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Auction Description for Lyon & Turnbull: The Taffner Collection
Auction Description:
The Taffner Collection
Viewing Notes:
Tuesday 21st to Friday 24th August 10am - 5pm Saturday 25th & Sunday 26th August 12pm - 4pm Monday 27th to Friday 31st August 10am - 5pm Saturday 1st & Sunday 2nd September 12pm - 4pm Monday 3rd to Friday 6th September 10am - 5pm Friday 7th September - Morning of the sale from 9am
Sale Notes:
Buyers premium 25% up to £25,000, 20% thereafter VAT will be charged on the premium at the rate imposed by law. †20% VAT chargeable on the lot itself *5% import VAT on the lot Live internet bidding incurs an additional fee of 3%

The Taffner Collection

by Lyon & Turnbull

Platinum House

116 lots with images

September 7, 2012

Live Auction

33 Broughton Place

Edinburgh, EH1 3RR United Kingdom

Phone: +44 (0)131 557 8844

Fax: +44 (0)131 557 8668

Email: info@lyonandturnbull.com

116 Lots
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* § JESSIE KEPPIE (SCOTTISH 1868-1951) ‘CHATEAU GAILLARD’ 39 x 28cm (15 1/4 x 11in)

Lot 1: * § JESSIE KEPPIE (SCOTTISH 1868-1951) ‘CHATEAU GAILLARD’ 39 x 28cm (15 1/4 x 11in)

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Description: § JESSIE KEPPIE (SCOTTISH 1868-1951) 'CHATEAU GAILLARD' signed lower right JESSIE KEPPIE, inscribed on label verso, watercolour 39 x 28cm (15 1/4 x 11in)

Condition Report: The watercolour is in nice general condition, perhaps slightly faded , but with no marks, tears, abrasions etc. Condition Disclaimer Under the Conditions of Sale applicable to the sale of the lot, buyers must satisfy themselves as to each and every aspect of the quality of the lot, including (without limitation) its authorship, attribution, condition, provenance, authenticity, age, suitability and origin. Lots are sold on an 'as is' basis but the actual condition of the lot may not be as good as indicated by its outward appearance. In particular parts may have been replaced or renewed and lots may not be authentic or of satisfactory quality. Any statement in relation to the lot is merely an expression of opinion of the seller or Lyon & Turnbull and should not be relied upon as an inducement to bid on the lot. Lots are available for inspection prior to the sale and you are strongly advised to examine any lot in which you are interested prior to the sale. Our condition report has not been prepared by a professional conservator, restorer or engineer.

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* § ANNIE FRENCH (SCOTTISH 1872-1965) ‘O BESSIE BELL AND MARY GRAY’ 30 x 23cm (12 x 9in)

Lot 2: * § ANNIE FRENCH (SCOTTISH 1872-1965) ‘O BESSIE BELL AND MARY GRAY’ 30 x 23cm (12 x 9in)

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Description: § ANNIE FRENCH (SCOTTISH 1872-1965) 'O BESSIE BELL AND MARY GRAY' signed lower right ANNIE FRENCH, ink, watercolour, gold ink and traces of pencil on paper 30 x 23cm (12 x 9in)

Condition Report: Watercolour is in good condition. No apparent problems - nicely presented in the frame. Condition Disclaimer Under the Conditions of Sale applicable to the sale of the lot, buyers must satisfy themselves as to each and every aspect of the quality of the lot, including (without limitation) its authorship, attribution, condition, provenance, authenticity, age, suitability and origin. Lots are sold on an 'as is' basis but the actual condition of the lot may not be as good as indicated by its outward appearance. In particular parts may have been replaced or renewed and lots may not be authentic or of satisfactory quality. Any statement in relation to the lot is merely an expression of opinion of the seller or Lyon & Turnbull and should not be relied upon as an inducement to bid on the lot. Lots are available for inspection prior to the sale and you are strongly advised to examine any lot in which you are interested prior to the sale. Our condition report has not been prepared by a professional conservator, restorer or engineer.

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* § ANNIE FRENCH (SCOTTISH 1872-1965) THE ROSE 24.5 x 26.5cm (9 3/4 x 10 1/4in)

Lot 3: * § ANNIE FRENCH (SCOTTISH 1872-1965) THE ROSE 24.5 x 26.5cm (9 3/4 x 10 1/4in)

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Description: § ANNIE FRENCH (SCOTTISH 1872-1965) THE ROSE signed lower left ANNIE FRENCH, ink, watercolour, gold ink and traces of pencil on paper 24.5 x 26.5cm (9 3/4 x 10 1/4in)

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* § ANNIE FRENCH (SCOTTISH 1872-1965) ‘AUTUMN’ 19.5 x 11.5cm (7 3/4 x 4 1/2in)

Lot 4: * § ANNIE FRENCH (SCOTTISH 1872-1965) ‘AUTUMN’ 19.5 x 11.5cm (7 3/4 x 4 1/2in)

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Description: § ANNIE FRENCH (SCOTTISH 1872-1965) 'AUTUMN' signed lower right ANNIE FRENCH, inscribed top left AUTUMN, dated 1903, watercolour, ink and gouache 19.5 x 11.5cm (7 3/4 x 4 1/2in)

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* § MARY NEWBERY STURROCK (BRITISH 1892-1985) ‘CARNATIONS’ 27 x 20cm (103/4 x 8in)

Lot 5: * § MARY NEWBERY STURROCK (BRITISH 1892-1985) ‘CARNATIONS’ 27 x 20cm (103/4 x 8in)

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Description: § MARY NEWBERY STURROCK (BRITISH 1892-1985) 'CARNATIONS' signed with initials in pencil lower right MNS, black ink and watercolour 27 x 20cm (103/4 x 8in)

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* § JESSIE MARION KING (SCOTTISH 1875-1949) 'GOLDEN DAYS IN THE COMING YEARS' 22.5 x 35.5cm (9 x 14in)

Lot 6: * § JESSIE MARION KING (SCOTTISH 1875-1949) 'GOLDEN DAYS IN THE COMING YEARS' 22.5 x 35.5cm (9 x 14in)

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Description: § JESSIE MARION KING (SCOTTISH 1875-1949) 'GOLDEN DAYS IN THE COMING YEARS' signed lower right JESSIE M KING with title lower centre, ink, watercolour and gold ink on vellum 22.5 x 35.5cm (9 x 14in)

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* § JESSIE MARION KING (SCOTTISH 1875-1949) ‘THE GOLDEN DAWN’

Lot 7: * § JESSIE MARION KING (SCOTTISH 1875-1949) ‘THE GOLDEN DAWN’

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Description: § JESSIE MARION KING (SCOTTISH 1875-1949) 'THE GOLDEN DAWN' Inscribed THE GOLDEN DAWN, ink, watercolour and traces of pencil, 23.5 x 11.5cm (9 1/2 x 4 1/2in); and three companions by the same hand, a set of four (4)

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* MARGARET DE COURCY LEWTHWAITE DEWAR (SCOTTISH 1878-1959) COPPER AND ENAMEL MANTEL CLOCK, CIRCA 1900 31cm (12in) high x 19.5cm (7½in).

Lot 8: * MARGARET DE COURCY LEWTHWAITE DEWAR (SCOTTISH 1878-1959) COPPER AND ENAMEL MANTEL CLOCK, CIRCA 1900 31cm (12in) high x 19.5cm (7½in).

