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Auction Description for Auctionata Paddle8 AG: 746: Lust for Color- Postwar Abstraction
Auction Description:
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Viewing Notes:
A preview at Auctionata is only possible by prior appointment. Contact: Tel: +49 30 9832 0222, E-mail: preview@auctionata.com
Sale Notes:
The auction presents outstanding works by international artists of the second half of the 20th century. The range of abstract positions painted by the avant-garde after the war makes the auction interesting for a lot of collectors. Discover the fascinating world of post-war art collecting the colorful masterpieces of protagonists of the 20th century

746: Lust for Color- Postwar Abstraction (89 Lots)

by Auctionata Paddle8 AG


89 lots with images

January 18, 2017

Live Auction

Berlin, Germany

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Joan Miró, Lithograph, Le Chien Aboyant à la Lune, 1952

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Description: Lithograph in colors on wove paperFrance, 1952 Joan Miró (1893-1983) – Spanish artist Signed on the stone on the lower right ‘Miró‘ Verso with typographic print ‘Le chien aboyant à la lune reveille le coq le chant […]‘, another lithograph and a notice with pencilPublished in the Verve double issue no. 27/28Catalog raisonné: Mourlot 121Sheet size: 35.5 x 53.1 cmGood conditionObject is regular taxed. 19% VAT is added to the purchase price for deliveries within the EU. This lithograph of the Spanish artist Joan Miró was created in 1952. It shows a barking dog and a singing rooster on the Moon, depicted with the artist’s characteristic elements: black wide lines are framing abstract forms and areas in the basic colors red, green, yellow and blue. The work shows is signed on the stone ‘Miró‘. On verso it shows the typographic print ‘Le chien aboyant à la lune reveille le coq le chant […]‘, another lithograph and a notice with pencil can be seen. The work is in a good condition with minimal signs of wear. The sheet size is 35.5 x 53.1 cm. Joan Miró (1893-1983) Miró was born in Barcelona where he grew up and started his artistic studies. He went to the academy La Llotja against his parents’ will, who had wanted him to work in a more traditional way. He later studied at the Escola d’Art from Francesc Galí and got to know the Fauves and the cubists. In 1920 he moved to Paris where he lived amongst the most creative artists of his time. He got to know Arp, Magritte, Brancusi and Giacometti and exhibited together with Dalí, Tanguy, Meret Oppenheim und Max Ernst in several exhibitions about Dadaism and Surrealism. He moved to Mallorca in 1956 where he focused on sculptures and ceramics. (vwe) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance. Auctionata charges the resale rights tax pursuant to Section 26 of the German Copyright Act (UrhG) towards the buyer in case of the sale of an original work of art or photography prior to 70 years having lapsed since the death of their creator. Therefore, Auctionata charges when purchasing a good – if a protection as an original work of art or photography is given – starting from a hammer price of EUR 400 an additional amount, which is calculated according to Section 26 (2) German Copyright Act (UrhG) and which does not exceed the amount of EUR 12,500. You can find more information about resale rights tax in Auctionata´s table of fees and T&C.

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Jörg Immendorff (1945-2007), 2 Compositions, 2 Gouaches, 1960s

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Description: 2 Gouaches on cardboardGermany, 1960sJörg Immendorff (1945 – 2007) – German artist1 sheet dated ‘63’, both sheets illegible inscribed (initials?) in India ink lower rightSheet dimensions: 20.7 x 28.6 cm and 21.5 x 31.1 cmTogether in metal clip-on frame: 85,5 x 65,2 cmGood conditionProvenance: From the estate of the artist’s family Both very early and small gouaches, an abstracted city view and a view of three sailing boats on the beach, captured in expressive line, originated before or in the early days of the artist’s art study. However, they clearly show Immendorff’s painting talent.Condition:Both gouaches are in overall good condition. The undated works is probably slightly trimmed along the edges, also affecting the inscription. The other work displays a pinhole in the upper image area. The matt paint is partially rubbed shiny. The frame is in good condition with slight signs of wear. The gouaches measure 20.7 x 28.6 cm and 21.5 x 31.1 cm respectively. The framed dimensions are 85.5 x 65.2 cm. Jörg Immendorff (1945-2007)Jörg Immendorff was born in 1945 in Bleckede in Lower Saxony. He studied at the Kunstakademie Düsseldorf and at the beginning he created figurative paintings with socio-critical messages. Immendorff developed a new style of history paintings in Germany. In 1976 he took part at the Biennale in Venice. In the same year he formed a friendship with the German painter A. R. Penck, who at this time still lived in East Germany and was proscribed there. Jörg Immendorff is considered as one of the most important, contemporary German artists. He died in 2007 in Düsseldorf. (fea) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance. Auctionata charges the resale rights tax pursuant to Section 26 of the German Copyright Act (UrhG) towards the buyer in case of the sale of an original work of art or photography prior to 70 years having lapsed since the death of their creator. Therefore, Auctionata charges when purchasing a good – if a protection as an original work of art or photography is given – starting from a hammer price of EUR 400 an additional amount, which is calculated according to Section 26 (2) German Copyright Act (UrhG) and which does not exceed the amount of EUR 12,500. You can find more information about resale rights tax in Auctionata´s table of fees and T&C.

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Jean Lurçat, Cock on Yellow, Lithograph in Colors, 20th Century

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Description: Lithograph in colors on wove paperFrance, 20th CenturyJean Lurçat (1892-1966) – French painter, ceramic and tapestry artistSigned 'Lurçat' in pencilImage dimensions: 57 x 39.5 cm; sheet dimensions: 60.5 x 42.8 cm Condition:The lithograph shows creases, squeezed spots and several marks. The creases can be mainly seen in the upper and lower part of the sheet close to the edges. They are measuring up to 10 cm. Verso there are several marks. The image measures 57 x 39.5 cm and the sheet dimensions are 60.5 x 42.8 cm.Jean Lurçat (1892-1966)The French painter, ceramic and tapestry artist Jean Lurçat was born in 1892 in Bruyères, Vosges. He studied at the École des beaux-arts and the der Académie Colarossi in Paris. Between the two World Wars, Lurçat became famous as a painter. After the Second World War he focused increasingly on the art of tapestry. In 1962, Lurçat founded the International Center of new and old tapestry, which hosted in the same year the first International Biennale in Lausanne and which is world-wide one of the most important centers of textile art. Jean Lurçat participated in 1959 at the documenta II; in 2002 a Musée Jean Lurçat was founded in Eppenborn. (msc) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance. Auctionata charges the resale rights tax pursuant to Section 26 of the German Copyright Act (UrhG) towards the buyer in case of the sale of an original work of art or photography prior to 70 years having lapsed since the death of their creator. Therefore, Auctionata charges when purchasing a good – if a protection as an original work of art or photography is given – starting from a hammer price of EUR 400 an additional amount, which is calculated according to Section 26 (2) German Copyright Act (UrhG) and which does not exceed the amount of EUR 12,500. You can find more information about resale rights tax in Auctionata´s table of fees and T&C.

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Rolf Cavael, Composition 60/18, Mixed Media, 1960 

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Description: Mixed media, including oil and gouache on smooth cardboard Germany, 1960Rolf Cavael (1898-1979) – German painter, draftsman and graphic artist; co-founder of the group ZEN 49Signed with monogram lower right ‘CA’; also inscribed probably by another hand ‘Gua 60/18’ Image dimensions: c. 54 x 38.4 cmSheet dimensions: 60.8 x 42.8 cm Good conditionCharacteristic composition of the artist, who developed – simultaneously with Georges Mathieu – a mainly calligraphic and highly speed-intensive artistic approach during the mid-1950s   Condition:The composition is in good condition, consistent with age. The upper front edge is fitted with two short adhesive paper strips and the edge is also supported from the back. The image dimensions are c. 54 x 38.4 cm and the sheet measures 60.8 x 42.8 cm.Rolf Cavael (1898-1979)Rolf Cavael initially trained as a photographer and worked in the film business. From 1924 to 1926 he studied typography at the Städel School in Frankfurt. He then worked as a teacher of applied graphics at the Frankfurt trade school. An encounter with Kandinsky in 1930 influenced Cavael artistic work. 1933 there was a first major exhibition of his work, which was closed by the Nazis. Cavael was banned from painting. After the war he resumed his artistic work again and founded together with fellow artists, the group ZEN 49 in 1949. Rolf Cavael is one of the most important representatives of non-representational painting in Germany. (cbo)   Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance. Auctionata charges the resale rights tax pursuant to Section 26 of the German Copyright Act (UrhG) towards the buyer in case of the sale of an original work of art or photography prior to 70 years having lapsed since the death of their creator. Therefore, Auctionata charges when purchasing a good – if a protection as an original work of art or photography is given – starting from a hammer price of EUR 400 an additional amount, which is calculated according to Section 26 (2) German Copyright Act (UrhG) and which does not exceed the amount of EUR 12,500. You can find more information about resale rights tax in Auctionata´s table of fees and T&C.

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Laurent, Abstract Reverse Glass Painting, around 1960

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Description: Reverse glass painting in mixed mediaPresumably France, around 1960 Signed lower right ‘Laurent’Abstract expressionist reverse glass painting in mixed media with gold applicationOverall dimensions framed: 73 x 48 cm Good condition Extraordinary abstract reverse glass painting executed in mixed media with gold application that follows the Abstract Expressionist movement of the postwar era. The composition in white and gold contrasts very attractively with the black background. The work is signed lower right ‘Laurent’ and is in good condition with occasional tiny color losses. The reverse glass painting comes with a custom-made, very decorative golden frame, which is equipped with black velvet. The framed dimensions are 73 x 48 cm. (cru) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance. Auctionata charges the resale rights tax pursuant to Section 26 of the German Copyright Act (UrhG) towards the buyer in case of the sale of an original work of art or photography prior to 70 years having lapsed since the death of their creator. Therefore, Auctionata charges when purchasing a good – if a protection as an original work of art or photography is given – starting from a hammer price of EUR 400 an additional amount, which is calculated according to Section 26 (2) German Copyright Act (UrhG) and which does not exceed the amount of EUR 12,500. You can find more information about resale rights tax in Auctionata´s table of fees and T&C.

