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The George D. Horst Collection of Fine Art

by Freeman's

Platinum House

63 lots with images

March 30, 2014

Live Auction

1808 Chestnut Street

Philadelphia, PA, 19103 USA

Phone: +1 215.563.9275

Fax: +1 215.563.8236

Email: Info@freemansauction.com

63 Lots
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CHARLES FRANÇOIS DAUBIGNY, (FRENCH 1817-1878),

Lot 1: CHARLES FRANÇOIS DAUBIGNY, (FRENCH 1817-1878), "BORD DE L'OISE, LE SOIR"

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Description: CHARLES FRANÇOIS DAUBIGNY (french 1817-1878)/span "BORD DE L'OISE, LE SOIR" Signed and dated 'Daubigny 1874' bottom right, oil on panel 13 3/8 x 26 1/4 in. (34 x 66.7cm) [Hellebranth 383] provenance: /spanFrederic Bonner, 1900. The Estate of George Crocker. 'The Public Sale of the Crocker, Newcomb, Moir and Bonner Collections.' American Art Association, New York, New York, January 24, 1912, lot 19. Acquired from the above auction. The George D. Horst Collection of Fine Art. literature:/span R. Hellebranth, Charles-François Daubigny 1817-1878, Catalogue Raisonné, Paris, 1976, p. 125, no. 383, (illustrated).

Condition Report: Generally very good overall condition apart from some scattered small areas of retouch in areas of the sky, and some in the landscape - largely at/near part of lower left corner. The minor retouches are unobtrusive. Frame Measurements: 26 x 39 1/2 x 4 in. Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid, prior to placing a bid. All transactions are governed by Freeman's Conditions of Sale.

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HENRI JOSEPH HARPIGNIES, (FRENCH 1819-1916),

Lot 2: HENRI JOSEPH HARPIGNIES, (FRENCH 1819-1916), "LANDSCAPE WITH BROOK"

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Description: HENRI JOSEPH HARPIGNIES (french 1819-1916)/span "LANDSCAPE WITH BROOK" Signed 'H. Harpignies' bottom right, oil on canvas 25 5/8 x 19 3/8 in. (65.1 x 49.2cm) provenance: /spanMr. Otto Hemme, Brussels. Acquired from the above, 1912. The Philadelphia Art Galleries and Auction Rooms, Philadelphia, Pennsylvania. Acquired from the above, January 23, 1914. The George D. Horst Collection of Fine Art.

Condition Report: Relined. Otherwise in excellent original condition. Frame Measurements: 36 x 29 1/2 x 4 in. Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid, prior to placing a bid. All transactions are governed by Freeman's Conditions of Sale.

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JULES DUPRÉ, (FRENCH 1811-1889),

Lot 3: JULES DUPRÉ, (FRENCH 1811-1889), "LANDSCAPE WITH COTTAGE"

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Description: JULES DUPRÉ (french 1811-1889)/span "LANDSCAPE WITH COTTAGE" Signed 'Jules Dupre' lower right; with I.A. Rose, Fine Paintings, New York City label on stretcher verso, oil on canvas 13 x 16 1/4 in. (33 x 41.3cm) provenance: /spanM.L.W. Borden. 'The Public Sale of the Late M.L.W. Borden.' American Art Association, New York, New York, February 14, 1913, lot 66. Acquired from the above auction. The George D. Horst Collection of Fine Art.

Condition Report: Relined; otherwise in very good overall condition. Frame Measurements: 25 x 27 1/2 x 4 in. Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid, prior to placing a bid. All transactions are governed by Freeman's Conditions of Sale.

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JEAN-BAPTISTE-CAMILLE COROT, (FRENCH 1796-1875),

Lot 4: JEAN-BAPTISTE-CAMILLE COROT, (FRENCH 1796-1875), "GARDEN GATE"

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Description: JEAN-BAPTISTE-CAMILLE COROT (french 1796-1875)/span "GARDEN GATE" Signed 'Corot' bottom left, with partial label verso, oil on canvas 13 x 18 1/4 in. (33 x 46.4cm) provenance: /spanForbes Collection, London, 1878. Hollander & Cremetti, London, 1884. Acquired from the above, 1890. M. Knoedler & Co., New York, New York. Acquired from the above, 1890. Charles H. Senff, New York, New York. "Important Paintings by Old & Modern Masters collected by the late Charles H. Senff." The Anderson Galleries, New York, New York, March 28 & 29, 1928, lot 65. Acquired from the above auction. The George D. Horst Collection of Fine Art. note:/span By the mid-19th century Corot firmly established himself as the leading figure of the Barbizon school of painting. Along with fellow artists Charles-Francois Daubigny, Narcisse Diaz de la Pena, Jules Dupre and Henri Joseph Harpignies, each represented in the Horst Collection, members of this group concentrated their efforts on painting the rich, wooded landscapes and forests of Fontainebleau and the surrounding regions of Bas-Breau, Ville-d'Avray and Jean-de-Paris - paysages often sparsely populated by a lone figure or peasants undertaking their daily tasks. Corot's intimate landscapes have been characterized as idyllic, even dreamlike, while still maintaining an adherence to a nearly monochromatic colour palette and a quiet restraint. A photocopy of a letter of authenticity from Martin Dieterle, dating February 28, 2002, will accompany this lot.

Condition Report: Excellent condition apart from relining and minor area of craquelure at lower center right. Frame Measurements: 25 x 30 3/4 x 4 in. Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid, prior to placing a bid. All transactions are governed by Freeman's Conditions of Sale.

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NARCISSE VIRGILE DIAZ DE LA PEÑA, (FRENCH 1808-1876),

Lot 5: NARCISSE VIRGILE DIAZ DE LA PEÑA, (FRENCH 1808-1876), "AUTUMN"

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Description: NARCISSE VIRGILE DIAZ DE LA PEÑA (french 1808-1876)/span "AUTUMN" Signed and dated 'N Diaz 72' bottom right, oil on panel 15 x 19 in. (38 x 48.3cm) provenance: /spanCharles H. Senff, New York, New York. "Important Paintings by Old & Modern Masters collected by the late Charles H. Senff." The Anderson Galleries, New York, New York, March 28 & 29, 1928, lot 65. Acquired from the above auction. The George D. Horst Collection of Fine Art.

Condition Report: Excellent original condition apart from some scratching, abrasions at edges of frame, including through part of signature; some associated retouch at parts of these edges. Frame Measurements: 27 x 31 x 3 3/4 in. Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid, prior to placing a bid. All transactions are governed by Freeman's Conditions of Sale.

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NARCISSE VIRGILE DIAZ DE LA PEÑA, (FRENCH 1808-1876),

Lot 6: NARCISSE VIRGILE DIAZ DE LA PEÑA, (FRENCH 1808-1876), "PORTRAIT OF A BOY WITH THREE DOGS"

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Description: NARCISSE VIRGILE DIAZ DE LA PEÑA (french 1808-1876)/span "PORTRAIT OF A BOY WITH THREE DOGS" Signed 'N. Diaz' lower left, oil on panel 14 3/8 x 9 7/8 in. (36.5 x 25.1cm) provenance: /spanThe George D. Horst Collection of Fine Art.

