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Watercolours, Drawings & Prints

by Dreweatts & Bloomsbury


310 lots with images

February 12, 2014

Live Auction

Bloomsbury House

24 Maddox Street

London, W1S 1PP United Kingdom

Phone: +44 (0)207 495 9494

Fax: +44 (0)207 495 9499

Email: info@bloomsburyauctions.com

310 Lots
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Circle of Paolo Farinati - Four cherubs with cartouche, within a drawn arch,

Lot 201: Circle of Paolo Farinati - Four cherubs with cartouche, within a drawn arch,

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Description: Circle of Paolo Farinati - Four cherubs with cartouche, within a drawn arch, pen and black ink with grey wash, laid onto paper support, support inscribed Paulo Farinati by a later hand lower left, 13.5 x 29 cm (5 1/4 x 11 1/2 in).

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Bolognese School (18th Century) - Head study of a woman (recto); study of legs and foot (verso)

Lot 202: Bolognese School (18th Century) - Head study of a woman (recto); study of legs and foot (verso)

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Description: Bolognese School (18th Century) - Head study of a woman (recto); study of legs and foot (verso) black chalk, heightened with white, on grey laid paper, 30.5 x 22 cm (12 x 8 3/4 in).

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Italian School (18th Century) - Smiling boy looking over his shoulder,

Lot 203: Italian School (18th Century) - Smiling boy looking over his shoulder,

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Description: Italian School (18th Century) - Smiling boy looking over his shoulder, red chalk, heightened with white, on laid paper, 41.5 x 31.5 cm. (16 1/4 x 12 1/4 in).

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Flemish School (18th Century) - A group of five putti preparing a fire,

Lot 204: Flemish School (18th Century) - A group of five putti preparing a fire,

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Description: Flemish School (18th Century) - A group of five putti preparing a fire, red chalk on laid paper, watermarked with cockerel and indistinct text reading in part Auvergne , 19.5 x 36cm (7 3/4 x 14 1/4 in).

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Circle of Jan Luyken - Original illustration for bible title page, with two vignettes surmounted with decorative niche,

Lot 205: Circle of Jan Luyken - Original illustration for bible title page, with two vignettes surmounted with decorative niche,

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Description: Circle of Jan Luyken - Original illustration for bible title page, with two vignettes surmounted with decorative niche, pen and black ink, brown wash, with brown ink ruled border, on laid paper watermarked with small fleur-de-lis, 19 x 13.5cm (7 1/2 x 5 1/4 in); with a Nothern Italian monochrome watercolour and body white study of a bishop, by another hand, 31.5 x 20cm (12 1/2 x 7 3/4 in), both unframed (2).

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Dutch School (17th Century) - A seated woman with a basket,

Lot 206: Dutch School (17th Century) - A seated woman with a basket,

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Description: Dutch School (17th Century) - A seated woman with a basket, black chalk, heightened with white, on blue laid paper with brown ink framing lines, inscribed C. Bega verso, 21.5 x 17 cm. (8 1/2 x 6 3/4 in) Provenance: with Sir Robert Witt (1872-1952), collector's stamp lower right verso [L. 2228b].

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Attributed to Louis-Félix de La Rue - Putti playing with grapes and decorating an armless bust of bacchus,

Lot 207: Attributed to Louis-Félix de La Rue - Putti playing with grapes and decorating an armless bust of bacchus,

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Description: Attributed to Louis-Félix de La Rue - Putti playing with grapes and decorating an armless bust of bacchus, pen and brown ink, with monochrome wash, on laid paper, inscribed in pencil Philibert Benoit de Larue on mount verso, 17.5 x 22 cm. (6 3/4 x 8 3/4 in), unframed.

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Attributed to Jacob Frey - Head and shoulders of a soldier in armour,

Lot 208: Attributed to Jacob Frey - Head and shoulders of a soldier in armour,

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Description: Attributed to Jacob Frey - Head and shoulders of a soldier in armour, red chalk, on laid paper, inscribed Gia. Frey in brown ink, lower right, 10 x 9.5cm (4 x 3 3/4 in); with an 18th century red chalk drawing of angels supporting the Barberini arms, by a different hand, 11 x 15cm (4 1/4 x 6 in) (2).