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Walter Barker, Forest Series No 7, Oil, 1963

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Description: Oil on canvasWalter William Barker (1921-2004) – US-American painter and authorSigned and dated 'Barker 63' lower centerOn the reverse signed and dated again 'Walter Barker 63', titled 'Forest Series No 7', inscribed 'NYC' and with address label of a former owner on the canvas overlap Dimensions: 76.2 x 76.2 cmFrame: 78.4 x 78.4 cmProvenance: Private collection, Northern Germany Condition:The painting is overall in good condition, with a few marks and very tiny craquelure at the upüpper edge and in the center. The painting had been carefully restored center-left, in this place the canvas had been relined on the reverse. The framing wooden stripes show usual traces of age and wear.Walter William Barker (1921-2004)The US-American painter and author Walter William Barker studied up from the late 1940s at the Art School of the Washington University in St. Louis under the famous German painter and sculptor Max Beckmann (1884-1950), who had been emigrated shortly before to the US. Later Barker himself worked as a professor at the universities of Washington and North Carolina. Meeting Max Beckmann significantly influenced his career: He became a member of the Max-Beckmann-Gesellschaft, Munich and published a lot of articles about the artist. Works by Barker are among others in the collections of the Los Angeles County Museum of Art, the Brooklyn Museum as well the Museum of Modern Art, both New York. (msc) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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HAP Grieshaber, Der Engel der Geschichte, Color Woodcut, 1964

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Description: Woodcut in colors on light cardboardHelmut Andreas Paul (HAP) Grieshaber (1901-1981) – German painter, graphic artist and woodcutterOn the reverse typographically titled and inscribed with information concerning the work Catalogue raisonné: Fürst I 64/132 c) (of 64/132 c)Published by Manus Presse as Christmas greeting 1964, edition of 50 copiesPrinted by Roland Hänßel (by Belser)Image dimensions: 40.9 x 28.9 cm; sheet dimensions: 43.3 x 30.6 cm Condition:The sheet is in a good condition with slight discoloration consistent with the age and tiny damages to edges and corners.HAP Grieshaber (1901-1981)The German painter and printmaker HAP Grieshaber studied printmaking and calligraphy in Stuttgart, London and Paris. From 1955, he taught at the Karlsruhe Art Academy, yet gave up his position in protest five years later: his students’ works were regarded as too abstract and triggered a public debate. Grieshaber has been honored with numerous prizes and his works have been on display at various documenta exhibitions. (msc) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance. Auctionata charges the resale rights tax pursuant to Section 26 of the German Copyright Act (UrhG) towards the buyer in case of the sale of an original work of art or photography prior to 70 years having lapsed since the death of their creator. Therefore, Auctionata charges when purchasing a good – if a protection as an original work of art or photography is given – starting from a hammer price of EUR 400 an additional amount, which is calculated according to Section 26 (2) German Copyright Act (UrhG) and which does not exceed the amount of EUR 12,500. You can find more information about resale rights tax in Auctionata´s table of fees and T&C.

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HAP Grieshaber, Für Karl Schmidt-Rottluff, Woodcut, 1964

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Description: Woodcut in colors on light Japan laid paperGermany, 1964Helmut Andreas Paul (HAP) Grieshaber (1901-1981) – German painter, graphic artist and woodcutterOne of c. 800 unsigned copiesCatalogue raisonné: Fürst 64/127 b (of b)Image dimensions: 29.4 x 33.2 cm; sheet dimensions: 57.3 x 42.5 cmGood condition Condition:The lithograph is in overall good condition with 6 faint foxmarks in the margins. The image measures 29.4 x 33.2 cm, the sheet 57.3 x 42.5 cm.HAP Grieshaber (1901-1981)The German painter and printmaker HAP Grieshaber studied in Stuttgart, London and Paris printmaking and calligraphy. From 1955 onwards he taught at the art academy in Karlsruhe, yet gave up his post out of protest five years later: his students’ works were seen as too abstract and triggered a public debate. Grieshaber was honored with numerous prizes and his works were seen at various documenta exhibitions. (fea) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance. Auctionata charges the resale rights tax pursuant to Section 26 of the German Copyright Act (UrhG) towards the buyer in case of the sale of an original work of art or photography prior to 70 years having lapsed since the death of their creator. Therefore, Auctionata charges when purchasing a good – if a protection as an original work of art or photography is given – starting from a hammer price of EUR 400 an additional amount, which is calculated according to Section 26 (2) German Copyright Act (UrhG) and which does not exceed the amount of EUR 12,500. You can find more information about resale rights tax in Auctionata´s table of fees and T&C.

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Alberto Magnelli, Composizione con Rosso, Lithograph, 1965

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Description: Lithograph in colors on wove paperFrance, 1965Alberto Magnelli (1888-1971) – Italian painter and graphic artist Signed 'Magnelli' and numbered and monogrammed in pencil (numbering in the images deviates from the real numbering of the lot)Image dimensions: 55.3 x 42.3 cmFrame: 82.5 x 67.5 cmGood condition Condition: The drawing has not been examined out of the frame. The frame is in good condition with only minor signs of wear. The sheet is mounted to a mat on the reverse. The image measures 55.3 x 42.3 cm and the framed dimensions are 82.5 x 67.5 cm. Alberto Magnelli (1888-1971) The Italian artist Alberto Magnelli was an important representative of Modern Art and is famous for his abstract paintings and graphic works. Magnelli came to Paris in 1914 where he met avant garde artists such as Pablo Picasso, Fernand Léger and Guillaume Apollinaire. Alberto Magnelli, whose works were exhibited as well as on documenta I and documenta II, became internationally famous around 1950. (msc) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance. Auctionata charges the resale rights tax pursuant to Section 26 of the German Copyright Act (UrhG) towards the buyer in case of the sale of an original work of art or photography prior to 70 years having lapsed since the death of their creator. Therefore, Auctionata charges when purchasing a good – if a protection as an original work of art or photography is given – starting from a hammer price of EUR 400 an additional amount, which is calculated according to Section 26 (2) German Copyright Act (UrhG) and which does not exceed the amount of EUR 12,500. You can find more information about resale rights tax in Auctionata´s table of fees and T&C.

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Afro Basaldella, Composizione, Lithograph in Colors, 1965

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Description: Lithograph in colors on wove paperGermany, 1965; published 1966Afro Basaldella (1912-1976) – Italian painter, graphic artist and designerSigned ‘afro’ and numbered ‘1/65’ in pencilFrom the portfolio ‘Europäische Graphik III’Published by Felix H. Man as Edition Wolfgang Ketterer, Munich, 1966 (with their blindstamp)Ketterer edition directory 1Image dimensions: 40.5 x 55.4 cm; sheet dimensions 50.2 x 65 cmVery good conditionTypical composition in bright colorsObject is taxed regularly. 19% VAT is added to the purchase price for deliveries within the EU. Condition: The lithograph in colors is in overall very good condition. The image dimensions are 40.5 x 55.4 cm, the sheet measures 50.2 x 65 cm. Afro Basaldella (1912-1976) The Italian artist was born in Udine, near Venice in 1912. He studied Art in Florence and Venice and received his diploma in 1931. In 1932 he went to Milan where he moved into a studio with his brother Mirko. His first solo exhibition was held in Rome in 1937 at the Galleria della Cometa. The National Gallery of Modern Art purchased one of his works at that exhibition. In 1938 he took part in the Venice Biennial. As off 1952 he was part of the Italian artist group ‘degli Otto’. In 1955 his works were exhibited in New York. In the same year he took part in the first documenta in Kassel. He was granted the prize best Italian artist 1956 on the der XXVII. Biennale in Venice. 1958 he painted a wall painting with Picasso, Arp and Miró for the UNESCO building in Paris. He also took part at the second documenta in the year 1959. His work ‘L’isola del Giglio’ won the Guggenheim prize in Rome in 1960. 1971 he got in Rome the ‘Premio nazionale di pittura Presidente della Repubblica’. His works are parts of renowned collections, such as the Modern Museum of Art in New York, the National Gallery for Modern Art in Rome and the Cleveland Museum of Art. (fea) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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Horst Antes, Figur mit Schwarzer Kappe, Color Lithograph, 1967

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Description: Lithograph in colors on wove paperGermany, 1967Horst Antes (b. 1936) – German painter, printmaker, graphic artist and sculptor of New FigurationSigned ‘Antes’ and inscribed ‘HC’ in pencilOne of 20 hors commerce copies aside from the edition of 100Full title ‘Figur mit schwarzer Kappe auf Ocker’Printed by Emil Matthieu, ZurichPublished by Galerie Wolfgang Ketterer, Munich (with their blindstamp)Catalogue raisonné: Lutze 492, Ketterer edition directory 2Image dimensions: 53 x 41.4 cm, sheet-sizedVery good condition Condition:The lithograph in colors is in overall very good condition. The sheet-sized image measures 53 x 41.4 cm.Horst Antes (b. 1936)From 1957 to 1959, the German artist Horst Antes studied at the Academy of Fine Arts in Karlsruhe, where he was a student of HAP Grieshaber. From 1965 to 2000, he was a professor for painting at the afore-mentioned Academy. As one of the pioneers of new approaches in representational painting, Horst Antes focuses on the presentation of figures. He developed the ‘Kopffüßler’, a monumental figure in profile consisting of head and feet, which has been determining his work in variations since 1962. Antes is a painter, graphic artist and sculptor. His works have been exhibited internationally and can be found in the collections of major museums, including the Guggenheim Museum in New York, the Kunsthalle Hamburg and the Sprengel Museum in Hanover. Horst Antes lives and works in Karlsruhe and Italy. (fea) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance. Auctionata charges the resale rights tax pursuant to Section 26 of the German Copyright Act (UrhG) towards the buyer in case of the sale of an original work of art or photography prior to 70 years having lapsed since the death of their creator. Therefore, Auctionata charges when purchasing a good – if a protection as an original work of art or photography is given – starting from a hammer price of EUR 400 an additional amount, which is calculated according to Section 26 (2) German Copyright Act (UrhG) and which does not exceed the amount of EUR 12,500. You can find more information about resale rights tax in Auctionata´s table of fees and T&C.

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Jef Verheyen, Collage, Four Cards, Belgium, 1964

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Description: Collage and mixed media Belgium, 1964 Jef Verheyen (1932-1984) – Belgian artist Signed and dated on the lower right ‘Jef Verheyen 64‘Sheet size: 42 x 37 cmGood condition This paper work of the Belgian artist Jef Verheyen was created in 1964. It shows four squares in the primary colors red, blue, green and yellow, which form a square again and are connected by a white circle. The work is signed and dated on the lower right ‘Jef Verheyen 64‘. It is in a good condition with minimal signs of wear. The sheet size is 42 x 37 cm. (vwe) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance. Auctionata charges the resale rights tax pursuant to Section 26 of the German Copyright Act (UrhG) towards the buyer in case of the sale of an original work of art or photography prior to 70 years having lapsed since the death of their creator. Therefore, Auctionata charges when purchasing a good – if a protection as an original work of art or photography is given – starting from a hammer price of EUR 400 an additional amount, which is calculated according to Section 26 (2) German Copyright Act (UrhG) and which does not exceed the amount of EUR 12,500. You can find more information about resale rights tax in Auctionata´s table of fees and T&C.