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Description: MARGARET DE COURCY LEWTHWAITE DEWAR (SCOTTISH 1878-1959) COPPER AND ENAMEL MANTEL CLOCK, CIRCA 1900 with domed lantern pediment having applied red enamel bands over Celtic cross design enamelwork with central circular dial, painted Arabic numerals, the base of the cross decorated with two figures, one playing a pipe, the sides with panels of fairies and enamel inscription NOW THE BRIGHT MORNING STAR COMES DANCING FROM THE EAST, AND RAPT THRO' MANY A ROSY CHANGE THE TWILIGHT DIED INTO THE BANK, raised on spreading rectangular plinth (alterations) 31cm (12in) high x 19.5cm (7 1/2in) wide

Condition Report: Copper of even colour with some areas of toning and streaky tarnish. Polish residue and verdigree in detail. Enamel panel to right hand side with crack running diagonally from top to bottom edge, other small chips. Other panels to body with light flaking and marks. Red enamel bands to top with knocks and one with heavy loss. Movement ticking. Condition Disclaimer Under the Conditions of Sale applicable to the sale of the lot, buyers must satisfy themselves as to each and every aspect of the quality of the lot, including (without limitation) its authorship, attribution, condition, provenance, authenticity, age, suitability and origin. Lots are sold on an 'as is' basis but the actual condition of the lot may not be as good as indicated by its outward appearance. In particular parts may have been replaced or renewed and lots may not be authentic or of satisfactory quality. Any statement in relation to the lot is merely an expression of opinion of the seller or Lyon & Turnbull and should not be relied upon as an inducement to bid on the lot. Lots are available for inspection prior to the sale and you are strongly advised to examine any lot in which you are interested prior to the sale. Our condition report has not been prepared by a professional conservator, restorer or engineer.

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* MARGARET GILMOUR (SCOTTISH 1860-1942) BRASS DESK STAND, CIRCA 1900 28cm (11in) across

Lot 9: * MARGARET GILMOUR (SCOTTISH 1860-1942) BRASS DESK STAND, CIRCA 1900 28cm (11in) across

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Description: MARGARET GILMOUR (SCOTTISH 1860-1942) BRASS DESK STAND, CIRCA 1900 with two hinged sloping doors decorated with Glasgow rose panels over similarly decorated front and spreading rectangular plinth, signed with stamped monogram 28cm (11in) across

Condition Report: Spotting and tarnish throughout. Surface with light wear. Decoration crisp. Signature clean. Does hinge well but does not close tightly. Condition Disclaimer Under the Conditions of Sale applicable to the sale of the lot, buyers must satisfy themselves as to each and every aspect of the quality of the lot, including (without limitation) its authorship, attribution, condition, provenance, authenticity, age, suitability and origin. Lots are sold on an 'as is' basis but the actual condition of the lot may not be as good as indicated by its outward appearance. In particular parts may have been replaced or renewed and lots may not be authentic or of satisfactory quality. Any statement in relation to the lot is merely an expression of opinion of the seller or Lyon & Turnbull and should not be relied upon as an inducement to bid on the lot. Lots are available for inspection prior to the sale and you are strongly advised to examine any lot in which you are interested prior to the sale. Our condition report has not been prepared by a professional conservator, restorer or engineer.

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* MARGARET GILMOUR (SCOTTISH 1860-1942) NARROW RECTANGULAR BRASS PEN TRAY, CIRCA 1900

Lot 10: * MARGARET GILMOUR (SCOTTISH 1860-1942) NARROW RECTANGULAR BRASS PEN TRAY, CIRCA 1900

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Description: MARGARET GILMOUR (SCOTTISH 1860-1942) NARROW RECTANGULAR BRASS PEN TRAY, CIRCA 1900 with repoussé Glasgow rose panels, signed with stamped monogram, 22cm (9in) across; and ANOTHER IDENTICAL IN SIZE, with Celtic entrelac decoration, signed with stamped monogram, 22cm (9in) across (2)

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* GLASGOW SCHOOL LARGE BRASS TRAY, CIRCA 1910

Lot 11: * GLASGOW SCHOOL LARGE BRASS TRAY, CIRCA 1910

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Description: GLASGOW SCHOOL LARGE BRASS TRAY, CIRCA 1910 with eared corners and linked Glasgow rose spandrel decoration, unsigned, 29cm (11 1/2in) across; an ARTS & CRAFTS SMALL BRASS DISH, with Celtic entrelac decoration, 11cm (4 1/4in) across; and ANOTHER SMALLER, with rose decoration, 8.5cm (3 1/4in) across (3)

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* MARGARET GILMOUR (SCOTTISH 1860-1942) BRASS MOUNTED RECTANGULAR BLOTTER, CIRCA 1900 48cm (19in) across

Lot 12: * MARGARET GILMOUR (SCOTTISH 1860-1942) BRASS MOUNTED RECTANGULAR BLOTTER, CIRCA 1900 48cm (19in) across

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Description: MARGARET GILMOUR (SCOTTISH 1860-1942) BRASS MOUNTED RECTANGULAR BLOTTER, CIRCA 1900 the sides with Celtic entrelac decoration, signed with stamped monogram 48cm (19in) across

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* MARGARET GILMOUR (SCOTTISH 1860-1942) BRASS INKWELL, CIRCA 1900 10cm (4in) across

Lot 13: * MARGARET GILMOUR (SCOTTISH 1860-1942) BRASS INKWELL, CIRCA 1900 10cm (4in) across

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Description: MARGARET GILMOUR (SCOTTISH 1860-1942) BRASS INKWELL, CIRCA 1900 the hinged lid with Glasgow rose decoration and front with monogram, on spreading plinth, signed with stamped monogram 10cm (4in) across

Condition Report: Spotting and tarnish to surface. Light wear. Signature clean. Liner present probably original. Lid hinges well. Inner panel to lid crudely attached. Condition Disclaimer Under the Conditions of Sale applicable to the sale of the lot, buyers must satisfy themselves as to each and every aspect of the quality of the lot, including (without limitation) its authorship, attribution, condition, provenance, authenticity, age, suitability and origin. Lots are sold on an 'as is' basis but the actual condition of the lot may not be as good as indicated by its outward appearance. In particular parts may have been replaced or renewed and lots may not be authentic or of satisfactory quality. Any statement in relation to the lot is merely an expression of opinion of the seller or Lyon & Turnbull and should not be relied upon as an inducement to bid on the lot. Lots are available for inspection prior to the sale and you are strongly advised to examine any lot in which you are interested prior to the sale. Our condition report has not been prepared by a professional conservator, restorer or engineer.

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* GLASGOW STYLE OVAL BRASS TEA TRAY, CIRCA 1910

Lot 14: * GLASGOW STYLE OVAL BRASS TEA TRAY, CIRCA 1910

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Description: GLASGOW STYLE OVAL BRASS TEA TRAY, CIRCA 1910 repoussé decorated with continuous frieze of roundels amidst entrelac Celtic frieze, inset carrying handles to the gallery, 57.5cm (22 1/2in) wide; together with a GLASGOW STYLE BRASS CANDLE SCONCE, repoussé decorated with a Glasgow rose, 31cm (12in) high (2)

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* AFTER MARGARET GILMOUR ARTS & CRAFTS BRASS CASED KIDNEY SHAPED WALL MIRROR, CIRCA 1910 77cm (30in) wide

Lot 15: * AFTER MARGARET GILMOUR ARTS & CRAFTS BRASS CASED KIDNEY SHAPED WALL MIRROR, CIRCA 1910 77cm (30in) wide

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Description: AFTER MARGARET GILMOUR ARTS & CRAFTS BRASS CASED KIDNEY SHAPED WALL MIRROR, CIRCA 1910 the broad border repoussé decorated with butterflies linked by scrolls 77cm (30in) wide

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* SCOTTISH ARTS & CRAFTS COPPER AND PEWTER WALL MIRROR, CIRCA 1910 49 x 80cm (19 x 31½in)

Lot 16: * SCOTTISH ARTS & CRAFTS COPPER AND PEWTER WALL MIRROR, CIRCA 1910 49 x 80cm (19 x 31½in)

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Description: SCOTTISH ARTS & CRAFTS COPPER AND PEWTER WALL MIRROR, CIRCA 1910 of tapering rectangular outline, the beaten metal frame set to the angles with red cabochons 49 x 80cm (19 x 31 1/2in)