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After Jean-Antoine Watteau - Figure studies,

Lot 209: After Jean-Antoine Watteau - Figure studies,

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Description: After Jean-Antoine Watteau - Figure studies, two sheets, one sheet with a standing and seated woman, the other of a seated woman, all seen from behind, red and black chalks, on laid paper, [cf. Rosenberg & Prat, vol. II, no. 380, and no. 467], 21 x 13cm (8 1/4 x 5 in), and 16 x 19cm (6 1/4 x 7 1/2 in), respectively (2).

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Circle of Jean-Antoine Watteau - Head studies of a woman and man,

Lot 210: Circle of Jean-Antoine Watteau - Head studies of a woman and man,

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Description: Circle of Jean-Antoine Watteau - Head studies of a woman and man, black chalk with touches of white, on grey paper, with a black chalk ruled border, 19 x 27cm (7 1/2 x 10 3/4 in); with a red and black chalk drawing of an Oriental figure half-length, with touches of white, after Watteau, [cf. Rosenberg & Prat, vol. II, no.283], 21 x 13.5cm (8 1/4 x 5 1/4 in) (3).

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William Hamilton (1751-1801) - Medusa, with classical buildings beyond; Abduction of Deianira; Amymone (?) with lecherous satyr,

Lot 211: William Hamilton (1751-1801) - Medusa, with classical buildings beyond; Abduction of Deianira; Amymone (?) with lecherous satyr,

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Description: William Hamilton (1751-1801) - Medusa, with classical buildings beyond; Abduction of Deianira; Amymone (?) with lecherous satyr, a group of three, pen and ink, with watercolour, bodycolour, heightened with white, on laid paper, various sizes, largest, 26 x 32 cm. (10 1/4 x 12 1/2 in), (3).

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William Hamilton (1751-1801) - A group of five allegorical scenes, and figure studies,

Lot 212: William Hamilton (1751-1801) - A group of five allegorical scenes, and figure studies,

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Description: William Hamilton (1751-1801) - A group of five allegorical scenes, and figure studies, pen and black ink, pen and brown ink, monchrome wash, heightened with white, on various papers, largest 26.5 x 33 cm. (10 1/2 x 13 in), (5).

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William Hamilton (1751-1801) - Thomas Gray's The Bard (?); Bearded scholar with book in cave,

Lot 213: William Hamilton (1751-1801) - Thomas Gray's The Bard (?); Bearded scholar with book in cave,

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Description: William Hamilton (1751-1801) - Thomas Gray's The Bard (?); Bearded scholar with book in cave, a pair, pen and brown ink, with watercolour, on laid paper, each c.32 x 25.5 cm. (12 1/2 x 10 in), (2).

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William Hamilton (1751-1801) - Two resting soldiers; Head studies of two soldiers,

Lot 214: William Hamilton (1751-1801) - Two resting soldiers; Head studies of two soldiers,

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Description: William Hamilton (1751-1801) - Two resting soldiers; Head studies of two soldiers, a pair, pen and brown and black ink, with watercolour, on laid paper, 32 x 25.5 cm. (12 1/2 x 10 in), and 27 x 22 cm. (10 1/2 x 8 3/4 in), respectively, (2).

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William Hamilton (1751-1801) - Three figures conversing with Christ; A King and horse with running women beyond; A prison scene,

Lot 215: William Hamilton (1751-1801) - Three figures conversing with Christ; A King and horse with running women beyond; A prison scene,

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Description: William Hamilton (1751-1801) - Three figures conversing with Christ; A King and horse with running women beyond; A prison scene, three works, pen and brown and black ink, with watercolour, over pencil, on laid paper, various sizes, largest 26 x 32 cm. (10 x 12 1/2 in), respectively, (2).

