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Auction Description for Swann: 19TH & 20TH CENTURY PRINTS & DRAWINGS; LABOUREUR
Auction Description:
19TH & 20TH CENTURY PRINTS & DRAWINGS; LABOUREUR
Viewing Notes:
Exhibition & Sale Schedule: Sale 2272 - 19th & 20th Century Prints & Drawings * Jean-Emile Laboureur: Prints, Paintings & Livres d'Artiste - begins at 10:30am in New York on Thurs, Mar 8. All material in Sale 2272 on display at our premises in New York City, 104 East 25th Street, as follows - Sat, Mar 3: 10am to 4pm - Mon, Mar 5: 10am to 6pm - Tues, Mar 6: 10am to 6pm - Wed, Mar 7: 10am to 6pm - No exhibition on day of sale.

19TH & 20TH CENTURY PRINTS & DRAWINGS; LABOUREUR

by Swann Auction Galleries

Platinum House

792 lots with images

March 8, 2012

Live Auction

104 East 25th Street

New York, NY, 10010 USA

Phone: 212.254.4710

Fax: 212 979 1017

Email: swann@swanngalleries.com

792 Lots
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JEAN-ÉMILE LABOUREUR La Rentrée au Séminaire.

Lot 1: JEAN-ÉMILE LABOUREUR La Rentrée au Séminaire.

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Description: JEAN-ÉMILE LABOUREUR La Rentrée au Séminaire. Woodcut printed in black on grayish green wove paper, 1897. 110x110 mm; 4 1/4x4 1/4 inches, full margins. Edition of only approximately 10 (from an intended edition of 15). Signed and inscribed "tiré à 15 ex" in ink, lower right. A superb, dark impression of this very scarce, early woodcut. We have not found another impression at auction in the past 25 years. Laboureur 566.

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JEAN-ÉMILE LABOUREUR Le Bal Bullier.

Lot 2: JEAN-ÉMILE LABOUREUR Le Bal Bullier.

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Description: JEAN-ÉMILE LABOUREUR Le Bal Bullier. Woodcut on cream laid paper, 1898. 220x288 mm; 8 5/8x11 3/8 inches, full margins. Signed and numbered 29/60 in pencil, lower margin. A very good impression of this scarce, early woodcut. Laboureur 579.

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JEAN-ÉMILE LABOUREUR Le Cimetière.

Lot 3: JEAN-ÉMILE LABOUREUR Le Cimetière.

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Description: JEAN-ÉMILE LABOUREUR Le Cimetière. Woodcut, 1898. 210x240 mm; 8 1/4x9 1/2 inches, full margins. Edition of only approximately 10. Signed and numbered "7" in ink, lower margin. A very good impression of this extremely scarce, early woodcut. We have found only one other impression at auction in the past 25 years. Laboureur 587.

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JEAN-ÉMILE LABOUREUR La Procession.

Lot 4: JEAN-ÉMILE LABOUREUR La Procession.

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Description: JEAN-ÉMILE LABOUREUR La Procession. Woodcut, 1899. 230x300 mm; 9x11 7/8 inches, full margins. Artist's proof, aside from the edition of 60. Signed and inscribed "ép. d'artiste" in pencil, lower margin. A very good, dark and well-inked impression. Laboureur 602.

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JEAN-ÉMILE LABOUREUR Le Régiment qui Passe.

Lot 5: JEAN-ÉMILE LABOUREUR Le Régiment qui Passe.

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Description: JEAN-ÉMILE LABOUREUR Le Régiment qui Passe. Woodcut on cream laid paper, 1900. 229x297 mm; 9x11 3/4 inches, full margins. Signed and numbered 7/60 in pencil, lower margin. A superb, very well-inked impression of this scarce, early woodcut. Laboureur 605.

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JEAN-ÉMILE LABOUREUR Group of 6 woodcuts.

Lot 6: JEAN-ÉMILE LABOUREUR Group of 6 woodcuts.

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Description: JEAN-ÉMILE LABOUREUR Group of 6 woodcuts. Portrait de l'Artiste, 1896. One of only several proofs of this very scarce woodcut * Les Petits Lapins, printed in red, 1896. Edition of approximately 30 * Enfant dans un Parc, 1896. One of only several proofs * Portrait, Tête Laurée, 1897. One of only several proofs * Le Collectionneur Alphonse Lotz-Brissonneau, 1913. Second state (of 2). Edition of approximately 65 * Les P'tits Pois, song-sheet illustrations printed in colors, 1929. Various sizes and conditions. Laboureur 548, 558, 560, 567, 700 and 751.

