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Auction Description for Waddington's: Fine Prints and Photography Auction
Viewing Notes:
Saturday 8 March 2014 from 11:00 am to 5:00 pm Sunday 9 March 2014 from 11:00 am to 5:00 pm Monday 10 March 2014 from 10:00 am to 12 Noon

Fine Prints and Photography Auction

by Waddington's

Platinum House

220 lots | 211 with images

March 11, 2014

Live Auction

275 King Street E

2nd Floor

Toronto, ON, M5A 1K2 Canada

Phone: +1 416 504 9100

Fax: +1 416 504 0033

Email: info@waddingtons.ca

220 Lots
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Jock Sturges (1947- ), LIDWINE, ORLEANS, FRANCE, 1988, Gelatin silver print; signed, titled, numbered 4/40 and dated '88 in pencil verso, 17.3

Lot 1: Jock Sturges (1947- ), LIDWINE, ORLEANS, FRANCE, 1988, Gelatin silver print; signed, titled, numbered 4/40 and dated '88 in pencil verso, 17.3" x 21.7" - 43.9 x 55.1 cm.

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Description: Jock Sturges (1947- ), AmericanLIDWINE, ORLEANS, FRANCE, 1988; Gelatin silver print; signed, titled, numbered 4/40 and dated '88 in pencil verso17.3" x 21.7" - 43.9 x 55.1 cm.Literature: "Radiant Identities, Photographs by Jock Sturges", Aperture, New York, 1994, pl. 47

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Louise Bourgeois (1911-2010), CHILDREN IN TUB (FROM AUTOBIOGRAPHICAL SERIES), 1994, Drypoint and aquatint signed with initials and numbered 24/35 in pencil to margin. Published by Peter Blum Edition., Plate 4.1

Lot 2: Louise Bourgeois (1911-2010), CHILDREN IN TUB (FROM AUTOBIOGRAPHICAL SERIES), 1994, Drypoint and aquatint signed with initials and numbered 24/35 in pencil to margin. Published by Peter Blum Edition., Plate 4.1" x 5.25" - 10.5 x 13.3 cm.

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Description: Louise Bourgeois (1911-2010), French/AmericanCHILDREN IN TUB (FROM AUTOBIOGRAPHICAL SERIES), 1994; Drypoint and aquatint signed with initials and numbered 24/35 in pencil to margin. Published by Peter Blum Edition.Plate 4.1" x 5.25" - 10.5 x 13.3 cm.Provenance: Galerie Samuel Lallouz, MontrealNote: This image with the children's legs showing through the tub is based on drawings Bourgeois drew in the 1940's depicting the apartment she and her family lived in at 18th Street, New York in the 1940's.

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Francisco Zuniga (1912-1998), DOS JUCHITECAS SENTADAS, 1974 [BREWSTER 20], Colour lithograph; signed, dated 1974 and numbered

Lot 3: Francisco Zuniga (1912-1998), DOS JUCHITECAS SENTADAS, 1974 [BREWSTER 20], Colour lithograph; signed, dated 1974 and numbered "P. de impression II" in pencil. Aside from the edition of 100., Sheet 21.25" x 27" - 54 x 68.6 cm.

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Description: Francisco Zuniga (1912-1998), MexicanDOS JUCHITECAS SENTADAS, 1974 [BREWSTER 20]; Colour lithograph; signed, dated 1974 and numbered "P. de impression II" in pencil. Aside from the edition of 100.Sheet 21.25" x 27" - 54 x 68.6 cm.Est. $800/1,200

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Alexander Calder (1898-1976), THE PEAK OF PROGRESS, CIRCA 1970, Colour lithograph on Arches paper; signed and numbered 86/100 in pencil to the image, Sheet 20.25

Lot 4: Alexander Calder (1898-1976), THE PEAK OF PROGRESS, CIRCA 1970, Colour lithograph on Arches paper; signed and numbered 86/100 in pencil to the image, Sheet 20.25" x 28.25" - 51.4 x 71.8 cm.

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Description: Alexander Calder (1898-1976), AmericanTHE PEAK OF PROGRESS, CIRCA 1970; Colour lithograph on Arches paper; signed and numbered 86/100 in pencil to the imageSheet 20.25" x 28.25" - 51.4 x 71.8 cm.Provenance: Merill Chase Galleries with Certificate of Authenticity

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Andy Warhol (1928-1987), KAREN KAIN, 1980 [F. & S., II.236], Colour silkscreen with diamond dust; signed in black crayon by Andy Warhol and signed by Karen Kain in pencil, numbered 40/200 in pencil to bottom edge, Sheet 40

Lot 5: Andy Warhol (1928-1987), KAREN KAIN, 1980 [F. & S., II.236], Colour silkscreen with diamond dust; signed in black crayon by Andy Warhol and signed by Karen Kain in pencil, numbered 40/200 in pencil to bottom edge, Sheet 40" x 31.8" - 101.6 x 80.8 cm.

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Description: Andy Warhol (1928-1987), AmericanKAREN KAIN, 1980 [F. & S., II.236]; Colour silkscreen with diamond dust; signed in black crayon by Andy Warhol and signed by Karen Kain in pencil, numbered 40/200 in pencil to bottom edgeSheet 40" x 31.8" - 101.6 x 80.8 cm.Note: Warhol's hyper-colourful portraits of Canada's former prima ballerina were based on a polaroid photo he took of the dancer in his studio in New York.