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Follower of John Constable - Landscape with bridge (location traditionally identified as Dedham),

Lot 216: Follower of John Constable - Landscape with bridge (location traditionally identified as Dedham),

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Description: Follower of John Constable - Landscape with bridge (location traditionally identified as Dedham), black chalk, heightened with white, on blue coloured paper, 15.5 x 27 cm. (6 1/4 x 10 1/4 in) Provenance: Thomas Agnew & Sons (gallery label on reverse, No. 10680).

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English School (19th Century) - Some of the Views on the River Thames,

Lot 217: English School (19th Century) - Some of the Views on the River Thames,

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Description: English School (19th Century) - Some of the Views on the River Thames, an album with six pencil drawings, showing Blenheim Palace, Henley Bridge, and other bridges, each initialled HW and dated 1826, with pen and ink title inscriptions in margins, on J Budgen laid paper, watermarked 1824, each sheet c.20 x 32 cm. (8 x 12 1/2 in), bound into original wrappers, with manuscript title, worn, oblong 4to.

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Myles Birket Foster (1825-1899) - Stile with Winding River,

Lot 218: Myles Birket Foster (1825-1899) - Stile with Winding River,

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Description: Myles Birket Foster (1825-1899) - Stile with Winding River, pencil, with grey wash, heightened with white, monogram lower left, 24 x 15 cm. (9 1/4 x 6 in) Provenance: The Little Gallery, London (gallery label on reverse).

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English School (19th Century) - Coity Castle, Glamorgan; Ulvercroft Priory, Leicestershire,

Lot 219: English School (19th Century) - Coity Castle, Glamorgan; Ulvercroft Priory, Leicestershire,

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Description: English School (19th Century) - Coity Castle, Glamorgan; Ulvercroft Priory, Leicestershire, 2 studies of picturesque ruins, pen and black ink with grey and brown wash, respectively, each title inscribed verso in a contemporary hand, early 19th century, one indistinctly watermarked ?1800, both with later inscribed attributions to Sir Richard Colt Hoare on backboard, one with inscribed attribution to Barker of Bath on verso, each c.35.5 x 52cm (14 x 20 1/2 in) (2).

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William Callow (1812-1908) - Piazza Tolomei, and the column of the Sienese she-wolf, with Romulus and Remus,

Lot 220: William Callow (1812-1908) - Piazza Tolomei, and the column of the Sienese she-wolf, with Romulus and Remus,

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Description: William Callow (1812-1908) - Piazza Tolomei, and the column of the Sienese she-wolf, with Romulus and Remus, pencil, on wove paper, inscribed Piazza Tolomei, Siena, and indistinctly dated April 9/79 (?) lower right, 25 x 17 cm. (9 3/4 x 6 3/4 in).

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Thomas Pennethorne (1799-1819) - Farmyard scene in Marylebone Park

Lot 221: Thomas Pennethorne (1799-1819) - Farmyard scene in Marylebone Park

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Description: Thomas Pennethorne (1799-1819) - Farmyard scene in Marylebone Park mononchrome wash over pencil, inscribed Mary bone Park, April 14, 1813 , upper right, 15 x 20.5 cm (5 7/8 x 8 1/8 in), unframed. Marylebone Park became a royal hunting ground after the dissolution of the monasteries until 1649, from which time it was divided into smallholdings leased for hay and dairy farming. Although there had been plans from the late 18th century to redesign the park, it was not until the leases began to expire around 1811 that the Prince Regent commissioned the architect John Nash to transform the area into the Regent's Park, with work commencing in 1818. Thomas Pennethorne was one of three brothers of Sir James Pennethorne, all putative sons of Thomas Pennethorne Senior, but who were believed, in reality, to have been the offspring of the Prince Regent and Pennethorne Senior's cousin, Mrs Nash, the wife of the regent's architect. Provenance: purchased from Abbott & Holder, 1983.