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JEAN-ÉMILE LABOUREUR Le Quartier Neuf.

Lot 7: JEAN-ÉMILE LABOUREUR Le Quartier Neuf.

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Description: JEAN-ÉMILE LABOUREUR Le Quartier Neuf. Color woodcut on heavy cream wove paper, 1901. 203x239 mm; 8x9 3/8 inches, wide margins. Edition of approximately 46. Signed in ink, lower left. A superb, well-inked and evenly-printed impression of this very scarce, early color woodcut. The scene represents a neighborhood in Dresden, where the artist lived from the fall of 1899 through the spring of 1900. Laboureur 607.

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JEAN-ÉMILE LABOUREUR La Véranda.

Lot 8: JEAN-ÉMILE LABOUREUR La Véranda.

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Description: JEAN-ÉMILE LABOUREUR La Véranda. Woodcut, 1902. 345x350 mm; 13 1/2x13 3/4 inches, wide margins. One of only several signed proofs aside from the lifetime edition of 42 (there is also a posthumous edition of 14). Signed in pencil, lower left. A superb impression of this very large, scarce, early woodcut. Laboureur 609.

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JEAN-ÉMILE LABOUREUR Femme qui se peigne.

Lot 9: JEAN-ÉMILE LABOUREUR Femme qui se peigne.

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Description: JEAN-ÉMILE LABOUREUR Femme qui se peigne. Oil on canvas, circa 1900-05. 560x510 mm; 22x20 inches. Laboureur was clearly influenced by Toulouse-Lautrec's same-titled color lithograph from Elles, 1896 (Delteil 186). Several prints from the artist's own woodcut series Toilettes from 1907 are also similar in style and composition, as well as another closely-related painting Toilette: Les Cheveux , from 1906 (Laboureur 69).

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JEAN-ÉMILE LABOUREUR Ernest, Garçon de Restaurant.

Lot 10: JEAN-ÉMILE LABOUREUR Ernest, Garçon de Restaurant.

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Description: JEAN-ÉMILE LABOUREUR Ernest, Garçon de Restaurant. Color woodcut and lithograph on cream wove paper, 1902-11. 440x227 mm; 17 1/4x9 inches, full margins. Second state (of 2). Signed and numbered 13/20 in pencil, lower left. A superb impression of this very scarce print, with strong colors. Laboureur 617.

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JEAN-ÉMILE LABOUREUR Ernest.

Lot 11: JEAN-ÉMILE LABOUREUR Ernest.

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Description: JEAN-ÉMILE LABOUREUR Ernest. Color pastels and pencil on heavy, grayish, light brown wove paper, circa 1902-10. 500x353 mm; 19 3/4x14 inches. With the artist's "crab" monogram ink stamp, twice lower right recto and once verso (not in Lugt). A study for the same-titled color woodcut, see lot 10 (Laboureur 617).

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JEAN-ÉMILE LABOUREUR Le Garçon de Restaurant Américain.

Lot 12: JEAN-ÉMILE LABOUREUR Le Garçon de Restaurant Américain.

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Description: JEAN-ÉMILE LABOUREUR Le Garçon de Restaurant Américain. Woodcut on Japan paper, 1904-09. 152x67 mm; 6x2 3/4 inches, full margins. Signed and numbered 10/25 in pencil, lower margin. A superb impression of this very scarce, early woodcut. Laboureur was amoung the vanguard early modern French artists to visit America, where he was from 1903 to 1908, and spent time in the bustling east coast cities New York and Pittsburg. Laboureur 641.

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JEAN-ÉMILE LABOUREUR New York, Le Soir.

Lot 13: JEAN-ÉMILE LABOUREUR New York, Le Soir.

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Description: JEAN-ÉMILE LABOUREUR New York, Le Soir. Woodcut on cream laid paper, 1905. 312x180 mm; 12 1/4x7 inches, full margins. Signed and numbered 11/40 in pencil, lower margin. Laboureur 619.

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JEAN-ÉMILE LABOUREUR Portrait de Toulouse-Lautrec.

Lot 14: JEAN-ÉMILE LABOUREUR Portrait de Toulouse-Lautrec.