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James Rosenquist (1933- ), THE BOOK DISAPPEARS FOR THE FAST STUDENT, 1977 [GLENN, 124], Colour etching and aquatint; signed, titled, dated 1977 and numbered 55/78 in pencil to margin. Published by Multiples, printed by Patrick Lindhardt., Plate 17.5

Lot 6: James Rosenquist (1933- ), THE BOOK DISAPPEARS FOR THE FAST STUDENT, 1977 [GLENN, 124], Colour etching and aquatint; signed, titled, dated 1977 and numbered 55/78 in pencil to margin. Published by Multiples, printed by Patrick Lindhardt., Plate 17.5"

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Description: James Rosenquist (1933- ), AmericanTHE BOOK DISAPPEARS FOR THE FAST STUDENT, 1977 [GLENN, 124]; Colour etching and aquatint; signed, titled, dated 1977 and numbered 55/78 in pencil to margin. Published by Multiples, printed by Patrick Lindhardt.Plate 17.5" x 35.75" - 44.5 x 90.8 cm.Est. $1,000/1,500

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Bill Ronald Reid (1920-1998), HAIDA SOCKEYE SALMON, 1991, Colour silkscreen on Stonehenge Paper; signed, titled and inscribed, dated '91 and numbered 84/199 in pencil. Published by Pacific Editions Limited, Victoria, B.C. in 1991 blind stamp to lower

Lot 7: Bill Ronald Reid (1920-1998), HAIDA SOCKEYE SALMON, 1991, Colour silkscreen on Stonehenge Paper; signed, titled and inscribed, dated '91 and numbered 84/199 in pencil. Published by Pacific Editions Limited, Victoria, B.C. in 1991 blind stamp to lower

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Description: Bill Ronald Reid (1920-1998), CanadianHAIDA SOCKEYE SALMON, 1991; Colour silkscreen on Stonehenge Paper; signed, titled and inscribed, dated '91 and numbered 84/199 in pencil. Published by Pacific Editions Limited, Victoria, B.C. in 1991 blind stamp to lower left corner, printed publisher's text verso. From the edition of 240 including the artist's proofs.Sheet 22" x 30" - 55.9 x 76.2 cm.

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Marc Chagall (1887-1985), LE VERGER DE PHILETAS [M326], Colour lithograph; signed in black pen and ink and numbered 65/250  on the original publisher's certification page affixed to the verso, 16.5

Lot 8: Marc Chagall (1887-1985), LE VERGER DE PHILETAS [M326], Colour lithograph; signed in black pen and ink and numbered 65/250 on the original publisher's certification page affixed to the verso, 16.5" x 25.3" - 41.9 x 64.3 cm.

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Description: Marc Chagall (1887-1985), Russian/FrenchLE VERGER DE PHILETAS [M326]; Colour lithograph; signed in black pen and ink and numbered 65/250 on the original publisher's certification page affixed to the verso16.5" x 25.3" - 41.9 x 64.3 cm.Est. $6,000/8,000

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Albrecht Durer (1471-1528), CHRIST ON THE CROSS WITH THREE ANGELS, SECOND STATE, Woodcut on laid paper with crowned coat of arms and fleur-de-lys watermark with countermark indistinct initials (G.X.?); Inscribed H. Fussli and Cie (publishers) in

Lot 9: Albrecht Durer (1471-1528), CHRIST ON THE CROSS WITH THREE ANGELS, SECOND STATE, Woodcut on laid paper with crowned coat of arms and fleur-de-lys watermark with countermark indistinct initials (G.X.?); Inscribed H. Fussli and Cie (publishers) in

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Description: Albrecht Durer (1471-1528), GermanCHRIST ON THE CROSS WITH THREE ANGELS, SECOND STATE; Woodcut on laid paper with crowned coat of arms and fleur-de-lys watermark with countermark indistinct initials (G.X.?); Inscribed H. Fussli and Cie (publishers) in pencil and with their initial stamp verso. Centre fold.23" x 16.5" - 58.4 x 41.9 cm.Provenance: London Arts, Detroit, Michigan; Sears Vincent Price Collection; The Estate of Helene Mazelow, Toronto purchased frm the Price Collection in 1989

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Rembrandt van Rijin (1606-1669), CHRIST HEALING THE SICK (THE HUNDRED GUILDER PRINT), CIRCA 1639, [B. 74], [H. 236 II/III], Etching, engraving and aquatint. on laid paper with watermark of a Strasbourg Lily with countermark IHS surmounted by a cross,

Lot 10: Rembrandt van Rijin (1606-1669), CHRIST HEALING THE SICK (THE HUNDRED GUILDER PRINT), CIRCA 1639, [B. 74], [H. 236 II/III], Etching, engraving and aquatint. on laid paper with watermark of a Strasbourg Lily with countermark IHS surmounted by a cross,

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Description: Rembrandt van Rijin (1606-1669), DutchCHRIST HEALING THE SICK (THE HUNDRED GUILDER PRINT), CIRCA 1639, [B. 74], [H. 236 II/III]; Etching, engraving and aquatint. on laid paper with watermark of a Strasbourg Lily with countermark IHS surmounted by a cross, indistinct initials (ET (?) below. Unframed.Plate 11.1" x 15.6" - 28.2 x 39.6 cm.Est. $6,000/8,000Provenance: Mayfair Fine Arts, Encino, California (Ira Gale consignment); Sears Vincent Price Collection Acquisition No. 71070672, on 6-30-71; With Frederick Baker Inc., Chicago, Illinois; The Estate of Helene Mazelow, Toronto, purchased from the Price collection in August, 1989Note: Re-worked by Capt. Baillie in 1775. Impression from a re-worked plate with additions of pen and ink and wash at figures at left

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Pierre Soulages (1919- ), EAU-FORTE XV1, 1961 [GATTO, 17], Colour etching and aquatint; signed and numbered 51/100 in pencil to margin. Published and printed by Lacourier., Sheet 30

Lot 11: Pierre Soulages (1919- ), EAU-FORTE XV1, 1961 [GATTO, 17], Colour etching and aquatint; signed and numbered 51/100 in pencil to margin. Published and printed by Lacourier., Sheet 30" x 22.5" - 76.2 x 57.2 cm.