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19th Century English School. - An album of botanical studies,

Lot 222: 19th Century English School. - An album of botanical studies,

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Description: 19th Century English School. - An album of botanical studies, 41 watercolours, almost all captioned in ink, many specimens from Egham Hill, Holme Fen and Denton Fen, most dated 1823, loosely mounted in a contemporary half-morocco album, 4to.

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Joseph Crawhall II (1821-1896) - A group of seven sketches,

Lot 223: Joseph Crawhall II (1821-1896) - A group of seven sketches,

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Description: Joseph Crawhall II (1821-1896) - A group of seven sketches, including several figure and animal studies, each inscribed in pencil as from an early SketchBook, pencil, coloured pencils, pen and ink, watercolour, on various papers, largest 170 x 190 mm. (6 3/4 x 7 1/2 in); with a group of three black chalk drawings by Mary Elizabeth Crawhall (J.Crawhall s sister), including two decorative floral designs, both signed and dated 1851 in red pencil, and a study of an antique bust, initialled and indistinctly dated 1851 (?) , various sizes, largest 24 x 18 cm. (9 1/2 x 7 in), all unframed (10).

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Frederic, Lord Leighton (1830-1896) - Study of a figure in robes kneeling,

Lot 224: Frederic, Lord Leighton (1830-1896) - Study of a figure in robes kneeling,

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Description: Frederic, Lord Leighton (1830-1896) - Study of a figure in robes kneeling, black chalk, heightened with body white, on grey paper, 14 x 23 cm. (5 1/2 x 9 in), unframed.

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Jean Baptiste Madou (1796-1877) - Interior scene with figures chasing a mouse,

Lot 225: Jean Baptiste Madou (1796-1877) - Interior scene with figures chasing a mouse,

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Description: Jean Baptiste Madou (1796-1877) - Interior scene with figures chasing a mouse, pencil and charcoal, heightened with body white, monogrammed and dated 1857, centre right, 33.5 x 49.5cm (13 1/4 x 19 1/2 in).

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Circle of Bartolomeo Pinelli - The swing,

Lot 226: Circle of Bartolomeo Pinelli - The swing,

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Description: Circle of Bartolomeo Pinelli - The swing, pen and black ink, on thin japan, 18 x 27 cm. (7 x 10 3/4 in); with a mixed group of nine drawings and watercolours by various artists, including a mongrammed pencil drawing of a lady by Joseph Edward Southall, a pencil character study by Alfred Grévin, a pen and ink design of Pandora opening the vase, for a line engraving after Flaxman to illustrate John C L Sparkes' Classical Outlines , and with two lithographs, one by Rothenstein, depicting Walter Crane, and the other of two figures after Pascin, various sizes, largest 36 x 28 cm. (14 1/4 x 11 in), all unframed, (12).

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Jules Pascin (1885-1930) - Toilette de Venus,

Lot 227: Jules Pascin (1885-1930) - Toilette de Venus,

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Description: Jules Pascin (1885-1930) - Toilette de Venus, transfer drawing, on cream laid paper, signed in pencil with the atelier stamp in ink, lower right recto , 31 x 46 cm. (12 1/4 x 18 in), unframed The current work is an excellent example of the experimental drawing technique that Pascin developed, known as the transfer technique. The intention of the technique was to allow the artist's hand complete freedom when executing the drawing; essentially the artist would draw blind without the hand being controlled by their eye. Pascin would lay a sheet of carbon paper between two sheets of paper and undertake the drawing using a stylus, with his eye firmly fixed on the subject.

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François Edouard Zier (1856-1924) - Standing female costume study,

Lot 228: François Edouard Zier (1856-1924) - Standing female costume study,

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Description: François Edouard Zier (1856-1924) - Standing female costume study, pencil on buff paper, signed lower left, 28.5 x 15.5cm (11 1/4 x 6 1/8 in).