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* SCOTTISH SCHOOL BRASS FRAMED WALL MIRROR, CIRCA 1930

Lot 17: * SCOTTISH SCHOOL BRASS FRAMED WALL MIRROR, CIRCA 1930

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Description: SCOTTISH SCHOOL BRASS FRAMED WALL MIRROR, CIRCA 1930 of oval form, the frame embossed and chased with Celtic knot work, enclosing a later mirrored plate, 85 x 41cm (33 1/2 x 16in); another SCOTTISH CELTIC REVIVAL BRASS FRAMED WALL MIRROR, of rectangular form, with embossed and chased Celtic decoration, 57 x 36.5cm (22 1/2 x 14in); and a pair of OVAL COPPER WALL MIRRORS, each with strapwork decoration, 38cm (15in) x 22cm (8 1/2in) high (4)

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* GLASGOW SCHOOL BRASS AND ENAMEL WALL SCONCE, CIRCA 1910 56cm (22in) high

Lot 18: * GLASGOW SCHOOL BRASS AND ENAMEL WALL SCONCE, CIRCA 1910 56cm (22in) high

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Description: GLASGOW SCHOOL BRASS AND ENAMEL WALL SCONCE, CIRCA 1910 repoussé decorated with stylised roses and inset with turquoise enamel roundel 56cm (22in) high

Condition Report: Good overall condition. Minor tarnish spots, surface scratches and marks here and there. Condition Disclaimer Under the Conditions of Sale applicable to the sale of the lot, buyers must satisfy themselves as to each and every aspect of the quality of the lot, including (without limitation) its authorship, attribution, condition, provenance, authenticity, age, suitability and origin. Lots are sold on an 'as is' basis but the actual condition of the lot may not be as good as indicated by its outward appearance. In particular parts may have been replaced or renewed and lots may not be authentic or of satisfactory quality. Any statement in relation to the lot is merely an expression of opinion of the seller or Lyon & Turnbull and should not be relied upon as an inducement to bid on the lot. Lots are available for inspection prior to the sale and you are strongly advised to examine any lot in which you are interested prior to the sale. Our condition report has not been prepared by a professional conservator, restorer or engineer.

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* GLASGOW SCHOOL BRASS WALL SCONCE, CIRCA 1910 38cm (15in) high

Lot 19: * GLASGOW SCHOOL BRASS WALL SCONCE, CIRCA 1910 38cm (15in) high

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Description: GLASGOW SCHOOL BRASS WALL SCONCE, CIRCA 1910 repoussé decorated with stylised moths 38cm (15in) high

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* GLASGOW SCHOOL BRASS WALL CHARGER, CIRCA 1910 48cm (19in) diameter

Lot 20: * GLASGOW SCHOOL BRASS WALL CHARGER, CIRCA 1910 48cm (19in) diameter

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Description: GLASGOW SCHOOL BRASS WALL CHARGER, CIRCA 1910 repoussé decorated with a band of entwined Celtic decoration 48cm (19in) diameter

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* CHARLES RENNIE MACKINTOSH (SCOTTISH 1868-1928) SUITE OF SILVER CUTLERY, 1902

Lot 21: * CHARLES RENNIE MACKINTOSH (SCOTTISH 1868-1928) SUITE OF SILVER CUTLERY, 1902

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Description: CHARLES RENNIE MACKINTOSH (SCOTTISH 1868-1928) SUITE OF SILVER CUTLERY, 1902 comprising; A SINGLE SOUP SPOON, with deep almost circular bowl and with incised heel, pierced terminal, 26.5cm (10 1/2in) long; A SINGLE DESSERT SPOON, with deeper bowl and with incised heel, pierced terminal, 26.5cm (10 1/2in) long; A SINGLE DINNER FORK, with four prongs, pierced terminal, 26cm (10 1/4in) long; and A SINGLE DESSERT FORK, with four prongs, pierced terminal, 23cm (9in) long, each with maker's mark DWH (David W. Hislop), hallmarked Glasgow 1902 (4)

Condition Report: Overall very good condition. Only very light surface marks and wear. Times sharp. Good gauge throughout. Very nice suite in all respects. Condition Disclaimer Under the Conditions of Sale applicable to the sale of the lot, buyers must satisfy themselves as to each and every aspect of the quality of the lot, including (without limitation) its authorship, attribution, condition, provenance, authenticity, age, suitability and origin. Lots are sold on an 'as is' basis but the actual condition of the lot may not be as good as indicated by its outward appearance. In particular parts may have been replaced or renewed and lots may not be authentic or of satisfactory quality. Any statement in relation to the lot is merely an expression of opinion of the seller or Lyon & Turnbull and should not be relied upon as an inducement to bid on the lot. Lots are available for inspection prior to the sale and you are strongly advised to examine any lot in which you are interested prior to the sale. Our condition report has not been prepared by a professional conservator, restorer or engineer.

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* CHARLES RENNIE MACKINTOSH (SCOTTISH 1868-1928) SUITE OF SILVER CUTLERY, 1902

Lot 22: * CHARLES RENNIE MACKINTOSH (SCOTTISH 1868-1928) SUITE OF SILVER CUTLERY, 1902

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Description: CHARLES RENNIE MACKINTOSH (SCOTTISH 1868-1928) SUITE OF SILVER CUTLERY, 1902 comprising; A SINGLE SOUP SPOON, with deep almost circular bowl and with incised heel, pierced terminal, 26.5cm (10 1/2in) long; A SINGLE DESSERT SPOON, with deeper bowl and with incised heel, pierced terminal, 26.5cm (10 1/2in) long; A SINGLE DINNER FORK, with four prongs, pierced terminal, 26cm (10 1/4in) long; and A SINGLE DESSERT FORK, with four prongs, pierced terminal, 23cm (9in) long, each with maker's mark DWH (David W. Hislop), hallmarked Glasgow 1902 (4)

Condition Report: Overall very good condition. Only very light surface marks and wear. Times sharp. Good gauge throughout. Very nice suite in all respects. Condition Disclaimer Under the Conditions of Sale applicable to the sale of the lot, buyers must satisfy themselves as to each and every aspect of the quality of the lot, including (without limitation) its authorship, attribution, condition, provenance, authenticity, age, suitability and origin. Lots are sold on an 'as is' basis but the actual condition of the lot may not be as good as indicated by its outward appearance. In particular parts may have been replaced or renewed and lots may not be authentic or of satisfactory quality. Any statement in relation to the lot is merely an expression of opinion of the seller or Lyon & Turnbull and should not be relied upon as an inducement to bid on the lot. Lots are available for inspection prior to the sale and you are strongly advised to examine any lot in which you are interested prior to the sale. Our condition report has not been prepared by a professional conservator, restorer or engineer.

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* CHARLES RENNIE MACKINTOSH (SCOTTISH 1868-1928) SUITE OF SILVER CUTLERY, 1902

Lot 23: * CHARLES RENNIE MACKINTOSH (SCOTTISH 1868-1928) SUITE OF SILVER CUTLERY, 1902

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Description: CHARLES RENNIE MACKINTOSH (SCOTTISH 1868-1928) SUITE OF SILVER CUTLERY, 1902 comprising; A SINGLE SOUP SPOON, with deep almost circular bowl and with incised heel, pierced terminal, 26.5cm (10 1/2in) long; A SINGLE DESSERT SPOON, with deeper bowl and with incised heel, pierced terminal, 26.5cm (10 1/2in) long; A SINGLE DINNER FORK, with four prongs, pierced terminal, 26cm (10 1/4in) long; and A SINGLE DESSERT FORK, with four prongs, pierced terminal, 23cm (9in) long, each with maker's mark DWH (David W. Hislop), hallmarked Glasgow 1902 (4)

Condition Report: Overall very good condition. Only very light surface marks and wear. Times sharp. Good gauge throughout. Very nice suite in all respects. Condition Disclaimer Under the Conditions of Sale applicable to the sale of the lot, buyers must satisfy themselves as to each and every aspect of the quality of the lot, including (without limitation) its authorship, attribution, condition, provenance, authenticity, age, suitability and origin. Lots are sold on an 'as is' basis but the actual condition of the lot may not be as good as indicated by its outward appearance. In particular parts may have been replaced or renewed and lots may not be authentic or of satisfactory quality. Any statement in relation to the lot is merely an expression of opinion of the seller or Lyon & Turnbull and should not be relied upon as an inducement to bid on the lot. Lots are available for inspection prior to the sale and you are strongly advised to examine any lot in which you are interested prior to the sale. Our condition report has not been prepared by a professional conservator, restorer or engineer.