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Emil Schumacher, Motif 1/67, Aquatint Etching, 1967

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Description: Aquatint etching on wove paperGermany, 1967Emil Schumacher (1912-1999) – German painter of Art InformelSigned ‘Schumacher’ and numbered ‘20/65’ in pencilPlate dimensions: 79.4 x 59.5 cm; sheet dimensions: 106 x 78.5 cmEdited by Wolfgang Ketterer, Munich (blindstamp)Very good condition Condition:The sheet is in very good condition, showing a faint discoloration of the paper. The dimensions of the image are 79.4 x 59.5 cm, while the sheet measures 106 x 78.5 cm.Emil Schumacher (1912-1999)From 1932 to 1935, Emil Schumacher studied at the School of Applied Arts in Dortmund and then worked as a freelance painter. In 1939 he was conscripted as a draftsman in an armaments factory and worked there until 1945. After the war, Schumacher devoted himself again entirely to painting, founding the artists' association ‘Junger Westen’ in 1947. Initially coming from representational painting, during the 1950s he developed under the influence of the upcoming ‘Art Informel’ his own abstract visual language dominated by color, investigating its intrinsic value and its psychological effects on the viewer. In 1959, Schumacher participated in the documenta 6 in Kassel and in 1961 at the Venice Biennale, which helped him to international fame. Schumacher held professorships at the academies in Hamburg and Karlsruhe and received numerous international honors and awards since 1948. The Emil Schumacher Museum is located in his hometown Hagen. (cko) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance. Auctionata charges the resale rights tax pursuant to Section 26 of the German Copyright Act (UrhG) towards the buyer in case of the sale of an original work of art or photography prior to 70 years having lapsed since the death of their creator. Therefore, Auctionata charges when purchasing a good – if a protection as an original work of art or photography is given – starting from a hammer price of EUR 400 an additional amount, which is calculated according to Section 26 (2) German Copyright Act (UrhG) and which does not exceed the amount of EUR 12,500. You can find more information about resale rights tax in Auctionata´s table of fees and T&C.

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Emil Schumacher, Motiv 7/1967, Aquatint, 1967

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Description: Aquatint in colors on wove paper Germany, 1967 Emil Schumacher (1912-1999) – German artist and representative of Art Informel Numbered ‘3/120’ and signed ‘Schumacher’ in pencil Published by Verlag der Galerie Wolfgang Ketterer, Munich (with the blindstamp)Ketterer Editions No. 184Plate dimensions: c. 29 x 38,9 cm; sheet dimensions: 53 x 71 cm Good condition Object is regular taxed. 19% VAT is added to the purchase price for deliveries within the EU. Condition: The sheet is in good condition, consistent with age and wear. The edges and corners show light marks. The plate dimensions are c. 29 x 38,9 cm and the sheet measures 53 x 71 cm. Emil Schumacher (1912-1999) Emil Schumacher studied from 1932 to 1935 at the School of Applied Arts in Dortmund and then worked as a freelance painter. In 1939 he was conscripted as a draftsman in an armaments factory and worked there until 1945. After the war, Schumacher again devoted himself entirely to painting, and founded in 1947 the artists' association ‘Junger Westen’. Initially coming from representational painting, he developed during the 1950s under the influence of the upcoming ‘Art Informel’ his own abstract visual language, dominated by color, investigating its intrinsic value and its psychological effects on the viewer. In 1959, Schumacher participated in the documenta 6 in Kassel and in 1961 at the Venice Biennale, which helped him to international fame. Schumacher held professorships at the academies in Hamburg and Karlsruhe and received since 1948 numerous international honors and awards. The Emil Schumacher Museum is located in his hometown Hagen. (cbo) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance. Auctionata charges the resale rights tax pursuant to Section 26 of the German Copyright Act (UrhG) towards the buyer in case of the sale of an original work of art or photography prior to 70 years having lapsed since the death of their creator. Therefore, Auctionata charges when purchasing a good – if a protection as an original work of art or photography is given – starting from a hammer price of EUR 400 an additional amount, which is calculated according to Section 26 (2) German Copyright Act (UrhG) and which does not exceed the amount of EUR 12,500. You can find more information about resale rights tax in Auctionata´s table of fees and T&C.

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Emil Schumacher, Motiv 2/167, Aquatint Etching, 1967

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Description: Aquatint over gauze on wove paper Germany, 1967Emil Schumacher (1912-1999) – German painter of Art InformelSigned 'Schumacher' and numbered 20/65' in pencilWith the blindstamp of Edition Wolfgang Ketterer, MunichPlate dimensions: 64.3 x 49.7 cm; sheet dimensions: 90 x 70.5 cm Condition:The aquatint etching bears a conspicuous crease and a small and faint stain in the upper right corner as well as a pencil inscription by another hand in the lower left corner. Otherwise the condition is good. The plate measures 64.3 x 49.7 cm, the sheet 90 x 70.5 cm.Emil Schumacher (1912-1999)Emil Schumacher studied from 1932 to 1935 at the School of Applied Arts in Dortmund and then worked as a freelance painter. In 1939 he was conscripted as a draftsman in an armaments factory and worked there until 1945. After the war, Schumacher again devoted himself entirely to painting, and founded in 1947 the artists' association ‘Junger Westen’. Initially coming from representational painting, he developed during the 1950s under the influence of the upcoming ‘Art Informel’ his own abstract visual language, dominated by color, investigating its intrinsic value and its psychological effects on the viewer. In 1959, Schumacher participated in the documenta 6 in Kassel and in 1961 at the Venice Biennale, which helped him to international fame. Schumacher held professorships at the academies in Hamburg and Karlsruhe and received since 1948 numerous international honors and awards. The Emil Schumacher Museum is located in his hometown Hagen. (fea) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance. Auctionata charges the resale rights tax pursuant to Section 26 of the German Copyright Act (UrhG) towards the buyer in case of the sale of an original work of art or photography prior to 70 years having lapsed since the death of their creator. Therefore, Auctionata charges when purchasing a good – if a protection as an original work of art or photography is given – starting from a hammer price of EUR 400 an additional amount, which is calculated according to Section 26 (2) German Copyright Act (UrhG) and which does not exceed the amount of EUR 12,500. You can find more information about resale rights tax in Auctionata´s table of fees and T&C.

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Antoni Tàpies, Noir et craie, Lithograph in Colors, 1968

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Description: Lithograph in colors on wove paper ‘BFK Rives’ (watermark)France/Spain, 1968Antoni Tàpies i Puig (1923-2012) – Spanish painter, graphic artist and sculptor; main exponent of the Spanish Art InformelSigned ‘Tàpies’ and numbered ‘45/75’, in pencilCatalogue raisonné: Galfetti, 154Published by Maeght Editeur, ParisPrinted by Arte, A. Maeght, ParisImage dimensions: 59 x 75 cm; sheet dimensions: 75.5 x 104.7 cmFramed under glass: 121 x 92.5 cmGood condition Condition: The lithograph in colors is in a good condition with minimal signs of age, like tiny handling creases, barely visible soiling and faint rubbing. The sheet is taped to a support at the reverse upper edge. The image dimensions are 59 x 75 cm, the sheet dimensions are 75.5 x 104.7 cm. The dimensions of the frame are 121 x 92.5 cm. Antoni Tàpies (1923-2012) Antoni Tàpies is one of the main exponents of the Spanish Art Informel. In his paintings, he mixed materials such as sand, cement, marble dust and glue in the style of the ‘pintura matèrica’ movement, adding letters, symbols and crosses. He trained himself in drawing and painting, when he was still at school. Tàpies attended a law school for three years, and then studied painting at the Acadèmia Valls in Barcelona. He was among the founders of the art group ‘Dau al Set’, a movement with links to the surrealist and Dadaist artists. His interest for philosophy led him to read existentialist literature. Tàpies’ works are on display in international museums and were exhibited at the Venice Biennale and the documenta in Kassel. In 1884, Tàpies founded the Fundació Antoni Tàpies in Barcelona, where he lived and worked until his death in 2012. In 2010, he was honored with the title ‘Marqués’ by the Spanish king Juan Carlos I. Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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Lambert Maria Wintersberger, From: Figuration, Serigraph, 1967

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Description: Serigraph in colors on wove paperLambert Maria Wintersberger (1941-2013) – German painter and graphic artistSigned ‘L. Winterberger’, dated ‘67’ and numbered ‘60/100’ in pencilFrom the portfolio ‘Figuration’Image dimensions: 44 x 30 cm; sheet dimensions: 61 x 43 cm Condition: The sheet is minimally discolored and shows soft handling and crease marks. Otherwise, it is in good condition. Lambert Maria Wintersberger (1941-2013) The Munich-born painter Lambert Maria Wintersberger started his career in 1958 as a stage and church painter as well as a stained-glass and mosaic artist. Afterwards, he studied at the Academy of Fine Arts in Munich and in Florence. In the 1960s he lived in Berlin as a freelance artist und co-founded the self-help gallery for artists Großgörschen 35. (cko) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance. Auctionata charges the resale rights tax pursuant to Section 26 of the German Copyright Act (UrhG) towards the buyer in case of the sale of an original work of art or photography prior to 70 years having lapsed since the death of their creator. Therefore, Auctionata charges when purchasing a good – if a protection as an original work of art or photography is given – starting from a hammer price of EUR 400 an additional amount, which is calculated according to Section 26 (2) German Copyright Act (UrhG) and which does not exceed the amount of EUR 12,500. You can find more information about resale rights tax in Auctionata´s table of fees and T&C.

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Abstract Composition, Collage, pres. 2nd H 20th C

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Description: Collage and acrylic on cardboardEurope, presumably 2nd half of the 20th centuryDimensions: 44.5 x 37.5 cmMatted behind glass in frame: 63 x 53 cmGood condition Condition: Collage and frame are in a good condition with minimal signs of age and wear. The sheet occasionally with small rubbed areas and color flaking. The dimensions of the collage measure 44.5 x 37.5 cm, the dimensions of the frame are 63 x 53 cm. (nlu) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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Acryl painting ‚Green abstraction’ by Serge Labégorre, 20th C

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Description: Acrylic on canvasFrance, 20th centurySerge Labégorre (b. 1932) – Contemporary French artistSigned ‘Labégorre’ in the lower left cornerNew, handmade shadow gap frame with white gold decorationTotal dimensions, framed: 80 x 68.5 cmVery good condition Frenchman Serge Labégorre is considered one of the most important contemporary exponents of French expressionism. His works are exhibited in museums the world over. His trademarks are vibrant colours and expressive imagery. This painting is in very good condition. It is signed ‘Labégorre’ in the lower left corner. The total dimensions are 80 x 68.5 cm (framed) and 65 x 53.5 cm (canvas). Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance. Auctionata charges the resale rights tax pursuant to Section 26 of the German Copyright Act (UrhG) towards the buyer in case of the sale of an original work of art or photography prior to 70 years having lapsed since the death of their creator. Therefore, Auctionata charges when purchasing a good – if a protection as an original work of art or photography is given – starting from a hammer price of EUR 400 an additional amount, which is calculated according to Section 26 (2) German Copyright Act (UrhG) and which does not exceed the amount of EUR 12,500. You can find more information about resale rights tax in Auctionata´s table of fees and T&C.