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Walter Crane (1845-1915) - An informal sketchbook of family holidays,

Lot 229: Walter Crane (1845-1915) - An informal sketchbook of family holidays,

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Description: Walter Crane (1845-1915) - An informal sketchbook of family holidays, 38 neatly executed witty pen and ink drawings of picnics, days at the seaside, nights at the casino, tennis matches, family concerts and other pastimes in St Pierre en Port, in 1904, and at Brundish, in Suffolk, in 1905, with an additional pencil study of a child's head at end, signed in full and with pictogram, and dated in ink, all on front pastedown with a collector's ink stamp 'ESbg', cloth-backed boards, small 4to (250 x 190mm.).

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Manner of the Beggarstaff Brothers - The Ruffler,

Lot 230: Manner of the Beggarstaff Brothers - The Ruffler,

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Description: Manner of the Beggarstaff Brothers - The Ruffler, study of a figure in cavalier costume, charcoal on paper, the sheet mounted, and the composition extended in pencil, on a support, this inscribed with title lower left, 35.5 x 28cm (14 x 11 in). James Pryde and William Nicholson collaborated as the Beggarstaff Brothers to produce many designs of character 'types' in this manner. A 'ruffler' was a beggar or low criminal posing as an injured cavalier war veteran.

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Terence Cuneo (1907-1996) - Engineering vignettes,

Lot 231: Terence Cuneo (1907-1996) - Engineering vignettes,

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Description: Terence Cuneo (1907-1996) - Engineering vignettes, black chalk, heightened with body white, signed lower centre, 39.5 x 45.5cm (15 1/2 x 18 in). IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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Norman Mailer (1923-2007) - 42 original sketches for the film adaptation of The Naked and the Dead,

Lot 232: Norman Mailer (1923-2007) - 42 original sketches for the film adaptation of The Naked and the Dead,

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Description: Norman Mailer (1923-2007) - 42 original sketches for the film adaptation of The Naked and the Dead, pencil on paper, many signed by Mailer, circa 1955, all but 13 on headed paper for the St. Moritz Hotel, 2 pinned together, each 280 x 220mm. (11 x 8 5/8 in), all unframed. Provenance: The estate of Charles Laughton and Elsa Lanchester. The product of a collaborative effort between Norman Mailer and Charles Laughton, concept artwork for the great film that never was. The screen rights for The Naked and the Dead were sold by Mailer for an almost unprecedented sum of $250,000 to an independent production company owned by Charles Laughton and Paul Gregory, with the idea that Laughton would direct. Even though he had no control over the screenplay, Mailer was called in to help on the adaptation. Sadly, in part due to the reception of The Night of the Hunter , Laughton dropped out of the project and Raoul Walsh ultimately took over as director. 'Charles Laughton was to do it, and we spent a week together in New York at Laughton s St. Moritz Hotel penthouse. He had a great dedication to the novel, and he was coming off . . . The Night of the Hunter, which he thought would do extraordinarily. It didn t. Laughton was not a young man, and it took everything out of him. He never directed again.' Norman Mailer, in interview with Gerald Peary. 9 of the sketches relate to scenes in the novel, including views of the island from the invasion fleet, views of the pass, the structure of the rapids traversed by Croft and Wilson and a scene from Croft's 'time machine', one of a series of flash-backs that populate the novel. The remaining sketches depict characters in the novel, in the cases of Cummings and Croft, Mailer has supplied sketches for both 'outer' and 'inner' appearance. Dalleson is referred to as 'Wallace Beery the younger' and one of Wilson's sketches has the comment 'should be more handsome'. The sketches provide an insight into the rather jocular nature of this nascent collaboration.

