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Auction Description for Wilson Fine Art & Antiques: 07/08 Artis's Collection Huge Sale!!!

07/08 Artis's Collection Huge Sale!!!

by Wilson Fine Art & Antiques


1,187 lots with images

July 8, 2014

Live Auction

1942 Broadway St., STE 314C

Boulder, CO, 80302 USA

Phone: 720 220-1544

Email: wilsonantiquesandart@gmail.com

1187 Lots
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Lot 1A: "Sunshine at Midnight" By Wong Shue

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Description: Lithograph/Art Poster, Signed by the artist, Approximately 60" x 35" In.

Condition Report: Good

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LITHOGRAPH BY ARTIST HENRI MATISSE

Lot 1G: LITHOGRAPH BY ARTIST HENRI MATISSE

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Description: LITHOGRAPH BY HENRI MATISSE, "LE NE BLEU", CIRCA 1907 . Matisse?s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, ?From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.? Matisse?s mother was the first to advise her son not to adhere to the ?rules? of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: ?I love you dearly, mademoiselle; but I shall always love painting more.? Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the �cole des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle �le off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.

Condition Report: Good

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Original Lithograph by artist William Brice

Lot 1O: Original Lithograph by artist William Brice

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Description: Lithograph in the manner of William Brice, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.

Condition Report: GOOD

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Lot 1W: "Moring Glories" Fine Art Print By David Maddern. (122M)

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Description: "Moring Glories" Fine Art Print By David Maddern; Plate Signed. Approx 25x 33 in.

Condition Report: GOOD

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Charles Jeffrey Limited Edition Etching

Lot 1Y: Charles Jeffrey Limited Edition Etching "Artict Dancers"

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Description: In the Manner of Charles Jeffrey Limited Edition Etching "Artict Dancers", bearing the Signature, approx dimension 17x15 in.

Condition Report: Good

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Lot 2A: "Exposed with Flowers" By Leela Woros

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Description: Serigraph, Signed by the artist, Approximately 39" x 47" In.

Condition Report: Good

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 Lithograph From

Lot 2I: Lithograph From "Le Sopha" By Louis Icart

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Description: Unique Lithograph By Louis Icart. This Piece Of Art Does Come With A Certificate Of Authencity (C.O.A.). Louis Icart was born in Toulouse, France. He began drawing at an early age. He was particularly interested in fashion, and became famous for his sketches almost immediately.

Condition Report: Good

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Lot 2W: " Daisies" Lithograph By Valerie Roy (123M)

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Description: " Daisies" Lithograph By Valerie Roy; approx size 19 1/2x 15 3/4 in.

Condition Report: GOOD

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Jacobson Limited Edition Lithograph

Lot 2Y: Jacobson Limited Edition Lithograph "Laguna Beach"

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Description: Limited Edition Lithograph In the Manner of Jacobson titled "Laguna Beach" , bearing the Signature, approx dimension 12x13 in.

Condition Report: Good

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Lot 3A: "Tim Buck Two"

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Description: Giclee on Canvas, Approximately 18" x 14" In.

Condition Report: Good

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 Lithograph From

Lot 3I: Lithograph From "Le Livre d'Artiste" By Louis Icart

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Description: Unique Lithograph By Louis Icart. This Piece Of Art Does Come With A Certificate Of Authencity (C.O.A.). Louis Icart was born in Toulouse, France. He began drawing at an early age. He was particularly interested in fashion, and became famous for his sketches almost immediately.

Condition Report: Good

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Lot 3W: "Pioneers" Lithograph By Lucile Prache (124M)

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Description: Pioneers Lithograph By Lucile Prache; approx size 19 1/2x 15 3/4 in.

Condition Report: GOOD

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The Dore Bible Gallery

Lot 3X: The Dore Bible Gallery "Death of Saul"

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Description: From The Dore Bible Gallery containing one hundred superb illustrations. By Gustave Dore born in the city of Strasburg, January 10, 1833.

Condition Report: Good

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Jacobson Limited Edition Lithograph

Lot 3Y: Jacobson Limited Edition Lithograph "Court Yard"

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Description: Limited Edition Lithograph In the Manner of Jacobson titled "Court Yard" , bearing the Signature, approx dimension 12x13 in.

Condition Report: Good

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Lot 4A: "Shadow Mask Indian"

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Description: Giclee on Canvas, Approximately 18" x 18" In.

Condition Report: Good

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Lot 4D: "Beatrice Comforts the Poet" Paradise 18 By Salvador Dali

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Description: Certified Dali Woodblock, Signed, Image Size Approximately 11 x 8 In. Arches Paper Matting Size Approximately 17 x 13 In.