Condition Report: Very good overall condition apart from general minor scattered retouch. Frame Measurements: 21.5 x 17 in. Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid, prior to placing a bid. All transactions are governed by Freeman's Conditions of Sale.

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EUGÈNE LOUIS BOUDIN, (FRENCH 1824-1898),

Lot 7: EUGÈNE LOUIS BOUDIN, (FRENCH 1824-1898), "ESTUARY WITH SAILBOATS AND LIGHTHOUSES"

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Description: EUGÈNE LOUIS BOUDIN (french 1824-1898)/span "ESTUARY WITH SAILBOATS AND LIGHTHOUSES" Signed, dated and inscribed 'E Boudin 91/Trouville' bottom left, oil on panel 13 3/4 x 10 1/4in. (35 x 26cm) provenance: /span'The Public Sale of the Crocker, Newcomb, Moir and Bonner Collections.' American Art Association, New York, New York, January 24, 1912, lot 27. Acquired from the above auction. The George D. Horst Collection of Fine Art. note:/span Primarily a marine painter but also an accomplished landscapist as well, Boudin's penchant for brightly hued, sun dappled seas, ports and beaches typically paired with dynamic cloud filled blue skies made him one of the leading painters in 19th century France. Boudin formally began painting at age 22, debuting at the Paris Salon in 1859 - his first of many such exhibitions - eventually earning the distinction of knight of the Legion d'honneur. He was referred to as "king of the skies" by none other than his teacher and the father of Barbizon painting, Jean-Baptiste-Camille Corot, and he is said to have advised a then teenage Claude Monet, "I want to show you Honfleur; I want you to see the light." Painting not only in Honfleur, but also his native Deauville, Granville, Bretagne, Touques, and as in the present work, Trouville, Boudin's never wavered from his plein-air approach as a landscapist, his evocative style presaging French Impressionism. A letter of authenticity from Manuel Schmit will accompany this lot.

Condition Report: Painting is in generally excellent original condition; Under uv light there is no evidence of restoration outside of very slight, apparent, retouch in spots just within outer right edge of panel. There is a slightly (pale) darker 'line' also within outer right edge of panel along roughly the upper outer right edge just within the frame. The latter is possibly a very slight and unobtrusive old surface mark from the frame. There is a thin, very unobtrusive incised line extending into sky at left measuring approximately 6 inches. Frame Measurements: 20 x 18 1/2 x 2 1/4 in. Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid, prior to placing a bid. All transactions are governed by Freeman's Conditions of Sale.

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LÉON AUGUSTIN LHERMITTE, (FRENCH 1844-1925),

Lot 8: LÉON AUGUSTIN LHERMITTE, (FRENCH 1844-1925), "PETITE FILLE À LA FONTAINE"

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Description: LÉON AUGUSTIN LHERMITTE (french 1844-1925)/span "PETITE FILLE À LA FONTAINE" Signed 'L. Lhermitte' bottom left, oil on canvas 22 1/2 x 16 1/4 in. (57.2 x 41.3cm) [Fontenay 230] provenance: /spanThe Artist. Acquired from the above. M. Knoedler & Co. New York, New York. Acquired from the above, January 4, 1915. The George D. Horst Collection of Fine Art. literature:/span Monique Le Pelley Fontenay. Léon Augustin Lhermitte. Catalogue Raisonné. Editions Cercle d'Art, Paris. 1998. pg. 148, no. 230 (illustrated).

Condition Report: Excellent original condition; not relined. Frame Measurements: 31 3/4 x 26 x 3 in. Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid, prior to placing a bid. All transactions are governed by Freeman's Conditions of Sale.

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JEAN-CHARLES CAZIN, (FRENCH 1841-1901),

Lot 9: JEAN-CHARLES CAZIN, (FRENCH 1841-1901), "LA SABLIERE"

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Description: JEAN-CHARLES CAZIN (french 1841-1901)/span "LA SABLIERE" Signed 'J.C. Cazin' lower left, oil on canvas 23 3/4 x 28 7/8 in. (60.3 x 73.3cm) provenance: /spanThe Hirsch Collection, Paris. M. Knoedler & Co. New York, New York. Acquired from the above, January 4th, 1915. The George D. Horst Collection of Fine Art.

Condition Report: Appears to have been relined. Areas of minor paint loss to top center and along top edge, two further minor spots right center edge, on spot upper left edge. Yellowed varnish and discolored, otherwise in good to very good condition. Frame Measurements: 36 x 40 3/4 x 3 3/4 in. Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid, prior to placing a bid. All transactions are governed by Freeman's Conditions of Sale.

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JEHAN GEORGES VIBERT, (FRENCH 1840-1902),

Lot 10: JEHAN GEORGES VIBERT, (FRENCH 1840-1902), "VISIT TO FIGARO"

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Description: JEHAN GEORGES VIBERT (french 1840-1902)/span "VISIT TO FIGARO" Signed 'J.G. Vibert' lower left, oil on panel 10 5/8 x 8 3/8 in. (27 x 21.3cm) provenance: /spanPeter A. Schemm. 'The Public Sale of the Peter A. Schemm Collection.' American Art Association, New York, New York, March 16, 1911, lot 169. Acquired from the above auction. The George D. Horst Collection of Fine Art.

Condition Report: Excellent original condition. Frame Measurements: 19 x 18 x 2 3/4 in. Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid, prior to placing a bid. All transactions are governed by Freeman's Conditions of Sale.

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ROSA BONHEUR, (FRENCH 1822-1899),

Lot 11: ROSA BONHEUR, (FRENCH 1822-1899), "HIGHLAND CATTLE"

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Description: ROSA BONHEUR (french 1822-1899)/span "HIGHLAND CATTLE" Signed and indistinctly dated 'R. Bonheur 62(?)' lower left; also indistinctly inscribed '****/The Cottage(?) / London (?) / 26 Mai 1895 (?)' on label verso; also with partial AAA label verso, oil on panel 6 x 9 in. (15.2 x 22.9cm) provenance: /spanPeter A. Schemm. 'The Public Sale of the Peter A. Schemm Collection.' American Art Association, New York, New York, March 17, 1911, lot 244. Acquired from the above auction. The George D. Horst Collection of Fine Art.

Condition Report: Generally good condition apart from scattered minor retouch; uneven varnish. Frame Measurements: 14 x 16 x 3 in. Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid, prior to placing a bid. All transactions are governed by Freeman's Conditions of Sale.

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JOSEPH BAIL, (FRENCH 1862-1921),

Lot 12: JOSEPH BAIL, (FRENCH 1862-1921), "KITCHEN BOY"

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Description: JOSEPH BAIL (french 1862-1921)/span "KITCHEN BOY" Signed 'Bail Joseph' lower right, oil on canvas 15 x 18 1/8 in. (38.1 x 46cm) provenance: /spanPhiladelphia Art Galleries and Auction Rooms, Philadelphia, Pennsylvania. Acquired from the above, April 2, 1914. The George D. Horst Collection of Fine Art.

Condition Report: Extensive all over craquelure and crazing, very visible. Otherwise in reasonable to good condition. There may also be some apparent old retouch behind figure. Frame Measurements: 25 1/4 x 28 x 3 1/2 in. Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid, prior to placing a bid. All transactions are governed by Freeman's Conditions of Sale.

