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Paintings and Drawings 15th - 19th C.

by Lempertz

Platinum House

191 lots with images

September 25, 2013

Live Auction

Neumarkt 3

Cologne, 50667 Germany

Phone: +49 221 92 572917

Fax: +49 221 92 57296

Email: info@lempertz.com

191 Lots
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ANTWERP SCHOOL,   ca. 1515/1520;  THE ASCENSION OF CHRIST

Lot 1: ANTWERP SCHOOL, ca. 1515/1520; THE ASCENSION OF CHRIST

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Description: ANTWERP SCHOOL, ca. 1515/1520 THE ASCENSION OF CHRIST The painting shows the Madonna and 11 apostles during Christ's ascension. Particularly emphasized are Peter, John and James the Elder, who accompanied Christ to the Mount of Olives. The upper edge of the piece has obviously been cut, as according to artistic tradition, the feet of the ascending Christ should be depicted here. The painting was probably originally part of an altar screen with panels of the Passion. The work can be attributed to the Antwerp workshop which produced the so called "Gruppe der Antwerpener Anbetung", and its composition and figures are comparable to the "Ascension" in the Wallraf-Richartz-Museum in Cologne (inv. nr. WRM 441). This work is attributed to the same workshop and originally formed part of the former "Kreuzbrüderaltar" in the Church of the Holy Cross in Cologne.

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JAKOB SAMUEL BECK;  HEN WITH CHICKS

Lot 2: JAKOB SAMUEL BECK; HEN WITH CHICKS

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Description: JAKOB SAMUEL BECK HEN WITH CHICKS

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HANS SEBALD BEHAM, copy after;  CHRIST AND THE SAMARITAN WOMAN

Lot 3: HANS SEBALD BEHAM, copy after; CHRIST AND THE SAMARITAN WOMAN

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Description: HANS SEBALD BEHAM, copy after CHRIST AND THE SAMARITAN WOMAN Inscribed to the pillar "10 / IIII" (John 4:10) and dated to the well: 1541. Based on a copper engraving by Hans Sebald Beham (see: F. W. H. Hollstein: German engravings, etchings and woodcuts ca. 1400-1700, vol. III (H. S. Beham), Amsterdam 1954, pg. 24).For a further version in oil, which was also dated 1541 and attributed to the pupil of Cranach Franz Timmermann, see exhib.cat. "Lukas Cranach", Basel 1974, vol. 2, Nr. 370, pg. 520f. illus.

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WILLLEM VAN BEMMEL;  LANDSCAPE WITH RUINS AND FIGURES

Lot 4: WILLLEM VAN BEMMEL; LANDSCAPE WITH RUINS AND FIGURES

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Description: WILLLEM VAN BEMMEL LANDSCAPE WITH RUINS AND FIGURES

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KAREL BREYDEL, CALLED LE CHEVALIER;  LANDSCAPE WITH MILITARY CAMP

Lot 5: KAREL BREYDEL, CALLED LE CHEVALIER; LANDSCAPE WITH MILITARY CAMP

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Description: KAREL BREYDEL, CALLED LE CHEVALIER LANDSCAPE WITH MILITARY CAMP

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ABRAHAM BRUEGHELin the manner of;  FLORAL STILL LIFE

Lot 6: ABRAHAM BRUEGHELin the manner of; FLORAL STILL LIFE

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Description: ABRAHAM BRUEGHELin the manner of FLORAL STILL LIFE

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FERDINAND BOL, follower of;  PHILOSOPHER (OR APOSTEL) WITH QUILL AND BOOK

Lot 7: FERDINAND BOL, follower of; PHILOSOPHER (OR APOSTEL) WITH QUILL AND BOOK

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Description: FERDINAND BOL, follower of PHILOSOPHER (OR APOSTEL) WITH QUILL AND BOOK The present work is by a successor to the Dordrecht painter Ferdinand Bol, who worked for a time at Rembrandt's studio in Amsterdam. It is possibly a copy of a painting by this master which can no longer be traced. The depiction is comparable to Bol's "Scholar at his Desk with Globe and Books", which is kept in the Hermitage Museum, St. Petersburg. The painting has been in the family of the current owner since at least 1823, as shown by a handwritten list of paintings which was made upon the death of the owner at that time. Here, the painting is listed as being a work by Govert Flinck, who was also a student of Rembrandt. We would like to thank Michiel Franken (RKD, The Hague), Fred Meijer (RKD, The Hague) and Tom van der Molen (Codart, The Hague) for their help in identifying this work.