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* CHARLES RENNIE MACKINTOSH (SCOTTISH 1868-1928) GLASGOW SCHOOL OF ART CLUB DIPLOMA OF HONOUR 23 x 29cm (9 x 11½in)

Lot 24: * CHARLES RENNIE MACKINTOSH (SCOTTISH 1868-1928) GLASGOW SCHOOL OF ART CLUB DIPLOMA OF HONOUR 23 x 29cm (9 x 11½in)

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Description: CHARLES RENNIE MACKINTOSH (SCOTTISH 1868-1928) GLASGOW SCHOOL OF ART CLUB DIPLOMA OF HONOUR offset lithograph, with facsimile signature 23 x 29cm (9 x 11 1/2in)

Condition Report: The lithograph is in good general condition. There is a slightly diagonal crease across the centre of the paper. There is slight discolouration to the ground. Condition Disclaimer Under the Conditions of Sale applicable to the sale of the lot, buyers must satisfy themselves as to each and every aspect of the quality of the lot, including (without limitation) its authorship, attribution, condition, provenance, authenticity, age, suitability and origin. Lots are sold on an 'as is' basis but the actual condition of the lot may not be as good as indicated by its outward appearance. In particular parts may have been replaced or renewed and lots may not be authentic or of satisfactory quality. Any statement in relation to the lot is merely an expression of opinion of the seller or Lyon & Turnbull and should not be relied upon as an inducement to bid on the lot. Lots are available for inspection prior to the sale and you are strongly advised to examine any lot in which you are interested prior to the sale. Our condition report has not been prepared by a professional conservator, restorer or engineer.

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* CHARLES RENNIE MACKINTOSH (SCOTTISH 1868-1928) ‘YELLOW TULIPS’ 47.5 x 47cm (18¾ x 18½ in)

Lot 25: * CHARLES RENNIE MACKINTOSH (SCOTTISH 1868-1928) ‘YELLOW TULIPS’ 47.5 x 47cm (18¾ x 18½ in)

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Description: CHARLES RENNIE MACKINTOSH (SCOTTISH 1868-1928) 'YELLOW TULIPS' Signed bottom right C R MACKINTOSH, watercolour 47.5 x 47cm (18 3/4 x 18 1/2 in)

Condition Report: The watercolour is in good condition. No evidence of foxing or abrasions are seen. There are two or three light marks, probably left by the artsit, to the left hand black vertical panel. In our opinion this is a 'museum quality' picture. Condition Disclaimer Under the Conditions of Sale applicable to the sale of the lot, buyers must satisfy themselves as to each and every aspect of the quality of the lot, including (without limitation) its authorship, attribution, condition, provenance, authenticity, age, suitability and origin. Lots are sold on an 'as is' basis but the actual condition of the lot may not be as good as indicated by its outward appearance. In particular parts may have been replaced or renewed and lots may not be authentic or of satisfactory quality. Any statement in relation to the lot is merely an expression of opinion of the seller or Lyon & Turnbull and should not be relied upon as an inducement to bid on the lot. Lots are available for inspection prior to the sale and you are strongly advised to examine any lot in which you are interested prior to the sale. Our condition report has not been prepared by a professional conservator, restorer or engineer.

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* CHARLES RENNIE MACKINTOSH (SCOTTISH 1868-1928) ‘AT THE EDGE OF THE WOOD’ 49.5 x 36.5cm (19½ x 14in)

Lot 26: * CHARLES RENNIE MACKINTOSH (SCOTTISH 1868-1928) ‘AT THE EDGE OF THE WOOD’ 49.5 x 36.5cm (19½ x 14in)

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Description: CHARLES RENNIE MACKINTOSH (SCOTTISH 1868-1928) 'AT THE EDGE OF THE WOOD' indistinctly signed, watercolour 49.5 x 36.5cm (19 1/2 x 14in)

Condition Report: The general colour for the watercolour is good The tones are lighter than shown in the catalogue. The blacks appear slightly more fragile than the other colours and there are small patches of light abrasion here and there, especially a small vertical area on the LH side about a third up, another to the centre and one slightly further up on the right hand side. Here and there there are very minor paint losses to the upper foliage and one tiny loss lower LH corner. The watercolour is laid down. Condition Disclaimer Under the Conditions of Sale applicable to the sale of the lot, buyers must satisfy themselves as to each and every aspect of the quality of the lot, including (without limitation) its authorship, attribution, condition, provenance, authenticity, age, suitability and origin. Lots are sold on an 'as is' basis but the actual condition of the lot may not be as good as indicated by its outward appearance. In particular parts may have been replaced or renewed and lots may not be authentic or of satisfactory quality. Any statement in relation to the lot is merely an expression of opinion of the seller or Lyon & Turnbull and should not be relied upon as an inducement to bid on the lot. Lots are available for inspection prior to the sale and you are strongly advised to examine any lot in which you are interested prior to the sale. Our condition report has not been prepared by a professional conservator, restorer or engineer.

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* CHARLES RENNIE MACKINTOSH (SCOTTISH 1868-1928) ‘TACSONIA’ 24.5 x 19cm (9 3/4 x 7 1/2in)

Lot 27: * CHARLES RENNIE MACKINTOSH (SCOTTISH 1868-1928) ‘TACSONIA’ 24.5 x 19cm (9 3/4 x 7 1/2in)

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Description: CHARLES RENNIE MACKINTOSH (SCOTTISH 1868-1928) 'TACSONIA' signed with initials CRM and MMM, inscribed and dated lower centre left CINTRA JUNE 1908, pencil and watercolour 24.5 x 19cm (9 3/4 x 7 1/2in)

Condition Report: The paper appears to be slightly more buff than it appears in the catalogue image, however the watercolours are much fresher in reality. The paper has several minor undulations to the surface and there is a 1cm closed tear to the LH edge. There is a crease to the RH bottom corner and tear holes along the top edge of the paper where it has been taken out of the artist's notebook. Condition Disclaimer Under the Conditions of Sale applicable to the sale of the lot, buyers must satisfy themselves as to each and every aspect of the quality of the lot, including (without limitation) its authorship, attribution, condition, provenance, authenticity, age, suitability and origin. Lots are sold on an 'as is' basis but the actual condition of the lot may not be as good as indicated by its outward appearance. In particular parts may have been replaced or renewed and lots may not be authentic or of satisfactory quality. Any statement in relation to the lot is merely an expression of opinion of the seller or Lyon & Turnbull and should not be relied upon as an inducement to bid on the lot. Lots are available for inspection prior to the sale and you are strongly advised to examine any lot in which you are interested prior to the sale. Our condition report has not been prepared by a professional conservator, restorer or engineer.

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* CHARLES RENNIE MACKINTOSH (SCOTTISH 1868-1928) ‘CHICKORY’ 24.5 x 19cm (9 3/4 x 7¾in)

Lot 28: * CHARLES RENNIE MACKINTOSH (SCOTTISH 1868-1928) ‘CHICKORY’ 24.5 x 19cm (9 3/4 x 7¾in)

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Description: CHARLES RENNIE MACKINTOSH (SCOTTISH 1868-1928) 'CHICKORY' signed with initials CRM, inscribed and dated in pencil lower centre right CHICKORY/ WALBERSWICK 1914, pencil and watercolour 24.5 x 19cm (9 3/4 x 7 3/4in)

Condition Report: The paper appears to be more buff than it appears in the catalogue image, however the colours are much fresher in reality. The paper has several 'undulations' and there is a small hole to the paper to the left of the main flower, visible in the catalogue image. There are a few marks to the paper in the upper RH corner, also visible. There are holes along the top edge of the paper where it has been removed from a notebook. There are a few minor watermarks, also visible on image including one on the word 'Chickory'. Condition Disclaimer Under the Conditions of Sale applicable to the sale of the lot, buyers must satisfy themselves as to each and every aspect of the quality of the lot, including (without limitation) its authorship, attribution, condition, provenance, authenticity, age, suitability and origin. Lots are sold on an 'as is' basis but the actual condition of the lot may not be as good as indicated by its outward appearance. In particular parts may have been replaced or renewed and lots may not be authentic or of satisfactory quality. Any statement in relation to the lot is merely an expression of opinion of the seller or Lyon & Turnbull and should not be relied upon as an inducement to bid on the lot. Lots are available for inspection prior to the sale and you are strongly advised to examine any lot in which you are interested prior to the sale. Our condition report has not been prepared by a professional conservator, restorer or engineer.