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EDOUARD JEAN BAPTISTE DETAILLE, (FRENCH 1848-1912),

Lot 13: EDOUARD JEAN BAPTISTE DETAILLE, (FRENCH 1848-1912), "THE VIDETTE"

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Description: EDOUARD JEAN BAPTISTE DETAILLE (french 1848-1912)/span "THE VIDETTE" Signed and dated 'Edouard Detaille 1881' lower center right, oil on panel 9 7/8 x 7 3/4 in. (25.1 x 19.7cm) provenance: /spanGeorge C. Thomas, Philadelphia, Pennsylvania. "The George C. Thomas Collection of Oil Paintings." Samuel T. Freeman & Co, Philadelphia, Pennsylvania, November 13, 1924, lot 48. Acquired from the above auction. The George D. Horst Collection of Fine Art.

Condition Report: Panel with slight convex curvature, otherwise in excellent original condition. Frame Measurements: 20 1/4 x 18 1/4 x 2 1/8 in. Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid, prior to placing a bid. All transactions are governed by Freeman's Conditions of Sale.

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REINHARD SEBASTIAN ZIMMERMAN, (GERMAN 1815-1893),

Lot 15: REINHARD SEBASTIAN ZIMMERMAN, (GERMAN 1815-1893), "CONSULTATION"

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Description: REINHARD SEBASTIAN ZIMMERMAN (german 1815-1893)/span "CONSULTATION" Signed '** Zimmerman' top center left; with unidentified label affixed verso, oil on panel 7 1/2 x 10 1/2 in. (19.1 x 26.7cm) provenance: /spanF. Draz. American Art Association, New York, New York. Acquired from the above November 15, 1923. The George D. Horst Collection of Fine Art.

Condition Report: Generally good condition apart from some scattered retouch, mostly in areas upper left and lower left. Frame Measurements: 18 x 20 1/2 x 2 1/2 in. Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid, prior to placing a bid. All transactions are governed by Freeman's Conditions of Sale.

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MARTIN RICO Y ORTEGA, (SPANISH 1833-1908), '

Lot 16: MARTIN RICO Y ORTEGA, (SPANISH 1833-1908), '"VENICE"

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Description: MARTIN RICO Y ORTEGA (spanish 1833-1908)/span '"VENICE" Signed 'RICO' lower left, oil on panel 14 5/8 x 10 5/8 in. (37.1 x 27cm) provenance: /spanEstate of Watmough. Stan V. Henkels auction, Philadelphia, Pennsylvania sale of December 11, 1917, lot 15. Acquired from the above auction. The George D. Horst Collection of Fine Art. note:/span Rico y Ortega's career first began in Paris and was then firmly established in Venice, which he first visited in 1872, summered annually thereafter and ultimately settled, establishing a residence in the Dorsoduro neighborhood. He studied with Federico de Madrazo and Juan Antonio de Ribera, first exhibiting at the Paris Salon in 1864 - where his work was regularly shown - and the Salon des Artistes Francais. Working in the traditional en plein air manner, sometimes from a moored gondola, Rico's paintings feature panoramic vistas which often employ the use of single vanishing point perspective in a vertical composition (as in the present painting), almost beckoning the viewer to enter the picture. While artists from the Baroque period onwards through the 19th and 20th centuries were drawn to the picturesque vistas of the Italian 'city on the water,' few painters active in the late 1800s so convincingly captured its light, churches, bridges and shimmering reflections of its lagoon and canals with as much skill and optical clarity as Rico.

Condition Report: Excellent original condition. There are minor areas at lower left quadrant the fluoresce, we are of the opinion this is due to pigments used. Frame Measurements: 19 1/4 x 15 x 2 3/4 in. Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid, prior to placing a bid. All transactions are governed by Freeman's Conditions of Sale.

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PAUL JEAN CLAYS, (BELGIAN 1819-1900),

Lot 17: PAUL JEAN CLAYS, (BELGIAN 1819-1900), "MARINE"

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Description: PAUL JEAN CLAYS (belgian 1819-1900)/span "MARINE" Signed 'P.J. Clays' lower right, with William Schaus New York label verso, watercolor on paper 10 5/8 x 16 3/4 in. (27 x 42.5cm) provenance: /spanHerman Schaus. 'The Public Sale of the Estate of Herman Schaus.' American Art Association, New York, New York, January 15, 1912, lot 120. Acquired from the above auction. The George D. Horst Collection of Fine Art.

Condition Report: sheet size examined out of frame is: 11 1/16 x 17 5/16 inches. The sheet is laid down (either at edges or fully) to backing paper, which is in turn affixed to heavy cardboard. Watercolor is in overall good condition apart from pale light staining and the sheet has some uneven rippling - does not lie completely flat. Frame Measurements: 25 3/4 x 31 x 2 3/4 in. Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid, prior to placing a bid. All transactions are governed by Freeman's Conditions of Sale.

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PIETER LODEWIJK FRANCISCO KLUYVER, (DUTCH 1816-1900),

Lot 18: PIETER LODEWIJK FRANCISCO KLUYVER, (DUTCH 1816-1900), "DUTCH SUMMER SCENE"

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Description: PIETER LODEWIJK FRANCISCO KLUYVER (dutch 1816-1900)/span "DUTCH SUMMER SCENE" Signed 'Kluyver' lower left, oil on panel 17 5/8 x 27 1/4 in. (44.8 x 69.2cm) provenance: /spanD.A. Miller, Woodbury, Connecticut. The George D. Horst Collection of Fine Art.

Condition Report: Excellent original condition aside from possible scattered, minor retouch spots in small of landscape at lower right. Frame Measurements: 21 1/4 x 31 3/4 x 1 1/4 in. Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid, prior to placing a bid. All transactions are governed by Freeman's Conditions of Sale.

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JOZEF ISRAËLS, (DUTCH 1824-1911),

Lot 19: JOZEF ISRAËLS, (DUTCH 1824-1911), "GIRL SEWING"

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Description: JOZEF ISRAËLS (dutch 1824-1911)/span "GIRL SEWING" Signed 'Josef Israels' lower left, oil on panel 12 3/4 x 9 5/8 in. (32.4 x 24.4cm) provenance: /spanMr. J. Tersteeg, The Hague, The Netherlands. M. Knoedler & Co., New York, New York. Acquired from the above, January 4, 1915. The George D. Horst Collection of Fine Art.

Condition Report: Minor scattered retouch, including fill-in of alligatoring lines in upper right quadrant. Frame Measurements: 22 1/2 x 19 1/2 x 2 1/8 in. Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid, prior to placing a bid. All transactions are governed by Freeman's Conditions of Sale.

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BERNARDUS JOHANNES BLOMMERS, (DUTCH 1845-1914),

Lot 20: BERNARDUS JOHANNES BLOMMERS, (DUTCH 1845-1914), "MOTHER AND CHILD"

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Description: BERNARDUS JOHANNES BLOMMERS (dutch 1845-1914)/span "MOTHER AND CHILD" Signed 'B.J. Blommers' lower right, oil on panel 14 x 10 in. (35.6 x 25.4cm) provenance: /span'The Public Sale of the Crocker, Newcomb, Moir and Bonner Collections.' American Art Association, New York, New York, January 24, 1912, lot 9. Acquired from the above auction. The George D. Horst Collection of Fine Art.