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ANTONIO CANAL, CALLED CANALETTO, copy after;  THE DOGE AT THE CELEBRATION OF THE

Lot 7A: ANTONIO CANAL, CALLED CANALETTO, copy after; THE DOGE AT THE CELEBRATION OF THE "GIOVEDÍ GRASSO" AT THE PIAZZETTA

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Description: ANTONIO CANAL, CALLED CANALETTO, copy after THE DOGE AT THE CELEBRATION OF THE "GIOVEDÍ GRASSO" AT THE PIAZZETTA The painting depicts the lavish celebrations of the Venice carnival on the Piazzetta in front of the Doge´s Palace. In relation to this subject there exists a number of drawings by Canaletto and also a print by Giovanni Battista Brustolon from c. 1766; the existence of the original painting is however not known. Another version of the painting can be found in the London Wallace Collection, attributed to the studio of Canaletto.

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GERMAN SCHOOL 2nd half 18th century;  PORTRAIT OF A MAN WITH THE ORDER POUR LE MÉRITE

Lot 8: GERMAN SCHOOL 2nd half 18th century; PORTRAIT OF A MAN WITH THE ORDER POUR LE MÉRITE

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Description: GERMAN SCHOOL 2nd half 18th century PORTRAIT OF A MAN WITH THE ORDER POUR LE MÉRITE

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GERMAN SCHOOL of the late 18th century;  PORTRAIT OF A MAN

Lot 9: GERMAN SCHOOL of the late 18th century; PORTRAIT OF A MAN

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Description: GERMAN SCHOOL of the late 18th century PORTRAIT OF A MAN

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GERMAN SCHOOL ca. 1600;  PORTRAIT OF KONRAD SCHEIFFART VON MERODE ZU WEILERSWIST

Lot 10: GERMAN SCHOOL ca. 1600; PORTRAIT OF KONRAD SCHEIFFART VON MERODE ZU WEILERSWIST

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Description: GERMAN SCHOOL ca. 1600 PORTRAIT OF KONRAD SCHEIFFART VON MERODE ZU WEILERSWIST Inscribed to the upper left: "A:1700 / CONRADE:SCHEIFFART:WAR / 27·IAER:DEN:IO:DAGH:HARD" (presumably retouched). The coat of arms of the House of Merode to the upper right.The inscription and the crest in both the upper corners identify the depicted as a member of the Scheiffart von Merode family. This family, which died out in 1852, formed one of the three main lines of the important Rhenish noble family of Merode, who were traceable back to the 11th century. The star badge of the Order of St. John, presented in the right hand of the sitter, allows us to identify him as Konrad Scheiffart von Merode zu Weilerswist, who was Commander of the Order in Herrenstrunden from 1621 to 1653. Among the many castles and manors owned by this large family was Burg Kühlseggen bei Weilerswist.

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CHARLES (CAREL) VAN FALENS, attributed to;  LANDSCAPE WITH FOUR RIDERS

Lot 11: CHARLES (CAREL) VAN FALENS, attributed to; LANDSCAPE WITH FOUR RIDERS

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Description: CHARLES (CAREL) VAN FALENS, attributed to LANDSCAPE WITH FOUR RIDERS With a presumably subsequent signature to the lower left: K Falens f.

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FLEMISH SCHOOL of the 1st half of the 17th century;  YOUNG WOMAN WITH A BASKET OF FRUIT AND TWO MONKEYS

Lot 12: FLEMISH SCHOOL of the 1st half of the 17th century; YOUNG WOMAN WITH A BASKET OF FRUIT AND TWO MONKEYS

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Description: FLEMISH SCHOOL of the 1st half of the 17th century YOUNG WOMAN WITH A BASKET OF FRUIT AND TWO MONKEYS A branded stamp and a collector's seal in red varnish to the reverse.The work is meant to be viewed from below, and was presumably originally incorporated into wood panelling, as can be seen by the treatment of the reverse of the piece. It was possibly part of a series of the four seasons.