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Herbert Schneider (1924-1983), Two Women in Profile, 1969

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Description: Watercolor over pencil on Japan paperGermany, 1969Herbert Schneider (1924-1983) - German painter and printmakerSigned and dated in pencil ‘Herb. Schneider 69’ lower rightSheet size: 58 x 62.5 cmGood conditionObject is regular taxed. 19% VAT is added to the purchase price for deliveries within the EU. Condition:The sheet is in good condition, showing a slight crease mark lower left and squeeze marks from the manufacturing process to the right margin. The lower left corner is minimally soiled. The sheet’s dimensions are 58 x 62.5 cm.Herbert Schneider (1924-1983)Herbert Schneider studied under the guidance of Willi Baumeister at the Staatliche Akademie der Bildenden Künste in Stuttgart. His works feature diverse influences of art history, including Henri Matisse and the Fauvism. Furthermore, Bavarian folk art inspired him deeply. Schneider’s works oscillate between abstraction and representation and are often executed in bright colors. (cko) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance. Auctionata charges the resale rights tax pursuant to Section 26 of the German Copyright Act (UrhG) towards the buyer in case of the sale of an original work of art or photography prior to 70 years having lapsed since the death of their creator. Therefore, Auctionata charges when purchasing a good – if a protection as an original work of art or photography is given – starting from a hammer price of EUR 400 an additional amount, which is calculated according to Section 26 (2) German Copyright Act (UrhG) and which does not exceed the amount of EUR 12,500. You can find more information about resale rights tax in Auctionata´s table of fees and T&C.

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Amadeo Gabino, Abstract Composition, Color Serigraph, c. 1970

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Description: Serigraph in colors on smooth cardboardSpain, around 1970Amadeo Gabino (1922-2004) – Spanish sculptor, painter and graphic artist Signed 'Amadeo Gabino' and numbered '317/450' in pencilImage dimensions: 36.6 x 36.6 cm; sheet dimensions: 65 x 49.8 cmGood conditionObject is taxed regularly. 19% VAT is added to the purchase price for deliveries within the EU. Condition:The sheet is in good condition with handling creases overall and tiny damages in some places to corners and edges. A few marks can be seen in the lower part. The image dimensions are 36.6 x 36.6 cm and the sheet measures 65 x 49.8 cm.Amadeo Gabino (1922-2004)Amadeo Gabino was born in Valencia, where he received his artistic training at the Royal Academy of Fine Arts of San Carlos (from 1939 to 1944). Gabino spent several years abroad, including Rome in 1949, Paris in 1952 and Hamburg from 1958 to 1960, where he was active at the local Academy of Arts. In 1961, Gabino was enabled through a scholarship to go to New York, where he met his fellows Alexander Archipenko, Jacques Lipchitz and Alexander Calder. A well-established sculptor, the artist was awarded with a number of prizes and represented his nation at the Venice Biennale in 1956 and 1966. His works are included in international collections such as the Museo Reina Sofía in Madrid, the Museum of Fine Arts in Bilbao, the Brooklyn Museum in New York and the Kunsthalle in Mannheim. His large-scale COR-TEN steel sculptures, dating from 1990 and later, were particularly created for public environments; examples of these impressive works can be found, among others, on the banks of the Danube in Linz (‘Tribute to Anton Bruckner’, 1998) and in Madrid (‘Homage to Galileo’, 1992). (msc) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance. Auctionata charges the resale rights tax pursuant to Section 26 of the German Copyright Act (UrhG) towards the buyer in case of the sale of an original work of art or photography prior to 70 years having lapsed since the death of their creator. Therefore, Auctionata charges when purchasing a good – if a protection as an original work of art or photography is given – starting from a hammer price of EUR 400 an additional amount, which is calculated according to Section 26 (2) German Copyright Act (UrhG) and which does not exceed the amount of EUR 12,500. You can find more information about resale rights tax in Auctionata´s table of fees and T&C.

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Max Ernst, Three Color Lithographs, 'The Caramel Bird', 1969

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Description: Three lithograph in colors on Arches paperGermany, 1969Max Ernst (1891 – 1976) – German painter, printmaker and sculptorSigned lower right in pencil 'Max Ernst'Numbered lower left in pencil '12/150'With embossing on Arches paperPublished by Editions du Soleil NoirEdition: 150 copiesCatalogue raisonné: Spies & Leppien A 20Print size: 34 x 24 cmSheet dimensions: 39.6 x 29.2 cmVery good condition The lithographs on hand by Max Ernst were created in 1969. They are each provided with the same motif in brown, black and blue. We see a curved line with a red and a blue color field. The lithographs illustrate the Book 'L'Oiseau Caramel' written by Robert Lebel. The lithographs and the booklet are presented inside blue paper, silk portfolio case and Perspex lid. Each one of these three Lithographs is hand signed lower right in pencil 'Max Ernst' and numbered in pencil '12/150' at the lower left margin. They are in very good condition showing minimal signs of age. The edges show light discoloration. The print size is 34 x 24 cm and the sheet dimensions are 39.6 x 29.2 cm. Max Ernst (1891–1976) The German painter, printmaker and sculptor Max Ernst was co-founder of the DADA movement. 1922 he moved to Paris where he joined the circle of Surrealists before he immigrated to America in 1941 and returned to France in 1953. He is known for his Surrealist, fantastical paintings with mysterious creatures. (eli) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance. Auctionata charges the resale rights tax pursuant to Section 26 of the German Copyright Act (UrhG) towards the buyer in case of the sale of an original work of art or photography prior to 70 years having lapsed since the death of their creator. Therefore, Auctionata charges when purchasing a good – if a protection as an original work of art or photography is given – starting from a hammer price of EUR 400 an additional amount, which is calculated according to Section 26 (2) German Copyright Act (UrhG) and which does not exceed the amount of EUR 12,500. You can find more information about resale rights tax in Auctionata´s table of fees and T&C.

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Antoni Tàpies, Nocturn Matinal, Lithograph in Colors, 1970

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Description: Lithograph in colors on wove paperSpain, 1970Antoni Tàpies (1923-2012) – Spanish painter, graphic artist and sculptor; main exponent of the Spanish Art InformelSigned in pencil ‘tapies’ and numbered ‘2/100’From the suite of the book ‘Nocturn Matinal’ by Joan Brossa (collector’s edition)Catalogue raisonné: Galfetti 241Publishing and printing: La Poligrafia, BarcelonaImage dimensions: 46 x 95 cm; sheet dimensions: 62 x 109 cmIn black wooden frame: 67.5 x 115 cm Condition: The sheet shows a slight discoloration, some crease marks in the margins and depiction, as well as slight pressure marks from handling. The frame shows small chips. The image is 46 x 95 cm in size, the sheet dimensions are 62 x 109 cm, and the frame measures 67.5 x 115 cm. Antoni Tàpies (1923-2012) Antoni Tàpies is one of the main exponents of the Spanish Art Informel. In his paintings, he mixed materials such as sand, cement, marble dust and glue in the style of the ‘pintura matèrica’ movement, adding letters, symbols and crosses. He trained himself in drawing and painting, when he was still at school. Tàpies attended a law school for three years, and then studied painting at the Acadèmia Valls in Barcelona. He was among the founders of the art group ‘Dau al Set’, a movement with links to the surrealist and Dadaist artists. His interest for philosophy led him to read existentialist literature. Tàpies’ works are on display in international museums and were exhibited at the Venice Biennale and the documenta in Kassel. In 1884, Tàpies founded the Fundació Antoni Tàpies in Barcelona, where he lived and worked until his death in 2012. In 2010, he was honored with the title ‘Marqués’ by the Spanish king Juan Carlos I. (cko) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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Piero Piero Dorazio, Untitled (Composizione), Aquatint, 1970

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Description: Aquatint etching in colors on firm wove paperItaly/Germany, 1970Piero Dorazio (1927-2005) – Italian painterSigned, dated and numbered/inscribed in pencil (numbering in the images deviates from the actual numbering of the lot)Plate 2 from the portfolio ‘Europäische Graphik VIII (Italian artists)’Printed by Grafica Romero, RomePublished by Edition Galerie Wolfgang Ketterer in cooperation with the editor Felix H. Man, MunichKetterer edition directory 174Plate dimensions: 31,8 x 31.6 cmGood conditionDorazio is considered as a pioneer of abstraction in Italy in the late 20th century Condition: The work is in good overall condition with slight traces of age. The plate dimensions measure 32 x 31.5 cm. Piero Dorazio (1927-2005) Piero Dorazio is one of the most important Italian artists of the second half of the 20th century and a pioneer of abstract art in Italy. He was born in 1927 in Rome. His imagery is influenced by the Italian masters Raphael and Pollaiuolo, the French Impressionists, the Italian Futurists, as well as Kandinsky, Malevich and Mondrian. Dorazio used basic colors that he applied in strips, strokes, lines and fields. Besides painting, Dorazio dedicated himself to lithography, etching, glass windows, mosaics, ceramics and stage sets. (tm) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance. Auctionata charges the resale rights tax pursuant to Section 26 of the German Copyright Act (UrhG) towards the buyer in case of the sale of an original work of art or photography prior to 70 years having lapsed since the death of their creator. Therefore, Auctionata charges when purchasing a good – if a protection as an original work of art or photography is given – starting from a hammer price of EUR 400 an additional amount, which is calculated according to Section 26 (2) German Copyright Act (UrhG) and which does not exceed the amount of EUR 12,500. You can find more information about resale rights tax in Auctionata´s table of fees and T&C.