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Description: JEAN-ÉMILE LABOUREUR Portrait de Toulouse-Lautrec. Woodcut, 1906. 125x101 mm; 5x4 inches, full margins. From the posthumous edition of 10, aside from the lifetime edition of 10. Numbered VII/X in pencil, lower center. A very good, well-inked impression. Laboureur 626.

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JEAN-ÉMILE LABOUREUR Elégante de dos.

Lot 15: JEAN-ÉMILE LABOUREUR Elégante de dos.

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Description: JEAN-ÉMILE LABOUREUR Elégante de dos. Color crayons on green wove paper, circa 1905. 325x206 mm; 12 3/4x8 1/8 inches. Signed in black crayon, lower left recto.

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JEAN-ÉMILE LABOUREUR La Robe bleu.

Lot 16: JEAN-ÉMILE LABOUREUR La Robe bleu.

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Description: JEAN-ÉMILE LABOUREUR La Robe bleu. Oil on light tan wove paper, circa 1910. 505x320 mm; 20x12 5/8 inches. With the artist's "crab" monogram ink stamp, lower right recto (not in Lugt).

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JEAN-ÉMILE LABOUREUR Toilettes: Le Cor au Papier Peint Rayé.

Lot 17: JEAN-ÉMILE LABOUREUR Toilettes: Le Cor au Papier Peint Rayé.

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Description: JEAN-ÉMILE LABOUREUR Toilettes: Le Cor au Papier Peint Rayé. Pencil on cream wove paper, 1907. 302x228 mm; 12x9 inches. Signed in pencil, lower left recto. A study for the same-titled woodcut, 1922 (see Laboureur 631). With--Toilettes: Le Cor au Papier Peint Rayé, woodcut, 1907. Second state (of 2), with the space in the bed rail * Toilettes: L'Eau Fraîche, woodcut, 1907. Second state (of 2). Both very good impressions. Laboureur 631 and 633.

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JEAN-ÉMILE LABOUREUR Femme en chemise.

Lot 18: JEAN-ÉMILE LABOUREUR Femme en chemise.

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Description: JEAN-ÉMILE LABOUREUR Femme en chemise. Black and red crayons on cream wove paper, 1911. 365x250 mm; 14 3/8x9 7/8 inches. With the artist's "crab" monogram ink stamp, lower right recto (not in Lugt).

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JEAN-ÉMILE LABOUREUR Three drawings.

Lot 19: JEAN-ÉMILE LABOUREUR Three drawings.

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Description: JEAN-ÉMILE LABOUREUR Three drawings. Femme au Toilet, brush and black ink on cream wove paper, circa 1910. With the artist's "crab" monogram ink stamp, lower right recto * Etude de femme, pencil on cream wove paper. With the artist's "crab" monogram ink stamp, twice lower right recto * Femme assise, profil, red pencil on light tan wove paper. Signed in pencil, lower right. Various sizes and conditions.

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JEAN-ÉMILE LABOUREUR Three ink drawings.

Lot 20: JEAN-ÉMILE LABOUREUR Three ink drawings.

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Description: JEAN-ÉMILE LABOUREUR Three ink drawings. Le Chapeau au Panache Noir, 1911. With the artist's "crab" monogram ink stamp, lower right recto * Le Chapeau au Panache Noir, 1991. With the artist's "crab" monogram ink stamp, lower right recto and verso * Soho Girl, circa 1910. Signed in ink, lower right recto. Likely the same model in several woodcuts made in London in 1910 (see Laboureur 642, 644 bis and 645). Various sizes and conditions.

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JEAN-ÉMILE LABOUREUR Vue Panoramique de la Ville de Nantes.

Lot 21: JEAN-ÉMILE LABOUREUR Vue Panoramique de la Ville de Nantes.

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Description: JEAN-ÉMILE LABOUREUR Vue Panoramique de la Ville de Nantes. Woodcut on Japan paper, 1909. 280x641 mm; 11x25 1/4 inches, full margins. First state (of 3), before letters. Signed and numbered 3/5 in pencil, lower margin, and annotated and signed by Alphonse-François Lotz-Brissonneau in pencil, lower left. In the original A. Préaubert gilt wood frame and mat, with the framer's label on the frame back A very good impression of this extremely scarce woodcut. We have found only one other impression at auction in the past 25 years. Lotz-Brissonneau (1840-1920) see lot 6, was an important 19th-century prints collector, notably the works of Auguste Lepérè and Jean-Émile Laboureur, and along with Laboureur, a fellow native of Nantes. Laboureur 643.