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FLEMISH SCHOOL early 17th century;  THE HOLY KINSHIP

Lot 13: FLEMISH SCHOOL early 17th century; THE HOLY KINSHIP

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Description: FLEMISH SCHOOL early 17th century THE HOLY KINSHIP

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FLEMISH SCHOOL of the 17th century;  LANDSCAPE WITH RIDERS

Lot 14: FLEMISH SCHOOL of the 17th century; LANDSCAPE WITH RIDERS

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Description: FLEMISH SCHOOL of the 17th century LANDSCAPE WITH RIDERS This almost entirely square panel could be a fragment of a larger painting.

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FLEMISH SCHOOL of the 18th century;  A WOODED LANDSCAPE WITH TRAVELLERS

Lot 15: FLEMISH SCHOOL of the 18th century; A WOODED LANDSCAPE WITH TRAVELLERS

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Description: FLEMISH SCHOOL of the 18th century A WOODED LANDSCAPE WITH TRAVELLERS

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FRENCH (?) SCHOOL of the 17th century;  DAVID WITH THE HEAD OF GOLIATH

Lot 16: FRENCH (?) SCHOOL of the 17th century; DAVID WITH THE HEAD OF GOLIATH

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Description: FRENCH (?) SCHOOL of the 17th century DAVID WITH THE HEAD OF GOLIATH

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BARENT GAEL;  LANDSCAPE WITH COTTAGE AND FARMERS WITH LIVESTOCK

Lot 17: BARENT GAEL; LANDSCAPE WITH COTTAGE AND FARMERS WITH LIVESTOCK

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Description: BARENT GAEL LANDSCAPE WITH COTTAGE AND FARMERS WITH LIVESTOCK

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FRENCH SCHOOL,   circa 1800;  FEMALE FIGURE AS CERES

Lot 18: FRENCH SCHOOL, circa 1800; FEMALE FIGURE AS CERES

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Description: FRENCH SCHOOL, circa 1800 FEMALE FIGURE AS CERES

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JACOB VAN GEEL;  A WOODED LANDSCAPE WITH TRAVELLERS

Lot 19: JACOB VAN GEEL; A WOODED LANDSCAPE WITH TRAVELLERS

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Description: JACOB VAN GEEL A WOODED LANDSCAPE WITH TRAVELLERS

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EGBERT VAN HEEMSKERCK THE ELDER;  SMOKERS IN A TAVERN

Lot 20: EGBERT VAN HEEMSKERCK THE ELDER; SMOKERS IN A TAVERN

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Description: EGBERT VAN HEEMSKERCK THE ELDER SMOKERS IN A TAVERN

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DUTCH SHOOLof the 17th century;  SHIPS ON A ROUGH SEA

Lot 21: DUTCH SHOOLof the 17th century; SHIPS ON A ROUGH SEA

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Description: DUTCH SHOOLof the 17th century SHIPS ON A ROUGH SEA

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ITALIAN SCHOOL of the 15th century;  THE MADONNA WITH SAINT JOHN AND SAINT JAMES

Lot 22: ITALIAN SCHOOL of the 15th century; THE MADONNA WITH SAINT JOHN AND SAINT JAMES

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Description: ITALIAN SCHOOL of the 15th century THE MADONNA WITH SAINT JOHN AND SAINT JAMES

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ITALIAN SCHOOL of the 16th century;  AN ALLEGORY OF PEACE

Lot 23: ITALIAN SCHOOL of the 16th century; AN ALLEGORY OF PEACE

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Description: ITALIAN SCHOOL of the 16th century AN ALLEGORY OF PEACE

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ITALIAN SCHOOL of the 16th century;  THE ANNUNCIATION

Lot 24: ITALIAN SCHOOL of the 16th century; THE ANNUNCIATION

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Description: ITALIAN SCHOOL of the 16th century THE ANNUNCIATION Based on the famous miraculous image in Santissima Annunziata in Florence, by an unknown successor of Giotto circa 1360.