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Description: Pierre Soulages (1919- ), FrenchEAU-FORTE XV1, 1961 [GATTO, 17]; Colour etching and aquatint; signed and numbered 51/100 in pencil to margin. Published and printed by Lacourier.Sheet 30" x 22.5" - 76.2 x 57.2 cm.

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Bridget Riley (1931- ), UNTITLED (BASED ON BLAZE), 1964 [SCHUBERT 4], Screenprint on smooth paper; signed, dated '64 and numbered 1/50 in pencil

Lot 12: Bridget Riley (1931- ), UNTITLED (BASED ON BLAZE), 1964 [SCHUBERT 4], Screenprint on smooth paper; signed, dated '64 and numbered 1/50 in pencil

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Description: Bridget Riley (1931- ), BritishUNTITLED (BASED ON BLAZE), 1964 [SCHUBERT 4]; Screenprint on smooth paper; signed, dated '64 and numbered 1/50 in pencilProvenance: The Isaac's Gallery, Toront;oMr. D. Michel, Toronto

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Georges Braque (1882-1963), L'ORDRE DES OISEAUX, PL. 7, 1962 [VALLIER, 182], Colour etching and aquatint; signed and numbered H.C. in pencil to margin, Plate 13.6

Lot 13: Georges Braque (1882-1963), L'ORDRE DES OISEAUX, PL. 7, 1962 [VALLIER, 182], Colour etching and aquatint; signed and numbered H.C. in pencil to margin, Plate 13.6" x 18" - 34.5 x 45.8 cm.

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Description: Georges Braque (1882-1963), FrenchL'ORDRE DES OISEAUX, PL. 7, 1962 [VALLIER, 182]; Colour etching and aquatint; signed and numbered H.C. in pencil to marginPlate 13.6" x 18" - 34.5 x 45.8 cm.

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Kumi Sugai (1919-1996), HIVER NO 4, 1958, Colour lithograph; signed and numbered 43/75 in pencil to margin, titled verso. Unframed., Sheet 25.75

Lot 14: Kumi Sugai (1919-1996), HIVER NO 4, 1958, Colour lithograph; signed and numbered 43/75 in pencil to margin, titled verso. Unframed., Sheet 25.75" x 19.75" - 65.4 x 50.2 cm.

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Description: Kumi Sugai (1919-1996), JapaneseHIVER NO 4, 1958; Colour lithograph; signed and numbered 43/75 in pencil to margin, titled verso. Unframed.Sheet 25.75" x 19.75" - 65.4 x 50.2 cm.Provenance: The Fine Line Gallery, Toronto. Purchased from Waddington's 1 Dec. 1980

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Stanley William Hayter (1901-1988), CLAIRVOIE (1974), Colour etching and aquatint; signed, titled, dated '74 and numbered 52/75 in pencil to margin. Unframed., Sheet 22

Lot 15: Stanley William Hayter (1901-1988), CLAIRVOIE (1974), Colour etching and aquatint; signed, titled, dated '74 and numbered 52/75 in pencil to margin. Unframed., Sheet 22" x 29.5" - 55.9 x 74.9 cm.

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Description: Stanley William Hayter (1901-1988), BritishCLAIRVOIE (1974); Colour etching and aquatint; signed, titled, dated '74 and numbered 52/75 in pencil to margin. Unframed.Sheet 22" x 29.5" - 55.9 x 74.9 cm.Provenance: The Fine Line Gallery, Toronto

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Antoni Clave (1913-2005), UNTITLED (BLUE BRUSHSTROKE), Colour lithograph; signed and numbered 84/90 in pencil to margin. Unframed., Sheet 30

Lot 16: Antoni Clave (1913-2005), UNTITLED (BLUE BRUSHSTROKE), Colour lithograph; signed and numbered 84/90 in pencil to margin. Unframed., Sheet 30" x 22" - 76.2 x 55.9 cm.

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Description: Antoni Clave (1913-2005), SpanishUNTITLED (BLUE BRUSHSTROKE); Colour lithograph; signed and numbered 84/90 in pencil to margin. Unframed.Sheet 30" x 22" - 76.2 x 55.9 cm.Provenance: The Fine Line Gallery, Toronto (1980-1985)

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David Alfaro Siqueiros (1896-1974), CHRISTO AMPUTADO (1968) (FROM A PORTFOLIO OF 10 ORIGINAL LITHOGRAPHS), Colour lithograph on japon paper; signed and numbered III/XXV. Printed by Atelier Mourlot, Paris. Unframed., Sheet 21

Lot 17: David Alfaro Siqueiros (1896-1974), CHRISTO AMPUTADO (1968) (FROM A PORTFOLIO OF 10 ORIGINAL LITHOGRAPHS), Colour lithograph on japon paper; signed and numbered III/XXV. Printed by Atelier Mourlot, Paris. Unframed., Sheet 21" x 15.5" - 53.3 x 39.4

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Description: David Alfaro Siqueiros (1896-1974), MexicanCHRISTO AMPUTADO (1968) (FROM A PORTFOLIO OF 10 ORIGINAL LITHOGRAPHS); Colour lithograph on japon paper; signed and numbered III/XXV. Printed by Atelier Mourlot, Paris. Unframed.Sheet 21" x 15.5" - 53.3 x 39.4 cm.Provenance: The Fine Line Gallery, Toronto

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Max Papart (1911-1994), CORDOBA, Embossed colour etching; signed and numbered 33/100 in pencil to the margin. Unframed., Sheet 30

Lot 18: Max Papart (1911-1994), CORDOBA, Embossed colour etching; signed and numbered 33/100 in pencil to the margin. Unframed., Sheet 30" x 22" - 76.2 x 55.9 cm.