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JEAN-ÉMILE LABOUREUR Nantes, Le Cours Cambronne.

Lot 22: JEAN-ÉMILE LABOUREUR Nantes, Le Cours Cambronne.

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Description: JEAN-ÉMILE LABOUREUR Nantes, Le Cours Cambronne. Oil on illustration board, circa 1896. 650x500 mm; 25 1/2x19 3/4 inches. With the artist's "crab" monogram ink stamp, verso (not in Lugt). Annotated and identified by Sylvain Laboureur in ink, verso.

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JEAN-ÉMILE LABOUREUR Noirmoutier.

Lot 23: JEAN-ÉMILE LABOUREUR Noirmoutier.

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Description: JEAN-ÉMILE LABOUREUR Noirmoutier. Watercolor over pencil on smooth, cream wove paper, circa 1900. 253x325 mm; 10x12 3/4 inches. With the artist's "crab" monogram ink stamp, lower right recto (not in Lugt). The island of Noirmoutier is off the Atlantic coast of France.

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JEAN-ÉMILE LABOUREUR Two early etchings.

Lot 24: JEAN-ÉMILE LABOUREUR Two early etchings.

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Description: JEAN-ÉMILE LABOUREUR Two early etchings. Deux Négresses sur le Trottoir, circa 1905. 119x131 mm; 4 5/8x5 1/4 inches, full margins. One of only 2 known proofs. Signed in pencil, lower left * Femme au Foulard Rouge, 1909. 138x89 mm; 5 1/2x3 1/2 inches, full margins. Second state (of 2). Signed and numbered 13/35 in pencil, lower margin. Both very good impressions of these extremely scarce, early etchings. Urbanites captured in Pittsburgh and London respectively. Laboureur 33 and 89.

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JEAN-ÉMILE LABOUREUR Group of 7 early etchings.

Lot 25: JEAN-ÉMILE LABOUREUR Group of 7 early etchings.

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Description: JEAN-ÉMILE LABOUREUR Group of 7 early etchings. La Bièvre à Gentilly, 1897. Numbered 6/10 in pencil, lower left * L'Arrosoir, 1902. Second state (of 2) * Les Maisons dans les Dunes, 1906. One of only several proofs. Signed and annotated in pencil, lower margin * Broadway, New York, 1907. Second state (of 2) * Le Bord du Vieux Canal, Nantes, 1903-08. Artist's proof in the second state (of 2). Inscribed "ep. d'artiste" in pencil, lower right * L'Heureux Mendiant, 1909. Artist's proof in the second state (of 2), aside from the edition of 40. Signed and inscribed "ep. d'art" in pencil, lower margin * Sortie de Téâtre à Londres (Remarqué), 1911. Initialed in pencil, lower left. Various sizes and conditions. Laboureur 7, 31, 65, 70, 81, 91 and 104.

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JEAN-ÉMILE LABOUREUR Le Soir dans Chelsea.

Lot 26: JEAN-ÉMILE LABOUREUR Le Soir dans Chelsea.

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Description: JEAN-ÉMILE LABOUREUR Le Soir dans Chelsea. Lithograph on cream laid paper, 1909. 147x101 mm; 5 3/4x4 inches, full margins. Second state (of 3). Edition of only 6. Signed in pencil, lower left. With--Le Gardien des Tanagras, lithograph, 1909. 292x250 mm; 11 1/2x9 3/4 inches, full margins. Second state (of 2). Signed and numbered 5/15 in pencil, lower margin. Both very good impressions of these scarce London lithographs. Laboureur 772 and 770.

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JEAN-ÉMILE LABOUREUR Marchande de Fleurs, Picadilly.

Lot 27: JEAN-ÉMILE LABOUREUR Marchande de Fleurs, Picadilly.

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Description: JEAN-ÉMILE LABOUREUR Marchande de Fleurs, Picadilly. Woodcut on thin wove Japan paper, 1910. 161x180 mm; 6 3/8x7 1/8 inches, full margins. Edition of approximately 21 (from an intended edition of 30). Signed and numbered 3/30 in blue pencil, lower margin. A superb impression of this extremely scarce, early woodcut. We have not found another impression at auction in the past 25 years. Laboureur 645.