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ITALIAN SCHOOL of the late 16th century;  PORTRAIT OF A LADY

Lot 25: ITALIAN SCHOOL of the late 16th century; PORTRAIT OF A LADY

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Description: ITALIAN SCHOOL of the late 16th century PORTRAIT OF A LADY

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ITALIAN SCHOOL ca. 1600;  SAINT PETER

Lot 26: ITALIAN SCHOOL ca. 1600; SAINT PETER

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Description: ITALIAN SCHOOL ca. 1600 SAINT PETER

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ITALIAN SCHOOL,   circa 1700;  A PUTTO WITH SWORD AND DOVE (SAINT JOHN THE BAPTIST?)

Lot 27: ITALIAN SCHOOL, circa 1700; A PUTTO WITH SWORD AND DOVE (SAINT JOHN THE BAPTIST?)

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Description: ITALIAN SCHOOL, circa 1700 A PUTTO WITH SWORD AND DOVE (SAINT JOHN THE BAPTIST?)

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HENDRIK FRANS VAN LINT, attributed to;  AN ITALIAN LANDSCAPE WITH A FISHING PORT

Lot 28: HENDRIK FRANS VAN LINT, attributed to; AN ITALIAN LANDSCAPE WITH A FISHING PORT

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Description: HENDRIK FRANS VAN LINT, attributed to AN ITALIAN LANDSCAPE WITH A FISHING PORT

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CLAES MOLENAER, circle of;  WINTER LANDSCAPE WITH A VILLAGE AND FIGURES

Lot 29: CLAES MOLENAER, circle of; WINTER LANDSCAPE WITH A VILLAGE AND FIGURES

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Description: CLAES MOLENAER, circle of WINTER LANDSCAPE WITH A VILLAGE AND FIGURES

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JOHANN MARTIN METZ, circle of;  FLORAL STILL LIFE IN A STONE VASE WITH A PARROT

Lot 30: JOHANN MARTIN METZ, circle of; FLORAL STILL LIFE IN A STONE VASE WITH A PARROT

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Description: JOHANN MARTIN METZ, circle of FLORAL STILL LIFE IN A STONE VASE WITH A PARROT In an antique carved wood frame.

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NETHERLANDISH SCHOOL of the 17th century;  OLD MAN IN A CAP

Lot 31: NETHERLANDISH SCHOOL of the 17th century; OLD MAN IN A CAP

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Description: NETHERLANDISH SCHOOL of the 17th century OLD MAN IN A CAP With an old collector's stamp to the reverse.

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MONOGRAMMIST PVS;  VERTUMNUS AND POMONA

Lot 32: MONOGRAMMIST PVS; VERTUMNUS AND POMONA

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Description: MONOGRAMMIST PVS VERTUMNUS AND POMONA The story of Vertumnus and Pomona is part of Ovid's Metamorphoses and tells of how Vertumnus, the Roman god of the seasons, attempts - first unsuccessfully - to court Pomona, the goddess of fruit. However, in the guise of an old woman he manages to dissuade her from her entirely chaste existence, in which she is mainly concerned with her gardening, by telling her the story of Iphis and Anaxarete, and thus wins her favour.

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BARTOLOMÉ ESTEBAN MURILLO, follower of;  THE VISION OF SAINT ANTHONY

Lot 33: BARTOLOMÉ ESTEBAN MURILLO, follower of; THE VISION OF SAINT ANTHONY

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Description: BARTOLOMÉ ESTEBAN MURILLO, follower of THE VISION OF SAINT ANTHONY

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PIERRE JOSEPH PETIT;  PANORAMIC RIVER LANDSCAPE WITH RESTING FIGURES

Lot 34: PIERRE JOSEPH PETIT; PANORAMIC RIVER LANDSCAPE WITH RESTING FIGURES

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Description: PIERRE JOSEPH PETIT PANORAMIC RIVER LANDSCAPE WITH RESTING FIGURES P. J. Petit, who was probably born in Tournai, was a pupil of Christophe Hüet. He exhibited landscapes and architectural paintings at the Paris Salon from 1791 to 1819. A capriccio of ancient Roman architecture signed "Petit:f:Roma/febraio/1786" (Christie's, London, 3.4.1992, lot 1) proves that he stayed in Italy just two years before the present work was carried out.

