upper right corner and upper right margin. A few miniscule fox marks in the image. The verso with some skin spots at extreme edges. Lower left margin corner reinforced.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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EDVARD MUNCH | Madonna (W. 39; S. 33)

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Description: Lithograph, 1895, Woll's first state (I/A/1) of seven, signed in pencil, dated '1896', with margins, on greyish-green card, printed by Lassally, framed

Condition Report: The print is in good condition apart from a two and a half inch tear at lower right. A smaller repaired tear, approximately 1/4 inch, in the right margin. A tiny abrasion in the hair to the upper left of the fetus head. The edges with small nicks and creases, particularly in the corners. A small spot of soiling in the upper right margin. (A very tiny scuff in image at center right.). The verso in good condition aside from a few skin spots in the outer margins from removal of old hinging. Minor soiling and offprint.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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EDVARD MUNCH | The Sick Child I (W. 72; S. 59)

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Description: Lithograph printed in black, grey and pale yellow, 1896, signed in pencil, on China paper, printed by Clot, framed

Condition Report: With margins. Several losses, skin spots and tears in the margins, the largest in the lower margin at left. The print is slightly soiled, backed with Japan.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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EDVARD MUNCH | Jealousy I (W. 68; S. 57)

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Description: Lithograph, 1896, Woll's b, on wove paper, framed

Condition Report: With small margins. Damages to the paper throughout. A uneven residue visible under raking light in areas of the sheet. The verso with skinned spots. Backed with wove.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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EDVARD MUNCH | Woman (W. 147; S. 122)

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Description: Lithograph, 1899, Woll's II of III, on heavy buff wove paper, printed by Petersen & Waitz, framed

Condition Report: The print is in good condition, with margins. A few tiny nicks and creases in upper and lower sheet edges. Old hinge stains in the upper edge. The verso in good condition.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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EDVARD MUNCH | The Girls on the Bridge (W. 232; S. 200)

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Description: Etching printed in brownish-black, 1903, signed in pencil, on wove paper, (possibly) printed by Felsing, framed

Condition Report: The print is in good condition with full margins. Faint light-stain. (Four inconspicuous fox marks in the upper margin.) The verso in good condition with a few inconspicuous old hinge stains in the upper edge.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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EDVARD MUNCH | Attraction II (W. 20; S. 18)

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Description: Etching and drypoint printed in dark brown with plate tone, 1895, Woll's II of IV, signed in pencil, also signed by the printer, Felsing, on wove paper, framed

Condition Report: The print is in good condition, with large margins. Four pinholes in the margins (for drying?). Slight mat-stain, light-stain and foxing. Creases in the outer margin and in the corners, one which has become partially separated at upper left. Slight two inch crease in the upper margin at center. Slight soiling, verso and recto. The verso in good condition, aside from horizontal remnants of old tape. Old hinging reinforced at upper edge, verso. One stain from old masking tape at upper right.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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EDVARD MUNCH | Tête-a-tête (W. 9; S. 12)

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Description: Drypoint and etching with plate tone, 1894, signed in pencil, inscribed 'I', possibly dated by the artist, on laid paper, framed

Condition Report: The print is in good condition, with wide margins. Unevenly trimmed at sides. Imperfections in the paper and minor printers creases in the margins, likely inherent to the media. A small puncture. A small circular inconsistency in the paper at center right margin (possibly a repair). Minor surface dirt and upper and lower sheet edges. The verso in good condition.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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EDVARD MUNCH | Two Human Beings (The Lonely Ones) (W. 13; S. 20)

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Description: Drypoint printed in brownish-black, 1894, a very fine impression printed with plate tone with rich burr, signed in pencil, also signed by the printer, Felsing, on wove paper, framed

Condition Report: The print is in good condition, aside from a few minor creases in the upper right margin corner. The upper left margin corner with minor crease. A one inch vertical creases at the periphery of the left margin. (Three miniscule imperfections in the paper, well away from the image.) A few extremely minor handling creases. The verso in good condition.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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EDVARD MUNCH | Puberty (W. 186; S. 164)

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Description: Etching printed in brownish-black, 1902, signed in pencil by the artist, also signed by the printer, Felsing, on wove paper, framed