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JEAN-ÉMILE LABOUREUR Soho Girl.

Lot 28: JEAN-ÉMILE LABOUREUR Soho Girl.

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Description: JEAN-ÉMILE LABOUREUR Soho Girl. Brush and black ink and watercolor on paper mounted on illustration board, 1909. 163x225 mm; 6 1/2x8 3/4 inches. Signed and dated "London MCMIX" in ink, upper left recto. A study for the same-titled woodcut (Laboureur 644 bis). With--La Boucherie, oil on wood panel, circa 1900. 240x140 mm; 9 1/2x5 1/2 inches. With the artist's "crab" monogram ink stamp, lower right recto and verso (not in Lugt). Likely related to the same-titled woodcut (Laboureur 601).

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JEAN-ÉMILE LABOUREUR Marchandes de Fleurs, Picadilly.

Lot 29: JEAN-ÉMILE LABOUREUR Marchandes de Fleurs, Picadilly.

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Description: JEAN-ÉMILE LABOUREUR Marchandes de Fleurs, Picadilly. Pen and black ink on greenish gray wax-like wove paper, circa 1910. 195x260 mm; 7 3/4x10 1/4 inches. With the artist's "crab" monogram ink stamp, lower right recto (not in Lugt). The same figure at the far right in the drawing also appears in Laboureur's Marchande de Fleurs, woodcut, 1910 (see Laboureur 645).

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JEAN-ÉMILE LABOUREUR Old Bond Street.

Lot 30: JEAN-ÉMILE LABOUREUR Old Bond Street.

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Description: JEAN-ÉMILE LABOUREUR Old Bond Street. Woodcut on Japan paper, 1910. 180x177 mm; 7 1/8x7 inches, full margins. Signed and numbered 1/30 in pencil, lower margin. A very good impression of this extremely scarce woodcut. We have not found another impression at auction in the past 25 years. Laboureur 648.

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JEAN-ÉMILE LABOUREUR Le Promenade.

Lot 31: JEAN-ÉMILE LABOUREUR Le Promenade.

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Description: JEAN-ÉMILE LABOUREUR Le Promenade. Brush and black ink and white gouache on greenish gray wove paper, 1909. 265x180 mm; 10 1/2x7 inches. Signed, dated and inscribed "London" in black ink, lower right recto. There is a similar male figure in profile in Laboureur's Le Promenade Bourgeoise, woodcut, 1910 (see Laboureur 649).

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JEAN-ÉMILE LABOUREUR Promenade à Londres.

Lot 32: JEAN-ÉMILE LABOUREUR Promenade à Londres.

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Description: JEAN-ÉMILE LABOUREUR Promenade à Londres. Brush and ink and watercolor and gouache on light gray wove paper, 1909. 224x180 mm; 8 3/4x7 inches. Signed and dated "London MDMIX" in ink, lower right recto.

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JEAN-ÉMILE LABOUREUR Sur la Tamise.

Lot 33: JEAN-ÉMILE LABOUREUR Sur la Tamise.

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Description: JEAN-ÉMILE LABOUREUR Sur la Tamise. Oil on illustration board, 1913. 455x555 mm; 18x21 3/4 inches. Signed and dated in pencil, lower right recto. This painting relates to another work of the same title, also depicting punters on the Thames around 1913. There is also a woodcut based on this painting (see lot 54).

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JEAN-ÉMILE LABOUREUR La Chatte Blanche.

Lot 34: JEAN-ÉMILE LABOUREUR La Chatte Blanche.

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Description: JEAN-ÉMILE LABOUREUR La Chatte Blanche. Brush and black ink and white gouache on illustration board, 1907. 380x355 mm; 15x14 inches. With the artist's "crab" monogram ink stamp, lower right recto (not in Lugt). This is a study for the same-titled woodcut, 1907 (see Laboureur 628).

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JEAN-ÉMILE LABOUREUR La Gosse aux Cheveux Rouges (Petite Fille au Chat Noir).

Lot 35: JEAN-ÉMILE LABOUREUR La Gosse aux Cheveux Rouges (Petite Fille au Chat Noir).