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* CHARLES RENNIE MACKINTOSH (SCOTTISH 1868-1928) ‘GRASS HYACINTHE’ 27 x 20cm (10 x 8in)

Lot 29: * CHARLES RENNIE MACKINTOSH (SCOTTISH 1868-1928) ‘GRASS HYACINTHE’ 27 x 20cm (10 x 8in)

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Description: CHARLES RENNIE MACKINTOSH (SCOTTISH 1868-1928) 'GRASS HYACINTHE' signed with initials CRM and MMM, inscribed and dated lower centre GRASS HYACINTHE/ WALBERSWICK/ 1915, pencil and watercolour 27 x 20cm (10 x 8in)

Condition Report: The paper appears to be more buff than it appears in the catalogue image, however the colours are much fresher in reality. The paper has several foxing marks accross the surface, visible in the catalogue image. There is a small closed tear halfway uo the RH side (also visible), and another bottom edge centre.There is a minor abrasion to the paper to the LH of the main flower. The paper is slightly ragged to the top and the bottom edges and mildly discoloured around the edge. There is a small watermark, possibly by the artist, just above the study, a few tiny marks to the paper on the corners and a tiny pin hole to the centre top edge. Condition Disclaimer Under the Conditions of Sale applicable to the sale of the lot, buyers must satisfy themselves as to each and every aspect of the quality of the lot, including (without limitation) its authorship, attribution, condition, provenance, authenticity, age, suitability and origin. Lots are sold on an 'as is' basis but the actual condition of the lot may not be as good as indicated by its outward appearance. In particular parts may have been replaced or renewed and lots may not be authentic or of satisfactory quality. Any statement in relation to the lot is merely an expression of opinion of the seller or Lyon & Turnbull and should not be relied upon as an inducement to bid on the lot. Lots are available for inspection prior to the sale and you are strongly advised to examine any lot in which you are interested prior to the sale. Our condition report has not been prepared by a professional conservator, restorer or engineer.

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* FRANCES MACDONALD MACNAIR (SCOTTISH 1874-1921) ‘THE FROG PRINCE’ 49 x 37cm (19 1/4 x 14 1/2in)

Lot 30: * FRANCES MACDONALD MACNAIR (SCOTTISH 1874-1921) ‘THE FROG PRINCE’ 49 x 37cm (19 1/4 x 14 1/2in)

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Description: FRANCES MACDONALD MACNAIR (SCOTTISH 1874-1921) 'THE FROG PRINCE' signed and dated FRANCES E MACDONALD 1898, watercolour and gold ink 49 x 37cm (19 1/4 x 14 1/2in)

Condition Report: Genrerally the watercolour is in good condition and the colours are a good match for the catalogue image. The surface of the paper undulates slightly and is laid down on a fibrous acid-free tissue. There is a very slight fine crazing to the glaze on the darker hues on the background here and there but nothing significant. Right on the LH and RH edge there are three or four very small touched-in marks. Condition Disclaimer Under the Conditions of Sale applicable to the sale of the lot, buyers must satisfy themselves as to each and every aspect of the quality of the lot, including (without limitation) its authorship, attribution, condition, provenance, authenticity, age, suitability and origin. Lots are sold on an 'as is' basis but the actual condition of the lot may not be as good as indicated by its outward appearance. In particular parts may have been replaced or renewed and lots may not be authentic or of satisfactory quality. Any statement in relation to the lot is merely an expression of opinion of the seller or Lyon & Turnbull and should not be relied upon as an inducement to bid on the lot. Lots are available for inspection prior to the sale and you are strongly advised to examine any lot in which you are interested prior to the sale. Our condition report has not been prepared by a professional conservator, restorer or engineer.

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* FRANCES MACDONALD MACNAIR (SCOTTISH 1874-1921) 'THE ROSE CHILD' 46 x 20.5cm (18 x 8in)

Lot 31: * FRANCES MACDONALD MACNAIR (SCOTTISH 1874-1921) 'THE ROSE CHILD' 46 x 20.5cm (18 x 8in)

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Description: FRANCES MACDONALD MACNAIR (SCOTTISH 1874-1921) 'THE ROSE CHILD' signed and dated 1898, watercolour and gouache on vellum 46 x 20.5cm (18 x 8in)

Condition Report: Generally in good condition although perhaps slightly faded. The colour is good match for the catalogue image although the paper ground is a very marginally yellower in reality. Along the LH edge there are 8 drawing pin marks and two pin holes to the RH corners where the artist has previously displayed them. There are a few lines of what appears to be shiny varnish to the RH corner area of the picture with one 'line' leading up 1/3 of the RH side - not easily discernable without taking the picture out of the frame. The picture is painted on vellum and laid down, and the framer has added a fine line of grey wash on the board at each side, presumably to assist the framing. Condition Disclaimer Under the Conditions of Sale applicable to the sale of the lot, buyers must satisfy themselves as to each and every aspect of the quality of the lot, including (without limitation) its authorship, attribution, condition, provenance, authenticity, age, suitability and origin. Lots are sold on an 'as is' basis but the actual condition of the lot may not be as good as indicated by its outward appearance. In particular parts may have been replaced or renewed and lots may not be authentic or of satisfactory quality. Any statement in relation to the lot is merely an expression of opinion of the seller or Lyon & Turnbull and should not be relied upon as an inducement to bid on the lot. Lots are available for inspection prior to the sale and you are strongly advised to examine any lot in which you are interested prior to the sale. Our condition report has not been prepared by a professional conservator, restorer or engineer.

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* FRANCES MACDONALD MACNAIR (SCOTTISH 1874-1921) DESIGN FOR CLASP AND ORNAMENT, CIRCA 1900-10 14 x 11.5cm (5½ x 4½in)

Lot 32: * FRANCES MACDONALD MACNAIR (SCOTTISH 1874-1921) DESIGN FOR CLASP AND ORNAMENT, CIRCA 1900-10 14 x 11.5cm (5½ x 4½in)

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Description: FRANCES MACDONALD MACNAIR (SCOTTISH 1874-1921) DESIGN FOR CLASP AND ORNAMENT, CIRCA 1900-10 bears inscriptions, pencil and watercolour 14 x 11.5cm (5 1/2 x 4 1/2in)

Condition Report: Watercolour study is in good general condition and colour is good match for the catalogue. As a working drawing there is a slight grubbiness here and there and some discolouration to the paper around the jewellery. Condition Disclaimer Under the Conditions of Sale applicable to the sale of the lot, buyers must satisfy themselves as to each and every aspect of the quality of the lot, including (without limitation) its authorship, attribution, condition, provenance, authenticity, age, suitability and origin. Lots are sold on an 'as is' basis but the actual condition of the lot may not be as good as indicated by its outward appearance. In particular parts may have been replaced or renewed and lots may not be authentic or of satisfactory quality. Any statement in relation to the lot is merely an expression of opinion of the seller or Lyon & Turnbull and should not be relied upon as an inducement to bid on the lot. Lots are available for inspection prior to the sale and you are strongly advised to examine any lot in which you are interested prior to the sale. Our condition report has not been prepared by a professional conservator, restorer or engineer.