Condition Report: Excellent original condition; slight uneven varnish. Frame Measurements 26 1/2 x 22 1/2 x 4 3/4 in. Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid, prior to placing a bid. All transactions are governed by Freeman's Conditions of Sale.

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ATTRIBUTED TO JOSÉ PINELO LLULL, (SPANISH 1861-1922),

Lot 21: ATTRIBUTED TO JOSÉ PINELO LLULL, (SPANISH 1861-1922), "A CALM DAY"

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Description: ATTRIBUTED TO JOSÉ PINELO LLULL (spanish 1861-1922)/span "A CALM DAY" Bears signature 'E Sanchez Perrier' lower right, oil on panel 10 1/2 x 16 1/4 in. (26.7 x 41.3cm) provenance: /spanMessrs. Chaine & Simonson, Paris. Acquired from the above (as Emilio Sanchez Perrier). The Philadelphia Art Galleries and Auction Rooms, Philadelphia, Pennsylvania. Acquired from the above, January 23, 1914 (as Emilio Sanchez Perrier). The George D. Horst Collection of Fine Art.

Condition Report: Excellent original condition. Frame Measurements: 19 3/4 x 25 x 4 in. Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid, prior to placing a bid. All transactions are governed by Freeman's Conditions of Sale.

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HELMER MASOLLE, (SWEDISH 1884-1969),

Lot 22: HELMER MASOLLE, (SWEDISH 1884-1969), "DLAMAS"

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Description: HELMER MASOLLE (swedish 1884-1969)/span "DLAMAS" Signed and dated 'Masolle / 14' upper right; with partial Pennsylvania Academy of the Fine Arts 'The Swedish Exhibition 1916' label verso, oil on canvas 30 5/8 x 25 1/4 in. (77.8 x 64.1cm) provenance: /spanPennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania. Acquired from the above, February 27, 1917. The George D. Horst Collection of Fine Art. exhibited:/span "The Swedish Exhibition." Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania, 1916, no. 120.

Condition Report: Some slight canvas undulation. Some areas of painting fluoresce under u.v., this is due to pigments used as opposed to retouch. Frame Measurements: 39 x 33 x 3 1/2 in. Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid, prior to placing a bid. All transactions are governed by Freeman's Conditions of Sale.

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LUDWIG KNAUS, (GERMAN 1829-1910),

Lot 23: LUDWIG KNAUS, (GERMAN 1829-1910), "LOVE LETTER"

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Description: LUDWIG KNAUS (german 1829-1910)/span "LOVE LETTER" Signed 'L. Knaus' lower left, oil on panel 9 3/4 x 7 3/8 in. (24.8 x 18.7cm) provenance: /spanThe Artist. Acquired from the above, 1929. The George D. Horst Collection of Fine Art.

Condition Report: Excellent original condition. Darker areas in the figures hair are due to pigment and varnish rather than retouch, in our opinion. Frame Measurements: 21 x 19 x 2 1/2 in. Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid, prior to placing a bid. All transactions are governed by Freeman's Conditions of Sale.

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HEINZ FUCHS, (GERMAN 1886-1961),

Lot 24: HEINZ FUCHS, (GERMAN 1886-1961), "LANDSCAPE"

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Description: HEINZ FUCHS (german 1886-1961)/span "LANDSCAPE" Oil on canvasboard 13 1/4 x 16 in. (33.7 x 40.6cm) provenance: /spanThe Artist. Acquired from the above, 1929. The George D. Horst Collection of Fine Art.

Condition Report: Several areas of paint loss of a minor nature, principally on the left side, two areas in the sky at upper right, otherwise in good to very good original condition. Frame Measurements: 16 x 19 x 2 1/4 in. Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid, prior to placing a bid. All transactions are governed by Freeman's Conditions of Sale.

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HEINZ FUCHS, (GERMAN 1886-1961),

Lot 25: HEINZ FUCHS, (GERMAN 1886-1961), "ROOF TOPS, 1927"

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Description: HEINZ FUCHS (german 1886-1961)/span "ROOF TOPS, 1927" Signed and dated 'H. Fuchs '27' lower right, oil on board 19 7/8 x 23 1/4 in. (50.5 x 59.1cm) provenance: /spanAcquired 1927. The George D. Horst Collection of Fine Art.

Condition Report: Excellent original condition, quite dirty. Frame Measurements: 22 3/4 x 26 x 2 1/2 in. Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid, prior to placing a bid. All transactions are governed by Freeman's Conditions of Sale.

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ANNA VON WRANGEL, (SWEDISH 19TH/20TH CENTURY),

Lot 26: ANNA VON WRANGEL, (SWEDISH 19TH/20TH CENTURY), "OLD MAN"

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Description: ANNA VON WRANGEL (swedish 19th/20th century)/span "OLD MAN" Signed with initials and dated '1912' bottom left; with 'Swedish Exhibition 1916' label verso; also with name plate recto: 'Panama Pacific International Exposition 1915 Department of Fine Arts Awarded a Silver Medal,' oil on canvas 47 x 41 in. (119.4 x 104.1cm) provenance: /spanPennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania. Acquired from the above, February 27, 1917. The George D. Horst Collection of Fine Art. exhibited:/span "Pan Pacific International Exposition." San Francisco, California, 1915. "The Swedish Exhibition." Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania, 1916, no. 152.

Condition Report: Scattered areas of pinhead size paint loss primarily in background upper right quadrant, very minor losses elsewhere; varnish inconsistencies. Frame Measurements: 51 x 54 x 4 in. Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid, prior to placing a bid. All transactions are governed by Freeman's Conditions of Sale.

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GUSTAF EDOLF FJAESTAD, (SWEDISH 1868-1948),

Lot 27: GUSTAF EDOLF FJAESTAD, (SWEDISH 1868-1948), "POOL IN WINTER"

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Description: GUSTAF EDOLF FJAESTAD (swedish 1868-1948)/span "POOL IN WINTER" Signed and dated 'G Fjaestad 13' bottom left; also with 'The Swedish Exhibition 1916 label' and 'Pan Pacific International Exposition 1915' San Francisco label verso, oil on canvas 47 3/8 x 57 3/4 in. (120.3 x 145.7cm) provenance: /spanPennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania. Acquired from the above February 27, 1917. The George D. Horst Collection of Fine Art. exhibited:/span "Pan Pacific International Exposition." San Francisco, California, 1915. "The Swedish Exhibition." Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania, 1916, no. 85. note:/span Gustaf Fjaestad was one of the leading members of the Rackstad colony of artists based in Varmland, Sweden. Led by the sculptor Christian Eriksson, Fjaestad and fellow Swedes, including Bjorn Ahlgrensson and Fritz Lindstrom, the Rackstad artists worked primarily in the first part of the 20th century and focused their efforts on depicting the local landscapes. They drew their inspiration from picturesque surroundings of Lake Racken, just north of the small town of Arvika, where Fjaestad and the other group members settled. Fjaestad was not only a highly accomplished and prolific painter, he also designed rugs and tapestries and was a furniture craftsman. The present work falls neatly within the artist's oeuvre: a realistically rendered undisturbed snow covered landscape with a partially frozen lake bank in the foreground shimmering with reflections. Typically devoid of figures, Fjaestad's painterly canvases have an almost pointillist quality and capture the pristine solitude of the Swedish countryside.