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Mark Tobey, Happy Morning, Lithograph in Colors, 1969

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Description: Lithograph in colors on wove paperSwitzerland/Germany, 1969Mark Tobey (1890-1976) – American artist, pioneer of Abstract ExpressionismSigned 'Tobey' and numbered '59/75' in pencilImage dimensions: 20.8 x 14.8 cm; sheet dimensions: 45 x 34.6 cmFrame dimensions: 51 x 40.7 cmGood conditionObject is regular taxed. 19% VAT is added to the purchase price for deliveries within the EU. Condition: The lithograph has not been examined out of the frame. The sheet is in good condition with little rippling and a few marks. The frame shows signs of wear such as scratches, partially with loss of color or material affecting the upper edge. The image measures 20.8 x 14.8 cm. The framed dimensions are 51 x 40.7 cm. Mark Tobey (1890-1976) Mark George Tobey - the forerunner of the ‘Abstract Expressionism’ - was born in 1890 in Centerville in the United States and died 1976 in Basel, Switzerland. His works show the influence of the Far East and calligraphic art. Among his best known works, there are the ‘White Writings’ (since 1944), in which network-like structures spread on a clear background. Tobey studied at the Art Institute in Chicago and worked as an industrial designer, portrait painter, and fashion illustrator for Vogue. In 1958, Tobey exhibited at the Biennale of Venice and thereby received international recognition. (msc) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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Mark Tobey, Apparuit, Lithograph in Colors, 1971

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Description: Lithograph in colors on wove paper ‘BFK Rives’ (watermark)Switzerland/Germany, 1971Mark Tobey (1890-1976) – American artist, pioneer of Abstract ExpressionismSigned and dated (numbering in the images deviates from the actual numbering of the lot)Published by Edition de Beauclair, Frankfurt am Main (embossed stamp)Image dimensions: 60.3 x 43.3 cm; sheet dimensions: 75.5 x 55.5 cmGood condition Condition: The lithograph in colors is in good condition, consistent with age. It shows a few faint handling marks. The image dimensions are 60.3 x 43.3 cm and the sheet measures 75.5 x 55.5 cm. Mark Tobey (1890-1976) Mark George Tobey, pionier of the ‘Abstract Expressionism’, was born in 1890 in Centerville in the United States and died 1976 in Basel, Switzerland. His works show the influence of the Far East and calligraphic art. Among his best known works, there are the ‘White Writings’ (since 1944), in which network-like structures spread on a clear background. Tobey studied at the Art Institute in Chicago and worked as an industrial designer, portrait painter, and fashion illustrator for Vogue. In 1958, Tobey exhibited at the Biennale of Venice and thereby received international recognition. (hth) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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Mark Tobey, Red´s Return, Aquatint in Colors, 1974

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Description: Aquatint in colors on wove paper 'Richard de Bas' (Watermark)Switzerland, 1974Mark Tobey (1890-1976) – American artist, pioneer of Abstract ExpressionismSigned 'Tobey' and numbered '88/101' in pencilCatalogue raisonné: Heidenheim 45Image dimensions: 26.4 x 23 cm; sheet dimensions: 64.4 x 49.8 cmGood condition Condition: The sheet is in good condition with slight rippling and there are a few handling creases. The image measures 26.4 x 23 cm. The sheet dimensions are 64.4 x 49.8 cm. Mark Tobey (1890-1976) Mark George Tobey - the forerunner of the ‘Abstract Expressionism’ - was born in 1890 in Centerville in the United States and died 1976 in Basel, Switzerland. His works show the influence of the Far East and calligraphic art. Among his best known works, there are the ‘White Writings’ (since 1944), in which network-like structures spread on a clear background. Tobey studied at the Art Institute in Chicago and worked as an industrial designer, portrait painter, and fashion illustrator for Vogue. In 1958, Tobey exhibited at the Biennale of Venice and thereby received international recognition. (msc) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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Alfred Manessier, Le Grand Nord, Lithograph in Colors, 1971

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Description: Lithograph in colors on wove paper Alfred Manessier (1911-1993) – French painter and graphic artist Numbered ‘40/85’ and signed in pencil Image dimensions: 24 x 37 cm; sheet dimensions: 30 x 40 cm Object is taxed regularly. 19% VAT is added to the purchase price for deliveries within the EU. Condition:The lithograph in colors is in a good condition, consistent with age and wear.Alfred Manessier (1911-1993)Manessier received a classical education at the Écoles des Beaux-Arts in Amiens and Paris. Besides, he explored privately the collections at the Louvre. In 1938 he settled down in Paris and participated in various Salons. Considering his stylistic development, he temporarily followed the Cubism, but also surrealist tendencies. After a short stay at a Trappist monastery, Manessier primarily focused on religious motifs and pure shapes and colors, from 1943. He especially worked on church windows, for instance in Cologne, Basel and Bremen. Here, he was one of the first artists creating abstract, non-ornamental windows. His expressionist paintings are also deeply influenced by the structures of glass paintings. Manessier was one of the most important representatives of the École de Paris. A French master of abstraction, he also took part in the documenta 1, 2 and 3. (cbo) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance. Auctionata charges the resale rights tax pursuant to Section 26 of the German Copyright Act (UrhG) towards the buyer in case of the sale of an original work of art or photography prior to 70 years having lapsed since the death of their creator. Therefore, Auctionata charges when purchasing a good – if a protection as an original work of art or photography is given – starting from a hammer price of EUR 400 an additional amount, which is calculated according to Section 26 (2) German Copyright Act (UrhG) and which does not exceed the amount of EUR 12,500. You can find more information about resale rights tax in Auctionata´s table of fees and T&C.

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Derrick Greaves, Vase and Falling Petal, Lithograph, 1971

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Description: Lithograph in colors on paperEngland, 1971Derrick Greaves (b. 1927) – English painter, graphic artist, illustrator and collage artistSigned ‘Derrick Greaves’ and numbered/inscribed, in pencil (numbering in the images deviates from the actual numbering of the lot)Plate 1 from the portfolio ‘Europäische Graphik VII’Edited by Felix H. Man and published by Galerie Wolfgang Ketterer, Munich, 1971Image dimensions: c. 35.5 x 36.5 cmGood condition Condition: The lithograph is in good condition with slight signs of age. The dimensions of the image are c. 35.5 x 36.5 cm. Derrick Greaves (b. 1927) The artist was born in Sheffield and absolved an apprenticeship as sign painter from 1943-48. Thereafter he attended the Royal College of Art in London until 1952, where he was taught, among others, by Carel Weight and John Minton. With a scholarship Greaves was able to spent the years from 1952-54 in Italy, where he made acquaintance with Renato Gusso and others. From 1955 onwards he taught at various art schools, for example at Norwich College of Art. His imagery, which first focused on rough, primitive motives from the working class, was later transformed to a representation method between abstraction and figuration and characterized by outlines. Greaves’ works are represented in many museums, including the City Art Gallery in Leeds, the Ulster Museum in Belfast or Tate Britain in London. (nlu) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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Max Ackermann, Serigraph, ‘Überbrückte Kontinente‘, 1972

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Description: Serigraph in colors on laid paper Germany, 1972 Max Ackermann (1887-1975) – German artist Signed and dated with pencil on the lower right ‘Max Ackermann 1972‘Numbered with pencil on the lower left ‘81/150‘Edition: 150Sheet size: 50 x 70 cmVery good condition This serigraph of the German artist Max Ackermann was created in 1972. From the mid-1950s onwards, Ackermann created the series ‘Überbrückte Kontinente‘ (bridged continents), which visualize his metaphysical conception of the image, similar to musical composition principles, in a clearly manner. The work is signed and dated with pencil on the lower right ‘Max Ackermann 1972‘ and numbered with pencil on the lower left ‘81/150‘. It is in a very good condition with minimal signs of wear. The plate size is 44 x 34.5 cm and the sheet size is 50 x 70 cm. Max Ackermann (1887-1975) The German painter and graphic artist was born in Berlin and studied from 1906 onwards at the art school in Weimar under Henry van der Velde, in 1908 in Dresden at the drawing school of Richard Müller and from 1909 onwards at the Art Academy in Munich under Franz von Stuck. In 1912 Ackermann became a pupil of Adolf Hoelzel in Stuttgart. Strongly influenced by Hoelzel, Max Ackermann developed his painting towards a more abstract style. In the 1920’s, he worked as an independent artist in Stuttgart and was well acquainted with important artists such as Adolf Loos, Wassily Kandinsky and George Grosz. In 1936, his works were defamed as ‘Entartete Kunst‘ by the National Socialists. In 1957, Ackermann returned to Stuttgart, after he was given the honorary doctorate by the federal state Baden Württemberg. (vwe) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance. Auctionata charges the resale rights tax pursuant to Section 26 of the German Copyright Act (UrhG) towards the buyer in case of the sale of an original work of art or photography prior to 70 years having lapsed since the death of their creator. Therefore, Auctionata charges when purchasing a good – if a protection as an original work of art or photography is given – starting from a hammer price of EUR 400 an additional amount, which is calculated according to Section 26 (2) German Copyright Act (UrhG) and which does not exceed the amount of EUR 12,500. You can find more information about resale rights tax in Auctionata´s table of fees and T&C.

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Heinz Mack, Silberfächer, 5 Serigraphs, 1972

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Description: 5 serigraphs on cardboard, thereof 2 additionally with serigraphed plastic foilHeinz Mack (b. 1931) – German artist and co-founder of the artist group ZEROPresumably trial proofs before the edition in 2 variants of 50 eachPrinted at Kroll, MunichPublished by Edition Heseler, MunichCatalogue raisonné: cf. Mack 89, ill. 182Image dimensions: from 30.8 x 26.8 cm to 54 x 47 cm; sheet dimensions: 41.2 x 29 cm to 60 x 52 cmProvenance: Private collection, Munich, from the estate of Galerie Heseler, Munich Condition:The serigraphs bear occasional mostly small signs of age as bumped and creased corners and faint rubbing in places. The overall condition is good, consistent with age.Heinz Mack (b. 1931)Heinz Mack is a co-founder of the internationally influential ZERO group. Mack was especially known for his experimental light reliefs as well as for his light installations and participated several times in the documenta and represented Germany at the Venice Biennale in 1970. In 1957 he founded together with Otto Piene the ZERO group and started publishing the eponymous magazine. Mack was fascinated by the light and its vibration. His works are also called ‘dynamic structures’, which mainly consist of straight lines or light reliefs and were made of different materials, such as foils, acrylic glass and aluminum. His later works express the artist’s enthusiasm for movement, which makes him the main representative of kinetic art. (fea) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance. Auctionata charges the resale rights tax pursuant to Section 26 of the German Copyright Act (UrhG) towards the buyer in case of the sale of an original work of art or photography prior to 70 years having lapsed since the death of their creator. Therefore, Auctionata charges when purchasing a good – if a protection as an original work of art or photography is given – starting from a hammer price of EUR 400 an additional amount, which is calculated according to Section 26 (2) German Copyright Act (UrhG) and which does not exceed the amount of EUR 12,500. You can find more information about resale rights tax in Auctionata´s table of fees and T&C.