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* § SIR DAVID MUIRHEAD BONE, H.R.W.S. (SCOTTISH 1876-1953) ‘GLASGOW EXHIBITION AT NIGHT’

Lot 33: * § SIR DAVID MUIRHEAD BONE, H.R.W.S. (SCOTTISH 1876-1953) ‘GLASGOW EXHIBITION AT NIGHT’

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Description: § SIR DAVID MUIRHEAD BONE, H.R.W.S. (SCOTTISH 1876-1953) 'GLASGOW EXHIBITION AT NIGHT' signed in pencil lower right MUIRHEAD BONE, black ink and pencil, 18 x 12cm (7 x 4 3/4in); and another similar by the same hand, GLASGOW EXHIBITION LAST NIGHT, 12 x 18cm (4 3/4 x 7in), mounted within one frame (2)

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* § SIR DAVID MUIRHEAD BONE, H.R.W.S. (SCOTTISH 1876-1953) ‘THE TERRACE’

Lot 34: * § SIR DAVID MUIRHEAD BONE, H.R.W.S. (SCOTTISH 1876-1953) ‘THE TERRACE’

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Description: § SIR DAVID MUIRHEAD BONE, H.R.W.S. (SCOTTISH 1876-1953) 'THE TERRACE' signed lower left MUIRHEAD BONE, pencil on paper, 13 x 17cm (5 x 6 1/2in); and another similar by the same hand, THE PIAZZA 13 x 22cm (5 x 8 3/4in), mounted within one frame (2)

Condition Report: The Terrace Condition There is some discolouration to the paper. There is a crease across the paper and a minor crease to the lower left corner. There are several fox marks here and there. The Piazza Generally fair condition with some discoulouration to the paper here and there. Small crease to RH side Condition Disclaimer Under the Conditions of Sale applicable to the sale of the lot, buyers must satisfy themselves as to each and every aspect of the quality of the lot, including (without limitation) its authorship, attribution, condition, provenance, authenticity, age, suitability and origin. Lots are sold on an 'as is' basis but the actual condition of the lot may not be as good as indicated by its outward appearance. In particular parts may have been replaced or renewed and lots may not be authentic or of satisfactory quality. Any statement in relation to the lot is merely an expression of opinion of the seller or Lyon & Turnbull and should not be relied upon as an inducement to bid on the lot. Lots are available for inspection prior to the sale and you are strongly advised to examine any lot in which you are interested prior to the sale. Our condition report has not been prepared by a professional conservator, restorer or engineer.

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* § ERNEST ARCHIBALD TAYLOR (SCOTTISH 1874-1951) TREES BY A FENCE 28.5 x 23cm (11 1/4 x 9in)

Lot 35: * § ERNEST ARCHIBALD TAYLOR (SCOTTISH 1874-1951) TREES BY A FENCE 28.5 x 23cm (11 1/4 x 9in)

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Description: § ERNEST ARCHIBALD TAYLOR (SCOTTISH 1874-1951) TREES BY A FENCE pencil and watercolour 28.5 x 23cm (11 1/4 x 9in)

Condition Report: Generally the watercolour is in very fresh condition. There is a small crease to the lower left hand corner of the paper (not on the watercolour) There are one or two small foxing marks to the sky (just visible in catalogue image) The watercolour is nicely presented in its frame. Condition Disclaimer Under the Conditions of Sale applicable to the sale of the lot, buyers must satisfy themselves as to each and every aspect of the quality of the lot, including (without limitation) its authorship, attribution, condition, provenance, authenticity, age, suitability and origin. Lots are sold on an 'as is' basis but the actual condition of the lot may not be as good as indicated by its outward appearance. In particular parts may have been replaced or renewed and lots may not be authentic or of satisfactory quality. Any statement in relation to the lot is merely an expression of opinion of the seller or Lyon & Turnbull and should not be relied upon as an inducement to bid on the lot. Lots are available for inspection prior to the sale and you are strongly advised to examine any lot in which you are interested prior to the sale. Our condition report has not been prepared by a professional conservator, restorer or engineer.

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* § ERNEST ARCHIBALD TAYLOR (SCOTTISH 1874-1951) COTTAGES BY THE SEA 18 x 16cm (7 x 6 1/4in)

Lot 36: * § ERNEST ARCHIBALD TAYLOR (SCOTTISH 1874-1951) COTTAGES BY THE SEA 18 x 16cm (7 x 6 1/4in)

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Description: § ERNEST ARCHIBALD TAYLOR (SCOTTISH 1874-1951) COTTAGES BY THE SEA pencil and watercolour 18 x 16cm (7 x 6 1/4in)

Condition Report: Watercolour is in generally good order and is a fair match for the catalogue image. There is a slight discolouration to the paper and a small artists mark to the sky is apparent, visible in the catalogue image. There are also two slight marks to the RH edge. The picture is well presented in its frame. Condition Disclaimer Under the Conditions of Sale applicable to the sale of the lot, buyers must satisfy themselves as to each and every aspect of the quality of the lot, including (without limitation) its authorship, attribution, condition, provenance, authenticity, age, suitability and origin. Lots are sold on an 'as is' basis but the actual condition of the lot may not be as good as indicated by its outward appearance. In particular parts may have been replaced or renewed and lots may not be authentic or of satisfactory quality. Any statement in relation to the lot is merely an expression of opinion of the seller or Lyon & Turnbull and should not be relied upon as an inducement to bid on the lot. Lots are available for inspection prior to the sale and you are strongly advised to examine any lot in which you are interested prior to the sale. Our condition report has not been prepared by a professional conservator, restorer or engineer.

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* § ERNEST ARCHIBALD TAYLOR (SCOTTISH 1874-1951) KIRKCUDBRIGHT 16 x 18cm (6 1/4 x 7in)

Lot 37: * § ERNEST ARCHIBALD TAYLOR (SCOTTISH 1874-1951) KIRKCUDBRIGHT 16 x 18cm (6 1/4 x 7in)

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Description: § ERNEST ARCHIBALD TAYLOR (SCOTTISH 1874-1951) KIRKCUDBRIGHT black conté crayon and watercolour 16 x 18cm (6 1/4 x 7in)

Condition Report: The watercolour is in good condition. The paper has very slight discolouration but bareley noticeable The oicture is well presented in its frame. Condition Disclaimer Under the Conditions of Sale applicable to the sale of the lot, buyers must satisfy themselves as to each and every aspect of the quality of the lot, including (without limitation) its authorship, attribution, condition, provenance, authenticity, age, suitability and origin. Lots are sold on an 'as is' basis but the actual condition of the lot may not be as good as indicated by its outward appearance. In particular parts may have been replaced or renewed and lots may not be authentic or of satisfactory quality. Any statement in relation to the lot is merely an expression of opinion of the seller or Lyon & Turnbull and should not be relied upon as an inducement to bid on the lot. Lots are available for inspection prior to the sale and you are strongly advised to examine any lot in which you are interested prior to the sale. Our condition report has not been prepared by a professional conservator, restorer or engineer.

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* TIFFANY STUDIOS, NEW YORK ‘ZODIAC’ PATTERN TABLE LAMP, CIRCA 1910 37cm (14½in) high

Lot 38: * TIFFANY STUDIOS, NEW YORK ‘ZODIAC’ PATTERN TABLE LAMP, CIRCA 1910 37cm (14½in) high

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Description: TIFFANY STUDIOS, NEW YORK 'ZODIAC' PATTERN TABLE LAMP, CIRCA 1910 bronze, with 'turtle back' glass shade, the bronze cast with Zodiac decoration, stamped maker's marks TIFFANY STUDIOS NEW YORK 541. 37cm (14 1/2in) high

Condition Report: Some verdigree in detail of mounts. Good even dark colour. Outside of glass good with very minor wear. Backing panels to inside of shade cracked but stable and secure. Switch may be a replacement. Condition Disclaimer Under the Conditions of Sale applicable to the sale of the lot, buyers must satisfy themselves as to each and every aspect of the quality of the lot, including (without limitation) its authorship, attribution, condition, provenance, authenticity, age, suitability and origin. Lots are sold on an 'as is' basis but the actual condition of the lot may not be as good as indicated by its outward appearance. In particular parts may have been replaced or renewed and lots may not be authentic or of satisfactory quality. Any statement in relation to the lot is merely an expression of opinion of the seller or Lyon & Turnbull and should not be relied upon as an inducement to bid on the lot. Lots are available for inspection prior to the sale and you are strongly advised to examine any lot in which you are interested prior to the sale. Our condition report has not been prepared by a professional conservator, restorer or engineer.