Condition Report: The print is in good condition with full margins, aside from pale mat-stain throughout and a few specks of foxing. A few inconspicuous handling creases. A very slight band of skinning, approximately 1/4 inch, at extreme upper sheet edge. The verso with faint ink smudges. A pale streak of soiling at center. A pencil notation at upper left corner, slightly showing through to recto. Very slight skinning from removal of hinges at the upper edge.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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EDVARD MUNCH | The Girl at the Window (W. 5; S. 5)

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Description: Drypoint and roulette printed in dark brown, 1894, signed in pencil, also signed by the printer, Felsing, aside from the edition of 65 included in the Meier-Graefe portfolio, on heavy wove paper, framed

Condition Report: The print is in good condition on heavy wove paper with large margins, unevenly trimmed at left and right. Faint mat-stain. Two tiny specks of foxing (or rust flecks). The verso with some ink smudges, slight tape stains and skinned spots on the right and left margins.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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HENRI MATISSE | Nu assis à la chemise de tulle (Delteil 465)

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Description: Lithograph, 1925, signed in pencil, inscribed 'épr. d'artiste 8/10', an artist's proof aside from the numbered edition of 50, on laid China paper, framed

Condition Report: The print is in good condition, the full sheet. Pale mat-stain in margins. A 4mm circular skinned spot visible under raking light in center right margin, inherent in the paper. Upper edge of sheet is irregular. A one inch diagonal paper fault extending from the upper left corner of the image, inherent in the paper. The verso in good condition.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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PABLO PICASSO | Femme au corsage à fleurs (Bloch 846; Mourlot 307)

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Description: Lithograph, 1957, Mourlot's first state of three, signed in red crayon, dated in black crayon, numbered in pencil 50/50, on Arches wove paper, published by Galerie Louise Leiris, Paris, framed

Condition Report: The print is in good condition, the full sheet. Faint time-stain at extreme edges of sheet and tiny fox marks visible throughout. (A two inch diagonal handling crease visible under raking light to the right of the figure's head at upper center.) Signature slightly faded. The verso in good condition with slight discoloration overall and faint fox marks visible throughout.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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PABLO PICASSO | Portrait de Jacqueline au bandeau, accoudée (Femme au Bandeau) (B. 1081; Baer 1306)

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Description: Linoleum cut printed in colors, 1962, signed in pencil, numbered 31/50, on Arches wove paper, published by Galerie Louise Leiris, Paris, framed

Condition Report: The print is in good condition, with margins. Faint mat-stain in margins. A 1/2 inch vertical crease through the figure's proper left eyebrow visible under raking light. (Inconspicuous surface dirt at lower left corner, one miniscule skin spot at extreme upper center edge.) The verso in good condition with mat-stain, a few traces of ink and three skin spots from previous hinging at upper edge.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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PABLO PICASSO | Portrait de Jacqueline de face. II (Tête de femme) (B. 1063; Ba. 1280)

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Description: Linoleum cut printed in colors, 1962, signed in pencil, numbered 33/50, on Arches wove paper, printed by Arnéra, Vallauris, published by Galerie Louise Leiris, Paris, framed

Condition Report: The print is in good condition, the full sheet. Light- and mat-stain in the margins of the sheet. A soft vertical crease at upper right corner. Colors slightly attenuated. The verso in good condition. Slightly toned with an occasional fox mark.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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PABLO PICASSO | Portrait de jeune fille, d'après Cranach le jeune.II (B. 859; Ba. 1053)

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Description: Linoleum cut printed in colors, 1958, signed in red pencil, dedicated in orange and blue pencil 'pour Lauguier [t]on ami', an artist's proof aside from the numbered edition of 50, on Arches wove paper, Printed by Arnéra, Vallauris, framed

Condition Report: The print is in good condition, with full margins. Colors are fresh. A 4 1/4 inch skillfully repaired vertical tear in the margin at lower center just into the image. A tiny area of craking in the black ink to the right of the figure's proper right arm. A small handling crease to the left of the figure's proper right arm. A miniscule vertical impression in the black ink at center left edge, approximately 1/2 inch in length. The verso in good condition with a small skinned spot at lower left corner.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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PABLO PICASSO | Jacqueline lisant (B. 1181; Ba. 1292 and Ba. 1294)