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Antoni Clavé, Superposition métal, Mixed Media, 1972

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Description: Cut and embossed aluminum sheet over collaged felt on aluminum sheetFrance, 1972Antoni Clavé i Sanmartí (1913-2005) – Catalan painter, sculptor, collage artist, illustrator, stage designer and graphic artist; besides Antoni Tàpies one of the most famous contemporary Spanish artistsSigned ‘Clavé’ and inscribed ’E.A.’ in pencilArtist’s proof aside from the edition of 80 + X copiesPublished by Vision Nouvelle, ParisCatalogue raisonné: Passeron 305Dimensions: 78 x 65 cm Framed: 102 x 88 cmGood conditionObject is regular taxed. 19% VAT is added to the purchase price for deliveries within the EU. Condition:The mixed media bears occasional small scratches, especially along the edges. The lower corners are slightly bend. The work is mounted to a mat on verso. The frame is in good condition with slight signs of wear. The dimensions of the work are 78 x 65 cm. The framed measures 102 x 88 cm.Antoni Clavé i Sanmartí (1913-2005)The contemporary Spanish painter and sculptor Antoni Clavé was born in 1913 in Barcelona. From 1926-1932, he attended evening classes at the Escuela de Artes y Oficios, and worked as a house painter until 1932. He began his autodidactic artistic career with copying works by old masters, for instance Velázquez and Goya. Afterwards, Clavé began creating illustrations for children’s books and designs for promotional and movie posters (including Metro-Goldwyn-Mayer). In 1939, he settled in Paris, where he worked as a cartoonist and illustrator. In 1944, he met Pablo Picasso, who became a close friend. Picasso had a deep influence on Clavé’s artistic development towards abstraction. From 1946 to 1955, he completed numerous designs for ballets and theaters in Paris, Munich, London, and New York. In 1965, he started working almost exclusively as a freelance artist, putting a focus on graphic works starting in 1965 and collages as of the 1970s. His work has been on display in numerous exhibitions at home and abroad, such as in London, Venice (Biennial), Budapest, Tokyo, Cologne, Zurich, and Madrid. Cavé has also received several awards, such as the Honorary Medal of Fine Arts, Madrid, in 1984. (fea) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance. Auctionata charges the resale rights tax pursuant to Section 26 of the German Copyright Act (UrhG) towards the buyer in case of the sale of an original work of art or photography prior to 70 years having lapsed since the death of their creator. Therefore, Auctionata charges when purchasing a good – if a protection as an original work of art or photography is given – starting from a hammer price of EUR 400 an additional amount, which is calculated according to Section 26 (2) German Copyright Act (UrhG) and which does not exceed the amount of EUR 12,500. You can find more information about resale rights tax in Auctionata´s table of fees and T&C.

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Joan Miró, From: Joan Miró, Lithographe I, Lithograph, 1972

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Description: Lithograph in colors on light cardboardJoan Miró (1893-1983) – Spanish painter, printmaker and sculptorPlate from Joan Miró - Lithograph ICatalogue raisonné: Maeght, vol. IV, 860; Cramer (Illustrated Books) 160Copy aside from the book editionEdited by A. C. Mazo, Maeght, Paris / Poligrafia, BarcelonaPrinted by Mourlot, ParisImage dimensions: c. 32 x 52 cm; sheet dimensions: 35.5 x 58 cmObject is taxed regularly. 19% VAT is added to the purchase price for deliveries within the EU. Condition:The sheet shows a small tear (2 cm) to the upper margin and creases to the corners. Otherwise in good condition.Joan Miró (1893-1983)Miró grew up in Barcelona, where he started his artistic education at the art academy La Llotja against his parents’ will. After a short time, he was allowed to quit his commercial apprenticeship to dedicate himself exclusively to art. Miró became a pupil of a private art school, founded by the Catalan painter Francesc Galí. In 1917, he met Francis Picabia, who familiarized him with the Dadaists. As well, Miró was influenced by the fauvists and cubists. In 1920, he moved to Paris, where he lived amongst the creative artists of his time. He got to know Hans Arp, René Magritte, Constantin Brâncu?i, and Alberto Giacometti, and exhibited with Salvador Dalí, Yves Tanguy, Meret Oppenheim, and Max Ernst in several exhibitions about Dadaism and Surrealism. Miró moved to Mallorca in 1956, where he primarily created sculptures on a huge property, later ceramics, as well as repeatedly oil paintings. (cko) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance. Auctionata charges the resale rights tax pursuant to Section 26 of the German Copyright Act (UrhG) towards the buyer in case of the sale of an original work of art or photography prior to 70 years having lapsed since the death of their creator. Therefore, Auctionata charges when purchasing a good – if a protection as an original work of art or photography is given – starting from a hammer price of EUR 400 an additional amount, which is calculated according to Section 26 (2) German Copyright Act (UrhG) and which does not exceed the amount of EUR 12,500. You can find more information about resale rights tax in Auctionata´s table of fees and T&C.

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Jacques Lipchitz, Lithograph from Hommage à Picasso, 1973

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Description: Lithograph in colors on wove paperSwitzerland /Germany, 1973Jacques Lipchitz (1891-1973) – French American sculptorSigned ‘Lipchitz’ as well as numbered ‘XXI/XXX’, in pencilImage dimensions: 64 x 44 cmMatted behind glass in frame: 103.5 x 73.2 cmVery good conditionFrom the extensive portfolio ‘Hommage à Picasso’, which was published as joint effort by Pantheon Presse, Agno (Switzerland), and Propyläen Verlag, Berlin, on the occasion of Picasso’s 90th birthday; contributing were more than 70 other artists Condition:The lithograph is in a very good condition. The sheet has been examined framed. The frame is partially slightly rubbed. The image dimensions measure 64 x 44 cm, the dimensions of the frame are 103.5 x 73.2 cm. (nlu)Jacques Lipchitz (1891-1973)Jacques Lipchitz, born Chaim Jakoff Lipchitz, studied in Paris at the École nationale supérieure des beaux-arts and at the Académie Julian, associating with the likes of Georges Braque, Juan Gris and Pablo Picasso. In 1941, Lipchitz fled to New York and remained there. He was one of the most eminent sculptors of the 20th century. His works are owned by numerous international museums, e.g. at the Stedelijk Museum in Amsterdam, at the Kunstmuseum in Basel, at the Hirshhorn Museum and Sculpture Garden in Washington, at the Israel Museum and Billy Rose Art Garden in Jerusalem and at the Neue Nationalgalerie in Berlin. Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance. Auctionata charges the resale rights tax pursuant to Section 26 of the German Copyright Act (UrhG) towards the buyer in case of the sale of an original work of art or photography prior to 70 years having lapsed since the death of their creator. Therefore, Auctionata charges when purchasing a good – if a protection as an original work of art or photography is given – starting from a hammer price of EUR 400 an additional amount, which is calculated according to Section 26 (2) German Copyright Act (UrhG) and which does not exceed the amount of EUR 12,500. You can find more information about resale rights tax in Auctionata´s table of fees and T&C.

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Giuseppe Santomaso, Dall‘ alto al basso, Color Lithograph, 1972

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Description: Lithograph in colors on wove paper ‘BFK Rives’ (watermark)Giuseppe Santomaso (1907-1990) – Italian graphic artist, painter, fresco artist and illustratorSigned and dated ‘Santomaso ‘72’ and numbered ‘106/200’ in pencilPrinted at Erker-Presse , St. Gallen (with their blindstamp)Published by Kestner-Gesellschaft, HannoverCatalogue raisonné: Calderoni 93Image dimensions: 61.5 x 40.5 cm; sheet dimensions. 72,7 X 51,8 cmObject is taxed regularly. 19% VAT is added to the purchase price for deliveries within the EU. Condition:The lithograph in colors bears occasional small and faint stains in the upper left corner. Otherwise the condition is good.Giuseppe Santomaso (1907-1990)Giuseppe Santomaso was born in 1907 as the son of a goldsmith in Venice. From 1932 to 1934 he studied at the Academy of Fine Arts in Venice and already participated at the local Biennale in his senior year. Santomaso was one of the co-founders of the progressive Italian artist group ‘Nouva Secessione artistica italiana’. When travelling to Paris he took an interest in the French Avant-garde artists and became a representative and supporter of abstract art. He dealt with informal art and graphics in his later works. Giuseppe Santomaso presented his works of art at national and international exhibitions until the end of his life. (fea) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance. Auctionata charges the resale rights tax pursuant to Section 26 of the German Copyright Act (UrhG) towards the buyer in case of the sale of an original work of art or photography prior to 70 years having lapsed since the death of their creator. Therefore, Auctionata charges when purchasing a good – if a protection as an original work of art or photography is given – starting from a hammer price of EUR 400 an additional amount, which is calculated according to Section 26 (2) German Copyright Act (UrhG) and which does not exceed the amount of EUR 12,500. You can find more information about resale rights tax in Auctionata´s table of fees and T&C.

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Joe Tilson, Earth Ritual, Serigraph in Colors, 1973

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Description: Serigraph in colors on wove cardboardJoe Tilson (b. 1928) – British painter and graphic artist, important exponent of British Pop art in the 1960sSigned ‘Joe Tilson’ and numbered ‘XX / XXX’ in pencil; stamped on the reverse ‘K’ and ‘7969Image dimensions: c. 98 x 70 cm; sheet dimensions: 102 x 70 cm Condition:The sheet is minimally creased and wavy, otherwise it is in very good condition.Joe Tilson (b. 1928)The London-born British artist Joe Tilson studied from 1949 at the St. Martins School of Art. In 1952 he moved to the Royal College of Art, where he studied until 1955. A scholarship brought him to Rome for two years. Back in London, Tilson taught at the St. Martin's School until 1963, further teaching positions in England and Germany followed. In 1968 he participated in the documenta IV in Kassel. In the beginning close to the British Pop art movement, Tilson later developed typographical compositions with visual signs and concepts. Joe Tilson, a member of the Royal Academy of Arts since 1985, lives today in London and Italy. (cko) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance. Auctionata charges the resale rights tax pursuant to Section 26 of the German Copyright Act (UrhG) towards the buyer in case of the sale of an original work of art or photography prior to 70 years having lapsed since the death of their creator. Therefore, Auctionata charges when purchasing a good – if a protection as an original work of art or photography is given – starting from a hammer price of EUR 400 an additional amount, which is calculated according to Section 26 (2) German Copyright Act (UrhG) and which does not exceed the amount of EUR 12,500. You can find more information about resale rights tax in Auctionata´s table of fees and T&C.

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Two Abstract Compositions by Wladimir Erlebach, 1978/79

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Description: Mixed technique, partly spray technique, on wove paper, mounted on cardboardGermany, 1978/79Wladimir Erlebach (1934-1996) – Czechoslovakian artistErlebachs works are found in numerous public collectionsSigned and dated, “Erlebach 78” and “Erlebach 79”One sheet titled on the back, “Der Reiter” [“The rider”]Each in passe-partoutDimensions: 74.5 x 55.5 cm (sheet size) eachFine original condition These two abstract compositions in blue by the Czechoslovakian artist Wladimir Erlebach (1934-1996) were executed in mixed technique and partly spray technique on wove paper and mounted on cardboard. They were made in 1978 and 1979. Works by Wladimir Erlebach appear in numerous public collections, among others in the collection of the Deutsche Bank. The backgrounds in these two works are composed of horizontal and vertical stripes in blue, green and white and sprayed with dashes of blue paint, under round, angular and edged shapes of the same colours.Both works are in fine original condition. The passe-partouts are slightly soiled. The sheet sizes are 74.5 x 55.5 cm. One of the sheets is titled, “Der Reiter“ [“The rider”], on the back and signed and dated lower left with a ballpoint pen, “Erlebach 78”. The other sheet is signed and dated on the lower margin in the centre, “Erlebach 79”. Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance. Auctionata charges the resale rights tax pursuant to Section 26 of the German Copyright Act (UrhG) towards the buyer in case of the sale of an original work of art or photography prior to 70 years having lapsed since the death of their creator. Therefore, Auctionata charges when purchasing a good – if a protection as an original work of art or photography is given – starting from a hammer price of EUR 400 an additional amount, which is calculated according to Section 26 (2) German Copyright Act (UrhG) and which does not exceed the amount of EUR 12,500. You can find more information about resale rights tax in Auctionata´s table of fees and T&C.