Condition Report: In generally excellent original condition: 3 inch horizontal scratch below largest pool bottom left of center, visible in catalogue photo; very minor speck of paint loss lower center left; minor Frame Measurements: 58 x 68 1/2 x 3 1/2 in. Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid, prior to placing a bid. All transactions are governed by Freeman's Conditions of Sale.

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LAURITS ANDERSEN RING, (DANISH 1854-1933),

Lot 28: LAURITS ANDERSEN RING, (DANISH 1854-1933), "WINTER DAY"

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Description: LAURITS ANDERSEN RING (danish 1854-1933)/span "WINTER DAY" Signed and dated 'L.A. Ring 1912' lower right; and inscribed '1912' on stretcher label verso, oil on canvas 47 1/4 x 36 5/8 in. (120 x 93cm) provenance: /spanThe American Scandinavian Society. American Art Association sale of February 4, 1913, lot 86. Acquired from the above auction. The George D. Horst Collection of Fine Art.

Condition Report: Isolated area of craquelure approximately 4 x 3 inches on the left side of the road in lower left quadrant. Some other areas of minor crackling throughout, tack to on top right edge and center. Otherwise in generally excellent original condition. Frame Measurements: 56 3/4 x 46 1/2 x 3 in. Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid, prior to placing a bid. All transactions are governed by Freeman's Conditions of Sale.

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ANTOINE-LOUIS BARYE, (FRENCH 1796-1875),

Lot 29: ANTOINE-LOUIS BARYE, (FRENCH 1796-1875), "LION MARCHANT"

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Description: ANTOINE-LOUIS BARYE (french 1796-1875)/span "LION MARCHANT" Inscribed 'BARYE F. BARBEDIENNE FONDEUR' and incised 'F.B.' in gold stamp, bronze brown patina Height: 8 7/8 in. (22.5) Length: 16 3/8 in. (41.6cm) and/span "TIGER MARCHANT" Inscribed 'BARYE F. BARBEDIENNE FONDEUR' and incised 'F.B.' in gold stamp, bronze brown patina Height: 8 in. (20.3cm) Length: 16 1/2 in. (41.9cm) (2) provenance: The George D. Horst Collection of Fine Art.

Condition Report: Each in fine overall condition with no evidence of restoration or losses. Tiger: some small areas with surface abrasion/rubbing, mostly along spots of tiger's spine (back) and hips and center of chest (underneath tiger). There are some minor scratches at upper right shoulder and more pronounced scratches at upper torso at center, to left of/below back. Lion: some scratches to part of left edge of base (visible in catalogue photo) and only slight, tiny surface imperfections, including a tiny scratch at part of back right leg. Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid, prior to placing a bid. All transactions are governed by Freeman's Conditions of Sale.

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MILLY STEGER, (GERMAN 1881-1948),

Lot 30: MILLY STEGER, (GERMAN 1881-1948), "FIGURE OF A DANCER"

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Description: MILLY STEGER (german 1881-1948)/span "FIGURE OF A DANCER" Inscribed 'M. Steger' and 'Guss-Heinze' on base, bronze, medium brown patina Height: 27 5/8 in. (70.2cm) Width: 10 in. (25.4cm) provenance: /spanAcquired 1929. The George D. Horst Collection of Fine Art.

Condition Report: In generally fair to good overall condition; as seen in catalogue photo some generally minor surface imperfections/inconsistencies, the most prominent being an approx. 3 in x 1 in (at widest) darkened area at part of base, approx. 1 3/4 inches from figure's right foot. (One may surmise that this dark area may be the result of a foreign substance that has long ago caused oxidation/chemical reaction to the bronze).The base also has scattered marks/scratches/discolored areas. There are some scattered rubbed/small scratched areas to scattered parts of the figure with a lighter gold color revealed. There are very minor small copper-colored marks to part of back of figure's head. Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid, prior to placing a bid. All transactions are governed by Freeman's Conditions of Sale.

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EDMUND KLOTZ, (AUSTRIAN 1855-1925),

Lot 31: EDMUND KLOTZ, (AUSTRIAN 1855-1925), "FIGURE OF A GIRL WITH A ROSE"

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Description: EDMUND KLOTZ (austrian 1855-1925)/span "FIGURE OF A GIRL WITH A ROSE" Inscribed and located 'EDM KLOTZ WIEN' on base, bronze, medium brown patina Height: 16 1/4 in. (41.3cm) Width: 4 1/2 in. (11.4cm) provenance: /spanThe George D. Horst Collection of Fine Art.

Condition Report: Fine overall condition with no evidence of repairs or losses. The bronze has a roughly medium brown patina, and is not as copper-colored as it appears in the catalogue photo. With 6 inch vertical scratch on front of figure, right of center. There are very slight surface inconsistencies. The (later, added we believe) wood base has scratches. Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid, prior to placing a bid. All transactions are governed by Freeman's Conditions of Sale.

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WALTER HAUSCHILD, (GERMAN 19TH CENTURY),

Lot 32: WALTER HAUSCHILD, (GERMAN 19TH CENTURY), "LAMB"

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Description: WALTER HAUSCHILD (german 19th century)/span "LAMB" Inscribed 'Hauschild' on base, bronze, brown patina Height: 14 3/4 in. (37.5cm) Length: 11 1/2 in. (29.2cm) provenance: /spanAcquired April 1929. The George D. Horst Collection of Fine Art.

Condition Report: Fine overall condition with no evidence of repairs or losses. Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid, prior to placing a bid. All transactions are governed by Freeman's Conditions of Sale.

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BESSIE POTTER VONNOH, (AMERICAN 1872-1955),

Lot 33: BESSIE POTTER VONNOH, (AMERICAN 1872-1955), "THE INTRUDER"

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Description: BESSIE POTTER VONNOH (american 1872-1955)/span "THE INTRUDER" Inscribed 'Bessie Potter Vonnoh **IV' and 'Roman Bronze Works, N.Y.' below figure, bronze, brown patina Base depth: 12 5/8 in. (32.1cm) Height: 11 in. (27.9cm) On variegated green marble base provenance: /spanPennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania. Acquired from the above, March 4, 1915. The George D. Horst Collection of Fine Art. exhibited:/span "One Hundred and Tenth Annual Exhibition." Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania, February 7 - March 28, 1915, no. 789. note:/span An exhibition catalogue from the "One Hundred and Tenth Annual Exhibition" at the Pennsylvania Academy of the Fine Arts will accompany this lot.

Condition Report: Fine overall condition with no evidence of repairs or losses. There are very slight surface inconsistencies and variations in patina hue, with a gold patina on front of figure. There is minor verdigris to one area at back of dress within a fold. Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid, prior to placing a bid. All transactions are governed by Freeman's Conditions of Sale.