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* TIFFANY STUDIOS, NEW YORK BRONZE PAPERWEIGHT, CIRCA 1910 20.5cm (8in) across

Lot 39: * TIFFANY STUDIOS, NEW YORK BRONZE PAPERWEIGHT, CIRCA 1910 20.5cm (8in) across

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Description: TIFFANY STUDIOS, NEW YORK BRONZE PAPERWEIGHT, CIRCA 1910 with 'turtle back' glass panel 20.5cm (8in) across

Condition Report: Metal mounts of even dark tone. Some patches of spotting. Glass good with minimal marks. Felt to base modern replacement. Apparently unmarked Condition Disclaimer Under the Conditions of Sale applicable to the sale of the lot, buyers must satisfy themselves as to each and every aspect of the quality of the lot, including (without limitation) its authorship, attribution, condition, provenance, authenticity, age, suitability and origin. Lots are sold on an 'as is' basis but the actual condition of the lot may not be as good as indicated by its outward appearance. In particular parts may have been replaced or renewed and lots may not be authentic or of satisfactory quality. Any statement in relation to the lot is merely an expression of opinion of the seller or Lyon & Turnbull and should not be relied upon as an inducement to bid on the lot. Lots are available for inspection prior to the sale and you are strongly advised to examine any lot in which you are interested prior to the sale. Our condition report has not been prepared by a professional conservator, restorer or engineer.

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* TIFFANY STUDIOS, NEW YORK ‘ZODIAC’ PATTERN COMPOSITE DESK SET, CIRCA 1910

Lot 40: * TIFFANY STUDIOS, NEW YORK ‘ZODIAC’ PATTERN COMPOSITE DESK SET, CIRCA 1910

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Description: TIFFANY STUDIOS, NEW YORK 'ZODIAC' PATTERN COMPOSITE DESK SET, CIRCA 1910 bronze, comprising of: an INKWELL, 16cm (6in) across; a PAIR OF BOOKENDS, 15cm (6in) high; a BLOTTER, 31cm (12in) across; a THERMOMETER, 20.5cm (8in) high; a LIDDED BOX, 13.5cm (5in) wide; a LETTER CLIP, 10cm (5in) long; a SILVERED STAMP BOX, 9.5cm (4in) across; and a PEN TRAY, 25cm (10in) across (9)

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* ART NOUVEAU METALWARE QUANTITY OF BRASS AND COPPER WARES, EARLY 20TH CENTURY

Lot 41: * ART NOUVEAU METALWARE QUANTITY OF BRASS AND COPPER WARES, EARLY 20TH CENTURY

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Description: ART NOUVEAU METALWARE QUANTITY OF BRASS AND COPPER WARES, EARLY 20TH CENTURY to include: an EMBOSSED COPPER TRAY, 40cm (16in) across; a BRASS TWIN HANDLED TRAY, 59.5cm (23 1/2in) across; a BRASS MATCH BOX HOLDER, 15.5cm (6in) high, a BRASS PEN TRAY, 26cm (10in) long; a BRASS JAPANOISE PAPER KNIFE, 27cm long (10 1/2in) long; a COPPER BOX & COVER, 9cm (3 1/2in) high; an AUSTRIAN BRASS AND CERAMIC TRAY, 26cm (10in) diameter; an EMBOSSED COPPER JARDINIERE, stamped mark JS&S, 19cm (7 1/2in) high; a CONTINENTAL BRASS AND COPPER JARDINIERE, 41cm (16in) across (qty)

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* PIERRE LE FAGUAYS (FRENCH 1892-1962) GIRL WITH A HOOP 30cm (12in) high

Lot 42: * PIERRE LE FAGUAYS (FRENCH 1892-1962) GIRL WITH A HOOP 30cm (12in) high

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Description: PIERRE LE FAGUAYS (FRENCH 1892-1962) GIRL WITH A HOOP patinated spelter figure, raised on marble plinth, inscribed on the circular base FAYRAL 30cm (12in) high

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* PIERRE LE FAGUAYS (FRENCH 1892-1962) GIRL WITH A HOOP 25cm (10in) high

Lot 43: * PIERRE LE FAGUAYS (FRENCH 1892-1962) GIRL WITH A HOOP 25cm (10in) high

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Description: PIERRE LE FAGUAYS (FRENCH 1892-1962) GIRL WITH A HOOP patinated bronze figure, raised on marble plinth, inscribed on the circular base FAYRAL 25cm (10in) high

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* WMF (WURTTEMBERGISCHE METALLWARENFABRIK) GROUP OF METALWARES, CIRCA 1910

Lot 44: * WMF (WURTTEMBERGISCHE METALLWARENFABRIK) GROUP OF METALWARES, CIRCA 1910

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Description: WMF (WURTTEMBERGISCHE METALLWARENFABRIK) GROUP OF METALWARES, CIRCA 1910 to include; A RECTANGULAR ELECTROPLATED CASKET, the hinged lid with Secessionist shield and motifs over similar sides with spreading plinth, impressed marks, 21cm (8in) wide; together with TWO WMF ELECTROPLATED BOXES, one hammered with tambour panel and bun feet, impressed mark ANT 123, 15cm (6in) across, the other smaller with embossing, 14.5cm (6in) across; an ARGENTOR SECESSIONIST STYLE CIRCULAR BASKET, with pierced loop handle and similar narrow frieze on elongated bullet feet, impressed mark 4123, 20cm (8in) across; and a WMF STYLE TWIN HANDLED FOOTED FRUIT BOWL, with embossed Glasgow rose decoration, apparently unmarked, 30.5cm (12in) across (5)

Condition Report: RECTANGULAR CASKET: Some rubbing to extremeties of plate, overall tarnishing, otherwise in sound condition. LARGER BOX WITH BUN FEET: Overall tarnishing, rubbing to extremeties of plate on lid. SMALLER BOX WITH EMBOSSING: Overall tarnishing, lower right-hand corner is bent, ondulation to right-hand rim of lid, lid slightly warped. FRUIT BOWL: Overall tarnishing and rubbing away of extremities and here and there on bowl. One handle is bent. Slight dent to bowl. ARGENTOR CIRCULAR BASKET: All over tarnishing to plate, one or two oxidised spots to the interior but in generally good condition. Condition Disclaimer Under the Conditions of Sale applicable to the sale of the lot, buyers must satisfy themselves as to each and every aspect of the quality of the lot, including (without limitation) its authorship, attribution, condition, provenance, authenticity, age, suitability and origin. Lots are sold on an 'as is' basis but the actual condition of the lot may not be as good as indicated by its outward appearance. In particular parts may have been replaced or renewed and lots may not be authentic or of satisfactory quality. Any statement in relation to the lot is merely an expression of opinion of the seller or Lyon & Turnbull and should not be relied upon as an inducement to bid on the lot. Lots are available for inspection prior to the sale and you are strongly advised to examine any lot in which you are interested prior to the sale. Our condition report has not been prepared by a professional conservator, restorer or engineer.

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* WMF (WURTTEMBERGISCHE METALLWARENFABRIK) ELECTROPLATED TWIN SPILL VASE, CIRCA 1900 19cm (7½in) high

Lot 45: * WMF (WURTTEMBERGISCHE METALLWARENFABRIK) ELECTROPLATED TWIN SPILL VASE, CIRCA 1900 19cm (7½in) high

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Description: WMF (WURTTEMBERGISCHE METALLWARENFABRIK) ELECTROPLATED TWIN SPILL VASE, CIRCA 1900 with tall square section glass liners and pierced Secessionist decoration on rectangular plinth, stamped mark BM 1/0 19cm (7 1/2in) high

Condition Report: Shallow chip to one angle of one vase. Overall tarnishing. Slight ondulation to both outer handles. Minor rubbing to one side of base. Otherwise in good condition. Condition Disclaimer Under the Conditions of Sale applicable to the sale of the lot, buyers must satisfy themselves as to each and every aspect of the quality of the lot, including (without limitation) its authorship, attribution, condition, provenance, authenticity, age, suitability and origin. Lots are sold on an 'as is' basis but the actual condition of the lot may not be as good as indicated by its outward appearance. In particular parts may have been replaced or renewed and lots may not be authentic or of satisfactory quality. Any statement in relation to the lot is merely an expression of opinion of the seller or Lyon & Turnbull and should not be relied upon as an inducement to bid on the lot. Lots are available for inspection prior to the sale and you are strongly advised to examine any lot in which you are interested prior to the sale. Our condition report has not been prepared by a professional conservator, restorer or engineer.