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Description: Max Papart (1911-1994), FrenchCORDOBA; Embossed colour etching; signed and numbered 33/100 in pencil to the margin. Unframed.Sheet 30" x 22" - 76.2 x 55.9 cm.Est. $500/700Provenance: The Fine Line Gallery, Toronto

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Pablo Palazuelo (1916-2007), THE HEART (FROM THE PORTFOLIO

Lot 19: Pablo Palazuelo (1916-2007), THE HEART (FROM THE PORTFOLIO "LE COEUR"), Colour lithograph; signed and numbered 23/75 in pencil to margin. Published by Maeght Foundation 1972 with a copy of the publisher's literature. Unframed., 30" x 23.75" - 76.2 x

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Description: Pablo Palazuelo (1916-2007), SpanishTHE HEART (FROM THE PORTFOLIO "LE COEUR"); Colour lithograph; signed and numbered 23/75 in pencil to margin. Published by Maeght Foundation 1972 with a copy of the publisher's literature. Unframed.30" x 23.75" - 76.2 x 60.3 cm.Provenance: The Fine Line Gallery, Toronto

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Joseph Albers (1888-1976), CONCORD, Colour screenprint; signed, titled, dated '65 and numbered 68/120 in pencil to margin. Unframed., Sheet 12

Lot 20: Joseph Albers (1888-1976), CONCORD, Colour screenprint; signed, titled, dated '65 and numbered 68/120 in pencil to margin. Unframed., Sheet 12" x 12" - 30.5 x 30.5 cm.

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Description: Joseph Albers (1888-1976), GermanCONCORD; Colour screenprint; signed, titled, dated '65 and numbered 68/120 in pencil to margin. Unframed.Sheet 12" x 12" - 30.5 x 30.5 cm.Est. $800/1,200Provenance: The Fine Line Gallery, Toronto. Purchased from Waddington's 1 Dec 1980.

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Joseph Albers (1888-1976), CHRYSOPROSE, Colour screenprint; signed, titled, numbered 68/120 and dated '65 in pencil to margin. Unframed., Sheet 12

Lot 21: Joseph Albers (1888-1976), CHRYSOPROSE, Colour screenprint; signed, titled, numbered 68/120 and dated '65 in pencil to margin. Unframed., Sheet 12" x 12" - 30.5 x 30.5 cm.

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Description: Joseph Albers (1888-1976), GermanCHRYSOPROSE; Colour screenprint; signed, titled, numbered 68/120 and dated '65 in pencil to margin. Unframed.Sheet 12" x 12" - 30.5 x 30.5 cm.Provenance: The Fine Line Gallery, Toronto. Purchased from Waddington's 1 Dec. 1980.

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Ruth Orkin (1921-1985), WOMEN'S MINI-MARATHON UP CENTRAL PARK WEST, 3 JUNE 1978, Type C colour photograph on Kodak paper; signed, titled and dated

Lot 22: Ruth Orkin (1921-1985), WOMEN'S MINI-MARATHON UP CENTRAL PARK WEST, 3 JUNE 1978, Type C colour photograph on Kodak paper; signed, titled and dated "Women's mini-marathon 1978" in pen and ink verso. Matted and unframed., Sheet 14.25" x 10" - 36.2 x

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Description: Ruth Orkin (1921-1985), AmericanWOMEN'S MINI-MARATHON UP CENTRAL PARK WEST, 3 JUNE 1978; Type C colour photograph on Kodak paper; signed, titled and dated "Women's mini-marathon 1978" in pen and ink verso. Matted and unframed.Sheet 14.25" x 10" - 36.2 x 25.4 cm.Provenance: The Fine Line Gallery, Toronto. Purchased at Witkin Gallery New York c. 1980

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William Wegman (1943-), SHOE HEAD, 1994, Large scale polariod; signed, titled and dated in black ink lower margin., Image 23.5

Lot 23: William Wegman (1943-), SHOE HEAD, 1994, Large scale polariod; signed, titled and dated in black ink lower margin., Image 23.5" x 19" - 59.7 x 48.3 cm.

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Description: William Wegman (1943-), AmericanSHOE HEAD, 1994; Large scale polariod; signed, titled and dated in black ink lower margin.Image 23.5" x 19" - 59.7 x 48.3 cm.Est. $3,000/5,000

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Lee Miller (1907-1977), PORTRAIT OF JOSEPH CORNELL, NEW YORK, 1933, Gelatin silver print; estate print with stamp authenticating this as from the Lee Miller Archives; printed  c. 1975, Image 6.5

Lot 24: Lee Miller (1907-1977), PORTRAIT OF JOSEPH CORNELL, NEW YORK, 1933, Gelatin silver print; estate print with stamp authenticating this as from the Lee Miller Archives; printed c. 1975, Image 6.5" x 10" - 16.5 x 25.4 cm.

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Description: Lee Miller (1907-1977), AmericanPORTRAIT OF JOSEPH CORNELL, NEW YORK, 1933; Gelatin silver print; estate print with stamp authenticating this as from the Lee Miller Archives; printed c. 1975Image 6.5" x 10" - 16.5 x 25.4 cm.Provenance: Ancapa Books, Berkeley, California

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Bruce Onobrakpena (1932- ), THE THIRD FALL; NAILING TO THE CROSS (FROM STATIONS OF THE CROSS), Two colour linocut engravings on japon paper; each signed, dated '69, and numbered 30/50 in pencil, the first, titled in pencil, Each image 9

Lot 25: Bruce Onobrakpena (1932- ), THE THIRD FALL; NAILING TO THE CROSS (FROM STATIONS OF THE CROSS), Two colour linocut engravings on japon paper; each signed, dated '69, and numbered 30/50 in pencil, the first, titled in pencil, Each image 9" x 23" - 22.9

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Description: Bruce Onobrakpena (1932- ), NigerianTHE THIRD FALL; NAILING TO THE CROSS (FROM STATIONS OF THE CROSS); Two colour linocut engravings on japon paper; each signed, dated '69, and numbered 30/50 in pencil, the first, titled in pencilEach image 9" x 23" - 22.9 x 58.4 cm.