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CAROLINE EVERETT RISQUE, (AMERICAN B.1886),

Lot 34: CAROLINE EVERETT RISQUE, (AMERICAN B.1886), "IN THE MORNING"

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Description: CAROLINE EVERETT RISQUE (american b.1886)/span "IN THE MORNING" Stamped 'R.B.W.' 'C. Risque 1914' on base, bronze with brown patina Height: 11 5/8 in. (29.5cm) provenance: /spanPennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania. Acquired from the above, March 14, 1916. The George D. Horst Collection of Fine Art. exhibited:/span "One Hundred and Eleventh Annual Exhibition." Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania, February 6 - March 26, 1916, no. 526.

Condition Report: Fine overall condition with no evidence of restoration or losses. On the reverse there are some verdigris accretions to parts of back of dress and hair in some of recessed areas. Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid, prior to placing a bid. All transactions are governed by Freeman's Conditions of Sale.

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ELIZABETH ANNIE MCGILLIVRAY KNOWLES, (CANADIAN 1866-1929),

Lot 35: ELIZABETH ANNIE MCGILLIVRAY KNOWLES, (CANADIAN 1866-1929), "LANDSCAPE MINIATURES"

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Description: ELIZABETH ANNIE MCGILLIVRAY KNOWLES (canadian 1866-1929)/span "LANDSCAPE MINIATURES" Each signed and variously dated, watercolor Largest: 2 1/4 x 2 1/4 in. (5.7 x 5.7cm) (8) provenance: /spanPennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania. Acquired from the above December 13, 1915. The George D. Horst Collection of Fine Art. exhibited:/span "Fourteenth Annual Watercolor and Miniature Exhibition." Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania, November 7 - December 12, 1915, nos. 122-129. note:/span An exhibition catalogue from the "Fourteenth Annual Miniature Exhibition" at the Pennsylvania Academy of the Fine Arts will accompany this lot.

Condition Report: In apparently very good overall condition, not examined out of frames but with no indication of any restoration and with generally good colors. Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid, prior to placing a bid. All transactions are governed by Freeman's Conditions of Sale.

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EDWARD PERCY MORAN, (AMERICAN 1862-1935),

Lot 36: EDWARD PERCY MORAN, (AMERICAN 1862-1935), "OLD SPANISH GATEWAY, MEXICO"

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Description: EDWARD PERCY MORAN (american 1862-1935)/span "OLD SPANISH GATEWAY, MEXICO" Signed 'Percy Moran' lower left, watercolor over traces of pencil on paper 15 5/8 x 9 7/8 in. (39.7 x 25.1cm) provenance: /spanM. Knoedler & Co. New York, New York. Acquired from the above, February 26th, 1914. The George D. Horst Collection of Fine Art.

Condition Report: Good overall condition, the watercolor appears to be executed on illustration board. The board itself measures 21 3/4 x 14 7/8 inches; the actual watercolor, bordered by pencil outline, measures 15 15/16 x 10 1/2 inches. The unpainted areas surrounding the watercolor - the 'borders' - have some condition problems: an area of old glue residue with attached papers (from overmat, and not touching nor near the painted area) and four toned (light brown) triangular areas at the corners of the illustration board (this browning is presumably from an old shaped overmat). This toning overlaps the very outer corners of the watercolor but are largely unobtrusive. There are also areas of uneven pale brown toning in portion of top unpainted 'margin' Frame Measurements: 24 1/2 x 18 1/2 x 3/4 in. Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid, prior to placing a bid. All transactions are governed by Freeman's Conditions of Sale.

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WILLIAM TROST RICHARDS, (AMERICAN 1833-1905),

Lot 37: WILLIAM TROST RICHARDS, (AMERICAN 1833-1905), "NEAR KENNEBUNKPORT, MAINE"

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Description: WILLIAM TROST RICHARDS (american 1833-1905)/span "NEAR KENNEBUNKPORT, MAINE" Signed 'WT Richards' bottom left; with a McClees Gallery, Philadelphia label verso, oil on cradled panel 9 x 16 in. (22.9 x 40.6cm) provenance: /spanMcClees Galleries, Philadelphia, Pennsylvania. Acquired from the above, April 2, 1914. The George D. Horst Collection of Fine Art. note:/span Best known for his paintings of seascapes along the New England coast, Richards enjoyed a long and prosperous artistic career. Born in Philadelphia, Richards traveled widely along the coast between New Jersey and Maine before settling upon Newport, Rhode Island for his summer residence. Associated with both the Hudson River School and the American Pre-Raphaelites, Richards was celebrated for his watercolors and oil paintings, rendered with meticulous detail.

Condition Report: Excellent original condition. There are tiny brown foreign surface flecks in part of water. Frame Measurements: 18 x 25 x 3 in. Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid, prior to placing a bid. All transactions are governed by Freeman's Conditions of Sale.

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EDWARD MORAN, (AMERICAN 1829-1901),

Lot 38: EDWARD MORAN, (AMERICAN 1829-1901), "SEASCAPE AT SUNSET"

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Description: EDWARD MORAN (american 1829-1901)/span "SEASCAPE AT SUNSET" Signed 'Edward Moran' lower right, oil on canvas 18 x 28 in. (45.7 x 71.1cm) provenance: /spanAmerican Art Association, New York, New York, Sale of November 15, 1923. Acquired from the above. The George D. Horst Collection of Fine Art.

Condition Report: Oil on heavy canvas, pinhead sized retouch to clouds top center, otherwise in generally excellent original condition. Frame Measurements: 31 x 41 x 3.5 in. Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid, prior to placing a bid. All transactions are governed by Freeman's Conditions of Sale.

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FREDERICK JUDD WAUGH, (AMERICAN 1861-1940),

Lot 39: FREDERICK JUDD WAUGH, (AMERICAN 1861-1940), "SEA AND ROCKS, NO. 6"

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Description: FREDERICK JUDD WAUGH (american 1861-1940)/span "SEA AND ROCKS, NO. 6" Signed 'Waugh' bottom left, oil on canvas 20 x 30 in. (50.8 x 76.2cm) provenance: /spanPennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania. Acquired from the above, March 14th, 1916. The George D. Horst Collection of Fine Art. exhibited:/span "One Hundred and Eleventh Annual Exhibition." Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania. 1916, no. 6.

Condition Report: Not relined; excellent original condition except for minor spot fills in localized area of sky at upper right. Frame Measurements: 29 1/4 x 38 1/2 in. Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid, prior to placing a bid. All transactions are governed by Freeman's Conditions of Sale.

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PAUL BERNARD KING, (AMERICAN 1867-1947),

Lot 40: PAUL BERNARD KING, (AMERICAN 1867-1947), "SAILING BOATS"

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Description: PAUL BERNARD KING (american 1867-1947)/span "SAILING BOATS" Signed 'Paul King' bottom right; also signed and inscribed twice 'Paul King/105 18th St. Phila' verso, oil on canvas 32 x 40 1/4 in. (81.3 x 102.2cm) In a Harer frame with incised signature 'HARER/PHILA' provenance: /spanPennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania. Acquired from the above, March 27, 1919. The George D. Horst Collection of Fine Art. exhibited:/span "One Hundred and Fourteenth Annual Exhibition." Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania, February 9 - March 30, 1919, no. 259. note:/span King grew up around the arts, assisting his father as a goldsmith. His subjects varied widely, from portraits and illustrations to landscapes and scenes of rural life. He kept a studio on 18th street in Philadelphia and exhibited widely. Some of the best public collections in the nation possess King's work including the National Gallery of Art and the Albright Knox Gallery in the artist's hometown of Buffalo, New York. An exhibition catalogue from the "One Hundred and Fourteenth Annual Exhibition" at the Pennsylvania Academy of the Fine Arts will accompany this lot.