Condition Report: Good

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 Lithograph From

Lot 4I: Lithograph From " Le Sexieme Mariage De Barbe-Bleue" By Louis Icart

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Description: Unique Lithograph By Louis Icart. This Piece Of Art Does Come With A Certificate Of Authencity (C.O.A.). Louis Icart was born in Toulouse, France. He began drawing at an early age. He was particularly interested in fashion, and became famous for his sketches almost immediately.

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Original Lithograph by artist William Brice

Lot 4O: Original Lithograph by artist William Brice

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Description: Lithograph in the manner of William Brice, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.

Condition Report: GOOD

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Lot 4W: "The Green Vase" Lithograph By Valerie Roy (125M)

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Description: The Green Vase Lithograph By Valerie Roy; approx size 19 1/2x 15 3/4 in.

Condition Report: GOOD

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Jacobson Limited Edition Lithograph

Lot 4Y: Jacobson Limited Edition Lithograph "Outside Cafe"

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Description: Limited Edition Lithograph In the Manner of Jacobson titled "Outside Cafe" , bearing the Signature, approx dimension 12x13 in.

Condition Report: Good

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Lot 5A: "Indian With Feather"

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Description: Giclee on Canvas, Approximately 14" x 18" In.

Condition Report: Good

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Lot 5D: "Cacciaguida See's Dante's Exile In God" Paradise 17 By Salvador Dali

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Description: Certified Dali Woodblock, Signed, Image Size Approximately 11 x 8 In. Arches Paper Matting Size Approximately 17 x 13 In.

Condition Report: Good

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LITHOGRAPH BY ARTIST HENRI MATISSE

Lot 5G: LITHOGRAPH BY ARTIST HENRI MATISSE

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Description: LITHOGRAPH BY HENRI MATISSE, BEARING THE SIGNATURE TITLED "ODALISQUE A LA JUPE DE TULLE", CIRCA 1923 . Matisse?s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, ?From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.? Matisse?s mother was the first to advise her son not to adhere to the ?rules? of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: ?I love you dearly, mademoiselle; but I shall always love painting more.? Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the �cole des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle �le off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.

Condition Report: Good

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Lot 5W: "Rudbeckia" Lithograph By Valerie Roy (126M)

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Description: Rudbeckia Lithograph By Valerie Roy; approx size 19 1/2x 15 3/4 in.

Condition Report: GOOD

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Jacobson Limited Edition Lithograph

Lot 5Y: Jacobson Limited Edition Lithograph "Side Street Cafe"

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Description: Limited Edition Lithograph In the Manner of Jacobson titled "Side Street Cafe" , bearing the Signature, approx dimension 11x15 in.

Condition Report: Good

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Lot 6A: "Gathering Water"

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Description: Giclee on Canvas, Approximately 18" x 14 1/2" in.

Condition Report: Good

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Lot 6D: "The Two Circles of Spirits" Paradise 16 By Salvador Dali

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Description: Certified Dali Woodblock, Signed, Image Size Approximately 11 x 8 In. Arches Paper Matting Size Approximately 17 x 13 In.

Condition Report: Good

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LITHOGRAPH BY ARTIST HENRI MATISSE

Lot 6G: LITHOGRAPH BY ARTIST HENRI MATISSE

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Description: LITHOGRAPH BY HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "TETE DE FACE", CIRCA 1948 . Matisse?s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, ?From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.? Matisse?s mother was the first to advise her son not to adhere to the ?rules? of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: ?I love you dearly, mademoiselle; but I shall always love painting more.? Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the �cole des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle �le off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.

Condition Report: Good

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Lihtograph From

Lot 6I: Lihtograph From "LA Dame Aux Camelias" By Louis Icart.

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Description: Unique Lithograph By Louis Icart. This Piece Of Art Does Come With A Certificate Of Authencity (C.O.A.). Louis Icart was born in Toulouse, France. He began drawing at an early age. He was particularly interested in fashion, and became famous for his sketches almost immediately.

Condition Report: Good

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Lot 6W: "Dawn" Lithograph By Atellier (127M)

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Description: Dawn Lithograph By Atellier; Approx 19.5x16 in.

Condition Report: GOOD

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Jacobson Limited Edition Lithograph

Lot 6Y: Jacobson Limited Edition Lithograph "Country Harbor"

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Description: Limited Edition Lithograph In the Manner of Jacobson titled "Country Harbor" , bearing the Signature, approx dimension 11x15 in.

Condition Report: Good

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Lot 7A: "Elder Lady"

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Description: Giclee on Canvas, Approximately 14" x 18" In.

Condition Report: Good

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Lot 7D: "Cacciaguida's History Lesson" Paradise 15 By Salvador Dali

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Description: Certified Dali Woodblock, Signed, Image Size Approximately 11 x 8 In. Arches Paper Matting Size Approximately 17 x 13 In.