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Joan Miro (1893-1983), POSTER FOR THE EXHIBITION

Lot 26: Joan Miro (1893-1983), POSTER FOR THE EXHIBITION "SOBRETEIXIMS", 1973 [MOURLOT, 919], Colour lithograph; signed and numbered H.C. in pencil. Aside from the edition of 150. Published by Maeght, Paris., 33.5" x 23.1" - 85.1 x 58.7 cm.

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Description: Joan Miro (1893-1983), SpanishPOSTER FOR THE EXHIBITION "SOBRETEIXIMS", 1973 [MOURLOT, 919]; Colour lithograph; signed and numbered H.C. in pencil. Aside from the edition of 150. Published by Maeght, Paris.33.5" x 23.1" - 85.1 x 58.7 cm.

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William Kurelek (1927-1977), FOUR INUIT SCENES OF LIFE, Four half-tone colour lithographs; each signed with initials and dated 75 in the plates, each signed and numbered 277/300 in pencil to margin, Sheet sight 13.25

Lot 27: William Kurelek (1927-1977), FOUR INUIT SCENES OF LIFE, Four half-tone colour lithographs; each signed with initials and dated 75 in the plates, each signed and numbered 277/300 in pencil to margin, Sheet sight 13.25" x 11" - 33.7 x 27.9 cm.

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Description: William Kurelek (1927-1977), Ukrainian/CanadianFOUR INUIT SCENES OF LIFE; Four half-tone colour lithographs; each signed with initials and dated 75 in the plates, each signed and numbered 277/300 in pencil to marginSheet sight 13.25" x 11" - 33.7 x 27.9 cm.Literature: "William Kurelek, The Last of the Arctic", Toronto, 1976, all four works reproduced in color

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Jean Paul Riopelle (1923-2002), ALBUM 67 (NO. 9), 1967 [YSEULT RIOPELLE, CAT. NO. 1967.29IEST.LI.ALB], Colour lithograph; signed and numbered 56/75 in white colour pencil, Sheet 15.75

Lot 28: Jean Paul Riopelle (1923-2002), ALBUM 67 (NO. 9), 1967 [YSEULT RIOPELLE, CAT. NO. 1967.29IEST.LI.ALB], Colour lithograph; signed and numbered 56/75 in white colour pencil, Sheet 15.75" x 31.5" - 40 x 80 cm.

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Description: Jean Paul Riopelle (1923-2002), CanadianALBUM 67 (NO. 9), 1967 [YSEULT RIOPELLE, CAT. NO. 1967.29IEST.LI.ALB]; Colour lithograph; signed and numbered 56/75 in white colour pencilSheet 15.75" x 31.5" - 40 x 80 cm.Est. $1,500/2,000Provenance: The Pollock Gallery, TorontoLiterature: "Jean Paul Riopelle Catalogue Raisonne des Etampes," ed. Yseult Riopelle: 2005; illustrated in colour page 169

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Alfred Eisenstaedt (1898-1995), PORTRAIT OF GORDON PARKS, Gelatin silver print; signed

Lot 29: Alfred Eisenstaedt (1898-1995), PORTRAIT OF GORDON PARKS, Gelatin silver print; signed "Photo by Alfred Eisensteadt" in white ink right lower right, inscribed along the bottom verso in pencil: "credit: Alfred Eisenstaedt", 13" x 9.75" - 33 x 24.8 cm.

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Description: Alfred Eisenstaedt (1898-1995), American PORTRAIT OF GORDON PARKS; Gelatin silver print; signed "Photo by Alfred Eisensteadt" in white ink right lower right, inscribed along the bottom verso in pencil: "credit: Alfred Eisenstaedt" and further annotated in pencil verso: "The Learning Tree" and with purple ink "Life Magazine" credit stamp with printed text: "Life Photo by: A. Eisenstaedt", titled "Gordon Parks" and with stamped date: "1-14-63" verso. Matted and unframed.13" x 9.75" - 33 x 24.8 cm.

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Robert Doisneau (1912-1994), LA DANCE (THE LAST WALTZ) 14 JULY 1949, Gelatin silver print; signed in red; limitation stamp verso. Titled and dated in pencil 14/7/1949 and with a later artist's studio label verso. Unframed., Image 7.25

Lot 30: Robert Doisneau (1912-1994), LA DANCE (THE LAST WALTZ) 14 JULY 1949, Gelatin silver print; signed in red; limitation stamp verso. Titled and dated in pencil 14/7/1949 and with a later artist's studio label verso. Unframed., Image 7.25" x 6.5" - 18.4

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Description: Robert Doisneau (1912-1994), FrenchLA DANCE (THE LAST WALTZ) 14 JULY 1949; Gelatin silver print; signed in red; limitation stamp verso. Titled and dated in pencil 14/7/1949 and with a later artist's studio label verso. Unframed.Image 7.25" x 6.5" - 18.4 x 16.5 cm.

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Julius Schulman (1910-2009), MALIN ('CHEMOSPHERE' HOUSE) RESIDENCE, DESIGNED BY JOHN LAUTNER, LOS ANGELES, CALIFORNIA, 1961, Gelatin silver print; signed and dated in white ink lower right. Unframed., 24

Lot 31: Julius Schulman (1910-2009), MALIN ('CHEMOSPHERE' HOUSE) RESIDENCE, DESIGNED BY JOHN LAUTNER, LOS ANGELES, CALIFORNIA, 1961, Gelatin silver print; signed and dated in white ink lower right. Unframed., 24" x 30 " - 61 x 76.2 cm.