Condition Report: Relined, very minor apparent retouch in foliage or trees upper center. Generally in excellent condition. Frame Measurements: 39 1/4 x 47 1/2 x 1 7/8 in. Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid, prior to placing a bid. All transactions are governed by Freeman's Conditions of Sale.

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JONAS LIE, (AMERICAN/NORWEGIAN 1880-1940),

Lot 41: JONAS LIE, (AMERICAN/NORWEGIAN 1880-1940), "BEYOND"

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Description: JONAS LIE (american/norwegian 1880-1940)/span "BEYOND" Signed and dated 'Jonas Lie 19' bottom left; with The Corcoran Gallery of Art 'Seventh Contemporary American Oil Paintings 1919' label verso, oil on canvas 30 1/4 x 50 in. (76.8 x 127cm) provenance: /spanPennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania. Acquired from the above, April 2, 1920. The George D. Horst Collection of Fine Art. exhibited:/span "Seventh Contemporary American Oil Painting Exhibition." The Corcoran Gallery of Art, Washington DC, 1919. "One Hundred and Fifteenth Annual Exhibition." Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania, February 8 - March 28, 1920, no. 217. note:/span A Norwegian by birth, Lie's childhood home often played host to famous Norwegians including Henrik Ibsen. Lie moved to New York at 13, where he studied art at the National Academy of Design and the Cooper Union. Very popular in his own time, Jonas Lie exhibited widely, in Philadelphia, Chicago and New York. Lie's style was simultaneously influenced by Impressionism and the realism of the Ashcan school, members of which he had encountered in New York City. Just before his death, Lie held the presidency of the National Academy of Design. With paintings in the collections of the Metropolitan Museum of Art, the Musée Luxembourg and the Museum of Fine Arts, Boston - Jonas Lie is considered the greatest of all Norwegian immigrant painters. An exhibition catalogue from the "One Hundred and Fifteenth Annual Exhibition" at the Pennsylvania Academy of the Fine Arts will accompany this lot.

Condition Report: Excellent original condition. Frame Measurements: 39 1/2 x 59 in. Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid, prior to placing a bid. All transactions are governed by Freeman's Conditions of Sale.

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EMIL CARLSEN, (AMERICAN 1853-1932),

Lot 42: EMIL CARLSEN, (AMERICAN 1853-1932), "COPPER AND PORCELAIN"

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Description: EMIL CARLSEN (american 1853-1932)/span "COPPER AND PORCELAIN" Signed and dated 'Emil Carlsen 1928' bottom left; with National Academy of Design label attached verso, oil on canvas laid on board 58 x 46 3/4 in. (147.3 x 118.7cm) In a Carrig Rohane frame designed by Herman Dudley Murphy with incised inscription '19 (M) 09 / Carrig Rohane / Copyright 1909 / Hermann Dudley Murphy / 699' provenance: /spanThe National Academy of Design, New York, New York. Acquired from the above, April, 1929. The George D. Horst Collection of Fine Art. literature: ulrich w. hiesinger. quiet magic: the still life paintings of emil carlsen./spanVance Jordan, New York, 1999. pg. 44, fig. 42 (illustrated as Still Life/span, 1928, location unknown).

Condition Report: Later stretchers, card board backing, very minor surface scratching. Generally in very good condition with no signs of retouch. Frame Measurements: 72 x 61 x 3 1/4 in. Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid, prior to placing a bid. All transactions are governed by Freeman's Conditions of Sale.

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GEORGE LOFTUS NOYES, (AMERICAN/CANADIAN 1864-1954),

Lot 43: GEORGE LOFTUS NOYES, (AMERICAN/CANADIAN 1864-1954), "JOYOUS ISLAND"

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Description: GEORGE LOFTUS NOYES (american/canadian 1864-1954)/span "JOYOUS ISLAND" Signed 'G.L. Noyes' lower left; with Pennsylvania Academy of the Fine Arts '115th Annual exhibition 1920' label verso; also with Brooklyn Institute of Arts and Sciences label verso, oil on canvas 34 x 36 in. (86.4 x 91.4cm) In a Foster Brothers, Boston, frame provenance: /spanPennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania. Acquired from the above, April 2, 1920. The George D. Horst Collection of Fine Art. exhibited:/span "One Hundred and Fifteenth Annual Exhibition." Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania, February 8 - March 28, 1920, no. 265. note:/span An American Impressionist, George Loftus Noyes plein air paintings were highly respected, particularly in Boston where he kept a studio. He exhibited regularly at the Boston Arts Club before going into teaching at the turn of the century, when he taught N.C. Wyeth. Wyeth would later compliment Noyes on his use of color. The vibrancy of his palette in Joyous Island gives the painting an otherworldly, fantastic quality. Much of Noyes' life's work was destroyed in a fire in 1939.

Condition Report: Generally in excellent overall condition. Relined; with scattered, very minor retouch. Frame Measurements: 45 1/2 x 47 1/4 x 2 in. Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid, prior to placing a bid. All transactions are governed by Freeman's Conditions of Sale.

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HOWARD RUSSELL BUTLER, (AMERICAN 1856-1934),

Lot 44: HOWARD RUSSELL BUTLER, (AMERICAN 1856-1934), "MAINE CLIFFS IN SUNLIGHT"

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Description: HOWARD RUSSELL BUTLER (american 1856-1934)/span "MAINE CLIFFS IN SUNLIGHT" Signed 'HR Butler' bottom right; with Pennsylvania Academy of the Fine Arts '113th Annual Exhibition 1918' label verso, oil on canvas 25 1/4 x 32 1/8 in. (64.1 x 81.6cm) provenance: /spanPennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania. Acquired from the above, March 26, 1918. The George D. Horst Collection of Fine Art. exhibited:/span "One Hundred and Thirteenth Annual Exhibition." Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania. February 3 - March 24, 1918, no. 163. note:/span Born in New York City, Butler practiced law before leaving the legal profession and developing his artistic talents, working alongside such luminaries as Frederic Church and John Singer Sargent. Butler funded the construction of the Fine Arts building on West 57th street in New York City, which housed the Art Students League, The Society of American Artists, the Architectural League of New York and the American Fine Arts Society, the last of which Butler founded and led for their first 17 years. An exhibition catalogue from the "One Hundred and Thirteenth Annual Exhibition" at the Pennsylvania Academy of the Fine Arts will accompany this lot.

Condition Report: Relined; very minor areas of possible retouch upper left, generally in excellent overall condition. Frame Measurements: 37 3/4 x 44 1/2 x 2 in. Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid, prior to placing a bid. All transactions are governed by Freeman's Conditions of Sale.