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Max Wimmer, Collage ‘Pour Alberto‘, France, 1975

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Description: Collage and mixed media on paper, mounted under glassFrance, 1975Max Wimmer (20th century) - German painter and graphic artistSigned and dated on the reverse, ‘Max Wimmer/75’, and inscribed ‘pour Alberto’Elaborate framingOverall dimensions, framed: 39.5 x 49 cmGood condition The present collage was made ??by the German painter and graphic artist Max Wimmer in 1975. The subtle pink color of the background perfectly matches with the delicate lines of black ink. The abstract depiction is characterized by its balanced composition, which is interrupted only by the small aluminum parts. The work is signed and dated on the back of the framing, ‘Max Wimmer/75’, and inscribed ‘pour Alberto’. The sheet is mounted under glass. The condition of the work is good, showing some paint flaking on the frame. The overall dimensions, framed, are 39.5 x 49 cm. The sheet size is about 25 x 34 cm. (cko) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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Alexandr Lozovoy, ’Futuristische Abstraktion’, Russia, 1980s

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Description: Oil on canvasRussia, presumably 1980sAlexandr Lozovoy (b. 1949) – Russian painter of the 20th centuryVerso inscribed Cyrillic with pencil (presumably from the owner)Verso exhibition slip of paper and export permitCanvas dimensions: 60 x 90 cmGood condition The expressive oil painting with futuristic elements in bright color design originates from the famous Russian painter Alexandr Lozovoy. The ’Futuristische Abstraktion’ was made during the 1980s. The work is verso inscribed Cyrillic with pencil (presumably from the owner) and provided with an exhibition slip of paper and an export permit. The condition is good with minimal signs of age and use. The canvas shows recto some framing marks. The canvas dimensions are 60 x 90 cm. (asi) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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Josep Guinovart (1927-2007), Rostoll, Mixed Media, 1981

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Description: Mixed media with straw, partly painted with acrylic, and mortar in object box with acrylic glassCatalonia, 1981Josep Guinovart (1927-2007) - Spanish painter, sculptor and graphic artist; one of the most important Spanish postwar artistsSigned and dated ‘Guinovart 81’, and numbered ‘N°62’ on the reverse as well as typographically titled on a gallery labelThe work is accompanied by a certificate of authenticity by Maria Guinovart Pélauzy (available as copy)Dimensions: 102 x 206 x 9 cmExhibitions: Josep Guinovart, Dau al Set Galeria D'Art, S.A., Barcelona, March - April 1981, cat.no. 38 (label on the reverse); Galeria Joan Prats (label on the reverse)In his large-scale works, Guinovart used unconventional and three-dimensional materials such as soil, eggshell or straw, indicating the influence of ‘Arte Povera’ Condition:The work is in very good condition, showing only the lightest traces of usage to the frame. The dimensions are 102 x 206 x 9 cm.Josep Guinovart (1927-2007)Born in Barcelona, the Catalan artist Josep Guinovart (1927-2007) is recorded for his informal and abstract expressionist works. He studied at the Escuela des Artes y Oficios de la Llotja. In 1948, he was co-founder of the Catalan artist group ‘Dau al Set’, an avant-garde movement in the time of the dictatorial regime of Francisco Franco. together with other famous artists, including Joan Miró and Antoni Tàpies. In 1951, Guinovart went on a scholarship to Paris. There he discovered cubist works by Matisse and Picasso. Since 1957, he turned to abstract art, concentrating on the exploration of various materials. Today, his works are exhibited in major art collections, including the Fine Arts Museum of Long Island, the Guggenheim in New York, the Museum of Contemporary Art, the Museum of Modern Art in Barcelona, as well as the Museum of Contemporary Art in Madrid. (cko) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance. Auctionata charges the resale rights tax pursuant to Section 26 of the German Copyright Act (UrhG) towards the buyer in case of the sale of an original work of art or photography prior to 70 years having lapsed since the death of their creator. Therefore, Auctionata charges when purchasing a good – if a protection as an original work of art or photography is given – starting from a hammer price of EUR 400 an additional amount, which is calculated according to Section 26 (2) German Copyright Act (UrhG) and which does not exceed the amount of EUR 12,500. You can find more information about resale rights tax in Auctionata´s table of fees and T&C.

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Ferrán Garcia Sevilla, Meroe 3, Oil, 1984

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Description: Oil on canvas Ferrán Garcia Sevilla (b. 1949) – Spanish painter, graphic and conceptual artist Signed 'Sevilla' on the reverse and titled 'Meroe 3' on the stretcher frameDimensions: 195 x 250 cmProvenance: Private collection, Netherlands The artist brings together in his paintings different motifs from culture, nature and everyday life in free-association referring to the tradition of the surrealists who adapted the so-called 'Écriture automatique' in the 1920s for art.Condition:The painting is in good condition with scattered traces of dirt at the upper edge and scattered spots with craquelure. The upper right corner is slightly pushed in.Ferrán Garcia Sevilla (b. 1949)The Spanish artist Ferrán Garcia Sevilla who was born in 1949 in Palma de Mallorca studied modern history and art history at the University of Barcelona whereas he was an autodidact as artist. Since the beginning of the 1980s Garcia Sevilla had been professor of art history at his former university and at the Reial Acadèmia Catalana de Belles Arts de Sant Jordi for sculpture. His way of painting moves between figuration and abstraction occasionally characterized by linear and ornamental shapes. His oeuvre is influenced by expressionism, surrealism and by Paul Klee und Joan Mirò. Apart from his work as a painter and graphic artist Garcia Sevilla works as a video and conceptual artist as well. (msc) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance. Auctionata charges the resale rights tax pursuant to Section 26 of the German Copyright Act (UrhG) towards the buyer in case of the sale of an original work of art or photography prior to 70 years having lapsed since the death of their creator. Therefore, Auctionata charges when purchasing a good – if a protection as an original work of art or photography is given – starting from a hammer price of EUR 400 an additional amount, which is calculated according to Section 26 (2) German Copyright Act (UrhG) and which does not exceed the amount of EUR 12,500. You can find more information about resale rights tax in Auctionata´s table of fees and T&C.

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Ferrán Garcia Sevilla, Meroe 1, Oil, 1984

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Description: Oil on canvas Ferrán Garcia Sevilla (b. 1949) – Spanish painter, graphic and conceptual artist On the reverse signed 'Sevilla' and titled on the stretcher frame 'Meroe 1'Dimensions: 195 x 250 cmProvenance: Private collection, Netherlands The artist brings together in his paintings different motifs from culture, nature and everyday life in free-association referring to the tradition of the surrealists who adapted the so-called 'Écriture automatique' in the 1920s for art.Condition:The painting is in very good condition. The lower left corner is slightly pushed in.Ferrán Garcia Sevilla (b. 1949)The Spanish artist Ferrán Garcia Sevilla who was born in 1949 in Palma de Mallorca studied modern history and art history at the University of Barcelona whereas he was an autodidact as artist. Since the beginning of the 1980s Garcia Sevilla had been professor of art history at his former university and at the Reial Acadèmia Catalana de Belles Arts de Sant Jordi for sculpture. His way of painting moves between figuration and abstraction occasionally characterized by linear and ornamental shapes. His oeuvre is influenced by expressionism, surrealism and by Paul Klee und Joan Mirò. Apart from his work as a painter and graphic artist Garcia Sevilla works as a video and conceptual artist as well. (msc) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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Erwin Heerich, Constructional Composition 2, Lithograph, 1982

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Description: Lithograph on cardboardGermany, 1982Erwin Heerich (1922-2004) – German sculptor and draftsmanSigned ‘Heerich’ in pencil on the reverseEdition of Griffelkunst-Vereinigung, HamburgGriffelkunst edition directory 266 C2Image dimensions: 59.5 x 59.5 cm, sheet sizedObject is taxed regularly. 19% VAT is added to the purchase price for deliveries within the EU. Condition: The lithograph bears occasional short and mostly soft, in the upper right corner somewhat stronger creases. The overall impression is good. The sheet-sized image measures 59.5 x 59.5 cm. Erwin Heerich (1922-2004) Heerich was born in 1922 in Kassel, where he, still a schoolboy, was studying at the Kunstgewerbeschule as a visiting student on a municipal scholarship. He completed a pottery training Imediately after his release from military service in 1945 he began studying at the Kunstakademie Dusseldorf where he attended the sculpture class of Ewald Mataré. A master's study followed from 1950 to 1954. He then worked as a freelance artist. He designed according to mathematical principles accurately constructed cardboard sculptures that made him well known and which he represented on the 4th documenta in Kassel in 1968. In 1969 Heerich received a professorship at the Düsseldorf Art Academy, which he held until his retirement in 1988. Erwin Heerich received numerous awards and created many sculptures in public space. (fea) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance. Auctionata charges the resale rights tax pursuant to Section 26 of the German Copyright Act (UrhG) towards the buyer in case of the sale of an original work of art or photography prior to 70 years having lapsed since the death of their creator. Therefore, Auctionata charges when purchasing a good – if a protection as an original work of art or photography is given – starting from a hammer price of EUR 400 an additional amount, which is calculated according to Section 26 (2) German Copyright Act (UrhG) and which does not exceed the amount of EUR 12,500. You can find more information about resale rights tax in Auctionata´s table of fees and T&C.