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John Buckland Wright (1897-1954) - Nude figure,

Lot 233: John Buckland Wright (1897-1954) - Nude figure,

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Description: John Buckland Wright (1897-1954) - Nude figure, pen and black ink, over pencil, on cream wove paper, studio stamp lower left verso , 18.5 x 13 cm. (7 1/4 x 5 1/4 in), unframed. IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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Raymond Savignac (1907-2002) - A group of seven original illustrations,

Lot 234: Raymond Savignac (1907-2002) - A group of seven original illustrations,

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Description: Raymond Savignac (1907-2002) - A group of seven original illustrations, pen and ink, black chalk, coloured pencil, on various papers, all signed in pencil, each sheet c.38 x 30.5 cm. (15 x 12 in), all unframed, (7). Provenance: Private Collection, UK. IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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Edward Bawden (1903-1989) - A group of five designs for Contact Magazine,

Lot 235: Edward Bawden (1903-1989) - A group of five designs for Contact Magazine,

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Description: Edward Bawden (1903-1989) - A group of five designs for Contact Magazine, including four city views of New York, Paris, Moscow, and Cape Town, with an illustration showing a film set with a wedding, pen and black ink, on J Whatman wove paper, all but one initialled EB , three with pen and ink inscriptions, [ circa 1946-1950], v.s., each sheet c.22 x 28 cm. (8 3/4 x 11 in), all unframed (5). IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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Dame Laura Knight (1877-1970) - Circus horse and groom,

Lot 236: Dame Laura Knight (1877-1970) - Circus horse and groom,

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Description: Dame Laura Knight (1877-1970) - Circus horse and groom, charcoal on wove paper, signed lower left, 34.5 x 25.5 cm. (13 1/2 x 10 in). IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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Anthony Devis (1729-1817) - Classical interior with four women making offerings to a statue of Juno,

Lot 237: Anthony Devis (1729-1817) - Classical interior with four women making offerings to a statue of Juno,

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Description: Anthony Devis (1729-1817) - Classical interior with four women making offerings to a statue of Juno, brush and ink, with watercolour wash, 21 x 14.5 cm. (8 1/4 x 5 3/4 in).

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Circle of John Constable - Landscape with figures,

Lot 238: Circle of John Constable - Landscape with figures,

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Description: Circle of John Constable - Landscape with figures, watercolour, over pencil, on J. Whatman laid paper, bears pencil signature verso, 8 x 15 cm. (3 1/4 x 5 3/4 in) Provenance: ex-collection of Norman Baker.

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Circle of Peter La Cave - Seated Woman,

Lot 239: Circle of Peter La Cave - Seated Woman,

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Description: Circle of Peter La Cave - Seated Woman, pencil on laid paper, 12 x 9 cm. (4 3/4 x 3 1/2 in); with a group of unattributed works on paper by different hands, including a Norwich School pencil drawing of a horse and cart, a pen and ink drawing of five goats, initialled W. H. H. and dated 1821 , a pencil drawing of cattle which bears the signature of Thomas Sidney Cooper, and a watercolour of a wooded landscape with a cottage, initialled J.S . lower centre, various sizes, largest 10.5 x 18 cm. (4 1/4 x 7 in), all unframed, (5).

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Cornelius Varley (1781-1873) - Westminster Abbey from St. James' Park,

Lot 240: Cornelius Varley (1781-1873) - Westminster Abbey from St. James' Park,

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Description: Cornelius Varley (1781-1873) - Westminster Abbey from St. James' Park, pencil, on cream wove paper, signed with inscription lower left, 23 x 35 cm. (9 x 13 3/4 in).

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Cornelius Varley (1781-1873) - Bagnigwells Road, Bottle Kiln,

Lot 241: Cornelius Varley (1781-1873) - Bagnigwells Road, Bottle Kiln,

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Description: Cornelius Varley (1781-1873) - Bagnigwells Road, Bottle Kiln, black chalk, on thin wove paper, inscribed Bagnigwells Road lower right, dated by a later hand (?) 1802 or 1803 lower left, 24 x 38.5 cm. (9 1/2 x 15 1/4 in), unframed.

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Dr. Thomas Monro (1759-1833) - Tree over a pool; Landscape with house and figures; Cliff over water,

Lot 242: Dr. Thomas Monro (1759-1833) - Tree over a pool; Landscape with house and figures; Cliff over water,

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Description: Dr. Thomas Monro (1759-1833) - Tree over a pool; Landscape with house and figures; Cliff over water, black chalk, heightened with white, grey wash, two on light blue paper, various sizes, largest 20 x 16 cm. (8 x 6 1/4 in), all unframed, (3).