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Description: Julius Schulman (1910-2009), AmericanMALIN ('CHEMOSPHERE' HOUSE) RESIDENCE, DESIGNED BY JOHN LAUTNER, LOS ANGELES, CALIFORNIA, 1961; Gelatin silver print; signed and dated in white ink lower right. Unframed.24" x 30 " - 61 x 76.2 cm.Literature: Joseph Rosa, "A Constructed View: the Architectural Photography of Julius Shulman"; New York: 1994, ill. 11 p. 21;Julius Shulman, "Photographing Architecture and Interiors"; Los Angeles: 2000; ill. p. 58

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Felix Edouard Vallotton (1865-1925), PORTRAIT OF PUVIS DE CHAVANNES, Woodcut; signed in the plate. Published by The Studio and bearing their red stamped publishing symbol in the lower right corner., Image 7

Lot 32: Felix Edouard Vallotton (1865-1925), PORTRAIT OF PUVIS DE CHAVANNES, Woodcut; signed in the plate. Published by The Studio and bearing their red stamped publishing symbol in the lower right corner., Image 7" x 5" - 17.8 x 12.7 cm.

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Description: Felix Edouard Vallotton (1865-1925), SwissPORTRAIT OF PUVIS DE CHAVANNES; Woodcut; signed in the plate. Published by The Studio and bearing their red stamped publishing symbol in the lower right corner.Image 7" x 5" - 17.8 x 12.7 cm.Est. $400/600Provenance: The Art of the Print, ON, Canada

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Pierre Alechinsky (1927-), GENOU DANS LA ROBE, 1981, Colour lithograph; signed and numbered 72/150 in margin. Certificate of authenticity as per gallery label verso., 14

Lot 33: Pierre Alechinsky (1927-), GENOU DANS LA ROBE, 1981, Colour lithograph; signed and numbered 72/150 in margin. Certificate of authenticity as per gallery label verso., 14" x 11" - 35.6 x 27.9 cm.

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Description: Pierre Alechinsky (1927-), BelgianGENOU DANS LA ROBE, 1981; Colour lithograph; signed and numbered 72/150 in margin. Certificate of authenticity as per gallery label verso.14" x 11" - 35.6 x 27.9 cm.Provenance: Galerie d'art Jean Claude Bergeron, Ottawa, Canada

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Antoni Clave (1913-2005), LE MASQUE BLANC, Colour relief print; circa 1974; signed and numbered 19/75 in pencil to margin. Certificate of authenticity as per gallery label verso., 30

Lot 34: Antoni Clave (1913-2005), LE MASQUE BLANC, Colour relief print; circa 1974; signed and numbered 19/75 in pencil to margin. Certificate of authenticity as per gallery label verso., 30" x 22" - 76.2 x 55.9 cm.

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Description: Antoni Clave (1913-2005), SpanishLE MASQUE BLANC; Colour relief print; circa 1974; signed and numbered 19/75 in pencil to margin. Certificate of authenticity as per gallery label verso.30" x 22" - 76.2 x 55.9 cm.Provenance: Galerie d'art Jean Claude Bergeron, Ottawa, ON

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Hans Hartung (1904-1989), COMPOSITION 1957, Lithograph; signed and numbered 28/75 in pencil. Published  by St. Gallen-Erder Press., Sheet 29.75

Lot 35: Hans Hartung (1904-1989), COMPOSITION 1957, Lithograph; signed and numbered 28/75 in pencil. Published by St. Gallen-Erder Press., Sheet 29.75" x 21.5" - 75.6 x 54.6 cm.

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Description: Hans Hartung (1904-1989), GermanCOMPOSITION 1957; Lithograph; signed and numbered 28/75 in pencil. Published by St. Gallen-Erder Press.Sheet 29.75" x 21.5" - 75.6 x 54.6 cm.Provenance: The Fine Line Gallery, Toronto

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After Andy Warhol (1928-1987), MAO SUITE (SUITE OF 5), Five colour silkscreens, each with stamps

Lot 36: After Andy Warhol (1928-1987), MAO SUITE (SUITE OF 5), Five colour silkscreens, each with stamps "published by Sunday B. Morning" and "fill in your own signature" in blue ink verso. Unframed., 33.5" x 29.5" - 85.1 x 74.9 cm.

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Description: After Andy Warhol (1928-1987), AmericanMAO SUITE (SUITE OF 5); Five colour silkscreens, each with stamps "published by Sunday B. Morning" and "fill in your own signature" in blue ink verso. Unframed.33.5" x 29.5" - 85.1 x 74.9 cm.

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After Andy Warhol (1928-1987), CAMPBELL'S SOUP (PORTFOLIO OF 10), 1968, Ten colour silkscreens; each with stamps

Lot 37: After Andy Warhol (1928-1987), CAMPBELL'S SOUP (PORTFOLIO OF 10), 1968, Ten colour silkscreens; each with stamps "published by Sunday B. Morning" and "fill in your own signature" in blue ink verso. Unframed ., Sheet 35" x 23" - 88.9 x 58.4 cm.

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Description: After Andy Warhol (1928-1987), AmericanCAMPBELL'S SOUP (PORTFOLIO OF 10), 1968; Ten colour silkscreens; each with stamps "published by Sunday B. Morning" and "fill in your own signature" in blue ink verso. Unframed .Sheet 35" x 23" - 88.9 x 58.4 cm.

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After Andy Warhol (1928-1987), GOLDEN MARILYN (PORTFOLIO  OF 10), Ten colour silkscreens; each with stamps

Lot 38: After Andy Warhol (1928-1987), GOLDEN MARILYN (PORTFOLIO OF 10), Ten colour silkscreens; each with stamps "published by Sunday B. Morning" and "fill in your own signature" in blue ink verso. Unframed., 36" x 36" - 91.4 x 91.4 cm.