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PHILIPP PETER ROOS, CALLED ROSA DA TIVOLI, follower of;  LANDSCAPE WITH SLEEPING SHEPHERDS AND THEIR HERD

Lot 35: PHILIPP PETER ROOS, CALLED ROSA DA TIVOLI, follower of; LANDSCAPE WITH SLEEPING SHEPHERDS AND THEIR HERD

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Description: PHILIPP PETER ROOS, CALLED ROSA DA TIVOLI, follower of LANDSCAPE WITH SLEEPING SHEPHERDS AND THEIR HERD In a letter to the previous owner from 23.6.1989, Dr. Hermann Jedding, Hamburg, rules out Philipp Peter Roos (Rosa da Tivoli) as the author of the present work, since "the (sleeping) shepherd shown here is too beautiful and fine". Instead, he places the painting closer to the Neapolitan painter Domenico Brandi (1683-1736), and compares it to two signed paintings by this artist in the Staatsgalerie Stuttgart.In the exhibition "Barock in Neapel. Gemälde der Neapolitanischen Schule des 17. und 18. Jahrhunderts aus dem Bestand der Staatsgalerie Stuttgart" in the gallery of Kornwestheim, the painting was attributed to Jakob Roos (Giacomo Rosa, called Rosa di Napoli), the son of Rosa da Tivoli who was born in 1682, taught by his father and subsequently worked as an artist in Naples.

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PHILIPP PETER ROOS, CALLED ROSA DA TIVOLI, follower of;  LANDSCAPE WITH A PAIR OF SHEPHERDS AND THEIR HERD

Lot 36: PHILIPP PETER ROOS, CALLED ROSA DA TIVOLI, follower of; LANDSCAPE WITH A PAIR OF SHEPHERDS AND THEIR HERD

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Description: PHILIPP PETER ROOS, CALLED ROSA DA TIVOLI, follower of LANDSCAPE WITH A PAIR OF SHEPHERDS AND THEIR HERD

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ADRIAEN VAN OSTADE, copy after;  INTERIOR SCENE WITH PEASANTS SINGING AND MAKING MUSIC

Lot 37: ADRIAEN VAN OSTADE, copy after; INTERIOR SCENE WITH PEASANTS SINGING AND MAKING MUSIC

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Description: ADRIAEN VAN OSTADE, copy after INTERIOR SCENE WITH PEASANTS SINGING AND MAKING MUSIC A further, smaller version after van Ostade, previously owned by the New York Historical Society auctioned by Sotheby's, New York, 12.1.1995, lot 49.

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MATHYS SCHOEVAERDTS;  FISHMARKET IN FRONT OF A GRAND ARCHITECTURAL BACKDROP

Lot 38: MATHYS SCHOEVAERDTS; FISHMARKET IN FRONT OF A GRAND ARCHITECTURAL BACKDROP

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Description: MATHYS SCHOEVAERDTS FISHMARKET IN FRONT OF A GRAND ARCHITECTURAL BACKDROP

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TOBIAS STRANOVER;  STILL LIFE WITH GRAPES AND A BULLFINCH

Lot 39: TOBIAS STRANOVER; STILL LIFE WITH GRAPES AND A BULLFINCH

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Description: TOBIAS STRANOVER STILL LIFE WITH GRAPES AND A BULLFINCH Tobias Stranover was a member of a family of artists from Hermannstadt (Sibiu). After a period of travelling, he lived in various German cities and eventually settled in London, where he married the daughter of the painter Jakob Bogdani who worked for the English court, and with whom Stranover presumably worked in close partnership. Both were among the finest painters of still lifes in England in the early 18th century. Stranover's paintings can be viewed in museums in Hamburg, Dresden and Budapest, but primarily of course in English private collections.

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JOHANN THADDÄUS SAUTER, attributed to;  MARIA IMMACULATA