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Description: JEAN-ÉMILE LABOUREUR La Gosse aux Cheveux Rouges (Petite Fille au Chat Noir). Woodcut on Japan paper, 1910. 146x126 mm; 5 3/4x5 inches, full margins. Signed by the artist with his pseudonym "Algernon St. John Crabe" and numbered 10/25 in pencil, lower left. A superb impression of this extremely scarce woodcut. Laboureur's artistic pseudonym is an expression his Anglophilia. He often signed his works with a crab monogram ink stamp, a play on Algernon St. John Crabe. Laboureur 787.

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JEAN-ÉMILE LABOUREUR Sortie de Théâtre à Londres.

Lot 36: JEAN-ÉMILE LABOUREUR Sortie de Théâtre à Londres.

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Description: JEAN-ÉMILE LABOUREUR Sortie de Théâtre à Londres. Etching, 1911. 155x350 mm; 6 1/8x13 3/4 inches, full margins. Third state (of 3), with the remarqué lower left. Edition of 109. Signed in pencil, lower left. Published for the Société des Amis de l'Eau-forte, Paris, with the Cercle de la Librairie blind stamp (Lugt 438, lower left recto). Laboureur 104.

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JEAN-ÉMILE LABOUREUR Souper à New York.

Lot 37: JEAN-ÉMILE LABOUREUR Souper à New York.

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Description: JEAN-ÉMILE LABOUREUR Souper à New York. Etching, 1907. 152x188 mm; 6x7 3/8 inches, full margins. Edition of approximately only 16. Signed, titled, dated and inscribed "no 9" in pencil, lower margin. A superb impression of this extremely scarce, early etching. Laboureur 67.

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JEAN-ÉMILE LABOUREUR Marché aux Légumes, New York.

Lot 38: JEAN-ÉMILE LABOUREUR Marché aux Légumes, New York.

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Description: JEAN-ÉMILE LABOUREUR Marché aux Légumes, New York. Etching, 1908. 114x142 mm; 4 1/2x5 1/2 inches, full margins. Signed and numbered 20/30 in pencil, lower margin. A very good, dark impression. A view of Washington Market in lower Manhattan, at Washington and Fulton Streets. It began as an open air bazaar in 1812 and was enclosed during the early 1900s. In 1967, the market was razed to make room for the foundation of the World Trade Center. Laboureur 78.

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JEAN-ÉMILE LABOUREUR 25e Rue, New York.

Lot 39: JEAN-ÉMILE LABOUREUR 25e Rue, New York.

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Description: JEAN-ÉMILE LABOUREUR 25e Rue, New York. Etching printed in dark brownish black on cream wove paper, 1907. 190x152 mm; 7 1/2x6 inches, full margins. Second state (of 2), with the drypoint work in the sky upper left. Edition of only approximately 15 lifetime impressions (there were also 8 posthumous impressions printed in 1989). Signed, titled "Coin de rue Sixth Avenue, New York" and inscribed "no. 6" in pencil, lower margin. A superb impression of this extremely scarce, early etching. Laboureur 69.

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JEAN-ÉMILE LABOUREUR Cortlandt Street, New York.

Lot 40: JEAN-ÉMILE LABOUREUR Cortlandt Street, New York.

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Description: JEAN-ÉMILE LABOUREUR Cortlandt Street, New York. Etching, 2 impressions, 1908. Both 260x140 mm; 10 1/4x5 1/2 inches, full margins. Both in the second state (of 2). One signed, dedicated and numbered 11/30 in pencil, lower left; the other signed in pencil, lower right. Both very good impressions. Laboureur 75.

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JEAN-ÉMILE LABOUREUR New York Stock Exchange.

Lot 41: JEAN-ÉMILE LABOUREUR New York Stock Exchange.

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Description: JEAN-ÉMILE LABOUREUR New York Stock Exchange. Etching, 3 impressions, 1910. Two in the first state (of 2); one in the second state (of 2). The first 2 an edition of only 4, both signed, annotated and numbered in pencil; the last one signed and numbered 8/35 in pencil, lower margin. Various sizes and conditions. Very good impressions. Laboureur 92.

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JEAN-ÉMILE LABOUREUR Skyscraper en Construction, New York.

Lot 42: JEAN-ÉMILE LABOUREUR Skyscraper en Construction, New York.

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Description: JEAN-ÉMILE LABOUREUR Skyscraper en Construction, New York. Etching, 1910. 299x188 mm; 11 3/4x7 1/2 inches, wide margins. Second state (of 3). Signed in pencil, lower left. A very good, early impression of this extremely scarce etching. A view across Fifth Avenue and Broadway in New York, toward Madison Square Park and the contruction of the Metropolitan Life Insurance Company Tower, built in 1909. It was the world's tallest building for 3 years, until 1913, when it was surpassed by the Woolworth Building. Laboureur 93.