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Description: Two very rare experimental working proofs on the same sheet, 1962, the recto is Baer's Superposition de plateau, linoleum cut printed in colors, one of only a few trial proofs, this impression printed in purple, grey and black; the verso an experimental and complex working proof for Jacqueline lisant, de trois quarts (Ba. 1294), linoleum cut printed in light brown, dark brown, red, and 'blanc crème', which has been printed over an impression of the second state of Portrait de Jacqueline de face. II (Ba. 1280) (printed in dark brown over a light brown background), inscribed by the printer Arnéra, Vallauris, '16.2.1962. TETE DE FEMME - 1er ETAT - ESSAI BLANC SUR FOND ROUGE', on Arches wove paper, framed

Condition Report: The print is in good condition, with full margins. Slight soiling and traces of printers ink in the margins.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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PABLO PICASSO | Portrait de Jacqueline accoudée (Femme accoudée) (B. 922; Ba. 1240)

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Description: Linoleum cut rincée in white and India ink, 1959-64, signed in red crayon, one of only five recorded impressions, on Arches wove paper, framed

Condition Report: The print is in good condition, the full sheet. The verso darkened, with four remnants of old linen-tape hinges in the corner, showing through to the recto.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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ODILON REDON | Pégase captif (Mellerio 102)

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Description: Lithograph, 1889, Mellerio's first state of two, from the edition of 100 (there is a later edition of 100 of the second state), signed in pencil, on chine appliqué with a wove paper support, printed by Becquet, Paris, framed

Condition Report: With margins. A water stain in the upper right margin corner, approximately 1 inch into the subject. Two long horizontal creases, touched in, in the lower half of the subject and at center. Scattered foxing. Several scuffs. The sheet is slightly darkened, with some soiling. Creases and a small tear in the right edge. The verso with surface foxing and surface soiling.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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CHUCK CLOSE | Self Portrait/Color

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Description: Jacquard tapestry, 2007, signed in ink on a label on the reverse, numbered '1 of 10', manufactured by Magnolia Editions, Oakland

Condition Report: The work is in overall excellent condition.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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RICHARD DIEBENKORN | Blue

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Description: Woodcut printed in colors, 1984, initialed in pencil, dated, numbered 164/200 (total edition includes 20 artist's proofs), on Mitsumata paper, with the blindstamp of the publisher, Crown Point Press, Oakland, framed

Condition Report: The print is in good condition. There is a one inch horizontal crease into the image at center right. A three inch vertical printer's crease visible at upper center. Inconspicuous soft creasing at upper left and lower right corners. The verso in good condition, only partially examined. There are two remnants of previous hinging tape visible at upper left and right corners. Adhered to mat with archival hinging paper.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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JASPER JOHNS | 0 Through 9 (ULAE 3)

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Description: Lithograph, 1960, signed in pencil, dated, numbered 7/35, on Arches wove paper, printed by Robert Blackburn, New York, with the blindstamp of the publisher, ULAE, West Islip, framed

Condition Report: The print is in good condition, with full margins. (Minor discoloration in the sheet.) A slightly waviness from hinges in the upper margin. A few extremely tiny specks of foxing in the margins and sheet edges.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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JASPER JOHNS | Scent (ULAE 166)

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Description: Lithograph and linoleum cut printed in colors, 1976, signed in pencil, dated '75-76', numbered 35/42 (total edition includes seven artist's proofs), on Twinrocker paper watermarked with the title, with the blindstamp of the publisher, ULAE, West Islip, with an unidentifiable inkstamp (verso), framed

Condition Report: The print is in good condition, the full sheet. The colors, particularly the red, appear to be slightly attenuated. A faint smudge in the lower left hand corner margin. The verso in good condition.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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JASPER JOHNS | Periscope I (ULAE 200)

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Description: Lithograph printed in colors, 1979, signed in pencil, dated, numbered 18/65 (total edition includes 12 artist's proofs), on Kurotani laid paper watermarked with the title, with the blinstamp of the publisher, Gemini G.E.L., Los Angeles, framed