Lot 40: JOHANN THADDÄUS SAUTER, attributed to; MARIA IMMACULATA

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Description: JOHANN THADDÄUS SAUTER, attributed to MARIA IMMACULATA A label with old handwriting to the reverse "T. Sauter 1757 / Augsburg / Seitenaltar bei St. Stephan / von m. lb. Vater † 4. Sept 1876 g. 7. Nov. 1793".This work's composition corresponds almost exactly to that of a an altar painting by Sauter kept in the Stiftskirche St. Stephan in Augsburg, which was destroyed in World War II. Some differences, such as the pose of the putto on the lower margin or the two putti holding the canopy above the peace dove, both which are not to be found in the altar painting at St. Stephen's, lead us to believe that this work is not a later copy, but rather a bozzetto or, more likely, a presentation sketch for the large-scale piece.This large-scale painting hung above the altar of Mary in the freiweltlichen adeligen Damenstift St. Stephan, which was founded by Bishop Ulrich of Augsburg in 969, until it was destroyed in 1944. The church of St. Stephen was entirely renewed from 1755 to 1757 based on plans by the Electoral court builder Franz Xaver Kleinhans. It is likely that the present work was carried out around the time the newly built church was being furnished.

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SOUTH GERMAN SCHOOL ca. 1720;  THE VIRGIN MARY WITH A BOOK

Lot 41: SOUTH GERMAN SCHOOL ca. 1720; THE VIRGIN MARY WITH A BOOK

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Description: SOUTH GERMAN SCHOOL ca. 1720 THE VIRGIN MARY WITH A BOOK In a frame of the period, possibly the original.

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GASPAR PEETER VERBRUGGEN THE YOUNGER, attributed to;  FLORAL STILL LIFE WITH VIEW OF A LANDSCAPE

Lot 42: GASPAR PEETER VERBRUGGEN THE YOUNGER, attributed to; FLORAL STILL LIFE WITH VIEW OF A LANDSCAPE

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Description: GASPAR PEETER VERBRUGGEN THE YOUNGER, attributed to FLORAL STILL LIFE WITH VIEW OF A LANDSCAPE

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PAUL TROGER, circle of;  SAINT JOHN

Lot 43: PAUL TROGER, circle of; SAINT JOHN

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Description: PAUL TROGER, circle of SAINT JOHN

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JAN WIJNANTS, follower of;  WOODED LANDSCAPE WITH HUNTSMEN

Lot 44: JAN WIJNANTS, follower of; WOODED LANDSCAPE WITH HUNTSMEN

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Description: JAN WIJNANTS, follower of WOODED LANDSCAPE WITH HUNTSMEN

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CORNELIS DE WAEL, attributed to;  CAVALRY BATTLE

Lot 45: CORNELIS DE WAEL, attributed to; CAVALRY BATTLE

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Description: CORNELIS DE WAEL, attributed to CAVALRY BATTLE

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PHILIPS WOUWERMAN, follower of;  CAVALRY BATTLE IN FRONT OF A WALLED CITY

Lot 46: PHILIPS WOUWERMAN, follower of; CAVALRY BATTLE IN FRONT OF A WALLED CITY

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Description: PHILIPS WOUWERMAN, follower of CAVALRY BATTLE IN FRONT OF A WALLED CITY

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PHILIPS WOUWERMAN, follower of;  LANDSCAPE WITH SHEPHERDS AND RIDERS

Lot 47: PHILIPS WOUWERMAN, follower of; LANDSCAPE WITH SHEPHERDS AND RIDERS

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Description: PHILIPS WOUWERMAN, follower of LANDSCAPE WITH SHEPHERDS AND RIDERS

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OSWALD ACHENBACH;  LAGO DI AGNANO NEAR NAPLES WITH A VIEW OF VESUVIUS

Lot 48: OSWALD ACHENBACH; LAGO DI AGNANO NEAR NAPLES WITH A VIEW OF VESUVIUS

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Description: OSWALD ACHENBACH LAGO DI AGNANO NEAR NAPLES WITH A VIEW OF VESUVIUS

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J. ALLAN;  VIEW OF THE RADCLIFFE CAMERA IN OXFORD

Lot 49: J. ALLAN; VIEW OF THE RADCLIFFE CAMERA IN OXFORD

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Description: J. ALLAN VIEW OF THE RADCLIFFE CAMERA IN OXFORD Named after its donor Dr. John Radcliffe, the Radcliffe Camera was built between 1737 to 1749 for use as a library. With its characteristic round form, the building soon became one of the university city's landmarks, and now houses a lecture hall. Not much is known about the painter of this small veduta. Eight views of the Thames by the same artist, also painted on card, were auctioned by Christie's, South Kensington in 2005, as well as a view of Windsor Castle in 2010.

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