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Edmund Morison Wimperis (1835-1900) - A February sky (February 7th 1866),

Lot 243: Edmund Morison Wimperis (1835-1900) - A February sky (February 7th 1866),

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Description: Edmund Morison Wimperis (1835-1900) - A February sky (February 7th 1866), pencil, watercolour wash, heightened with white, on light blue wove paper, initialled lower right, dated Feb 7/66 lower left, 8.5 x 16 cm. (3 1/4 x 6 1/4 in).

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Edward William Cooke (1811-1880) - The Dahabéeh Queen-Victoria,

Lot 244: Edward William Cooke (1811-1880) - The Dahabéeh Queen-Victoria,

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Description: Edward William Cooke (1811-1880) - The Dahabéeh Queen-Victoria, pencil, on white prepared paper, signed and dated 1874 lower left, with inscription To- C De L. Faunice [?] De Laune Esq. -from EWC lower right, 27.5 x 18 cm. (10 3/4 x 7 in).

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English School (19th Century) - A row of houses,

Lot 246: English School (19th Century) - A row of houses,

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Description: English School (19th Century) - A row of houses, watercolour over pencil, on wove paper, indistinctly initialled J[?]C lower left, 12.5 x 15.5 cm. (4 3/4 x 6 in); with a small watercolour beachscape with bathers, sailboats, and cottages, on wove paper with relief stamp Wood lower right, 4.5 x 8 cm. (1 3/4 x 3 1/4 in), (2).

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English School (19th Century) - South Indian (?) landscape with solitary figure,

Lot 247: English School (19th Century) - South Indian (?) landscape with solitary figure,

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Description: English School (19th Century) - South Indian (?) landscape with solitary figure, watercolour on wove paper, 15.5 x 21 cm. (6 x 8 1/4 in), with a pencil drawing showing The Nile with figures and ships, by a different hand, title inscribed lower left, 16 x 22 cm. (6 1/4 x 8 3/4 in); and with a watercolour of sailboats in the Middle East (?), 12 x 26 cm. (4 3/4 x 10 1/4 in), all unframed, (3).

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Attributed to Benjamin Barker of Bath - Mountainous landscape with lake,

Lot 248: Attributed to Benjamin Barker of Bath - Mountainous landscape with lake,

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Description: Attributed to Benjamin Barker of Bath - Mountainous landscape with lake, watercolour, over pencil, on wove paper, inscribed B. Barker in pencil twice on verso , 20 x 31 cm. (7 3/4 x 12 1/4 in), unframed.

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English School (early 19th Century) - Figures on a wooded coastal path with the sea, sailboats, and ruins beyond,

Lot 249: English School (early 19th Century) - Figures on a wooded coastal path with the sea, sailboats, and ruins beyond,

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Description: English School (early 19th Century) - Figures on a wooded coastal path with the sea, sailboats, and ruins beyond, watercolour, with gum arabic, on wove paper, 42.5 x 55 cm. (16 3/4 x 21 3/4 in).

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F. L. T. Francia (1772-1839) - Boats on rocky shore,

Lot 250: F. L. T. Francia (1772-1839) - Boats on rocky shore,

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Description: F. L. T. Francia (1772-1839) - Boats on rocky shore, watercolour over pencil, on laid paper, 10 x 23 cm. (4 x 9 in) Provenance: with Squire Gallery, London (label on reverse of frame).

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George Chinnery (1774-1852) - Indian river scene, with temple beyond,

Lot 251: George Chinnery (1774-1852) - Indian river scene, with temple beyond,

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Description: George Chinnery (1774-1852) - Indian river scene, with temple beyond, pencil on wove paper, 9.5 x 12 cm. (3 3/4 x 4 3/4 in).

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