Condition Report: The print is in good condition, the full sheet. A few inconspicuous horizontal printer's creases extending into the image (approximately one inch) along left edge in the yellow and red, inherent in process. The verso in good condition.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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JASPER JOHNS | Two Maps II (ULAE 26)

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Description: Lithograph, 1966, signed in white crayon, dated, inscribed 'II', numbered 14/30 (total edition includes four artist's proofs), on Japan paper mounted on black Fabiano paper, with the blindstamp of the publisher, ULAE, West Islip, framed

Condition Report: The print is in good condition, the full sheet. Two miniscule touched in (?) printing defects in the lower left corner of the top map. (Remnants of mounting adhesive visible along edges of Japan paper, inherent to process.) Small crease in the upper left margin tip.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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JASPER JOHNS | Usuyuki (ULAE 216)

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Description: Screenprint in colors, 1981, signed in pencil, dated, numbered 49/85 (total edition includes 15 artist's proofs), published by the artist and Simca Print Artists, Inc., New York (with their blindstamp), on Kurotani Kozo paper, framed

Condition Report: The print is in good condition, the full sheet. There is a vertical printer's crease in the margin at lower center, inherent to production. (An inconspicuous soft diagonal crease in the margin at lower left corner.) The verso in good condition.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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JASPER JOHNS | Savarin (ULAE 220)

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Description: Lithograph printed in colors, 1981, signed in pencil, dated '77-81', numbered 22/60 (total edition includes nine artist's proofs), on Rives BFK paper, with the blindstamp of the publisher, ULAE, West Islip, framed

Condition Report: The print is in good condition, the full sheet. An extremely faint one inch scuff in the upper right margin. (A few miniscule pale fox marks visible under close inspection in the left and lower margin of the sheet. Two extremely faint handling creases visible only under raking light in right margin.) The verso in good condition, partially examined.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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JASPER JOHNS | The Seasons (ULAE 247)

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Description: Etching printed in grey and black, 1989, signed in pencil, dated, numbered 14/59 (total edition includes 15 artist's proofs), on Mulberry paper mounted to Arches en tout cas (as issued), with the blindstamp of the publisher, ULAE, West Islip, framed

Condition Report: The print is in good condition, the full sheet. There is a 1/2 inch diagonal indentation in the sheet visible under raking light at lower left margin, possibly from the plate. One miniscule brown spot in the image at center right edge. The verso in good condition, partially examined.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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ROY LICHTENSTEIN | Painting in Gold Frame (Corlett 206)

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Description: Lithograph, screenprint, woodcut and collage printed in colors, 1984, signed in pencil, dated, numbered 60/60 (total edition includes 11 artist's proofs), from the Paintings series, on Arches 88 paper, framed

Condition Report: The print is in good condition, the full sheet. There is a hairline crease faintly visible at lower left edge. (Possibly) one miniscule loss visible in the gold ink at lower right edge. The upper left corner is slightly soft. The verso in good condition.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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ROY LICHTENSTEIN | Tel Aviv Museum Print (C. 238)

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Description: Lithograph printed in colors, 1989, signed in pencil, dated, numbered 7/60 (total edition includes 20 artist's proofs), published by the artist and Tyler Graphics Ltd. (with their blindstamp), for the benefit of American Friends of the Tel Aviv Museum of Art, on Rives BFK paper, framed

Condition Report: The print is in good condition, the full sheet. Colors are vibrant. The verso in good condition with the workshop number in pencil, lower left (RL89-977) (partially examined).In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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BRICE MARDEN | 12 Views for Caroline Tatyana: four prints (Lewison 29)

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Description: Four etchings with aquatint, 1989, each signed in pencil, numbered 8/50 (total edition includes 13 artist's proofs), on Arches paper, printed by Doris Simmelink, Crown Point Press, Oakland, published by Parasol Press, New York, framed (4 prints)