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Robert Filliou, Modern Video Model, Offset Lithograph, 1984

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Description: Offset lithograph in colors with collage on cardboardGermany, 1984Robert Filliou (1926-1987) – French artist and exponent of Fluxus artSigned upper center in pencil ‘R. Filliou’Entitled in the print on a small piece of cardboard within the depiction ‘modern video model’Copy aside from the edition of 541 signed copiesEdition of the Griffelkunst Vereinigung, Hamburg; Griffelkunst-Editionsverzeichnis 233 C1; Andersch 69Sheet dimensions: 48 x 64 cmVery good conditionObject is regular taxed. 19% VAT is added to the purchase price for deliveries within the EU. Condition: The sheet is in very good condition, showing only soft handling creases. The dimensions are 48 x 64 cm. Robert Filliou (1926-1987) Robert Filliou left France after the Second World War to live in the US, South Korea, Egypt and Spain, before he returned to France in 1959. He deeply influenced the beginnings of Fluxus art in the 1960s. In 1967, he lived for another year in New York, before moving to Düsseldorf, the center of Fluxus art at the time. He participated in documenta 5 in Kassel in 1972. He held a visiting professorship at the University of Fine Arts in Hamburg from 1980 to 1984. Filliou proclaimed the Art’s Birthday on January 17, 1963, which is celebrated every year ever since. When he was still alive, there were some major exhibitions of his artwork at main art institutions worldwide, e.g. at the Centre Pompidou in Paris. Today his works are in the possession of major private and public art collections worldwide. (cko) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance. Auctionata charges the resale rights tax pursuant to Section 26 of the German Copyright Act (UrhG) towards the buyer in case of the sale of an original work of art or photography prior to 70 years having lapsed since the death of their creator. Therefore, Auctionata charges when purchasing a good – if a protection as an original work of art or photography is given – starting from a hammer price of EUR 400 an additional amount, which is calculated according to Section 26 (2) German Copyright Act (UrhG) and which does not exceed the amount of EUR 12,500. You can find more information about resale rights tax in Auctionata´s table of fees and T&C.

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Jean-Charles Blais, Untitled, Mixed Media, 1985

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Description: Mixed technique with gouache and collage on paper, laid on cardboardJean-Charles Blais (b. 1956) - French painter, graphic artist and sculptorSigned ‘Blais’ in red chalk lower left and dated ‘85’ in gouache lower rightSheet dimensions: 47.2 x 64.5 cmMounted in plexiglass frame: 57 x 71 cmProvenance: Private collection, The Netherlands Condition:The sheet is laid on cardboard to several points, being somewhat wavy and discolored to the edges. Otherwise, the condition is good. The frame shows slight scratches.Jean-Charles Blais (b. 1956)Jean-Charles Blais, born in Nantes, studied at the École des Beaux-Arts in Rennes. From the early 1980s he dealt with the Nouveaux Réalistes, Pop Art and Arte Povera. Based on the technique of ‘Affiches arrachées’- demolished and multiply superimposed billboards – Blais developed a sculptural imagery, which dealt with issues of spatiality. In 1990 Blais created his first work in public spaces and decorated the Paris metro station Assemblé Nationale. In 1996, he realized the project ‘Telephone Booths’ for the Museum of Modern Art in New York. Since the turn of the millennium, digital technologies and new materials have been in the center of his work. (cko) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance. Auctionata charges the resale rights tax pursuant to Section 26 of the German Copyright Act (UrhG) towards the buyer in case of the sale of an original work of art or photography prior to 70 years having lapsed since the death of their creator. Therefore, Auctionata charges when purchasing a good – if a protection as an original work of art or photography is given – starting from a hammer price of EUR 400 an additional amount, which is calculated according to Section 26 (2) German Copyright Act (UrhG) and which does not exceed the amount of EUR 12,500. You can find more information about resale rights tax in Auctionata´s table of fees and T&C.

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Volker Stelzmann, Frühstück zu zweit, Mixed Media, 1985

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Description: Pencil, felt-ink pen, partially on color, egg, eggshell and cigarette butt on wove paperGermany, 1985Volker Stelzmann (b. 1940) – German painter and graphic artistTitled and dated ‘Frühstück zu zweit am 18.IIX. 85‘ lower center in pencilWith the artist’s initials ‘V.S.’ lower right in pencil Dedicated ‘Für und mit H.K.’ upper left in pencil Sheet dimensions: 39.8 x 29.8 cmShowcase frame: 49.5 x 39.3 cmProvenance: Collection Hermann Kasack, Frankfurt/MainThe pencil and felt-ink pen drawing in red and black is supplemented by elapsed egg, as well as mounted eggshells and a cigarette butt Condition:The sheet is allover slightly discolored and with rippling. The eggshell is partially lying in the frame. The sheet is mounted on cardboard inside a showcase frame. The frame shows slight use of the paint. The dimensions of the sheet are 39.8 x 29.8 cm. The frame measures 49.5 x 39.3 cm.Volker Stelzmann (b. 1940)A native of Dresden, Volker Stelzmann quit his job as a precision engineer in 1963 to study at the Hochschule für Grafik in Leipzig, where he taught since the mid-1970s. He was a member of the board of the Berufsverbandes Bildender Künstler of the GDR. He emigrated to West Germany in 1986 and started working as a professor at the Hochschule der Künste in West Berlin. Center of his artistic creativity are multi-figure panel paintings. Several international and national exhibitions were devoted to the artist and he was represented at the Venice Biennale in 1987. (tm) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance. Auctionata charges the resale rights tax pursuant to Section 26 of the German Copyright Act (UrhG) towards the buyer in case of the sale of an original work of art or photography prior to 70 years having lapsed since the death of their creator. Therefore, Auctionata charges when purchasing a good – if a protection as an original work of art or photography is given – starting from a hammer price of EUR 400 an additional amount, which is calculated according to Section 26 (2) German Copyright Act (UrhG) and which does not exceed the amount of EUR 12,500. You can find more information about resale rights tax in Auctionata´s table of fees and T&C.

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Sam Francis, Aquatint in Colors, Tachism, USA, 1985

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Description: Aquatint in colors on vellum paperUSA, 1985Samuel Lewis Francis (1923-1994) - American artistSigned in pencil ‘Sam Francis‘ on the lower rightNumbered in pencil ‘10/25‘ on the lower leftLimited edition of 25 signed and numbered impressionsCatalogue raisonné: SFE 30Sheet size: 43 x 36 cmVery good condition This etching by the American artist Sam Francis was created in 1985. His style, which made him one of the most important representatives of Tachism occurs in this work cleary. He became known with his technique to mix colors on the painting surface by let them flow into each other to partially large color spots. The work is signed in pencil ‘Sam Francis‘ on the lower right and numbered in pencil ‘10/25‘ on the lower left. It is in a very good condition with only slight signs of use. Inscribed in pencil on verso ‘From the Collection of Tom G. & Mary Jane McClain, Phoenix‘. The plate size is 25 x 20 cm and the paper size is 43 x 36 cm. Literature Lembark, W. Connie. 1992. The Prints of Sam Francis: A Catalogue Raisonne, 1960-1990. New York: Hudson Hills Press Reference: SFE 30 Sam Francis (1923-1994) At the end of World War II Francis suffered from severe injuries at the backbone. During the medical treatment he got in touch with paintings. From 1948 to 1950 he studied history of arts and visual arts at the University of California in Berkeley. At that time he was influenced by abstract expressionists like Mark Rothko, Arshile Gorky and Clyfford Still. In the next years he had studios in Paris, Bern, Tokio and New York. In 1962 he settled down in Santa Monica, California. In 1964 he took part in the Venice Biennial 32 and the documenta III. Since the 1970s he had a focus on action painting. At that time he started dealing with various artistic techniques such as lithograph, monotype and etching. (vwe) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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Max Bill, Rhythm to a White Square, Serigraph, 1985

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Description: Serigraph in colors on wove paperSwitzerland, 1985Max Bill (1908-1994) - Swiss architect, graphic artist and designer, exponent of the ‘Zurich School of Concrete Artists’Signed ‘bill’, dated '85' and numbered ‘2/50’ in pencilImage dimensions: 40.5 x 40.5 cm; sheet dimensions: 59.5 x 42.3 cmGood condition Condition:The sheet is in good condition. The margins show occasional small handling creases. The lower margin with a spotty soiling. The image dimensions are 40.5 x 40.5 cm. The sheet measures 59.5 x 42.3 cm.Max Bill (1908-1994)Born in Winterthur in 1909, Max Bill studied at the Bauhaus School in Dessau under the guidance of many teachers, including Wassily Kandinsky, Paul Klee and Oskar Schlemmer from 1927 to 1929. After working on graphic designs for a number of modern buildings, he built his first house and studio in Zurich-Höngg. In the 1950s, he was engaged in theoretical writings and progressive graphic works, which made him the most influential graphic artist of Switzerland His architectural designs include that of the Bauhaus Archive in Berlin. (bde) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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Rupprecht Geiger, Untitled, Serigraph in Colors, 1986

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Description: Serigraph in colors on cardboardGermany, 1986Rupprecht Geiger (1908-2009) – German painter, graphic artist, draftsman, sculptor and architectSigned ‘Geiger’ in black felt-tip pen on the reverseCatalogue raisonné: Geiger Plakate, p. 203Image dimensions (sheet-sized): 70 x 90 cmVery good condition Condition:The sheet is in a very good condition, showing minor handling creases. The sheet-sized image measures 70 x 90 cm.Rupprecht Geiger (1908-2009)The German abstract painter and sculptor Rupprecht Geiger was the son of the painter Willi Geiger. In 1929, Rupprecht Geiger completed his architectural studies at the art school in Munich, before he continued studying at the Staatsbauschule. After his studies, he worked in various architectural offices until 1962. Meanwhile he started painting. Between 1943 and 1944, he was active as a war painter, before he became a professor for painting at the state art academy in Düsseldorf. Geiger accomplished his life work around the subject ‘color’ in reduced and clear compositions. Geiger has exhibited his work at the documenta in Kassel, as well as at the Biennial in Sao Paolo. In 2008, two major retrospectives at the Lenbachhaus in Munich and the Neue Nationalgalerie in Berlin were organized in his honor. Moreover, he has been awarded numerous European prizes. (cko) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance. Auctionata charges the resale rights tax pursuant to Section 26 of the German Copyright Act (UrhG) towards the buyer in case of the sale of an original work of art or photography prior to 70 years having lapsed since the death of their creator. Therefore, Auctionata charges when purchasing a good – if a protection as an original work of art or photography is given – starting from a hammer price of EUR 400 an additional amount, which is calculated according to Section 26 (2) German Copyright Act (UrhG) and which does not exceed the amount of EUR 12,500. You can find more information about resale rights tax in Auctionata´s table of fees and T&C.

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Claude Sandoz, Watercolor, Boy with Lantern, Switzerland, 1986

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Description: Watercolor on PaperSwitzerland, 1986Claude Sandoz (b. 1946) – Swiss artistSigned and dated on the lower right ‘C. S. 86‘Sheet size: 205 x 75 cmVery good conditionObject is regular taxed. 19% VAT is added to the purchase price for deliveries within the EU. This watercolor was created by the Swiss artist Claude Sandoz in 1986. It depicts a boy with a yellow lantern between giant red lanterns with chinese-style heads. The work is signed and dated on the lower right ‘C. S. 86‘ and is in a very good condition with only slight signs of wear. The frame also shows slight signs of wear. The sheet size is 205 x 75 cm, the overall dimensions with frame are 229 x 98 cm. (vwe) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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