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JEAN-ÉMILE LABOUREUR Sur le Quai à Istanbul.

Lot 43: JEAN-ÉMILE LABOUREUR Sur le Quai à Istanbul.

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Description: JEAN-ÉMILE LABOUREUR Sur le Quai à Istanbul. Watercolor on cream wove paper, 1909. 222x153 mm; 8 3/4x6 inches. Signed, titled and dated in ink, lower right recto.

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JEAN-ÉMILE LABOUREUR Paysage Mediteranée.

Lot 44: JEAN-ÉMILE LABOUREUR Paysage Mediteranée.

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Description: JEAN-ÉMILE LABOUREUR Paysage Mediteranée. Watercolor on cream wove paper, 1910. 167x260 mm; 6 5/8x10 1/4 inches. Signed, indistinctly titled and dated "Mars 1910" in ink, lower right recto. Laboureur traveled to Turkey and Greece from January to March, 1910.

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JEAN-ÉMILE LABOUREUR Paysage Grecque.

Lot 45: JEAN-ÉMILE LABOUREUR Paysage Grecque.

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Description: JEAN-ÉMILE LABOUREUR Paysage Grecque. Watercolor and gouache on cream wove paper, 1910. 170x203 mm; 6 3/4x8 inches. Signed and dated in ink, upper right recto.

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JEAN-ÉMILE LABOUREUR Instantanés.

Lot 46: JEAN-ÉMILE LABOUREUR Instantanés.

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Description: JEAN-ÉMILE LABOUREUR Instantanés. Portfolio with 6 woodcuts printed in black on various color grounds, 1911. 330x252 mm; 13x10 inches (sheets), full margins, loose as issued. Each woodcut signed and numbered 27/40 in pencil, lower margin. Original printed paper wrappers. Very good impressions of these scarce woodcuts with strong colors. Laboureur 655, 1-6.

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JEAN-ÉMILE LABOUREUR Le Miroir Ovale.

Lot 47: JEAN-ÉMILE LABOUREUR Le Miroir Ovale.

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Description: JEAN-ÉMILE LABOUREUR Le Miroir Ovale. Color woodcut printed in tan and black on cream wove Japan paper, 1911. 150x125 mm; 6x5 inches, full margins. Signed and numbered 23/25 in pencil, lower left. A superb impression. Laboureur 656.

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JEAN-ÉMILE LABOUREUR Sur le Remblai.

Lot 48: JEAN-ÉMILE LABOUREUR Sur le Remblai.

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Description: JEAN-ÉMILE LABOUREUR Sur le Remblai. Woodcut on Japan paper, 1912. 250x150 mm; 9 7/8x6 inches, wide margins. Artist's proof, aside from the edition of 35. Signed and inscribed "essai" in pencil, lower left. A very good impression of this extremely scarce woodcut. We have found only one other impression at auction in the past 25 years. Laboureur 667.

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JEAN-ÉMILE LABOUREUR La Lecture Interrompue.

Lot 49: JEAN-ÉMILE LABOUREUR La Lecture Interrompue.

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Description: JEAN-ÉMILE LABOUREUR La Lecture Interrompue. Woodcut, 1912. 269x175 mm; 10 1/2x7 inches, full margins. Edition of 35. Signed in pencil, lower left. A very good, well-inked impression of this scarce woodcut. Laboureur 674.

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JEAN-ÉMILE LABOUREUR Éventail à la Marchande de Fleurs.

Lot 50: JEAN-ÉMILE LABOUREUR Éventail à la Marchande de Fleurs.

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Description: JEAN-ÉMILE LABOUREUR Éventail à la Marchande de Fleurs. Brush and black ink over pencil and red crayon drawing; woodcut with hand coloring in watercolor; and woodcut on Japan paper (3 works total), 1912. Image approximately 335x102 mm; 13 1/4x4 inches, full margins on each. Both woodcuts in the first state (of 2), with the lamp post upper left behind the woman. The woodcut with hand coloring signed in ink, lower left; the woodcut on Japan paper signed and annotated in pencil, lower margin. Very good impressions, extremely scarce. Laboureur 680.

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