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HENRY HENSCHE, (AMERICAN 1901-1992),

Lot 45: HENRY HENSCHE, (AMERICAN 1901-1992), "PROVINCETOWN"

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Description: HENRY HENSCHE (american 1901-1992)/span "PROVINCETOWN" Signed 'Henry Hensche' lower right, oil on board 19 7/8 x 24 in. (50.5 x 61cm) provenance: /spanThe Artist. Acquired from the above, 1927. The George D. Horst Collection of Fine Art.

Condition Report: Excellent original condition. Frame Measurements: 22 1/2 x 26 1/2 x 1 in. Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid, prior to placing a bid. All transactions are governed by Freeman's Conditions of Sale.

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HENRY HENSCHE, (AMERICAN 1901-1992),

Lot 46: HENRY HENSCHE, (AMERICAN 1901-1992), "DAISIES"

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Description: HENRY HENSCHE (american 1901-1992)/span "DAISIES" Signed, titled, dated and located 'Provincetown, Mass 1927' in pencil verso, oil on panel 19 7/8 x 23 5/8 in. (50.5 x 60cm) provenance: /spanThe Artist. Acquired from the above, July 12, 1927. The George D. Horst Collection of Fine Art.

Condition Report: Fine original condition; small missing chip at top edge, small varnish drip upper left edge. Frame Measurements: 25 1/4 x 30 x 2 in. Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid, prior to placing a bid. All transactions are governed by Freeman's Conditions of Sale.

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ELIZABETH OKIE PAXTON, (AMERICAN 1877-1971),

Lot 47: ELIZABETH OKIE PAXTON, (AMERICAN 1877-1971), "HANNA JUMPER'S HOUSE"

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Description: ELIZABETH OKIE PAXTON (american 1877-1971)/span "HANNA JUMPER'S HOUSE" Signed 'Elizabeth Paxton' lower right; with indistinct inscription and Pennsylvania Academy of the Fine Arts '121st Annual Exhibition 1926' label verso, oil on canvasboard 16 x 20 in. (40.6 x 50.8cm) provenance: /spanPennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania. Acquired from the above, March 15, 1926. The George D. Horst Collection of Fine Art. exhibited:/span "One Hundred and Twenty First Annual Exhibition." Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania, January 31 - March 21, 1926, no. 220.

Condition Report: Excellent original condition. Frame Measurements: 20 x 24 1/4 in. Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid, prior to placing a bid. All transactions are governed by Freeman's Conditions of Sale.

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LOUIS BERTRAND RALSTON KEELER, (AMERICAN B. 1882),

Lot 48: LOUIS BERTRAND RALSTON KEELER, (AMERICAN B. 1882), "MORNING LIGHT; JUNE"

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Description: LOUIS BERTRAND RALSTON KEELER (american b. 1882)/span "MORNING LIGHT; JUNE" Signed and dated 'R. Keeler 1912' bottom right, with Pennsylvania Academy of the Fine Arts '108th Annual Exhibition 1913' label verso, oil on canvas 24 x 28 in. (61 x 71.1cm) provenance: /spanBudworth & Son, New York, New York. Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania. Acquired from the above March 21, 1913. The George D. Horst Collection of Fine Art. exhibited:/span "One Hundred and Eighth Annual Exhibition." Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania, 1913, no. 336. note:/span An exhibition catalogue from the "One Hundred and Eighth Annual Exhibition" at the Pennsylvania Academy of the Fine Arts will accompany this lot.

Condition Report: Tack holes in each corner, otherwise excellent original condition. Appears to be quite dirty. Frame Measurements: 36 x 39 3/4 x 3 3/4 in. Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid, prior to placing a bid. All transactions are governed by Freeman's Conditions of Sale.

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FRANK WESTON BENSON, (AMERICAN 1862-1951),

Lot 49: FRANK WESTON BENSON, (AMERICAN 1862-1951), "MARSHES OF LONG POINT"

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Description: FRANK WESTON BENSON (american 1862-1951)/span "MARSHES OF LONG POINT" Signed and dated 'F.W. Benson 19**' bottom left; also inscribed in pencil on stretcher 'Mr. Benson' verso, with Pennsylvania Academy of the Fine Arts '121st Annual Exhibition 1926' label affixed verso, oil on canvas 36 x 44 in. (91.4 x 111.8cm) With frame incised 1924 THULIN 1387. provenance: /spanPennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania. Acquired from the above, March 15, 1926. The George D. Horst Collection of Fine Art. exhibited:/span "One Hundred and Twenty First Annual Exhibition." Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania, January 31 - March 21, 1926, no. 37. NOTE: An exhibition catalogue from the "One Hundred and Twenty First Annual Exhibition" at the Pennsylvania Academy of the Fine Arts will accompany this lot.

Condition Report: Relined; with no apparent retouch under u.v. light, excellent overall condition. Frame Measurements: 45 x 52 3/4 x 1 5/8 in. Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid, prior to placing a bid. All transactions are governed by Freeman's Conditions of Sale.

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KATHARINE NEWBOLD BIRDSALL, (AMERICAN 20TH CENTURY),

Lot 50: KATHARINE NEWBOLD BIRDSALL, (AMERICAN 20TH CENTURY), "MY STUDIO WINDOW"

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Description: KATHARINE NEWBOLD BIRDSALL (american 20th century)/span "MY STUDIO WINDOW" Signed 'Katherine N. Birdsall' bottom right, with Pennsylvania Academy of the Fine Arts '124th Annual Exhibition 1929' label verso, oil on canvas 20 1/8 x 16 in. (51.1 x 40.6cm) provenance: /spanThe Artist. Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania. Acquired from the above, March 8, 1929. The George D. Horst Collection of Fine Art. exhibited:/span "One Hundred and Twenty Fourth Annual Exhibition." Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania,1929.

Condition Report: Minor paint loss associated with foreign impact from behind lower left, fine, hairline cracks in paint, mostly along right half of painting, otherwise in excellent original condition. Frame Measurements: 23 1/2 x 19 1/2 in. Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid, prior to placing a bid. All transactions are governed by Freeman's Conditions of Sale.

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MARY GRAY, (AMERICAN 1891-1964),

Lot 51: MARY GRAY, (AMERICAN 1891-1964), "INTERIOR WITH PENNSYLVANIA ANTIQUES"

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Description: MARY GRAY (american 1891-1964)/span "INTERIOR WITH PENNSYLVANIA ANTIQUES" Signed 'Mary Gray' bottom right, with two Gallery-on-the-Moors exhibition labels verso; also with two Carnegie Institute exhibition labels verso, oil on canvas 24 x 20 in. (61 x 50.8cm) provenance: /spanAcquired March 17, 1922. The George D. Horst Collection of Fine Art. exhibited:/span Carnegie Institute, Pittsburgh, Pennsylvania. (n.d.). "Sixth Annual Exhibition." Gallery-On-The-Moors, East Gloucester, Massachusetts, August 2 - 21, 1921.

Condition Report: Excellent original condition; not relined. Frame Measurements: 32 1/2 x 28 1/2 x 2 1/2 in. Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid, prior to placing a bid. All transactions are governed by Freeman's Conditions of Sale.

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