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Description: After Andy Warhol (1928-1987), AmericanGOLDEN MARILYN (PORTFOLIO OF 10); Ten colour silkscreens; each with stamps "published by Sunday B. Morning" and "fill in your own signature" in blue ink verso. Unframed.36" x 36" - 91.4 x 91.4 cm.

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John Lennon (1940-1980), BAG ONE (THE SET OF 13 LITHOGRAPHS), 1970, Thirteen lithographs and two forwarding pages; each signed and numbered 140/300 in pencil. Contained in a white vinyl carrying case, with zip fastening and handles, printed Bag One

Lot 39: John Lennon (1940-1980), BAG ONE (THE SET OF 13 LITHOGRAPHS), 1970, Thirteen lithographs and two forwarding pages; each signed and numbered 140/300 in pencil. Contained in a white vinyl carrying case, with zip fastening and handles, printed Bag One

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Description: John Lennon (1940-1980), BritishBAG ONE (THE SET OF 13 LITHOGRAPHS), 1970; Thirteen lithographs and two forwarding pages; each signed and numbered 140/300 in pencil. Contained in a white vinyl carrying case, with zip fastening and handles, printed Bag One on one side, with a facsimile of John Lennon's signature, with identity tag and key. Published by Cinnamon Press, New York.Overall 26" x 33" - 66 x 83.8 cm.Provenance: Private Collection, TorontoLiterature: Herzogenrath, Wulf & Hansen, "John Lennon , Drawings Performances Films", London, pp. 139-154 (illus)

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Ben Shahn (1898-1968), SHERIFF'S DEPUTY, MORGANTOWN, W. VA., 1935, Gelatin silver print; printed c. 1978 under the supervision of Arthur Rothstein from a portfolio of 51 Farm Security Administration photographs by Shahn, including view from Arkansas,

Lot 40: Ben Shahn (1898-1968), SHERIFF'S DEPUTY, MORGANTOWN, W. VA., 1935, Gelatin silver print; printed c. 1978 under the supervision of Arthur Rothstein from a portfolio of 51 Farm Security Administration photographs by Shahn, including view from Arkansas,

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Description: Ben Shahn (1898-1968), AmericanSHERIFF'S DEPUTY, MORGANTOWN, W. VA., 1935; Gelatin silver print; printed c. 1978 under the supervision of Arthur Rothstein from a portfolio of 51 Farm Security Administration photographs by Shahn, including view from Arkansas, West Virginia, Ohio and New Orleans. Published by The Photographic Historical Society of New York Inc. Unframed.Sheet 9.75" x 8" - 24.8 x 20.3 cm.Est. $800/1,200

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Joan Miro (1893-1983), DOROTHEA TANNING, 1974 [MOURLOT 929], Colour lithograph; signed and numbered HC in pencil, aside from the edition of 60. Published by XXe Siecle, Paris., 12.5

Lot 41: Joan Miro (1893-1983), DOROTHEA TANNING, 1974 [MOURLOT 929], Colour lithograph; signed and numbered HC in pencil, aside from the edition of 60. Published by XXe Siecle, Paris., 12.5" x 15.5" - 31.8 x 39.4 cm.

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Description: Joan Miro (1893-1983), SpanishDOROTHEA TANNING, 1974 [MOURLOT 929]; Colour lithograph; signed and numbered HC in pencil, aside from the edition of 60. Published by XXe Siecle, Paris.12.5" x 15.5" - 31.8 x 39.4 cm.Provenance: Private Collection, Toronto, purchased in a gallery in Palm Springs, California in the late 1980's

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Henry Moore (1898-1986), BLACK SEATED FIGURE ON ORANGE GROUND (COLOUR VARIATION) (FROM SHELTER SKETCHBOOK),1966 [CRAMER, 80], Colour lithograph on chine-colle paper mounted on an un-watermarked paper support sheet; signed and dated

Lot 42: Henry Moore (1898-1986), BLACK SEATED FIGURE ON ORANGE GROUND (COLOUR VARIATION) (FROM SHELTER SKETCHBOOK),1966 [CRAMER, 80], Colour lithograph on chine-colle paper mounted on an un-watermarked paper support sheet; signed and dated "Moore 66" in

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Description: Henry Moore (1898-1986), BritishBLACK SEATED FIGURE ON ORANGE GROUND (COLOUR VARIATION) (FROM SHELTER SKETCHBOOK),1966 [CRAMER, 80]; Colour lithograph on chine-colle paper mounted on an un-watermarked paper support sheet; signed and dated "Moore 66" in pencil at the bottom of the sheet lower right. An un-numbered Artist's Proof aside from the edition of 180. Published by Marlborough Fine Art, London.Print sheet 6.75" x 6.5" - 17.1 x 16.5 cm.; 11.4" x 9.4" - 29 x 24 cm.Est. $1,000/1,500

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Joan Miro (1893-1983), QUERELLE D'AMOUREUX II (PL. 10 FROM ALLEGRO VIVACE), 1981 [MOURLOT, 1234], Colour lithograph; signed and numbered 23/100 in pencil to margin. Published by Daniel Lelong., 26

Lot 43: Joan Miro (1893-1983), QUERELLE D'AMOUREUX II (PL. 10 FROM ALLEGRO VIVACE), 1981 [MOURLOT, 1234], Colour lithograph; signed and numbered 23/100 in pencil to margin. Published by Daniel Lelong., 26" x 17.4" - 66 x 44.2 cm.

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Description: Joan Miro (1893-1983), SpanishQUERELLE D'AMOUREUX II (PL. 10 FROM ALLEGRO VIVACE), 1981 [MOURLOT, 1234]; Colour lithograph; signed and numbered 23/100 in pencil to margin. Published by Daniel Lelong.26" x 17.4" - 66 x 44.2 cm.