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* WMF (WURTTEMBERGISCHE METALLWARENFABRIK) ART NOUVEAU PEWTER CASKET, CIRCA 1900 14cm (5½in) wide

Lot 46: * WMF (WURTTEMBERGISCHE METALLWARENFABRIK) ART NOUVEAU PEWTER CASKET, CIRCA 1900 14cm (5½in) wide

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Description: WMF (WURTTEMBERGISCHE METALLWARENFABRIK) ART NOUVEAU PEWTER CASKET, CIRCA 1900 with heart and double whiplash pediment to domed hinged lid over shaped sides with opposed female mask, on bracket feet, impressed marks 14cm (5 1/2in) wide

Condition Report: The surface of the casket is in good order with very minor rubbing to the extremities - the cast detail is good. The front legs are slightly bent as is the handle. The interior lining is tired and under the cover the lining is loose. Condition Disclaimer Under the Conditions of Sale applicable to the sale of the lot, buyers must satisfy themselves as to each and every aspect of the quality of the lot, including (without limitation) its authorship, attribution, condition, provenance, authenticity, age, suitability and origin. Lots are sold on an 'as is' basis but the actual condition of the lot may not be as good as indicated by its outward appearance. In particular parts may have been replaced or renewed and lots may not be authentic or of satisfactory quality. Any statement in relation to the lot is merely an expression of opinion of the seller or Lyon & Turnbull and should not be relied upon as an inducement to bid on the lot. Lots are available for inspection prior to the sale and you are strongly advised to examine any lot in which you are interested prior to the sale. Our condition report has not been prepared by a professional conservator, restorer or engineer.

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* EMILE GALLÉ (FRENCH 1864-1904) CAMEO GLASS BOTTLE VASE, CIRCA 1910 14cm (5½in) high

Lot 47: * EMILE GALLÉ (FRENCH 1864-1904) CAMEO GLASS BOTTLE VASE, CIRCA 1910 14cm (5½in) high

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Description: EMILE GALLÉ (FRENCH 1864-1904) CAMEO GLASS BOTTLE VASE, CIRCA 1910 the frosted glass body overlaid in green and acid etched with a fern design, cameo signature to body GALLÉ 14cm (5 1/2in) high

Condition Report: The vase is in very good overall condition with no apparent faults. Condition Disclaimer Under the Conditions of Sale applicable to the sale of the lot, buyers must satisfy themselves as to each and every aspect of the quality of the lot, including (without limitation) its authorship, attribution, condition, provenance, authenticity, age, suitability and origin. Lots are sold on an 'as is' basis but the actual condition of the lot may not be as good as indicated by its outward appearance. In particular parts may have been replaced or renewed and lots may not be authentic or of satisfactory quality. Any statement in relation to the lot is merely an expression of opinion of the seller or Lyon & Turnbull and should not be relied upon as an inducement to bid on the lot. Lots are available for inspection prior to the sale and you are strongly advised to examine any lot in which you are interested prior to the sale. Our condition report has not been prepared by a professional conservator, restorer or engineer.

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* KOLOMAN MOSER (AUSTRIAN 1868-1918) MAHOGANY TABLE VITRINE, CIRCA 1900 43.5cm (17in) wide x 72cm (28in) high

Lot 48: * KOLOMAN MOSER (AUSTRIAN 1868-1918) MAHOGANY TABLE VITRINE, CIRCA 1900 43.5cm (17in) wide x 72cm (28in) high

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Description: KOLOMAN MOSER (AUSTRIAN 1868-1918) MAHOGANY TABLE VITRINE, CIRCA 1900 the square top with bevelled glass panel above four glazed sides and two opposing revolving doors enclosing glass shelves for display, the whole raised on a cylindrical column on stepped brass base 43.5cm (17in) wide x 72cm (28in) high

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* JOSEF HOFFMANN (AUSTRIAN 1870-1956) FOR JACOB & JOSEF KOHN NEST OF THREE EBONISED WOOD TABLES, CIRCA 1906 largest table, 60cm (23 3/.

Lot 49: * JOSEF HOFFMANN (AUSTRIAN 1870-1956) FOR JACOB & JOSEF KOHN NEST OF THREE EBONISED WOOD TABLES, CIRCA 1906 largest table, 60cm (23 3/.

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Description: JOSEF HOFFMANN (AUSTRIAN 1870-1956) FOR JACOB & JOSEF KOHN NEST OF THREE EBONISED WOOD TABLES, CIRCA 1906 each with rectangular top raised on turn supports with U-form stretchers, the largest with conjoined sphere handles (3) largest table, 60cm (23 3/4in) wide, 75cm (29 1/2in) high, 45cm (17 3/4in) deep

Condition Report: The tables are in reasonable condition and are all sructurally sound. Please note however that they do NOT have their original makers labels as stated in the catalogue. The manufacturer is usually ascribed to J&J Kohn. The largest table has several surface cracks to the lacquered surface. The lower stretcher is made with three bands of bentwood and the middle band has a crack on one corner. The middle table has several surface cracks and water marks to the surface, otherwise is OK. The smallest table is in good overall condition - all three have minor marks and surface scratches commensurate with their age and use. Condition Disclaimer Under the Conditions of Sale applicable to the sale of the lot, buyers must satisfy themselves as to each and every aspect of the quality of the lot, including (without limitation) its authorship, attribution, condition, provenance, authenticity, age, suitability and origin. Lots are sold on an 'as is' basis but the actual condition of the lot may not be as good as indicated by its outward appearance. In particular parts may have been replaced or renewed and lots may not be authentic or of satisfactory quality. Any statement in relation to the lot is merely an expression of opinion of the seller or Lyon & Turnbull and should not be relied upon as an inducement to bid on the lot. Lots are available for inspection prior to the sale and you are strongly advised to examine any lot in which you are interested prior to the sale. Our condition report has not been prepared by a professional conservator, restorer or engineer.

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* ROMAIN DE TIRTOFF (ERTÉ) (RUSSIAN 1892-1990) ‘THE BALCONY’ 66 x 53cm (26 x 21in)

Lot 50: * ROMAIN DE TIRTOFF (ERTÉ) (RUSSIAN 1892-1990) ‘THE BALCONY’ 66 x 53cm (26 x 21in)

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Description: ROMAIN DE TIRTOFF (ERTÉ) (RUSSIAN 1892-1990) 'THE BALCONY' print, serial no. CXXXIII/CC 66 x 53cm (26 x 21in)

Condition Report: Slight undulation to paper on the edges. Lightly discoloured stripe on bottom edge. Otherwise good overall condition. Condition Disclaimer Under the Conditions of Sale applicable to the sale of the lot, buyers must satisfy themselves as to each and every aspect of the quality of the lot, including (without limitation) its authorship, attribution, condition, provenance, authenticity, age, suitability and origin. Lots are sold on an 'as is' basis but the actual condition of the lot may not be as good as indicated by its outward appearance. In particular parts may have been replaced or renewed and lots may not be authentic or of satisfactory quality. Any statement in relation to the lot is merely an expression of opinion of the seller or Lyon & Turnbull and should not be relied upon as an inducement to bid on the lot. Lots are available for inspection prior to the sale and you are strongly advised to examine any lot in which you are interested prior to the sale. Our condition report has not been prepared by a professional conservator, restorer or engineer.

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