Condition Report: Four prints from the portfolio of twelve. The prints are in good condition, the full sheets. A few scattered and miniscule brown flecks in the margins of each sheet, likely inherent in the paper. The versos in good condition, partially examined. 29(d): One small area of surface dirt and an inconspicuous stray mark faintly visible at lower center edge of sheet. 29(h): (Possibly) Faint discoloration along lower edge. A small indentation in the sheet to the lower right corner of the image, possibly inherent to paper. 29(i): A 5.5 inch vertical paper fault extending from the lower center edge, inherent in the media. 29(k): In good condition.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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ROBERT RAUSCHENBERG | Bellini #1

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Description: Intaglio with photogravure printed in colors, 1986, signed in pencil, dated, numbered 31/36 (total edition includes seven artist's proofs), on Arches paper, with the blindstamp of the publisher, ULAE, West Islip, framed

Condition Report: The print is in good condition, the full sheet. Colors are vibrant. The verso in good condition, only partially examined.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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ROBERT RAUSCHENBERG | Soviet/American Array IV

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Description: Intaglio printed in colors, 1988-90, signed in pencil, dated, numbered 19/58 (total edition includes three artist's proofs), on Saunders paper, with the blindstamp of the publisher, ULAE, West Islip, framed

Condition Report: The print is in good condition, the full sheet printed to three edges. Colors are fresh. (Possibly a faint 1/4 inch vertical scratch at center in the green to the right of the cabbage.) Not examined out of frame.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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FRANK STELLA | Talladega Three I (Axsom 135)

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Description: Etching, 1982, signed in pencil, dated, numbered 12/30 (total edition includes 10 artist's proofs), from the Circuits series, on handmade rag paper, with the blindstamp of the printer and publisher, Tyler Graphics Ltd., Bedford Village, framed

Condition Report: The print is in good condition, the full sheet printed to two edges. Traces of printers ink along lower margin edge. A slight undulation to the sheet overall. Not examined out of the frame.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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AFTER PABLO PICASSO | La corrida

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Description: Aquatint printed in colors, 1956, signed in pencil, numbered 136/200, on Arches wove paper, printed by Aldo Crommelynck, with the blindstamp of the publisher, Atelier Lacourière, Paris, framed

Condition Report: In generally good condition. The margins with discoloration and handling creases throughout. The verso with six tape-stains at top, showing through to the recto.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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LUCIAN FREUD | Kai (Hartley 45)

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Description: Etching, 1991-92, initialed in pencil, numbered 26/40 (total edition includes 10 artist's proofs), on Somerset Satin Textured paper, printed by Mark Balakjian at Studio Prints, London, published by Matthew Marks Gallery, New York, framed

Condition Report: The print is in good condition, the full sheet (recto and verso).In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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BARNETT NEWMAN | Untitled

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Description: Lithograph, 1961, signed in pencil, dated, numbered 18/30, on Arches wove paper, framed

Condition Report: The print is in good condition, with full margins. Slight discoloration in the margins. Soiling from fingerprints in the lower margin. The verso in good condition, aside from minor offprint. Tiny hinge stains in upper margin.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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ALEX KATZ | Black Dress

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Description: The complete set of nine screenprints in colors, 2015, each signed in pencil, numbered 24/35, on heavy wove paper, published by Lococo Fine Art, St. Louis, framed (9 prints)

Condition Report: The prints are in good condition, the full sheets. Versos partially examined, not all examined out of frames.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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ROY LICHTENSTEIN | Road Before the Forest (C. 213)

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Description: Lithograph, screenprint and woodcut in colors, 1985, signed in pencil, dated, numbered 16/60 (total edition includes 11 artist's proofs), from the Landscapes series, on Arches 88 paper, with the blindstamp and inkstamp (verso) of the printer and publisher, Gemini G.E.L., Los Angeles, framed

Condition Report: The print is in good condition, the full sheet. (Inconspicuous time-stain at extreme edges of sheet.) Slight buckling to the sheet around hinges, and a very slight undulation to the sheet overall. The verso in good condition, partially examined.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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ROY LICHTENSTEIN | Brushstroke I

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Description: Hand-painted cherry wood wall-mounted sculpture, 1986, signed in black marker (verso), incised '4/10' on a plaque affixed to the reverse, fabricated and published by Tyler Graphics Ltd., Bedford Village

Condition Report: The work is in good condition. A few hairline cracks visible in the painted surface at top. Some surface soiling.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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