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Arthur Leipzig (1918- ), STICKBALL, NEW YORK, 1950, Gelatin silver print; artist stamp verso. A later imrpession., 11

Lot 44: Arthur Leipzig (1918- ), STICKBALL, NEW YORK, 1950, Gelatin silver print; artist stamp verso. A later imrpession., 11" x 14" - 27.9 x 35.6 cm.

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Description: Arthur Leipzig (1918- ), AmericanSTICKBALL, NEW YORK, 1950; Gelatin silver print; artist stamp verso. A later imrpession.11" x 14" - 27.9 x 35.6 cm.Provenance: Gallery 292, New York

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Arthur Leipzig (1918- ), IDEAL LAUNDRY, 1946, Gelatin silver print; signed in pencil, stamped verso. A later impression., 11

Lot 45: Arthur Leipzig (1918- ), IDEAL LAUNDRY, 1946, Gelatin silver print; signed in pencil, stamped verso. A later impression., 11" x 14" - 27.9 x 35.6 cm.

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Description: Arthur Leipzig (1918- ), AmericanIDEAL LAUNDRY, 1946; Gelatin silver print; signed in pencil, stamped verso. A later impression.11" x 14" - 27.9 x 35.6 cm.Provenance: Gallery 292, New York

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Marc Chagall (1887-1985), VERS L'AUTRE CLARTE (TOWARDS ANOTHER LIGHT) , 1985 [MOURLOT 1050], Colour lithograph; stamped signature, numbered

Lot 46: Marc Chagall (1887-1985), VERS L'AUTRE CLARTE (TOWARDS ANOTHER LIGHT) , 1985 [MOURLOT 1050], Colour lithograph; stamped signature, numbered "Epreuve d'artiste" in pencil to margin, "Atelier Marc Chagall" blind-stamp lower left margin. Aside from the

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Description: Marc Chagall (1887-1985), Russian/FrenchVERS L'AUTRE CLARTE (TOWARDS ANOTHER LIGHT) , 1985 [MOURLOT 1050]; Colour lithograph; stamped signature, numbered "Epreuve d'artiste" in pencil to margin, "Atelier Marc Chagall" blind-stamp lower left margin. Aside from the edition of 1000.Image 16.5" x 13" - 41.9 x 33 cm.

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After Gilbert Stuart (1755-1928), GEO. WASHINGTON ESQ.R., LATE PRESIDENT OF THE UNITED STATES, Stipple engraving by William Nutter (1754-1802). Published by R. Cribb Holburn, London on January 15, 1798.

Lot 47: After Gilbert Stuart (1755-1928), GEO. WASHINGTON ESQ.R., LATE PRESIDENT OF THE UNITED STATES, Stipple engraving by William Nutter (1754-1802). Published by R. Cribb Holburn, London on January 15, 1798.

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Description: After Gilbert Stuart (1755-1928), AmericanGEO. WASHINGTON ESQ.R., LATE PRESIDENT OF THE UNITED STATES; Stipple engraving by William Nutter (1754-1802). Published by R. Cribb Holburn, London on January 15, 1798.Est. $700/900Literature: Note: This memorial edition print was issued in England on the occasion of Washington's death - the same image was used earlier for a portrait edition prior to the President's demise. The engraving was done from a Gilbert Stuart portrait of Washington done from life and is considered one of the better "second generation" renderings of the President.

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Gerald Leslie Brockhurst (1890-1978), DORETTE, (SEPT) 1932, Etching on Whatman watermarked paper dated

Lot 48: Gerald Leslie Brockhurst (1890-1978), DORETTE, (SEPT) 1932, Etching on Whatman watermarked paper dated "England 1926"; signed and dated "Sept" in the plate, titled and inscribed "W. 72" "A56470" in pencil to the bottom margin, inscribed "Dorette.

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Description: Gerald Leslie Brockhurst (1890-1978), BritishDORETTE, (SEPT) 1932; Etching on Whatman watermarked paper dated "England 1926"; signed and dated "Sept" in the plate, titled and inscribed "W. 72" "A56470" in pencil to the bottom margin, inscribed "Dorette. W.72" and inscribed "(Published state III proofs)" in pencil to a strip of paper affixed to the backPlate 9.1" x 7.4" - 23.1 x 18.8 cm.; 14" x 10" - 35.6 x 25.4 cm.

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Alfred Cheney Johnston (1884-1971), ZIEGFELD PERFORMER, Gelatin silver print; stamped

Lot 49: Alfred Cheney Johnston (1884-1971), ZIEGFELD PERFORMER, Gelatin silver print; stamped "Photograph by Alfred Cheney Johnston" verso. Unframed., Sheet 13" x 10" - 33 x 25.4 cm.

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Description: Alfred Cheney Johnston (1884-1971), AmericanZIEGFELD PERFORMER; Gelatin silver print; stamped "Photograph by Alfred Cheney Johnston" verso. Unframed.Sheet 13" x 10" - 33 x 25.4 cm.

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Alfred Cheney Johnston (1884-1971), STEHENDER FRAUENAKT MIT TUCH, Gelatin silver print; stamped

Lot 50: Alfred Cheney Johnston (1884-1971), STEHENDER FRAUENAKT MIT TUCH, Gelatin silver print; stamped "Photograph by Alfred Cheny Johnston" verso. Unframed., Sheet 13.9" x 10.9" - 35.3 x 27.7 cm.

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Description: Alfred Cheney Johnston (1884-1971), AmericanSTEHENDER FRAUENAKT MIT TUCH; Gelatin silver print; stamped "Photograph by Alfred Cheny Johnston" verso. Unframed.Sheet 13.9" x 10.9" - 35.3 x 27.7 cm.

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