Condition Report: Good

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LITHOGRAPH BY ARTIST HENRI MATISSE

Lot 7G: LITHOGRAPH BY ARTIST HENRI MATISSE

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Description: LITHOGRAPH BY HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "NU", CIRCA 1906 . Matisse?s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, ?From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.? Matisse?s mother was the first to advise her son not to adhere to the ?rules? of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: ?I love you dearly, mademoiselle; but I shall always love painting more.? Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the �cole des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle �le off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.

Condition Report: Good

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Lithograph From

Lot 7I: Lithograph From " Chrysis" By Louis Icart.

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Description: Unique Lithograph By Louis Icart. This Piece Of Art Does Come With A Certificate Of Authencity (C.O.A.). Louis Icart was born in Toulouse, France. He began drawing at an early age. He was particularly interested in fashion, and became famous for his sketches almost immediately.

Condition Report: Good

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Original Lithograph by artist William Brice

Lot 7O: Original Lithograph by artist William Brice

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Description: Lithograph in the manner of William Brice bearing the signature, titled "Faded Roses" comes with certificate of authenticity, framing available at an additional charge.

Condition Report: GOOD

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Lot 7W: "Anemone Loneliness" Lithograph By Atellier (128M)

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Description: Anemone Loneliness Lithograph By Atellier; Approx 19.5x16 in.

Condition Report: GOOD

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Jacobson Limited Edition Lithograph

Lot 7Y: Jacobson Limited Edition Lithograph "Flower Stall"

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Description: Limited Edition Lithograph In the Manner of Jacobson titled "Flower Stall" , bearing the Signature, approx dimension 12x14 in.

Condition Report: Good

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Lot 7Z: "Autumn In Fall" By Michael Schofield (102EF)

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Description: Original, Acrylic Paint on Canvas, Signed by the artist, Approximately 20 x 16 In.

Condition Report: EXCELLENT

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Lot 8A: "Cross Colors"

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Description: Lithograph, Appoximately 14" x 18" In.

Condition Report: Good

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Lot 8D: "The Cross of Mars" Paradise 14 By Salvador Dali

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Description: Certified Dali Woodblock, Signed, Image Size Approximately 11 x 8 In. Arches Paper Matting Size Approximately 17 x 13 In.

Condition Report: Good

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Lithograph From

Lot 8I: Lithograph From "Faust" By Artst Louis Icart

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Description: Unique Lithograph By Louis Icart. This Piece Of Art Does Come With A Certificate Of Authencity (C.O.A.). Louis Icart was born in Toulouse, France. He began drawing at an early age. He was particularly interested in fashion, and became famous for his sketches almost immediately.

Condition Report: Good

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Lot 8W: "Journeys end II" Fine Art Print By Enrique Bolo (129M)

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Description: "Journeys end II" Fine Art Print By Enrique Bolo; Plate Signed. Approx 13x17 in.

Condition Report: GOOD

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Jacobson Limited Edition Lithograph

Lot 8Y: Jacobson Limited Edition Lithograph "View to the West"

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Description: Limited Edition Limited Edition Lithograph In the Manner of Jacobson titled "View to the West" , bearing the Signature, approx dimension 12x16 in.

Condition Report: Good

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Lot 8Z: "Winter Color" By Michael Schofield (103EF)

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Description: Original, Acrylic Paint on Canvas, Signed by the artist, Approximately 18 x 24 In.

Condition Report: EXCELLENT

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Lot 9A: "Jinete" By H.W.

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Description: Artist Proof Color Etching, Signed by the artist, Approximately 16" x 12" In.

Condition Report: Good

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Lot 9D: "Original Perfection" Paradise 13 By Salvador Dali

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Description: Certified Dali Woodblock, Signed, Image Size Approximately 11 x 8 In. Arches Paper Matting Size Approximately 17 x 13 In.

Condition Report: Good

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LITHOGRAPH BY ARTIST HENRI MATISSE

Lot 9G: LITHOGRAPH BY ARTIST HENRI MATISSE

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Description: LITHOGRAPH BY HENRI MATISSE, TITLED "NU AU VISAGE COUPLE", CIRCA 1914 . Matisse?s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, ?From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.? Matisse?s mother was the first to advise her son not to adhere to the ?rules? of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: ?I love you dearly, mademoiselle; but I shall always love painting more.? Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the �cole des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle �le off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.

Condition Report: Good

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Lithorgaph From

Lot 9I: Lithorgaph From " La Reve" By Louis Icart

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Description: Unique Lithograph By Louis Icart. This Piece Of Art Does Come With A Certificate Of Authencity (C.O.A.). Louis Icart was born in Toulouse, France. He began drawing at an early age. He was particularly interested in fashion, and became famous for his sketches almost immediately.

Condition Report: Good

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Lot 9W: "Cambridge" Fine Art Print By Andrew Ingamells (130M)

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Description: "Cambridge" Fine Art Print By Andrew Ingamells; Plate Signed. Approx 16x27 in.

Condition Report: GOOD

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